173:3: error: errors found,
> ignoring music expression
>
> \new PianoStaff \with { instrumentName = "Piano" }
> Jeanie_With_The_Light_Brown_Hair.ly:182:3: error: errors found,
> ignoring music expression
>
> <<
> fatal error: failed files: "Jeanie_With_The_L
Hi Achar,
> Let me specify : in the following example V7 / IV is not associated with the
> Eb7 chord
> but with the note G. Is it possible to pair it with the Eb7 chord ? Thanks
We don't have a code example, so it's hard to answer your question. At
a guess, it looks like you're attaching markup
Hi Kenneth,
I think you can fix the problem with the relative positioning by
setting the 'outside-staff-priority, e.g.:
\tweak #'outside-staff-priority #0 \ottava 1
will cause the ottava marking to be put closer to the staff than the text span.
Kevin
On Sat, 5 Feb 2022 at 01:35, Kenneth
>
>
> This point-and-click seems like a useful feature for editing, *if* it's
> configured to work on your system. But it apparently is not usually set
> up that way by default, at least on most Linux systems. (I do
> appreciate the instructions in the manual for configuring it, and plan
> to do
> I'm still convinced it is a hack. Commonly, the "hack" term is used for
> indicating a work-around with some emphasis.
> In the case we are talking about, David's suggestion would be a simple
> work-around (---> improper use of a label to bypass the problem).
I think you're overthinking
> Thank for the notice, and sorry for the mess. I didn't realize GCP
> doesn't serve to Iran. Do the other large US providers (Azure, AWS)
> serve to Iran, or are they also blocked?
I believe they will also be blocked. There is a list of (six I think)
countries that businesses based in the US are
Hi Paul,
It's hard to understand exactly what you're trying to do without being
able to see it. Does the following in any way resemble what you're
trying to do?
\score {
\new RhythmicStaff {
\set stemLeftBeamCount = #0
c16[]
r8.
}
}
Kevin
On Sun, 22 Aug 2021 at 10:44, Paul
> Fwiw, attached is the music from my guitar book, and the version I
> typeset with lilypond. Comparing the two might clarify why I'm trying
> to do something so untraditional.
I looked at them and it's not clear why you need the barlines on
separate lines to line up exactly. It's desirable for
> The problem is that in English we would say "the soldier's weapons", but
> that's partly because we only have a genitive and not an ablative case.
I think this is the possessive case, not genitive.
The two ways I am familiar with are
- bass figures
- using "figured bass" as a collective noun
Hi Rachel,
You can make this work by adding the engraver to the staff you want it
to print above (in this case the harp's upper staff). Based on your
example the code might look something like this:
\new Staff \with {
\consists Mark_engraver
\consists
Hi Michael,
There isn't an inbuilt way to gradually change a color, but it's
certainly doable using some scheme. This snippet isn't what you're
asking for, but it does show how to programmatically manipulate
colors:
Hi Aberforth,
Thank you for letting us know. This definitely looks like a bug. I
couldn't find another issue that covered it, so I have created issue
https://gitlab.com/lilypond/lilypond/-/issues/6114 to track it.
Kevin
I created a user/pass and logged in. It's an online IDE for LilyPond,
and looks nicely done too - kind of like a Frescobaldi in the cloud. The
splash PDF you see when you first log in says:
ONLINE MUSIC ENGRAVING TOOLS
An Integrated Development Environment
Compose, arrange, and collaborate with
On Sat, Apr 10, 2021 at 10:09:01AM +0200, Jean Abou Samra wrote:
> > By the way, it looks like this issue is not present in 2.20...?
>
> Sorry, I'm not following, what issue exactly?
Harm's original issue with incorrect skylines. I ran his code through
2.20 and the skylines were fine. Something
By the way, it looks like this issue is not present in 2.20...?
If someone already said that then I apologise for missing it. I wonder
if we should be looking for the commit that changed it.
