In the following minimal example, a repeated stanza is showing up
under the PianoStaff. Of course, I would need it to be under the
first stanza, above the PianoStaff. Am I missing some setting,
how can I fix this? Any help much appreciated :)
Kind regards,
Jethro
Screenshot:
Perfect, thank you so much!
Jethro
Phil Holmes (19 Aug 2013 @ 15:36)
- Original Message - From: Jethro Van Thuyne
p...@jethro.be
To: lilypond-user@gnu.org
Sent: Monday, August 19, 2013 2:25 PM
Subject: Stanza is displaying at bottom of score
In the following minimal example
I'm trying to reduce the line width in a custom header template,
having several lines combined in \center-column. I tried using
the \vspace command, which seems the only thing in the docs
slightly related to line height, but it doesn't seem to handle
negative numbers.
bookTitleMarkup = \markup
Jan-Peter Voigt (15 Aug 2013 @ 16:50)
Hi Jethro,
you can use \override #'(baseline-skip . 0) \center-column {} to
change the spacing.
HTH Jan-Peter
Great! Exactly what I needed, many thanks.
Jethro
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David Kastrup (15 Aug 2013 @ 16:49)
Jethro Van Thuyne p...@jethro.be writes:
bookTitleMarkup = \markup
{
\fill-line
{ \center-column
{ \fontsize #4.5 \fromproperty #'header:title
\fontsize #-3 \fromproperty #'header:copyMusic
\vspace #-2
\fontsize #-3
David Kastrup (15 Aug 2013 @ 17:04)
You could try telling us the version of LilyPond you are using. With
the current development version, this moves the third field right into
the first one. So you are obviously using something else.
I'm using 2.17.14
Oh, that's an unstable version anyway.
Reading the docs, I see that a command like \rightHandFinger can be
abbreviated to \RH, or any other alias, using alias=#command.
Is it possible to alias a command with arguments, e.g.
\change Staff = upper to \csu?
Jethro
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Phil Holmes (15 Aug 2013 @ 19:35)
Is it possible to alias a command with arguments, e.g. \change
Staff = upper to \csu?
Jethro
Have you tried?
I have: csu=#change Staff = upper
Parser says:
error: GUILE signaled an error for the expression beginning here
Jethro
Thomas Morley (15 Aug 2013 @ 19:47)
2013/8/15 Jethro Van Thuyne p...@jethro.be:
Phil Holmes (15 Aug 2013 @ 19:35)
Is it possible to alias a command with arguments, e.g. \change Staff =
upper to \csu?
Jethro
Have you tried?
I have: csu=#change Staff = upper
Parser says:
error: GUILE
Is there a way to change the FretBoard size globally in a file? I'm
trying the following in my stylesheet, but I don't get it to work:
\context
{
\FretBoards
\override FretBoards.FretBoard #'size = #'-2
}
Jethro.
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In my (minimal) example below, I'm having trouble with displaying
dashed barlines in the middle of the bar. Probably the first
occurance of the tuplets in the violin - a figure which is running
'through' the bar - is making things difficult, but is there a way
to force the barline anyway? I don't
Ok great, that does the trick the way I want it to be displayed
:) Thanks!
Jethro
Thomas Morley (18 Mar 2013 @ 13:53)
the bar-line-interface is heavily changed.
Use \bar ! instead of \bar dashed or run convert-ly.
Cheers,
Harm
___
I believe this approach, especially for new users, is less abstract
than defining a 'syntactic' octave position before entering real
music. I think it's a good idea.
Jethro
Werner LEMBERG (07 Mar 2013 @ 20:21)
One rationale is to stop the distribution of the information for
the first pitch
Urs Liska (02 Mar 2013 @ 17:39)
If the original poster of the example could tell us what this is actually?
It's a score created by John Stump, see here
http://classicalconvert.com/2008/01/faeries-aire-and-death-waltz/
and here
Joseph Rushton Wakeling (02 Mar 2013 @ 18:30)
On 03/02/2013 06:27 PM, Joseph Rushton Wakeling wrote:
Alban Berg 4 Pieces for Clarinet and Piano. Out of copyright in the US
(pre-1922 publication) and Europe (more than 70 years since composer's death).
On IMSLP here:
Sarah k Alawami (02 Mar 2013 @ 18:55)
Now on to the divisi. How do I do this? once I get the rhythms correct that is?
I'm hoping to get the rest of it done today. The cello and bass parts will be
easy. they are just octaves. I think I'll leave the 5gths out as I believe they
are in the upper
If you want to force the display of an accidental, you can append
an exclamation mark to your note, like this:
e4 f e4. des8 c4 | d!4 e
You can also put the natural (or sharp or flat) sign between brackets,
by using the question mark:
e4 f e4. des8 c8 | d?4 e
Jethro
Sarah k Alawami
:52, Jethro Van Thuyne p...@jethro.be wrote:
See minimal example below and image attached
\relative c'' {
\repeat tremolo 16 { bes,32 aes' } |
}
Is this a bug, or should I be setting some minimal distance between
the two notes?
