Hi Johan and all,
this reminds me of an idea I had quite some time ago:
A program like MuseScore might import lilypond either by a stream,
created by lilypond, or via module calls made by a scheme-module which
makes use of the musescores API.
Now this is just an idea for the archives (who knows,
Am 20.03.2014 00:18, schrieb Kieren MacMillan:
In my opinion, here — in order of importance — are the things we need to make
established houses sit up and take notice:
1. Flawless MusicXML import and export.
2. Better “pixel-level” control of objects.
3. A finely-tuned stylesheet system.
Hi Urs and Janek,
congratulations!
This will be recognized outside the oss-lilypond-world!
For now, best wishes for friday,
Best, Jan-Peter
Am 11.03.2014 12:07, schrieb Urs Liska:
Our edition of Oskar Fried's songs was elected BEST EDITION 2014 by
the German Music Publishers' Association,
Hi Simon,
you can simply use column:
\override #'(baseline-skip . 0)
\column \table-of-contents
(or left-column) and before that you can override line-width as needed.
HTH, Jan-Peter
Am 10.03.2014 14:52, schrieb Simon Albrecht:
Hello,
is there any possibility to include \markuplist
Hi Kevin,
Am 07.03.2014 08:40, schrieb Kevin Tough:
What application/software is used on linux to play the generated midi
file. I have tried Movie Player, Tux Guitar, KGuitar and they all are
missing components or crash.
you might need to install a soundfont. For example fluid-soundfont-gm.
Hi Kieren,
I added a function editionMMod, which takes a list of positions.
Function name and argument order should be chenged ...
For now, the position-list replaces measure and moment.
So
\editionMod FTE-vocalbook 5 0/4 FTE-vocalbook-A.Score.A \break
should be equal to
\editionMMod
On 28.02.2014 09:43, David Kastrup wrote:
Although my 3½ year old daughter has had several bouts of
“day-care-itis” — and my wife picked it up several times — I’ve
fortunately avoided all sickness this season.
Well, as long as it isn't the six-legged variant of day-care-itis...
;)
Hi Kieren,
On 28.02.2014 02:53, Kieren MacMillan wrote:
Although my 3½ year old daughter has had several bouts of
“day-care-itis” — and my wife picked it up several times — I’ve
fortunately avoided all sickness this season.
Best wishes, that it stays that way and that your wife is not
Hi Kieren,
Am 28.02.14 17:01, schrieb Kieren MacMillan:
Hi again,
Any explanation for why
\editionMod edition-engraver-name 2 1/4 edition-name.Staff.A \break
I thought, it should work also in the Staff context.
But it should at least work, if you address the Score context.
\editionMod
Hi Kieren,
sorry, I missed to mention the zero-based counting. We will propably
find more of those black spots ... you are the first one, with whom I
talk about using it ;)
Well, fever is decending and I will have a cup of hot tea and some aspirin.
In my first versions, I used one-based
Hi Kieren,
Am 27.02.2014 04:44, schrieb Kieren MacMillan:
Hi Jan-Peter,
...
Are you interested in taking up that challenge? =)
yes, I am :)
And I will answer more , when I left all infections behind, which my
children brought from school and kindergarten ...
I would love a dead-simple,
Hello,
I have a questions: Why are the hyphens between the syllables sysllables
by itself with a text of -?
I don't know, if this actually looks like you wish, but I think, you
will come closer, if you use hyphens and melismata (see attached)
HTH
Jan-Peter
On 24.02.2014 05:53, Antara-Prabhat
Hi Martin,
I know scorio and talked to the developers at musicfair (Musikmesse)
2011 in Frankfurt (am Rhein, Germany). They do in fact use lilypond. But
AFAICS they do not violate the GPL, because lilypond is not selled, just
there service of engraving on scorios servers - or better, the
Am 20.02.2014 08:20, schrieb Martin Tarenskeen:
Then at least I would say it would be more *gentleman-like* if they at
least would mention LilyPond prominently on their website.