Kevin
On Fri, Apr 09, 2021 at 11:49:48AM +0200, Jean Abou Samra wrote:
> Or did you observe the same phenomenon without cross-staff
> beams, Kevin?
The same procedure (consider_auto_knees) is called in every case. I
presume if there is only one staff involved the extent calculations will
(as you
Hi Harm/Carl
Harm wrote:
> thanks for your reply.
> You surely mean the position in x-axis direction for the NoteHeads!?
I don't think so (see below)
Carl wrote:
> The problem with this proposed fix is that it would eliminate optical
> spacing, which is one of the LilyPond claims to fame for
Hi Harm,
> Ok, another 5 days passed working allday on the problem, progress: zero.
> I give up.
>
> Some insights:
> (1)
> It would have been helpful to understand how Stems fit into a Beam,
> then I could use this knowledge to probably do similar with glissando
> and Stems.
> I was not able to
On Thu, Apr 01, 2021 at 08:24:08PM +0200, David Kastrup wrote:
> So? The seventeenth century did not have frequency counters. Tunings
> were established (and actually still are to this day: just ask any organ
> tuner or accordion tuner) by distributing the beatings of non-pure
> intervals across
Thu, Apr 01, 2021 at 05:03:58PM +0200, David Kastrup wrote:
> Kevin Barry writes:
>
> > That's why, as soon as the mathematics (root extractions) required for
> > tempered tuning were discovered, it rapidly became the standard.
>
> I think your history of mathematics
On Wed, Mar 31, 2021 at 11:47:05PM +0100, antlists wrote:
> On 31/03/2021 20:20, Callum Cassidy-Nolan wrote:
> > You are correct, there is no distinction between these two notes,
> > because in terms of pitch they are the same.
>
> Actually, they're not ...
>
> If you're talking about
I think the convenience of this feature does not justify the added
complexity.
Kevin
On Wed, Mar 24, 2021 at 04:50:22PM -0700, Calvin Ransom wrote:
> I was able to get the chords to work but I ran across a chord that I am not
> able to write the following chord, If anyone has any ideas on how I can
> write this I would greatly appreciate it.
> This is what my attempt got me so
> 64.147.123.35 is not allowed to send mail from web.de.
The spf record for web.de does not list that IP address:
web.de. 299 IN TXT "v=spf1
ip4:212.227.126.128/25 ip4:212.227.15.0/25 ip4:212.227.17.0/27
ip4:217.72.192.248/29 ip4:82.165.159.0/26 ip4:217.72.207.0/27
Hi Bart,
I'm not sure exactly which part of your example you want to be different,
but perhaps you need to scale the durations somehow, to make 8ths seem like
4ths or vice versa?
There is some info on how to do that here:
Hi David,
I downloaded the Beethoven font and was able to use it with your code
with LilyPond 2.22.0 on my system (Fedora 33). I don't know what the
problem is, but as you say it might be your system. If you have an older
computer to try it on, that might be a good way for you to verify.
Kevin
Hi John,
It looks acceptable to me. I can't imagine where else the natural sign
would go. If you have a preference (or a source that does it
differently) please let us know: I'm sure there's a way to make it do
what you want.
Kevin
On Sun, 21 Feb 2021 at 15:12, John Schlomann
wrote:
>
> I’m
On Sun, Nov 15, 2020 at 04:11:28PM -0500, Jon Arnold wrote:
> Hi folks-
>
> Can you help me get these figures lined up vertically? The below example is
> as close as I've gotten, but I want the 8 in the 2nd figure to be visible.
> It seems that setting implicitBassFigures within a continuation
On Sun, Nov 15, 2020 at 12:35:56PM +0100, Jonas Hahnfeld wrote:
> > yes, removing the initial 'filetype off' from .vimrc fixed it. So is
> > that a mistake
> > in https://lilypond.org/doc/v2.21/Documentation/usage/text-editor-
> > support ?