Jethro
Ouch, very ugly bug!
Please report it to the bug
Wonderful, thank you!
Jethro
Noeck (01 Mar 2013 @ 23:04)
Am 01.03.2013 22:56, schrieb Jethro Van Thuyne:
In the mean time: is there a way for me to resolve this issue without
using Inkscape to move the tremolo around? Can the vertical position
of the tremolo be set manually?
Jethro
You
When trying to typeset grace notes on the first beat of a piano
staff, something odd happens with the left hand bass clef. First
there is a treble clef engraved, then a time signature, and only
after that a bass clef and key signature.
right = \relative c''
{
\clef treble
\key f \major
Thank you for the work around, Nathan and Federico!
Jethro
Nathan (26 Jan 2013 @ 21:02)
On Sat, Jan 26, 2013 at 11:54 AM, Jethro Van Thuyne p...@jethro.be wrote:
When trying to typeset grace notes on the first beat of a piano
staff, something odd happens with the left hand bass clef. First
See minimal example below and image attached
\relative c''
{
\repeat tremolo 16 { bes,32 aes' } |
}
Is this a bug, or should I be setting some minimal distance between
the two notes?
Jethro
attachment: collision_tremolo_grace.png___
It seems like the modern-straight-flag style is no longer supported.
I used to set this using \override Stem #'flag-style = #'flag-style, a
syntax that now appears to be replaced by \override Flag #'style =
#'flag-style.
Is there a way to still use this style?
Jethro
On 10/23/2012 09:13 PM, Marc Hohl wrote:
It seems like the modern-straight-flag style is no longer
supported.
Is there a way to still use this style?
\override Flag #'stencil = #modern-straight-flag
does the trick.
Regards,
Marc
It does, thanks!
Jethro
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName property for GrandStaff. The code
below works for staves in regular systems, but the font property isn't
applied to piano staves. Any ideas?
\context
{
\Staff
\override
{
\GrandStaff
...
?
HTH
Urs
Am 06.10.2012 21:55, schrieb Jethro Van Thuyne:
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName property for GrandStaff. The
code below works for staves in regular systems, but the font property
isn't
Is it in any way possible to engrave a glissando with artificial
harmonics? When I try the usual syntax for glissandi with the
minimal example below, I get the following error:
syntax error, unexpected ''', expecting or
DRUM_PITCH or MUSIC_FUNCTION or NOTENAME_PITCH
Tiny example:
e!
Ah, nevermind. I should have read the error more clearly...
Jethro
Jethro Van Thuyne (06 May 2012 @ 18:21)
Is it in any way possible to engrave a glissando with artificial
harmonics? When I try the usual syntax for glissandi with the
minimal example below, I get the following error:
syntax
Ludo Beckers:
I guess I asked this question because I'm not sure whether or not I
should first learn Lilypond syntax and then see if I want/need to use
tools besides it.
I asked about the combination vim-Lilypond sometime ago, but that would
be 2 steep learning curves to tackle at once; a
Ludo Beckers:
Just wondering, has there ever been a poll about how many Lilypond users
work with a certain specific tool.
Is the majority in this group using denemo, frescobaldi, lilypondtool or
other tools?
Vim, with custom mappings (or without), has been the most practical
tool for me so
Google gave me Reger! :)
http://www.informatics.indiana.edu/donbyrd/InterestingMusicNotation_files/Reger_TripleSharpEx+Ctxt.png
As a neighbour tone between two G double sharps, beginning of the last bar
in the image.
Jethro.
On Fri, 22 Oct 2010, David Nalesnik wrote:
On Fri, Oct 22, 2010
Perhaps better with a full context:
http://www.informatics.indiana.edu/donbyrd/InterestingMusicNotation.html
Jethro.
On Fri, 22 Oct 2010, Jethro Van Thuyne wrote:
Google gave me Reger! :)
http://www.informatics.indiana.edu/donbyrd/InterestingMusicNotation_files/Reger_TripleSharpEx
Why the urge to change? When \times has been used for such a long time,
replacing it with tuplet or advanced arithmetics would make things far
more difficult. I don't see the problem with the current system.
On Fri, 15 Oct 2010, Bernardo Barros wrote:
One think I don't like, since I use a
On Tue, 27 Jul 2010 21:59:52 +0200, Jonas Müthing wrote:
When a slur goes over more than one line, the lilypond prints the slur
into the last bar line and starts the slur on the next line very close
to the key signature. I would like to change this an achieve a result
similair to the
Hi,
Have you taken a look at the smart-transpose snippet?
http://lsr.dsi.unimi.it/LSR/Item?id=266
Best regards,
Jethro.
