On 3/16/21 7:10 PM, Carl Sorensen wrote:
On 3/16/21, 2:20 PM, "lilypond-user on behalf of Louis Guillaume"
wrote:
Hi - I have 2 somewhat related questions here dealing with ChordNames:
1. How would one add rhythmic expressions (such as slashes)
F
On 3/16/21 4:44 PM, Xavier Scheuer wrote:
On Tue, 16 Mar 2021 at 21:19, Louis Guillaume <mailto:lo...@zabrico.com>> wrote:
>
> Hi - I have 2 somewhat related questions here dealing with ChordNames:
>
> 1. How would one add rhythmic expressions (such as slashes)
>
Hi - I have 2 somewhat related questions here dealing with ChordNames:
1. How would one add rhythmic expressions (such as slashes)
For example - in 4/4 I want a:m7 for 6 beats then e:7 for 2 beats, so
the ChordNames look like:
| A-7| / / E7 |
2. If I "\set ChordChanges = ##f" can
This appears to work for me. I'll continue testing. The stderr is very
chatty but that's ok because it works! Thank You :)
I'm trying to build using "pkgsrc" but it gets hung up on
"gobject-introspection". Apparently "meson/ninja" aren't playing nice
with the MacOS library arrangement at this
On 11/17/17 10:30 AM, Edward Neeman wrote:
Hello,
1. Why the giant gap between scores when the music goes to a second page? -
(this happens regardless of how ragged-last-bottom is set)
ragged-last-bottom doesn't seem to affect the space between score
blocks, so multiple score blocks are
On 11/17/17 9:00 AM, Ben wrote:
On 11/17/2017 1:19 AM, Louis Guillaume wrote:
On 11/16/17 8:18 PM, Ben wrote:
On 11/16/2017 5:11 PM, Louis Guillaume wrote:
\score
{
...
}
Hello,
Your code does not compile, could you share a working example so we
can help you better with the indent
On 11/16/17 8:18 PM, Ben wrote:
On 11/16/2017 5:11 PM, Louis Guillaume wrote:
\score
{
...
}
Hello,
Your code does not compile, could you share a working example so we can
help you better with the indent, etc?
Also, let us know what version you're using...
Thanks!
Ok! I'm using
Hi!
I've been trying to set my parts up so that the Coda is separated from
the main score at the bottom by having separate \score commands like this:
\score
{
\new StaffGroup
<<
\new ChordNames
{
\set chordChanges = ##t
On 6/1/12 6:16 PM, Jeff Barnes wrote:
To me, there is no such thing as a flat 6. It's flat 13, and almost
always that means -alt. The definition of -alt to me is altered 9th
and flat 13. Although... I usually omit the 11th in an alt chord.
Hmmm I may need to re-think.
As I learned it, an
On 5/28/12 6:38 PM, lilyp...@umpquanet.com wrote:
On Mon, May 28, 2012 at 09:48:29AM -0400, Louis Guillaume wrote:
There is, however, one thing that I find impossible, that is, having two
of the same tension in the chord symbol expression. There is a single
case I can think
Hi!
I'm working out a set of chord symbols to suit my needs, based primarily
on pop-chords.ly. For the most part everything works beautifully, and
I'm sure any issues with alignment, spacing etc. can be sorted out using
the tools. Very nice!
There is, however, one thing that I find
Hi,
This may be a FAQ but I can't find definitive answers by googling.
I'm looking for more control over chord symbols.
For the most part - what I'm looking for is something close to what we
see in the Real Book. But that's actually in handwriting, so some
changes would obviously be wanted
12 matches
Mail list logo