I use the exact code specified in that document (which
Hi Bart,
I'm away from my computer so I can't verify what I'm about to say, but I
think that once a note is beamed it is actually the beam that controls the
lengths of the stems. I think you need to override the Beam's positions
property (if memory serves) to accomplish what you want.
Kevin
On
Hi Ritchie,
I get a cut C automatically with
\time 2/2
Is that what you mean?
Kevin
On Thu, 15 Oct 2020 at 18:10, Ritchie Fraser wrote:
>
> Hello all,
>
> I am trying the engrave a Cut Common time signature (Capital C with a
> vertical line through it) and the beginning of the stave and can't
Hi Marc,
I don't think there's a good way to do what you want, but there are a
couple of things that you could try:
- you could add a dynamics context above the staff, and add the markup
there at the appropriate time (anchored to a spacer rest)
- you could stop your staff, linebreak, add your
Hi Tom,
It looks like you might have two versions installed: 2.18 from apt and 2.20
from the script you downloaded (although normally the downloaded on takes
precedence).
Can you check the output of:
/usr/local/bin/lilypond --version
?
Kevin
On Fri, Sep 4, 2020, 19:09 Tom Swan wrote:
> I
Hi David,
That certainly is strange behaviour. A segmentation fault occurs when
a program tries to access a segment of memory that it isn't allowed
to. It's usually the result of memory bugs in the program. If it's a
bug in emacs, which looks possible, then I am not sure what you will
be able to
On Sun, 2020-08-09 at 06:48 +0200, Werner LEMBERG wrote:
> Thanks for the explanation. What about the other way round, this is,
> adding some information to the invisible bar line that defines a
> broken bar, and which accidentals could use to print themselves in
> such cases?
You could try
Hi Ahanu,
It might help if you add this:
\layout {
\context {
\Score
\override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32)
}
}
It might make LilyPond more willing to squash sixteenths closer together
than it would normally like.
Kevin
On Sun, 2020-08-09 at 02:48
Hi Alexandre,
You can make that note take up less horizontal space by changing
fis \stopStaff
into
fis4*1/2 \stopStaff s
Does that do what you want?
Kevin
On Fri, 2020-08-07 at 11:37 -0300, Alexandre Ficagna wrote:
> Hi there
>
> I'm having trouble trying to let the cropped staff ends right
On Sun, 2020-07-19 at 18:08 +1000, Andrew Bernard wrote:
> What is this error really about? Is there any way to perform a
> textual
> search to pin it down?
The error occurs when LilyPond tries to find the points to attach a tie
to and can't find a notehead. The two situations in which this
> Any clues on how to find out the source location of this error?
>
I think you will unfortunately have to try finding it the old fashioned
way: comment out half your score or so and rerun and see if the error
still appears. Repeat until you've narrowed it down sufficiently to find
the ties in
Hi Urs,
I'm not aware of any such tools for LilyPond, but there is a format,
"**kern", that is used in music analysis and research. I don't know if
it can do what you want, but it is designed to be friendly to any tools
that can process plain text. You can find out more about it here:
Hi Frimlik,
I don't really understand what you are trying to do, but the code below
adds a break in the breve
\version "2.20.0"
\paper {
#(set-paper-size "a4landscape")
}
ToninaZalmu = \key c \major
FirstMusicVerse = \relative {
\cadenzaOn
\ToninaZalmu
g'\breve*1/2 \bar "" \break
Hi Paul,
I'm sorry you haven't had the best experience with the scheme sandbox.
Since development of LilyPond mostly takes place on Linux it's possible
that Windows-related documentation can be neglected...
On Sat, May 23, 2020 at 10:51:58AM +0100, Paul McKay wrote:
> I have Frescobaldi 3.1.2 as
On Fri, 2020-05-22 at 07:16 +0200, Pierre Perol-Schneider wrote:
> Hi,
> I'm using Abraham's function: http://lsr.di.unimi.it/LSR/Item?id=1028
> However, the overrides are killed by the shape adjustment:
>
> Any idea how to avoid that?