+1
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Am 01.02.14 15:07, schrieb David Kastrup:
Try upgrading LilyPond. Current versions get this right. You'll also
need to remove the bar checks at the end of the alternatives as they are
_not_ placed on a proper bar boundary.
do they?
If I compile this example with 2.18 (after using
On 01.02.2014 15:37, David Kastrup wrote:
2.19.0 captures the timing at the start of the first alternative and
restores it at the end of each alternative (issue 355 in the tracker).
Obviously, that's not a good idea at the end of the last alternative.
2.19.1 fixes that (issue 3792 in the
Hi Vaughan,
if global is a music-function calling autopan, it will evaluate it
everytime. If global is a variable, its value is set, once it is assigned.
So if you have to wrap it in music-function. If you always have a
variable global containing all you need, you can wrap that in a function:
the order autopan
is called.
It might be a good idea to either use a performer (engraver in midi
context) and/or to track context id's, so that each context is counted once.
HTH, Jan-Peter
On 27.01.2014 15:15, David Kastrup wrote:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Vaughan,
if global
On 27.01.2014 16:54, David Kastrup wrote:
autopan =
#(define-scheme-function (parser location)()
Why define-scheme-function when returning music?
Perhaps this function had another meaning in the first place?
I overlooked this, when injecting my ApplyContext lines.
(begin
(set!
On 27.01.2014 20:51, David Kastrup wrote:
What about a closure?
Won't be able to distinguish being called another time from the same
output (\layout, \midi, \musicxml (this one's hypothetical yet),
\addQuote...) or the next one.
of course not ... I see Vaughans idea as a first draft ... and
Hello,
yesterday I wrote about your variables, using the melody for lyrics,
for example \sopranoVoiceI instead of \verseSopranoVoiceI
\partial and rests in a Lyrics context lead to unexpectable(?) behaviour.
I came on something else, which does not affect your file, but I just
want to note it
Hi MING TSANG,
I think, there is just a typo. You give \sopranoVoiceI as last argument
lyrics to the rehaersalMidi function. But that is the melody.
\verseSopranoVoiceI are the lyrics.
I changed that and the barcheck erros disappeared.
HTH
Jan-Peter
On 23.01.2014 16:08, MING TSANG wrote:
1- I
Hi list,
I use xelatex (with fontspec to synchronize fonts with lilypond-pango)
to create text-pages in my lilypond files. This is working quite well
(for my needs), but with the update to 2.18, the styles of the century
schoolbook font are lost. If I (don't remove and) compile the created
Hi Keith,
Am 21.01.2014 05:56, schrieb Keith OHara:
There is, of course, the simultaneous music construction with
music = \global
{ s1*4 s8 s8
\once\override Score.RehearsalMark #'X-offset = #-1
\mark A }
{ s1*11 \mark12 }
{ s1*29 \mark30 }
Hi Kieren,
Am 16.01.2014 03:16, schrieb Kieren MacMillan:
1. What — if any — drawbacks are there?
- if you use it without any template mechanism, you have to assign
proper edition-engraver id-paths - I can't say, what that means in
production.
- right now it is just ripped out of my working
So the tex-template doesn't suit (well) other environments then mine.
Another thing I have to look at is: I use system to call the xelatex
process. It might be better to use execp or exece.
I'll investigate.
It should be possible to use pandoc in the same manner. Pandoc can make
use of
-Peter Voigt wrote:
Hi Kieren and all,
I use an engraver for this task, that looks for overrides, sets and
clefs at the current measure (of the context consisting this engraver)
and at the current moment inside this measure. So this is a little bit
different from your example in that it listens
Hi Kieren,
I have extracted the latex-markup commands. At the end of the file is a
little example.
