se.
>>
>> Does anyone else feel this way? If not then it's moot but I am
>> beginning to regret being on the list.
>>
>> --
>> Jay Hamilton
>> Sound & Silence
>> www.soundand.com [1]
>> 206-328-7694
>>
>> ___
I don't understand why the acciaccatura note is before the time
signature in the third measure of this example
\version "2.18.2"
\header {
title = "acciaccatura test"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(basel
After trials and tribulations and a great deal of help from many of you
I finished the score to my opera The Map in 2012.
www.themaptheopera.com
On the 21st of March a performance (to garner more support for a full
production) of 5 scenes is Happening.
Thanks for the aid- truly
Jay
--
I've not figured out how to (if it's possible) get a skip for 12 bars in
5/8
version 2.18.2
I tried skipping 15
R1*15 which should have equalled the 60 beats but that was too many
skipped bars, R1*10 got closer but still 5-8ths long and naturally 9
would be short.
So is there a way to do
On Wed, Feb 11, 2015 at 11:16 AM, Jay Hamilton i...@soundand.com
wrote:
I've not figured out how to (if it's possible) get a skip for 12 bars
in 5/8
version 2.18.2
I tried skipping 15
R1*15 which should have equalled the 60 beats but that was too many
skipped
bars, R1*10 got closer but still 5-8ths
I'm feeling really stupid because I can't find this information (and I
know it's there) in the manuals either online or in the pdfs.
basically just want to hold the bars to 6 per line and yes I know I can
do this manually but would like to see the appearance if done
automatically.
Thanks in
.
Jay
Message: 2
Date: Sat, 20 Dec 2014 21:30:51 -0800
From: Mark Stephen Mrotek carsonm...@ca.rr.com
To: 'Jay Hamilton' i...@soundand.com, 'Lilypond User'
lilypond-user@gnu.org
Subject: RE: Re; Volta problem
Message-ID: 000901d01cdf$493ddc60$dbb99520$@ca.rr.com
Content-Type: text
Thank you for the solution and explanation.
This is something I wouldn't know how to notice in the manuals or even
to look for.
Best
Jay
--
Thanks for reading
blogs at
https://learnivore.com/users/music#
www.soundand.com
www.themaptheopera.com
Jay
Hello
Where in the manual(s) is the alignment for bar numbers below staff? I
found the engrave details but nothing (that I could find with my limited
wisdom) refers to putting them below the staff.
Thanks
Jay
BTW gang my opera The Map which was completely set and somewhat
composed with lily
I'm resetting a cello part for a student everything works except the
last 3 measures.
The 1st ending should be after the tied g2. ~ g and it's not. What have
I got wrong? I've always hated this 'volta' thing I wish one could just
somehow put these endings in with \markup because I'm not
On 2013-08-09 07:34, Phil Holmes wrote:
- Original Message - From: i...@soundand.com
To: lilypond-user@gnu.org
Sent: Friday, August 09, 2013 3:25 PM
Subject: I don't understand how to get a png file in lilypond
Hi- I was hoping to understand how to get PNG or something I could
use in
Thank you
whew
Jay
On 2013-07-30 20:52, bobr...@centrum.is wrote:
Jay,
The simple answer is; No, LilyPond will not run on a tablet. There
are, however, workarounds. One is the method Guy Stalnaker described
using Textastic for editing and DropBox as a repository. The
advantage to that
--
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Is there a 'simple' way to get a fermata over the breathe comma? I.E. I
suspect that using an s32 might MIGHT work but then in compiling lily
thinks the measure count is all screwed up.
Thanks
Jay
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
://lists.gnu.org/mailman/listinfo/lilypond-user
--
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.
--
Phil Holmes
- Original Message -
*From:* Jay Hamilton i...@soundand.com
*To:* Phil Holmes m...@philholmes.net ; lilypond user
grouplilypond-user@gnu.org
*Sent:* Sunday, December 23, 2012 5:04 PM
*Subject:* Re: installing 2.16 and keeping 2.14?