> TIA, cheers,
> Pierre
Hi Pierre,
Does this solve the
Hi Fricadelle,
> time signatures are not important. But I would like to have the triads from
> the two exercises "aligned" (because they share the same fingering, and it
> is better visually). first 1 from C major staff and d>1 from D major staff are aligned, then the second pair of triads etc.
Hi Freeman,
> The first one below works fine but the second does not work when the
> dollar is replaced with \markup \vcenter \huge \bold "$". Please
> explain why?Why is \markup bound in the first and not in the
> second.I see \markup used in many places like to the second
> example
Hi Lukas/Samuel,
On Thu, Apr 30, 2020 at 10:24:27AM +0200, Lukas-Fabian Moser wrote:
> in contrast to my above definition of "lyric?" using music-is-of-type?.
>
> 1) Which variant is to be preferred?
> 2) What is the difference between 'LyricEvent and 'lyric-event ?
Looking at the code, it
wrote:
> I found the link https://lilybin.com/ which does not work.
>
>
> Am So., 3. Mai 2020 um 18:16 Uhr schrieb Kevin Barry :
>
> > Hi Stefan,
> >
> > Where did you find a broken link? On the page
> > http://lilypond.org/doc/v2.20/Documentation/web/easi
Hi Stefan,
Where did you find a broken link? On the page
http://lilypond.org/doc/v2.20/Documentation/web/easier-editing.en.html
the link is http://lilybin.com/ and that works for me.
Kevin
On Sun, May 03, 2020 at 06:12:22PM +0200, Stefan Thomas wrote:
> Dear community,
> at your website You
Hi Chen,
I think this is a situation where you can't have it both ways - I
can't think of any automatic way for the TimeSignature to only occupy
that space when it "needs" to. Bar widths are not directly modifiable
and setting the extra-spacing-width is always going to push things
around (as it
Hi Chen,
I am glad that it is working for you now.
In my opinion, this solution is too ugly/hacky to be put in the
snippet repository (but I would be happy to see it there if wanted).
Kevin
On Mon, 20 Apr 2020 at 10:37, Chen Leo wrote:
>
> Hi Kevin,
>
> I will have to thank you again for all
Hi Chen,
1. I was able to mostly solve this - you can now click on the time
signatures (but it doesn't seem to work for all of them - I don't know
why).
2. This should work now
3. This is done using callbacks (it's a hacky solution that brings
back the time signature stencil for just that purpose
Hi Chen/Aaron,
Thank you so much (Aaron) for posting the example of the time
signature engraver. Based on that and what else I could find in the
docs I took another stab at this. It's still very much a hack, but
*hopefully* addresses most of the issues. The code is attached.
Kevin
\version
Hi Thomas,
Yes; thank you so much! It seems ly:item-break-dir is what I needed.
Kevin
On Sat, 18 Apr 2020 at 15:50, Thomas Morley wrote:
>
> Am Sa., 18. Apr. 2020 um 16:35 Uhr schrieb Kevin Barry :
> >
> > Hi All,
> >
> > I would like to be able to apply an
Hi All,
I would like to be able to apply an override to a cautionary time
signature (the extra one printed at the end of a line) without
affecting the one printed at the beginning of the next line. (I want
to modify it, not get rid of it.)
I have tried using \alterBroken (which rightly throws an
Hi Edward,
In my opinion this would be better left as is, but if you want the
dynamics in the first system to move down they will have to "intrude"
into the lower staff. There's two ways I can see to do that:
- for the dynamics that you want to move, put them in the lower staff
instead of the
\time 4/4
> R1
> \time 3/8
> R4.
> \time 3/4
> R2.
> \time 4/4
> c1
> \time 2/4
> a8 g8 f8 e8
> }
> >>
> >>
> }
>
> Hope that helps,
> Kevin
>
>
?
> Secondly, the time signature doesn't show up at the end of the line
> whenever a new time signature is drawn after the line break.