There are three ways to produce the latex source:
1. use a markup-list, which is converted with markup-tex: \xelatex { ... }
2. include a file with tex-content: \xelatexInclude #filename
3. use a
On Wed, Jan 15, 2014 at 4:12 PM, Jan-Peter Voigt jp.vo...@gmx.de
mailto:jp.vo...@gmx.de wrote:
Hi Kieren,
I have extracted the latex-markup commands. At the end of the file is a
little example.
There are three ways to produce the latex source:
1. use a markup-list
Am 06.01.2014 13:37, schrieb Kieren MacMillan:
Just in case it helps anyone else, here’s a little snippet I made up to
generate the standard staff sizes (as per Gould p. 483).
Thank you :)
... and a happy new year!
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Hi Kieren,
I usually use [xe]latex, to produce the text needed for a preface or
foreword. That way I can use latex input with its own commands - in this
case: \twocolumn - and use hyphenation.
It is integrated in https://github.com/jpvoigt/lalily (latex.scm,
latex-init.scm). If you are
Hi Kieren,
I did a lot of choral pieces. In November there was a public performance
of Der einhundertvierte Psalm of Engelhard Barthe (1906-1977,
musician at St.Katharinen in Hamburg, Germany, until destruction in
world war II) in Hamburg, where I produced (co-working with Barthe's
family) all
Hi Kieren,
this is how I might do it:
use combine to place the number above the title line, so it doesn't
disturb its centering.
%%%
\version 2.17.29
\paper {
bookTitleMarkup = \markup \fill-line { \abs-fontsize #18 \fromproperty
#'header:title }
scoreTitleMarkup = \markup \center-column {
Hi Tom,
Am 09.12.2013 14:05, schrieb Tom van der Hoeven:
\override NonMusicalPaperColumn #'line-break-permission = #'force
\override NonMusicalPaperColumn #'page-break-permission = #'allow
this solves the problem, but is is strange that
\override NonMusicalPaperColumn
Hi Urs and all,
I really have to document, what I did with my packages and what ideas
are behind them. It would need /some/ way to make them a public usable
product, meaning, it has to be documented and a little bit
restructured, but it has a lot of the mentioned features.
So I try to summarize
Am 04.12.2013 14:58, schrieb Urs Liska:
Hi,
next helpless question: what Scheme type is the location argument used
for Scheme functions?
(write)ing location gives
Hi, its:
ly:input-location?
HTH
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Am 04.12.2013 15:04, schrieb Urs Liska:
Hi, its:
ly:input-location?
HTH
Unfortunately not (TH).
This is what redirects me to
Input *
unsmob_input (SCM s)
{
if (SCM_IMP (s))
return 0;
if (SCM_CAR (s) == (SCM)input_tag) // ugh.
return (Input *) SCM_CDR (s);
else
Am 04.12.2013 17:01, schrieb Urs Liska:
My \annotate function should also store the position in the score (to
print that out and to sort by it).
So when I use the function in the input file it should store location
elements and current measure and measure position in several variables.
so yout
Hi Urs,
Am 03.12.2013 11:12, schrieb Urs Liska:
OK, trying to digest this.
Do I get this right when I say:
- write a function annotate to be used in the main input file.
This function saves some information (say location plus a comment) to
an internal
structure that is defined
Hello all,
I am used to this topic. And I made up my own tool, which is working for
me, but should be called experimental.
I always hesitate to post my github link, because its not well
formed/documented and a mixup of totally different things ...
but there is one engraver, which actually deals
Am 26.11.2013 11:31, schrieb Jan Nieuwenhuizen:
Sure. For that reason, I consider much of the time spent on tweaking
and tweaking tools a waste of lifetime better spent on trying to get the
automatisms right. Of course, that option is harder and requires
different resources. But it only
Am 26.11.2013 14:28, schrieb Urs Liska:
In what way do you consider it experimental?
I don't like the current way of addressing the contexts. I still have to
first look in the created *.edition.log file, to see, under which path
the context is addressed. This is OK for me, but I don't know, how
Am 26.11.2013 14:41, schrieb Carl Sorensen:
In my former answer to Urs' post, I talked about the engraver I
use. Here's the idea behind it again:
- I have my music stored, to recall it when I actually engrave it.
