experience on how to run
it on Linux.
Best,
Jinsong
On Mar 26, 2022, at 5:36 PM, Jinsong Zhao wrote:
On 2022/3/27 5:36, Jonas Hahnfeld via LilyPond user discussion wrote:
We are happy to announce the release of LilyPond 2.23.7. This is termed
a development release, but these are usually
On 2022/3/27 5:36, Jonas Hahnfeld via LilyPond user discussion wrote:
We are happy to announce the release of LilyPond 2.23.7. This is termed
a development release, but these are usually reliable. If you want to
use the current stable version of LilyPond, we recommend using the
2.22.2 version.
Hello developers,
The other issue I have encountered is in LilyPond 2.23.6/guile 2.2 is
the following code will cause error:
\version "2.23.6"
\header {
title = \markup \override #'(font-name . "思源黑体 HW Bold") "中文"
}
\relative c' {
\key g \major
\partial4 d4( | g4) g g |
}
GNU LilyPond
On 2022/2/12 18:48, Jonas Hahnfeld wrote:
Am Mittwoch, dem 09.02.2022 um 20:39 +0100 schrieb Jonas Hahnfeld via
LilyPond user discussion:
Am Mittwoch, dem 09.02.2022 um 12:07 +0800 schrieb Jinsong Zhao:
Hello developers,
Thanks a lot for the transition towards Guile 2.2. I've switched
Hello developers,
Thanks a lot for the transition towards Guile 2.2. I've switched to
2.23.6/guile 2.2 on Windows 10.
The only issue I have currently encountered is when the filename is in
Chines, for example "中文.ly", then lilypond could not generate PDF
file. It could generate corrected
On 2020/4/30 20:43, Dario Marrini wrote:
here! many thanks
On my system, it works fine. The Chinese is typeset with the system
default fonts, SimSun.
If you installed a Chinese font, such as "Source Han Sans HW SC", you
can put \override #'(font-name . "Source Han Sans HW SC") before
On 2020/4/30 18:21, Dario Marrini wrote:
Hi musicians,
I'm trying to append a Chinese translation of a simple 7markup text I
have in a little book, I copied the Chinese text from Google Translator,
but I don't get it into the pdf.
I attach the screenshot to let you see. How can I get it?
On 2020/4/26 17:28, Werner LEMBERG wrote:
The "," trigger the magic. However, I do not find the document about it.
Maybe I am in a wrong way.
In
http://lilypond.org/doc/v2.20/Documentation/notation/fonts#single-entry-fonts
there's:
"font-name can be described using a comma-separated list of
On 2020/4/26 16:09, Thomas Morley wrote:
Am So., 26. Apr. 2020 um 09:36 Uhr schrieb Jinsong Zhao
:
The "," trigger the magic. However, I do not find the document about it.
Maybe I am in a wrong way.
In
http://lilypond.org/doc/v2.20/Documentation/notation/fonts#single-entry-fon
On 2020/4/26 15:13, Thomas Morley wrote:
Am So., 26. Apr. 2020 um 04:58 Uhr schrieb Jinsong Zhao
:
I tried your fonts and the demo example, it does not work. I also try
another font, Times New Roman, the most common font on Windows platform.
It does not work, too.
\version "2.20.0"
On 2020/4/26 5:35, Ignacio Lois wrote:
AAAH!!
\version "2.19.83"
\header {
title = \markup {
\override #'(font-name . "ITC Souvenir")
"My Title"
}
}
\score {
c''
}
*Now* that's the example I should have sent. Can anyone check the fonts?
There's
Hi there,
It's may be some off topic. After a long struggle, I have nearly done
the input of a sheet music. Then, I need to proofread it.
Generally, I split the screen into left and right frames, and put the
score that Lilypond output and the original one into each frame, and
read/compare
On 2019/11/30 18:56, Thomas Morley wrote:
Am Sa., 30. Nov. 2019 um 02:19 Uhr schrieb Jinsong Zhao
:
On 2019/11/30 2:23, Thomas Morley wrote:
\ottava works for Staff. You told LilyPond to write your entered
Staff-input one octave below. Thus the OttavaBracket _needs_ to span
the upper
ge Staff = "lower" \stemNeutral 8-.
}
>>
}
Kind regards,
Martin
Am Freitag, 29. November 2019, 23:17:00 CET schrieb Jinsong Zhao:
Hi there,
I don’t know how to implement the cross staff as you see in the attached
figure. Another question is how to tweak the staccato pos
On 2019/11/30 2:23, Thomas Morley wrote:
\ottava works for Staff. You told LilyPond to write your entered
Staff-input one octave below. Thus the OttavaBracket _needs_ to span
the upper Voice (although you tweaked it's direction down)
Though, I somehow doubt that's what you intended ...
Hi there,
In the following MWE, you may notice that the ottava spanner have different
behavior. It may be my fault. However, I don’t know how to correct it.
The first question is why the first ottava spanner extent to the second note?
The second question is how to prevent the ottava spanner
Hi there,
I don’t know how to implement the cross staff as you see in the attached
figure. Another question is how to tweak the staccato position?