> Thirdly, this helper function isn't supporting compound meters which I
> happened to be using a lot in my composition.
>
> Leo
> ---
Hi Neyzenemre,
You shouldn't need to compile 2.21: there are packaged downloads
development versions (currently 2.21) here:
http://lilypond.org/website/development.html
Kevin
On Sun, 12 Apr 2020 at 11:16, neyzenemre wrote:
> How can I install lilypond 2.21 on Ubuntu 18.04 ? I'm so new for
Hi Chen,
Space alloted for time signatures in one staff cause space to be allotted
in all other staves as well (even if they aren't printing it), which is
causing lots of problems that have to be worked around.
Perhaps a different approach would be easier. In the code below there is a
helper
Hi All,
Thank you for your suggestions. I did try using the StaffSymbol's
staff-height, but that seems to be in staff spaces (with a little
added on for the staff lines), so it's always just a little above 4.
Timothy's suggestions works (I never would have found ly:pt).
As it happens, I found
Hi Michael,
Below is some code that replaces a horizontal bracket with a curly
brace of the same width. The math is the result of experimentation,
but it seems to hold up to changes in staff size and for medium-sized
groupings of notes.
\version "2.19.84"
#(define curly-analysis-brace
Hi Aaron,
Thank you so much for the explanation - it makes more sense now.
Kevin
On Wed, 8 Apr 2020 at 21:52, Aaron Hill wrote:
>
> On 2020-04-08 1:26 pm, Kevin Barry wrote:
> > Hi Lilypond users,
> >
> > I am trying to get something to work by setting the X-offset of
Hi Lilypond users,
Is there a way to obtain the current value of the staff size as set
with set-global-staff-size (or the layout version)?
Kevin
"2.19.84"
{
\override TextScript.X-offset = 10
c' ^"this is offset"
}
{
\override TextScript.after-line-breaking =
#(lambda (grob)
(ly:grob-set-property! grob 'X-offset 10))
c' ^"this isn't offset"
}
%%%
Thanks in advance,
Kevin Barry
Hi Chen
I am not sure that this problem really has an elegant solution. Time
signatures take up space, and - because note columns have to line up
in all staves - that space that time signatures take up is mirrored in
staves that don't print them - because the following note columns have
to line
Hi Chen,
I was able to solve the second of your problems (the whole bar rests
being shifted by the time signatures in the TimeSig context) by
adding:
\override TimeSignature.X-extent = ##f
(You could also use the value #'(0 . 0) if the warnings are off
putting, but I noticed that that doesn't
Hi Padraic,
I think the right way to do what you are trying is to write an
engraver that listens for slur events and alters the spacing of the
music. (I would write one if I could, but I'm not at that level yet.)
Until you have one I think you can solve the problem with your own
hack, where
Hi Peter,
On Tue, 24 Mar 2020 at 15:06, Peter Crighton wrote:
>
> Hello all,
>
> I want the lyrics to be absolutely free of melismatic hyphens. How can I make
> sure of that? I have ensured that the note heads take as little space as they
> can (to my knowledge), but if it is either a short
On Wed, 25 Mar 2020 at 19:14, Paolo Prete wrote:
>> > Please consider this (tested on 2.19.84):
>> >
>> > \new Voice <<
>> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
>> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' }
>> >>>
I haven't seen this construction
On Sat, Mar 21, 2020 at 09:34:08AM -0700, Sami Amiris wrote:
> 3) If the spanbar is single, I would like it to be in the same place as the
> further right barline of the double. Unfortunately, in all my attempts it
> remains at the left no matter what I do:
The \override I sent in the last email
On Sat, Mar 21, 2020 at 06:26:13AM -0700, Sami Amiris wrote:
> I thank you for having spent some time on it. The whole idea is to create a
> mirror image of the compound barline on the beginning of the example, which
> means that they must align to the right, not to the left.
I didn't understand
On Fri, Mar 20, 2020 at 06:55:44AM -0700, Sami Amiris wrote:
> Thank you for the suggestion. I tried it, so far I haven't got results.