On Sun, 18 Jul 2010, Jatziri Valtierra wrote:
Hi everyone,
Your suggestions help me very much, but now I have other problem whit
the notes when I write des or
keyword did you type in the lsr search?
neither transpose nor accidental will lead to snipppet 266 here...
Am 18.07.2010 um 17:25 schrieb Jethro Van Thuyne:
Hi,
Have you taken a look at the smart-transpose snippet?
http://lsr.dsi.unimi.it/LSR/Item?id=266
Best regards
Hi Victor,
What about something like this?
\relative c' {
c bes aes g |
\mark \markup{ \box A Lively }
c bes aes g |
c bes aes g |
\mark \markup{ \box B Slightly faster }
c bes aes g
}
Best regards,
Jethro.
_
-alignment-X = #-1
Best regards,
Jethro.
On Wed, 7 Jul 2010, Jethro Van Thuyne wrote:
Hi Victor,
What about something like this?
\relative c' {
c bes aes g |
\mark \markup{ \box A Lively }
c bes aes g |
c bes aes g |
\mark \markup{ \box B Slightly faster }
c
This should do the trick:
#(set-global-staff-size 14)
or any other number, of course.
Jethro.
On Wed, 10 Feb 2010, Chris wrote:
Hi! Is it possible to change the staff size?
I found in the documentation only a command to change
the note size.
I'm trying to replace the tuplet bracket with a slur by doing:
\layout {
\context {
\Score
\override TupletBracket #'stencil = #ly:slur::print
}
}
Unfortunately, I get a fucked up slur, starting and ending vertically on
the first note of the triplet (version 2.12.3):
On Sun, 31 Jan 2010, Stefan Thomas wrote:
in the below quoted snippet, the markup in the textspanner doesn't
I can find some references to the Stem-property modern-straight-flag and
old-straight-flag on the net, yet I cannot get them to be displayed.
I have tried:
\layout {
\context { \Score
\override Stem #'flag-style = #modern-straight-flag
}
}
in an external stylesheet or within
Thanks, that's it indeed!
Best regards,
Jethro.
On Fri, 1 Jan 2010, Reinhold Kainhofer wrote:
You have to set the #'flag property:
\override Stem #'flag = #modern-straight-flag
Cheers,
Reinhold
--
--
Reinhold
Hi Jonathan,
It's not to easy to find the right locations indeed, perhaps this might
help. First you have to edit a file called filetype.vim, located in
/home/yourusername/.vim/
If it isn't there, you can just create it:
touch /home/yourusername/.vim/filetype.vim
If the .vim directory
On Thu, 1 Oct 2009, Skippy wrote:
once I am done, I would like to add 3 tones to each note, to output F#
major (without having to do it note by note obviously…). Is there a way
to do this ? Something like \addtones 3 ?
Hi Skippy,
You can use \transpose c fis for that
On Mon, 07 Sep 2009 11:01:56 +0200, Patrick Schmidt wrote:
BTW: Has anybody out there a clue why the lily-home-png (the tab with
the lily on the left) appears to be a wee bit smaller than the rest of
the main menu bar even though all pngs have the same size?
Patrick,
Is it possible it just
On Mon, 31 Aug 2009 10:06:20 +0200, Frank Steinmetzger wrote:
The fis in this chord is in parenthesis (basically) like this:
-
O
---/-\---
| # O |
---\-/---
Hi Frank,
This does the trick in a bit unorthodox way:
\relative c'' {
\override TextScript
As far as I know, you can make the sweeps clear to your drummer by writing
them down as tied notes. Every note will represent the lenght of a brush
sweep.
So, for instance:
\drums {
\time 3/4
sn2^brush ~ sn4 ~ | sn4 ~ sn2
}
Jethro.
On Thu, 27 Aug 2009, craigbakalian wrote:
Hi,
You should be able to use the \cadenzaOn feature, as shown below:
http://lilypond.org/doc/v2.13/Documentation/user/lilypond-big-page#Unmetered-music
Jethro.
On Fri, 28 Aug 2009, Han-Wen Nienhuys wrote:
Ik heb in alle documentatie gezocht naar een manier om senza misura
te realiseren,
dus
On Fri, 28 Aug 2009, Jonathan Wilkes wrote:
I'm curious how long it takes for other people to run lilypond on the
following simple score:
It took me 4,474 seconds
on winxp sp3, pentium 1.7Ghz with 512mb ram
on Debian, Intel Core2Duo T7250 @ 2.00GHz with 2GB ram.
Jethro.
It took me 4,474 seconds
on Debian, Intel Core2Duo T7250 @ 2.00GHz with 2GB ram.
And with a version statement it takes 0,941 seconds...
Jethro.
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changes in
every voice when using this code, you get quite nasty
errors. When using the bar line engraver on the Score level,
you can get away with it more easily).
Thanks again!
Jethro Van Thuyne
Yes. The barlines are printed by a plugin called
Default_bar_line_engraver. By default
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