Ok I can put it in a different
Thanks it's interesting because I tried to find the index page in the manual and couldn't and typing in 'page number ' in the search box didn't return what I needed.So thanks for both linksJaySent from my BlackBerry® PlayBookâ¢www.blackberry.comFrom: "Paul Morris" p...@paulwmorris.comTo:
{ \tiny \override #'(baseline-skip . 0.5)
\center-column
{ CC lic 2.5 some rights reserved Jay Hamilton 2012
see http://creativecommons.org/licenses/by-nd/2.5/;
} }
}
#(ly:set-option 'delete-intermediate-files #t)
#(set-default-paper-size letter 'landscape)
#(set-global-staff-size 30)
\paper
{
indent
Wow, I can even understand this, now.
Thanks
Jay
On Fri, Oct 26, 2012 at 3:37 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi Jay,
2012/10/26 Jay Hamilton i...@soundand.com:
David-
When I tried to use the solutions suggested nothing happened, no log
report
nada. That's
few iterations, it's just changed.
Jay
On Wed, Oct 24, 2012 at 2:14 PM, Janek Warchoł janek.lilyp...@gmail.comwrote:
Hi,
On Wed, Oct 24, 2012 at 9:16 PM, i...@soundand.com wrote:
Hello
using version 2.14.1 [...]
please try latest stable version (2.16.0).
best,
Janek
--
Jay
to compile.
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{
\context {
\Score
\remove Bar_number_engraver
}
}
Toine
--
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? but when they
were included they showed up as errors.
Also the entire layout section was shown to be error. even just
\layout { }
Hope it's something simple.
Jay
\version 2.14.1
\header {
title = Midaral
composer = Jay Hamilton
copyright = \markup { \tiny \override
THis is s great, thank you very much.
Jay
On Sat, Aug 25, 2012 at 9:00 AM, lilypond-user-requ...@gnu.org wrote:
Re: 2.16.0 PDF portfolio of documentation
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
___
lilypond-user
)
These are small small concerns the major fix you have given me. Much
appreciated.
Back to composing.
Jay
On Sat, Jun 30, 2012 at 4:21 AM, David Nalesnik david.nales...@gmail.comwrote:
Hi Jay,
On Fri, Jun 29, 2012 at 11:17 PM, wjm mooney...@aim.com wrote:
On 30/06/12 15:45, Jay Hamilton wrote:
I
margins don't do anything.
Thanks
Jay
++
\version 2.14.1
\header {
title = The Map
subtitle = Theme 14 I wish to see the future
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ CC lic 2.5 some rights reserved Jay Hamilton 2012
of the top
margin) to the first system on a page, when there is no (title or
top-level) markup between the two].
Hope this helps!
Kieren.
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lilypond-user
and there's nothing that I found that solved
this problem.
Thanks
Jay
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at 6:54 AM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Kieren MacMillan
kieren_macmil...@sympatico.ca**
To: Jay Hamilton i...@soundand.com
Cc: lilypond user group lilypond-user@gnu.org
Sent: Friday, June 01, 2012 2:10 PM
Subject: Re: how to underline or italic
if that's the only possibility but I couldn't find
either in manual or repository.
http://lilypond.org/doc/v2.15/Documentation/snippets/vocal-music#vocal-music-formatting-lyrics-syllables
HTH,
Kieren.
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
those two concepts explicitly.
Cheers,
Kieren.
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{ \tempo 4=42 }
}
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
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Jay Hamilton:
Jonas thanks for the reply here's the whole section I'm not seeing the
problem you suggest. Also until
%page 11 this compiled fine.
Jay
melody = \relative c' {
\clef treble
\key a \major
\time 6/8
r2 r8\f cis cis4 a'8 a4 gis8 fis4 e8 cis4 e8 e4 e8 gis4 fis8
e4 fis8 d4. cis8
Thanks but what I want is one hairpin from the beginning to the end of the
piece not at the end of measure or mp.