I was able to get what you want (I think) from your minimal example from
an earlier email. The code is below (reformatted - your indentation/code
style is really
Hi Peter,
I accomplish something similar by putting paper definitions into
various .ily files. Then just include the ones I want with \include.
It seems it's OK to have multiple \paper blocks as a result of many
\includes. Have you tried that?
Kevin
On Thu, 19 Mar 2020 at 17:45, Peter Crighton
Is it possible that this is some kind of 32bit vs 64bit problem?
On Thu, 19 Mar 2020 at 21:06, Pablo Cordal wrote:
>
> No luck, with a simple a.ly I get the same error : (
>
> El jue., 19 mar. 2020 a las 21:53, Federico Bruni ()
> escribió:
>>
>>
>>
>> Il giorno gio 19 mar 2020 alle 21:36,
:
>
> Those are single beat repeat marks (slashes). They should be percent signs.
>
> Thank you for looking at this,
>
> Paul
>
> On Mar 19, 2020, at 1:38 PM, Kevin Barry wrote:
>
> > Hi Paul,
> >
> > I see the repeat signs in the 2nd, 3rd and 4th bars
Hi Sami,
I think your alignment problem arises because you moved the barline
engraver from the score context to the staff context. Each staff
doesn't seem to "know" about the alignment of bars in other staves so
it cannot align with them. Since it seems you need different bar types
in different
d, 3rd and
> 4th bars.
>
> Paul
>
> On Mar 19, 2020, at 1:21 AM, Kevin Barry wrote:
>
> > Hi Paul,
> >
> > Your example compiles for me, but I'm not sure what you are trying to
> > do or what the expected output is. Could you please provide more
> > inf
Hi Paul,
Your example compiles for me, but I'm not sure what you are trying to
do or what the expected output is. Could you please provide more
information about what you are trying to do?
Best wishes,
Kevin
On Tue, 17 Mar 2020 at 20:27, Paul Scott wrote:
>
> A better example would be:
>
>
Hi Robert,
Welcome to the Pond!
I don't have a Mac myself. Maybe someone who does will be able to
help. Can I ask how you are executing lilypond? If you are running it
from the command line you could try enabling more verbose logging by
passing the "-l DEBUG" option and sending us the output.
Hi Richard,
It looks like whatever way partcombine creates voices is not
preserving your overrides. At a guess, I'd say it combines the first
bar in both parts into a single voice (including your overrides), then
when it needs to split for the second bar, it creates two voices that
no longer
On Wed, Feb 12, 2020 at 07:46:54AM +0100, Marco Bagolin wrote:
> Hello all,
> how is possible to set or modify the length of a MultiMeasureRest ?
You can change its minimum-length. Does the below code do what you want?
{
\compressFullBarRests
R1 * 11
\override
On Sun, Feb 09, 2020 at 09:01:48AM +0100, Marco Bagolin wrote:
> Thank you all,
> all solutions are good, but I don't know why the copyright field on the
> first page does not appear.
Because your code redefines footers, they no longer include the
copyright field, so it has to be added back in.
On Fri, Feb 07, 2020 at 09:06:19PM +0100, Marco Bagolin wrote:
> My knowledge of lilypond is not good enough...
> I tried to understand the examples in the guide of lilypond but the chapter
> is not clear enough for me.
> I am in difficult...
Hi Marco,
If you add the code below to your score,
> An example where I do have your problem is with pdflatex, which not
> only writes .aux and .log files, but leaves them world-writeable.
That's odd! Is it because of your umask?
On Mon, Feb 03, 2020 at 10:46:17PM +, Daniel Rosen wrote:
> In the example below, modifying DynamicText.X-offset in the Voice context
> forces extra space to appear after the barline so that there's no collision,
> but doing the same thing in a Dynamics context does not. Is there a way to
>
On Mon, Feb 03, 2020 at 08:41:21AM +0100, Marco Bagolin wrote:
> I tried to use:
>
> \ottava #1
> \set Staff.ottavation = #”fill”
> ... music in drum mode...