- I want to be able to say: Modify item x in measure n on moment m with
Am 26.11.2013 15:04, schrieb Jan-Peter Voigt:
and right docs sooon
I meant write docs soon ...
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Hi Kieren,
On 26.11.2013 15:38, Kieren MacMillan wrote:
As someone who is experimenting with polymetric music (i.e., with non-aligned
bar lines), please consider — and try to handle gracefully — such situations.
(That is to say, “measure-moment-context” must be Voice-, or at least Staff-,
Hi,
the break happens in the middle of a measure. The break is possible
here, because there is an implicit repeat barline. To let the barnumber
show up, you can do an override at the next barline.
Am 26.11.2013 20:32, schrieb Patrick or Cynthia Karl:
Even though the default is for bar
Hi Janek,
this looks really great. I use some shortcuts, wrapping \shape, in my
typesettings - this might move it foreward a lot!
And probably I have an idea.
Best, Jan-Peter
Am 25.11.2013 01:42, schrieb Janek Warchoł:
Hi all,
I'm proud to announce the beginning of a new era in tweaking
Am 18.11.2013 12:31, schrieb Janek Warchoł:
Accidentals look good, but they spacing won't improve as this is using
extra-offset :-(
Hi guys,
this is just a short try: the lowest cautionary is slightly moved down
and *important* the Y-extent of the middle cautionary is tweaked. This
way, the
Hi Kevin,
you can make it a bit easier, if you enter the markup in a #{#} construct:
%%
#(define-markup-command (extender layout props) ()
#:properties ((xLength 4))
(interpret-markup layout props
#{
\markup \concat {
V
Hi Urs,
there is a snippet in LSR:
http://lsr.dsi.unimi.it/LSR/Item?id=336
which did this for a long time. To me it seems, that finale learned from
lilypond ;)
I adapted it and integrated it in my own always-to-load-extensions and
use it in all my choral transcriptions.
Best, Jan-Peter
Am
Hi Joseph,
Am 14.11.2013 14:45, schrieb Joseph Rushton Wakeling:
Please note that multi-measure rests are not automatically combined.
there is an update of this snippet in the mail archives and I will post
my version later.
In addition, it hardly matches the ease of the Sibelius/Finale
Hello all,
I didn't follow the discussions about temporary and push-+-pop. Is there
a simple explanation for the indroduction of \temporary? Why does
\override-\revert now has to be \temporary\override-\revert?
AFAICS it was introduced sometime in the 2.17 development and it will be
for better
ah, thank you, now I see. I didn't ran into this before or probably just
wondered, why it doesn't work as I expected and then did something else.
Best, Jan-Peter
Am 06.11.2013 10:33, schrieb David Kastrup:
If you use \override/\revert as previously, the behavior will be as
previously: any
Aha, thank you! I wasn't aware of this before.
Best, Jan-Peter
Am 06.11.2013 10:29, schrieb Urs Liska:
\override and \revert a property will result in the default value of
that property
\temporary\override and \revert will result in the value the property
had before the override, but not
Hello Joseph,
I see, you just came up with your own solution. Just one thought:
transpose is defined as a function with three arguments, pitch A and B
and the music to transpose. I don't know if it is a problem. To avoid it
you might use a function like this one:
transpose =
Hi all,
while I am not that active with lilypond these days (distracted from
family and work ;) ), I'd like to be ...
just my opinion on this topic:
How can lilypond create the publication-quality slurs I or whoever wants?
Yes, of course there is always room for making it better ... but IMO we
Hi Jan,
AFAICS its not possible to get the context from a grob. It only points
to the originating music-expression, which might be used in several
contexts.
You can get the current context-id, whenever you have a context, like in
an engraver or in an applyContext statement:
--snip--
% find a
Hello Alexander,
the \drums command implicitly creates a new DrumStaff, so I recommend
using \drummode for this purpose.