What I have tried is following:
Thanks a lot in advance.
Best,
Jinsong
\version "2.19.83"
\layout {
\context {
\PianoStaff
\consists
Hi there,
I use the following code to input the figure attached.
\version "2.19.83"
\relative c, {
\clef "bass"
\key g \major
\time 3/4
<< {s4 2 ~ } \\ {2.} >> |
2. ~ |
2.
}
However, it did not give the first tie. Any hints? Thanks in advance.
Best,
Jinsong
That's it! Thank you very much!
Best,
Jinsong
---Original---
From: "Phil Holmes"http://lilypond.org/doc/v2.19/Documentation/notation/short-repeats#tremolo-repeats
--
Phil Holmes
- Original Message -
From: Jinsong Zhao
To: lilypond-user@gnu.org
Sent
Hi there,
Please look at the attached figure. I don’t know what it is, and how to input
it in lilypond.
Any suggestion? Thanks in advance.
Best,
Jinsong
On 2019/10/31 22:22, Kieren MacMillan wrote:
Hi,
I don't figure out a way to implement it.
Something like this, maybe?
\version "2.19.83"
{
\key f \major
<<
{ bes'2 ~ 8[ ] } \\
\new Voice { \voiceTwo r4 ~ \once \hideNotes q8 }
>>
4
}
Hope that helps!
Kieren.
hi there,
I am trying to transcribe a music sheet. I have encountered the snippet
in the attachment. I don't figure out a way to implement it. I am
now using an alternative way like:
\version "2.19.83"
\relative c'' {
\key f \major
<<{bes2 ~ bes8 g a4} \\
{r4 <>
Hi there,
Sorry for the disturbance.
I have tried several times to post my question to the mailing list.
However, I have not found it posted in the mailing list yet.
--
In the following two pieces of codes, they are should the same. The only
difference is the the second code combined the
Hi Andrew,
I think there is no any difference with your answer, but I post the
answer earlier, :-).
I have no experience with the postscript file that lilypond produced.
The two answer I post is based on my experience with postscript file
produced by R with cairo_ps device.
Best,
Jinsong
On 2017/12/8 14:53, Jinsong Zhao wrote:
On 2017/12/6 21:34, James Harkins wrote:
I have:
\header {
dedication = "为星海音乐学院的电脑乐团,2017年秋天"
You may have to set the font that could be used for the simplified
Chinese characters. Something like:
dedication = \markup \override #'
On 2017/12/6 21:34, James Harkins wrote:
I have:
\header {
dedication = "为星海音乐学院的电脑乐团,2017年秋天"
You may have to set the font that could be used for the simplified
Chinese characters. Something like:
dedication = \markup \override #'(font-name . "SimHei")
"为星海音乐学院的电脑乐团,2017年秋天"
SimHei
Hi there,
In the following code, you may see the arpeggio is far away the notes.
My question is how to make it close to the notes? Thanks in advance.
Best,
Jinsong
\version "2.19.56"
%\pointAndClickOff
RH = \relative c' {
\clef "treble"
\key g \major
2 |%m13
1
On 2017/3/3 23:14, David Kastrup wrote:
[snipped]
I guess that this is a beginner's book and this indicates fingering the
B3 in advance simultaneously with the F4♯ by pressing down on both with
your middle finger.
Yes, it's a score from a beginner's book. Thanks you very much for the
On 2017/3/3 17:02, David Kastrup wrote:
Jeffery Shivers <jefferyshiv...@gmail.com> writes:
On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao <jsz...@yeah.net> wrote:
On 2017/3/3 10:35, Jeffery Shivers wrote:
On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao <jsz...@yeah.n
On 2017/3/3 10:35, Jeffery Shivers wrote:
On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao <jsz...@yeah.net> wrote:
Hi there,
In a violin score, I saw something similar to the following code, but the
second voice b4 was displayed as a triangle.
Do you have a screenshot or small image you
Hi there,
In a violin score, I saw something similar to the following code, but
the second voice b4 was displayed as a triangle. I can not recognize it,
and don't know how to input it into lilypond. Any help? Thanks in advance.
\relative c' {
\key g \major
<< {dis16 [fis b, ais]} \\ {s
On 2017/2/17 17:58, Wilbert Berendsen wrote:
Dear friends,
I just released the source packages for Frescobaldi 2.20.0, Frescobaldi
3.0.0 and python-ly 0.9.5 today. (I couldn't way until my birthday early
March :-))
Frescobaldi 2.20.0 provides a new Manuscript viewer, contributed by
Urs Liska
Hi there,
The following snippet can't give correct output. It produced the
following warnings:
warning: barcheck failed at: -1/4
\partial2 d4
|
\version "2.19.26"
\relative c' {
\clef "treble"
\key g \major
\tempo 4 = 100
\numericTimeSignature
\time 3/4
\partial2 d4 |
g4 g g |
Hi there,
I don't want the natural sign to be displayed. However, I don't find a
way to do so.