Jay
On Sun, Jul 3, 2011 at 1:32 AM, Xavier Scheuer x.sche...@gmail.com wrote:
On 3 July 2011 05:49, Jay Hamilton i...@soundand.com wrote:
Here you go- thanks Jay
Works fine
\mp
d2\ d\
c1\!
I guess you might have to place the mp, pp, etc as markups - (but these
might not then be seen by midi...?) - if you want the hairpin to extend
across the complete snippet ... from \ to \!
Hope this helps
Regards
Bill
--
Jay Hamilton Sound and Silence www.soundand.com
That produced a new staff (with no other content) with the hairpin below it
so exciting but not the kind of solution I can use.
Thanks
On Sun, Jul 3, 2011 at 7:30 AM, Neil Puttock n.putt...@gmail.com wrote:
On 3 July 2011 15:25, Jay Hamilton i...@soundand.com wrote:
Ok I've missed
Here you go- thanks Jay
\version 2.12.3
\header {
title = 21-03
% composer = Jay Hamilton
% copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
%\center-column
% { CC lic 2.5 some rights reserved Jay Hamilton 2011
% see http://creativecommons.org/licenses/by-nd/2.5/;
% } }
}
#(ly:set
.
And now to something completly different: You typed un- touched, did you
mean un -- touched? The -- triggers lyric hyphens.
Regards,
Jan-Peter
--snip--
\version 2.12.3
\header {
title = example
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5
, i...@soundand.com wrote:
Hello-,
I expect the lyrics syllables to go with each note in the triplet figure
but it won't in the following example- what has changed since I last did
this?
Thanks-Jay
\version 2.12.3
\header {
title = example
composer = Jay Hamilton
copyright
Hello all what am I doing wrong here?
The 'ossia is below the staff and I would expect it to be above,
Thanks Jay
\version 2.12.2
\header {
title = different 3/4s
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ CC lic 2.5 some rights reserved
Thank you that worked it's not exactly that way in the example of the docs-
Should that be changed?
Jay
On Mon, May 31, 2010 at 9:10 AM, James Bailey
derhindem...@googlemail.comwrote:
On 30.05.2010, at 22:55, Jay Hamilton wrote:
Hello all what am I doing wrong here?
The 'ossia is below
this helps,
James
On 31.05.2010, at 19:01, Jay Hamilton wrote:
Thank you that worked it's not exactly that way in the example of the docs-
Should that be changed?
Jay
On Mon, May 31, 2010 at 9:10 AM, James Bailey derhindem...@googlemail.com
wrote:
On 30.05.2010, at 22:55, Jay Hamilton wrote
Jay
\version 2.12.2
\header {
title = Enkidu
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ CC lic 2.5 some rights reserved Jay Hamilton 2010
see http://creativecommons.org/licenses/by-nd/2.5
font size.
Again, if I'm mislead please set me straight maybe I'm looking at this the
wrong way.
Thanks
Jay
On Sun, Mar 7, 2010 at 3:06 PM, James Bailey derhindem...@googlemail.comwrote:
As I understand it, these kinds of things only work with extra-offset.
On 07.03.2010, at 22:41, Jay Hamilton
of 'padding' verbage or what?
And I need to have markup {Text} be the same size as
\addlyric. But I don't understand how to figure out what the lyric size is
I do have
#(set-global-staff-size 25)
Where do I look to figure this out
Thanks
Jay
--
Jay Hamilton Sound and Silence www.soundand.com
\header {
title = Nested Curves
}
melody = \relative c'
{
\clef bass
\key c \major
\slurDown e8
\(
( f-2 e f) fis-3 (f-2 fis f)\)
}
\score {
\new Staff \melody
\layout { }
}
HTH,
Carl
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
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signature is irrelevant
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{ CC lic 2.5 some rights reserved Jay Hamilton 2009
see http://creativecommons.org/licenses/by-nd/2.5/;
} }
}
global = {
\key c
the Makam snippet I noticed
that it contained multiple translations alongside the core English text.