> \ottava #0
>
> but obviously it can not work in drum mode...
Hi Marco,
Perhaps a TextSpanner would be a better choice for this. Does
On Sat, Feb 01, 2020 at 09:35:02AM -0500, Pierre-Luc Gauthier wrote:
> In this MWE the trill pitch des''' is not displayed for some reason.
>
> When \partCombineChords is forced, why doesn't both trill note get displayed ?
It looks like this is a limitation of \partcombine. From the manual:
On Thu, Jan 30, 2020 at 10:17:20PM -0500, Michael Finton wrote:
> If that's correct, how do I tell Lilypond to make breaks according to the
> page constraints while still visually keeping to what a Schenker graph is
> supposed to look like? Is it as simple as just making the bar lines
>
On Sun, Jan 26, 2020 at 10:54:27PM -0800, Mark Stephen Mrotek wrote:
> Hello All,
>
>
>
> In 18th C piano music some movements have a "header" that describes the
> form, e.g., Rondo, Minuetto.
>
> This designation is to the left above any tempo marking.
>
> What commands can I use to achieve
Where are you setting EDITOR to gvim? Is it possible that you have set it
somewhere like bashrc or bash_profile that would be picked up by bash, but
maybe not by Gnome? I can't remember where to modify Gnome's environment so
my question may be stupid.
-28).
It's from a pre-release version of Texlive 2017, which is apparently
what's in Fedora 28. There isn't even an updated version of Texlive in
Fedora's testing repository. I will try installing from TUG directly
and see if the issue goes away.
Kevin
On Thu, 4 Oct 2018 at 18:13, Kevin Barry wrote
wrote:
>
>
>
> Am 4. Oktober 2018 09:28:27 MESZ schrieb Kevin Barry :
> >Hi Samual,
> >
> >Thank you for taking the time to respond. I tried running the command
> >with the --shell-escape option before the file name like so:
> > lualatex --shell-escape lyluat
'
./lyluatex.lua:1094: in function 'process'
[\directlua]:1: in main chunk.
\ly@compilescore ...directlua {ly.score:process()}
l.4 \lilypond{ b }
Kevin
On Thu, 4 Oct 2018 at 01:29, Br. Samuel Springuel wrote:
>
> On 10/3/18 7:09 PM, Kevin Barry wrote:
> > lualatex lyluatest.ly --shell-escap
Hi All,
I'm having trouble getting lyluatex to find lilypond. Even specifying
the program location and running lualatex with --shell-escape results
in "LilyPond could not be started".
The OS is Fedora 28 and the lilypond version is the one provided by
the package manager (currently 2.19.82) and
Sorry to hijack this, but is there a place to ask for help with lyluatex? I
am having trouble with it (in short, even specifying the program location
and running lualatex with --escape-shell results in a failure to start
lilypond.) I don't see that there is a mailing list or anything. I presume
That worked perfectly!
Thanks to all for responding.
On 25 March 2018 at 19:46, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2018-03-25 0:04 GMT+01:00 Kevin Barry <barr...@gmail.com>:
> > Hi Jan/Wols,
> >
> > Thank you for responding. I have tinkered with
Hi Jan/Wols,
Thank you for responding. I have tinkered with \applyContext and
cannot get the property out of it to do anything useful with it. Since
it always returns music I can't feed it to a markup command or convert
it to markup or set it as the value for a property (using a callback
or
Hi All,
I would like to be able to get the current bar number context property so
that I can do something with it (like printing it in markup for example).
I have tried the following scheme function:
(ly:context-property 'Score 'currentBarNumber)
but it errors out, telling me that Score is not a
> Last time I looked lilypond was part of the GNU project and it is open
> source software. It does not therefore participate or compete in commercial
> markets and it is not intended to. So you make a point that is difficult to
> understand.
I don't think the GNU project has any rules about
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