Many thanks!
Regards,
Jinsong
\version 2.19.18
\relative c'' {
\clef treble
% \set Staff.extraNatural = ##f
r4 g bes r g b
}
___
Hi there,
In the following snippet, I want to vertical justification of the three
fret-diagram.
\version 2.19.15
fret-ees = \markup {
\fret-diagram #s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;
}
\relative c'' {
\key ees \major
bes8 ^\fret-ees ees bes ees, g4 ^\fret-ees f ^\fret-ees
}
Am 31.12.2014 um 00:27 schrieb lilypond-user-requ...@gnu.org:
--
Message: 5
Date: Tue, 30 Dec 2014 15:00:06 -0800
From: Jinsong Zhao
To: LilyPond Users lilypond-user@gnu.org
Subject: vertical justification of fret-diagram
Message-ID: 54a32e76.1080...@yeah.net
Content
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
\relative c, {
\clef bass
\key ees \major
c8 g' ees' g, c,4 g'' bes, |%m69
}
The last note in that score has a flat
Hi there,
The LilyPond can't determinate the tie in the following snippet. Why?
and how to get a tie between the bes and bes2? Thanks!
\version 2.19.15
\relative c'' {
\clef treble
\key ees \major
g'4 f8 ees ees4 g,8 bes ~ |%m70
{ bes2 g4 g8 bes } \\ { g ees 4 f d ees2 }
}
Best
Many thanks to Malte, Brian, David and Tim. You help me a lot.
Best regards,
Jinsong
On 2014/12/29 10:16, Jinsong Zhao wrote:
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
On 2014/12/29 10:35, Thomas Morley wrote:
snip
Try:
\relative c'' {
\clef treble
\key ees \major
g'4 f8 ees ees4 g,8 \once \tieUp bes~ |%m70
{ \voiceOne bes2 g4 g8 bes }
\new Voice { \voiceTwo g ees 4 f d ees2 }
}
The \\ returns far to often problems. I use it
Dear Wilbert,
Thanks for the new version of Frescobaldi.
I notice that the installer file of version 2.17 and version 2.17.1
takes a long time before it begins to install the software. It may be
one or two minutes before the install screen appears. I mean when I
double click on the
Hi there,
For the following snippet,I want the ottavation duplicates text after
\break to be (8va), how to get that?
\version 2.19.15
\relative c'' {
c4 \ottava #1
\set Staff.ottavation = #octave
c4 c4 c4 \break
c4 c4 c4 c4
}
Thanks in advance.
Best regards,
Jinsong
On 2014/12/24 17:31, Thomas Morley wrote:
2014-12-24 21:48 GMT+01:00 Jinsong Zhao jsz...@yeah.net:
Hi there,
For the following snippet,I want the ottavation duplicates text after \break
to be (8va), how to get that?
\version 2.19.15
\relative c'' {
c4 \ottava #1
\set
Hi there,
In the following snippet, I want to typeset a markup above or beside a
fermata. However, I am not lucky enough.
There's a very tiny space between the second fermata and the note d'''2.
It seems that the space can't be removed, and this also causes the tiny
vertical space in the
Hi there,
In the following snippet, \removeWithTag #'b have a different effect
with commenting the line of \tag #'b. It seems that the pitch after \tag
#'b also affected by the removed tagged expression.
\version 2.19.15
music = \relative c'' {
\clef treble
\key ees \major
\time 4/4
On 2014/12/22 11:42, Thomas Morley wrote:
2014-12-22 20:05 GMT+01:00 Jinsong Zhao jsz...@yeah.net:
Hi there,
In the following snippet, \removeWithTag #'b have a different effect with
commenting the line of \tag #'b. It seems that the pitch after \tag #'b also
affected by the removed tagged
Hi there,
I am wondering if there is a way to change the menu language (interface)
of LilyPad and/or LilyPad-ascii. I prefer English.
I am running Windows 7 under locale: Chinese (Simplified)_People's
Republic of China.936. The interface of LilyPad and LilyPad-ascii can't
be recognized.
On 2014/12/22 17:36, James Harkins wrote:
Jinsong Zhao jszhao at yeah.net writes:
I am wondering if there is a way to change the menu language (interface)
of LilyPad and/or LilyPad-ascii. I prefer English.
I am running Windows 7 under locale: Chinese (Simplified)_People's
Republic of China
Hi there,
I am new to LilyPond. I try to typeset a music sheet. The following is a
snippet. I don't satisfy the code in \markup, especially the size of the
number.
\version 2.18.2
\relative c'' {
\clef treble
\key ees \major
\tempo 4 = 90
f8 g f d ees2 ~ |%m75
ees4 ees'2.\fermata
rit. 4 = 75 ees1 |%m79
Am 22.12.2014 um 03:15 schrieb Jinsong Zhao:
Hi there,
I am new to LilyPond. I try to typeset a music sheet. The following is a
snippet. I don't satisfy the code in \markup, especially the size of the
number.
\version 2.18.2
\relative c'' {
\clef treble
\key ees
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