If you have basic patterns, which shall receive random ties, you can
create SimultaneousMusic with a construct and overlay the patterns
with the needed ties:
--snip--
Hi Harm,
this seems to be tricky, because the corresponding engraver seems to
look for strings containig '~'. So a markup would have to be split ... a
custom engraver might do it ...
If the syllable is not a string, but a markup containing a string,
containing ~, then put the right stencil in
Am 27.09.2013 11:42, schrieb David Kastrup:
Check the definition of \tied-lyrics in scm/define-markup-commands.scm
... so its easy ...
\markup { \italic \tied-lyric #foo~ bar }
and the documentation doesn't need improvement (IMO)
http://www.lilypond.org/doc/v2.16/Documentation/notation/music
Hi Steve,
if LilyPond.app is installed (copied) into /Applications/, you can
call convert-ly directly from the console:
/Applications/LilyPond.app/Contents/Resources/bin/convert-ly
or you add
/Applications/LilyPond.app/Contents/Resources/bin/
to your search PATH.
HTH
Cheers, Jan-Peter
Am
Hello out there,
I am not able to take the journey, though I'd like to.
But are there possibilities to join in via skype, google or some webrtc
link?
Cheers, Jan-Peter
Am 14.09.13 13:36, schrieb David Kastrup:
This is a reminder that next weekend, Sept 20th to 24th, there will be a
LilyPond
interesting ...
markup \char ##x7e
works for 2.16.2.
HTH
Jan-Peter
Am 20.08.2013 10:15, schrieb Mark Polesky:
I know it's an odd request, but what if I actually want
the ~ character to print in lyrics? None of these work:
~
'~'
\~
#~
##\~
#(string #\~)
Thanks.
- Mark
Hi Jethro,
you can use \override #'(baseline-skip . 0) \center-column {} to change
the spacing.
HTH Jan-Peter
Am 15.08.2013 16:39, schrieb Jethro Van Thuyne:
'm trying to reduce the line width in a custom header template,
having several lines combined in \center-column. I tried using
the
standard - IMHO this is a good
thing - it is an open standard and lilypond might use any SMuFL
compliant font.
And that we don't forget it ;) musicXML export would also open lilypond
for other uses.
Jan-Peter Voigt
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Am 08.08.2013 14:09, schrieb David Kastrup:
Well, if enough people only slightly overstep a line, it will disappear.
I think it would make sense to expand on most followup thoughts in our
own blog, once they can't be expected to be of much interest to Daniel.
While he will be able to answer
I'm not that surprised.
During the last few years I became something nerd-like. After beeing a
Mac-User for a long time, I now only use Ubuntu or Debian and all its
related tools for my everyday work.
So for me using lilypond is a quite natural thing and I am getting
better and quicker using
Am 08.08.2013 14:02, schrieb Richard Shann:
On Thu, 08 Aug 2013 12:06:36 +0200
Jan-Peter Voigt jp.vo...@gmx.de wrote:
If I import some musicXML the virtual instruments sound
much better than the standard midi output of either timidity or
mac-quicktime.
Isn't this just a question of which
Am 02.08.2013 19:15, schrieb David Kastrup:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi,
Kieren reported inconsistent sizes depending on how the
absolute font size was arrived at.
Particularly when I used e.g., #(set-global-staff-size 25.5)
Do you have a complete example
Am 01.08.2013 15:40, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
grob-interpret-markup and interpret-markup inside a normal markup,
they exactly match-
- If you do
Hi Urs,
isn't the layer grob property what you want?
This is what I use to interrupt ties (or slurs) if they collide with a
time signature:
% to have the time sig behind the staff symbol
\override Staff.TimeSignature #'layer = #-5
% whiteout anything behind the time sig
\override
Am 01.08.2013 11:07, schrieb Jan-Peter Voigt:
isn't the layer grob property what you want?
no, it isn't ...
but if one comes up with the right pdfmark ps command, there has to be a
check of this layer property to avoid inconsistent lily- and pdf-layers.