How do I address the issue of divergence between English and the other
texts?
Best wishes,
-- Joe
--
Jay Hamilton Sound and Silence www.soundand.com 206-328-7694
on the example?
Best wishes,
-- Joe
--
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looking I just did a search in the 2.12. pdf of
the LM and 'makam' returns no results even though the manual says that it's
there. In the section 4 it's there but it did not come up from the search
function.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 5
Date: Sun, 16
this keySignature better yet what should I
be searching for in the manual to answer my own question?
Thanks
Yours-
Jay
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Thanks, I really had to study that snippet to get how to make it work. And
you are right es is wrong -
Jay
On Sun, Aug 16, 2009 at 9:42 AM, Joseph Wakeling
joseph.wakel...@webdrake.net wrote:
Jay Hamilton wrote:
I found the snippet for
\set Staff.keySignature = #`((6 . ,(- KOMA
: lilypond user group lilypond-user@gnu.org,Mats Bengtsson
mats.bengts...@ee.kth.se
Message-ID:
57124720906250218y147049adl25aea014295f8...@mail.gmail.com
Content-Type: text/plain; charset=iso-8859-1
On Thu, Jun 25, 2009 at 1:52 AM, Jay Hamilton jay...@linuxquestions.netwrote
Carl- Really clear instructions and finally I got it to work. whew!
Thank you.
Jay
On Thu, Jun 25, 2009 at 2:58 PM, Carl D. Sorensen c_soren...@byu.eduwrote:
On 6/25/09 2:37 PM, Jay Hamilton jay...@linuxquestions.net wrote:
A: I have tried over and over to follow the docs. AND I have
Mats sent me this solution for multiple lines in the copyright and now the
bottom is overlapping and in one line. How do I make it work like it did in
2.10
\version 2.12.2
\header {
title = Positioning your finding
composer = Jay Hamilton
copyright = \markup { \tiny \override
remember to specify \version 2.10.0 or something like that in the
file header, so that convert-ly knows what to do.)
/Mats
Jay Hamilton wrote:
Mats sent me this solution for multiple lines in the copyright and now the
bottom is overlapping and in one line. How do I make it work like it did
laughed and played }
\line{ To see a lamb at school. }
}
}
\markup{
\wordwrap-string #
Verse 3.
Mary took it home again,
It was against the rule.
}
}
Yours-
Jay
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{ragged-right = ##t
\context { \Staff
\remove Note_heads_engraver
\consists Completion_heads_engraver
\remove Time_signature_engraver
Lyrics \lyricsto Tenor II \text
I got what I needed.
Thanks for putting up with me.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
...@googlemail.com
Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
Copying to list.
I don't know if one can nest contexts. Why are you nesting contexts?
Am 22.03.2009 um 16:00 schrieb Jay Hamilton:
James,
Thank you for the suggestion I will try it, however can one have
\version 2.10.25
\layout {ragged-right = ##t
\context { \Staff
\set Timing.defaultBarType =
\remove Note_heads_engraver
\consists Completion_heads_engraver
\remove Time_signature_engraver
\new Lyrics \lyricsto Tenor II \text
} }
Yours-
Jay
Jay
that if
there are no bar lines there is no new system but this seems odd.
Thanks
BTW the removes and override does do what I want it to in appearance.
Yours-
Jay
Jay Hamilton
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I can't find in the doc where/if you can italicize a single word in lyrics
using \addlyrics or is there a different thing to do?
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
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http
.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- neilthorn...@gmail.com wrote:
From: Neil Thornock neilthorn...@gmail.com
To: jay...@linuxquestions.net
Subject: Re: Hairpins in Polyphony?
Date: Mon, 5 Jan 2009 07:50:10 -0700
See the corrected snippet - is this more what you want? I
Ok Neil's second suggestion voices worked but I don't understand why it works
and why \\
should be avoided (or why to avoid \\ when it's all over the documentation as
the way to do polyphony ) and why the original way I tried it is not the way
it can work?
Yours-
Jay
Message: 5
Date: Mon, 5
or such and prefer for my students to just flow
from one movement to the next.
If this is 'the' way to deal with such a problem something (and perhaps it is
in the new docs) should be mentioned or explained as it took me a while to
figure out what was wrong.
Yours-
Jay
Jay Hamilton
it be more explanatory?
i.e.
Useful concepts and controlling input and output.
Yours-
Jay
Jay Hamilton
www.soundand.com
Date: Sat, 7 Jun 2008 09:04:47 +0100
From: Trevor Daniels [EMAIL PROTECTED]
Subject: GDP: Renaming NR 3
To: Lily-Devel List [EMAIL PROTECTED], Lilypond-User List
but even so not sure what to write at
the beginning of each single line staff.
thanks
Yours-
Jay
Jay Hamilton
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studied a little and
remember nothing about.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 8
Date: Fri, 4 Apr 2008 23:18:18 +0100
From: Trevor Daniels [EMAIL PROTECTED]
Subject: Re: GDP: Time to plan the revision of NR 2 Specialist
To: Palmer, Ralph [EMAIL PROTECTED
have you tried analysis brackets?
from 1.7?
It might work but it looks like you want to do this a lot and if so it's a lot
of copy and paste.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Subject
a rest }
doesn't work so what is a rest in this instance
Yours-
Jay
Jay Hamilton
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and GrobText?
Just need an clearer way to say whatever it is that is happening with this code.
Thanks in advance.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 6
Date: Tue, 19 Feb 2008 09:20:09 +0100
From: Nicholas WASTELL [EMAIL PROTECTED]
Subject: Re: what does adorn mean
and the text of the
label.
the words after the semicolon (;) look like they make sense but adorn and
articulation don't really make sense to a common English reader (me) can
someone explain what is meant here so I can translate it into something I might
understand?
Thanks
Yours-
Jay
Jay
As a former librarian, I know that creating indexes is a total pain and
unfortunately should be as extensive and repetitious as possible.
Over-estimating the users ability/intelligence is a grave error.
Yours-
Jay
Jay Hamilton
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Graham-
I think on this side of the pond that key is as close as you'll come
I just read the section through and it makes perfect sense to me and I use
transpose etc frequently
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: [EMAIL PROTECTED
I have tried to use
note-digit
e'16-a
that won't work log gives me unexpected notename pitch.
Tried from the manual
e'16-\rightHandFinger #4
and that did nothing no 'a'
version
2.10.25
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
get to the correct place.
If this isn't what you are looking for please explain more.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
-
Message: 1
Date: Mon, 7 Jan 2008 19:25:59 + (UTC)
From: Werner [EMAIL PROTECTED]
Subject: font and staff size
To: lilypond-user@gnu.org
Message-ID
the LSR is confusing.
What's necessary and what can I leave out? or is this not the way to do it?
Yours-
Jay
Jay Hamilton
www.soundand.com
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Change the \ to a hypen -
Someone else has probably already told you this.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 8
Date: Mon, 31 Dec 2007 21:20:32 -0800 (PST)
From: guitarmiami [EMAIL PROTECTED]
Subject: Questions from new lilypond user
To: lilypond-user@gnu.org
Message
Mats- There was no error log, and it certainly didn't in the print out on my
side. The mistake (a missing r2 ) is what I couldn't find/see.
Thank you.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: Mats Bengtsson [EMAIL PROTECTED]
To: [EMAIL
cis e4. d8 d2 ~
d2. r4
\bar |.