Best, Jan-Peter
Am 01.08.2013 15:01, schrieb Urs Liska:
I could imagine declaring a specific lilypond layer as a pdf layer at the top
of the file and later look for elements of this layer.
That way I would be responsible myself and by default there wouldn't be any
matching inconcistencies.
Something like
... maybe this is related to this issue:
https://codereview.appspot.com/12242043/
Am 01.08.2013 15:21, schrieb Jan-Peter Voigt:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
grob-interpret-markup and interpret-markup inside
I will try later
That's what a quick googling showed up for me too.
Cheers, jp
Am 01.08.2013 um 15:40 schrieb David Kastrup d...@gnu.org:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
Hi David, you gave at least two essential clues/hints and the result wouldn't
be there now without them - so I would not call it a wrong direction.
Cheers, Jan-Peter
Am 29.07.2013 um 17:14 schrieb David Kastrup d...@gnu.org:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi
Hello David,
thanks for your hint :)
Hello Kieren,
how do you like this solution?
It uses an engraver which acknowledges text-interface and font-interface
(maybe we only need font-interface)
and then wraps found markups in 'text and 'long-text (for InstrumentName
grob) in (markup
Thank you again, David ... nice ...
one more question: The symbol list is meant for (list /interface/
/property/)?
I still use (ly:grob-set-property! grob sym val) and catch interface and
property with car and cadr respectivly. Or is there another way/use in 2.17?
Cheers, Jan-Peter
Am
Hi Kieren,
now I am looking at this feature request and maybe have an idea ...
later more on that.
Your snippet here fails, because the InstrumentName grob has two
properties 'long-text and 'text, which may or may not be set. The 'text
property is only set, when you define a
Hi Kieren and list,
now I tried to add a feature to ly:grob-interpret-markup - this is
working for instrumentName, but not for TextScript.
So one has to look into text-interface.cc ... AFAICS
But before using a property 'font-size-mode (or whatever you name it),
would'nt it might be more
be calculated as needed based
on the grob-layout-settings. Then the lambda could be hidden in a
scheme-function, so it might look like
\override TextScript #'font-size = \absolute 30
Best, Jan-Peter
Am 22.07.2013 11:49, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren and list
On 22.07.2013 12:31, David Kastrup wrote:
Jan-Peter Voigt jp.vo...@gmx.de writes:
as one can read in
http://www.lilypond.org/doc/v2.17/Documentation/extending/callback-functions.html
you can use callback-functions on /all/ grob-properties ...
so why doesn't this work?
\override TextScript
On 22.07.2013 12:31, David Kastrup wrote:
The settings of font-interface and text-interface become part of the
props alist list for markup interpretation. At the time a markup is
interpreted, no information about a possibly responsible grob is
available, so no callbacks can be executed.
OK, so
Hi there,
I am not at home ... so here is not a solution, but here is a little
snippet, that includes two functions, that may be helpful:
\version 2.16.1
musA = \relative c'' {
bes4 a c b
}
musB = #(music-map
(lambda (m)
(let* ((mus m)
(dur (ly:music-property mus 'duration)))
(if
OK, sorry ... I missed the point, you want pattern generation ;)
--snip--
#(use-modules (srfi srfi-60))
#(define-public pattern
(define-music-function (parser location n pitch dur)
(integer? ly:pitch? ly:duration?)
(let ((l (list)))
(define (pat i)
(if ( i n)
(append (pat (* 2 i))
Hi Gerard,
isn't
\Some -- day\,
what you want?
HTH
Cheers, Jan-Peter
Am 20.06.2013 10:26, schrieb Gerard McConnell:
Hello, the following:
\Some -- day\,
produces:
syntax error, unexpected ','
and \Some -- day,\ gets Some-day,
however the result I want is: Some-day,
What
Hi Paul,
Am 17.05.2013 09:45, schrieb Paul Malcolm:
excuse me, just a trivial question, but I cannot seem to find the answer.