}
\score {
\new Staff \melody
\layout { }
\midi { }
}
Yours-
Jay
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\version 2.10.25
In chordmode I am trying to get g bes es in some kind of spelling (I'm
assuming that one can't put a chord like I just did in chordmode).
Everything I've tried so far has either produced errors or no effect at all.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
their
strange nomenclature? The question is, I suppose:
I've never touched Finale, but I've heard the word tuplet many times
before. It's certainly widely used in North America.
Cheers,
- Graha
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: [EMAIL
bah bah bah bah bah bah bah
}
\score {
\new Voice = flute \fluteMusic
\new Lyrics \lyricsto flute \fluteLyrics
\layout { }
}
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
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http
.
By the way why does the defining of crosses on and off work? And where is that
'shortcut' in the manual? I'm not sure for my purposes that I would use the
mua|b thing as those are essentially one time insertions.
Thanks
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote
Thank you that is what I was looking for- and thanks for the reference.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: Neil Puttock [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Subject: Re: Need advice re; text and lyrics
to both notes and
rests line up better.
\version 2.10.25
\header {
title = Tunnel Piece
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ CC lic 2.5 some rights reserved Jay Hamilton 1989
see http://creativecommons.org/licenses/by-nd/2.5
\header {
title = Tunnel Piece
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ CC lic 2.5 some rights reserved Jay Hamilton 1989
see http://creativecommons.org/licenses/by-nd/2.5/;
} }
}
fluteMusic =
\relative c
= clarinet
Which doesn't make sense as those items do have spaces and are alphnumeric
Here's the file changed as you suggested
\version 2.10.25
\header {
title = Tunnel Piece
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ CC lic
) something about revert and didn't have time
to try it, though it made the most sense.
Yours-
Jay
Jay Hamilton
www.soundand.com
206-328-7694
Message: 2
Date: Tue, 28 Aug 2007 23:31:56 +0200
From: Mats Bengtsson [EMAIL PROTECTED]
Subject: Re: remaining Unset question
To: Valentin Villenave [EMAIL
I remember that there is a way to label the instruments with an abreviation on
every system but I can't find it now in the 2.10.x manual which means I can't
figure out what it must be called to be able to find it.
Can someone please direct me? Thanks
Yours-
Jay
Jay Hamilton
www.soundand.com
The space between the staves on page one are quite wide but ok however the
second page they are considerably closer together. Is this correct? Or did I
do something to cause this?
\version 2.10.25
\header {
title = Sketch 1
subtitle = for guitar for now
composer = Jay Hamilton
{ }
}
Jay Hamilton
www.soundand.com
206-328-7694
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\melody
\layout { }
\midi { }
}
Please respond to this email using
[EMAIL PROTECTED]
Jay Hamilton
www.soundand.com
206-328-7694
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- d4.\pp e8-\markup {\italic sempre
cantando}
}
\bar |.
}
\score {
\new Staff \melody
\layout { }
\midi { \tempo 4=60 }
}
Jay Hamilton
www.soundand.com
206-328-7694
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-Jay
+++
\version 2.8.4
\header {
title = S4 Oa
subtitle = movement 1
composer = Jay Hamilton
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-align
{ CC lic 2.5 some rights reserved Jay Hamilton 2007
see http
.
Thanks
Jay
Jay Hamilton
www.soundand.com
206-328-7694
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lilypond-user mailing list
lilypond-user@gnu.org
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your examples and learn what each
one is and does thank you for the education.
Jay
Jay Hamilton
www.soundand.com
206-328-7694
--- [EMAIL PROTECTED] wrote:
From: Mats Bengtsson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
CC: lilypond-user@gnu.org
Subject: Re: Two staves one stops with repeat
}} }
}
The following is what I got to work and even that isn't as nice/clear as what I
think I've coded above. But at least you can see the notes in the right
octaves.
\version 2.8.4
\header {
title = Little Chaconne
composer = Jay Hamilton
copyright = CC lic 2.5 some rights reserved Jay Hamilton
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