I want to add the date variable to one element of text in my title.
I have this in the preamble
date = #(strftime %d-%m-%Y (localtime (current-time)))
What I want to
Hi Urs,
the order of the arguments changed in 2.17:
\shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) Slur
should work. The second argument now also may be music, so that you can
use in a tweak fashion:
c-\shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) ( d)
HTH
best,
Jan-Peter
Am 24.04.2013 10:57, schrieb
Am 23.04.2013 10:09, schrieb David Kastrup:
Phil Holmes m...@philholmes.net writes:
- Original Message -
From: Urs Liska u...@openlilylib.org
To: lilypond-user@gnu.org
Sent: Monday, April 22, 2013 9:09 PM
Subject: Finale and Sibelius files
could somebody be so kind and send me Finale
Hi Ryan,
like Frederico mentioned, you don't need more than damn small linux,
lilypond and frescobaldi.
But one thing, I would like to ask in this context is, what would it
mean, to set up a repository - in ubuntu it probably would be a PPA on
launchpad - where you can install the current
Hello Peter,
you can use a Dynamics context in the middle of the PianoStaff:
\new PianoStaff
\new Staff = RH \relative c' { c8 d e f g a bes b | c1 }
\new Dynamics = dyn { s1\p\ s1\f }
\new Staff = LH \relative c { \clef bass c8 d e f g a bes b | c1 }
HTH,
Jan-Peter
Am 22.04.2013 17:54,
Hello Alberto,
the change was introduced in 2.13 or 2.15(?).
If you remove the dollar signs inside the scheme expression ($nom -
nom) (but not inside the lily code $mus), it should work:
#{
\set Score.measurePosition = #(ly:make-moment (- nom) den)
$mus
#}
HTH
Jan-Peter
Am 10.04.2013 14:50,
Hello Harm,
I don't have a solution, but I found, that not-first-page is not defined
in the global space. You can't access it with $(display not-first-page).
If you (re-)define a procedure #(define (not-first-page layout props
arg) (interpret-markup layout props arg)) the example compiles.
So
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b \applyContext #(lambda (context) (if cond
(ly:context-mod-apply! context mod))) c a f d c1
}
Am 27.02.2013 12:45, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b
Hello Urs,
On 14.02.2013 20:50, Urs Liska wrote:
Hi list,
maybe it's an academic question, but maybe it also triggers the
curiosity of some Scheme-hackers ;-)
I wouldn't call it academic - if want to build some kind of workflow,
you will face the need for creating several pdfs from one
Am 15.02.2013 11:40, schrieb Urs Liska:
After a few test I have one further question.
I managed to tweak your functions to my needs (i.e. make it _less_
generic, because I need it for a specific purpose).
Attached you'll find my version of the function with example.
I created a function that
))
)) ; close let *and* define-void-function
Am 15.02.2013 12:50, schrieb Urs Liska:
Am 15.02.2013 12:39, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am 15.02.2013 12:18, schrieb Jan-Peter Voigt:
Am 15.02.2013 11:40, schrieb Urs Liska:
You can create an adhoc-book in scheme
o dear, thunderbirds always destroys any formatting done in frescobaldi ...
here my working example as an attachment.
Am 15.02.2013 13:01, schrieb Jan-Peter Voigt:
OK, copypaste lost a paren ... but not in the let-line, but in the
end of the whole function.
let opens a new scope, so you start
Hello lists,
I am trying to get cued lyrics. There has been a mail of Rainhold
Kainhofer:
http://lilypond.1069038.n5.nabble.com/Obtaining-the-current-staff-s-context-id-from-withing-a-voice-td115463.html
I can fetch the cueVoices parental Staff-ContextId ... see attached file
... but now I
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