Re: Consistent vertical alignment of annotations, disable time signiture

Am 16.04.2018 um 20:39 schrieb Simon Albrecht: On 16.04.2018 20:05, Robert Hickman wrote: So far I have the result attached, which is close to what I want, but I haven't found a clear example of how to get the two text annotations to align vertically. Try overriding

Re: SVG enormous fonts issue

Am 16.04.2018 um 18:27 schrieb Noeck: Your svg looks fine here. Tested with firefox, thunderbird, eog on Ubuntu. Looks good for my eom (the MATE equivalent of eog) but not for my firefox (59.0.1) on Manjaro. ___ lilypond-user mailing list

LilyPond in a CMS [was: Re: Defining custom symbols]

Am 15.04.2018 um 12:41 schrieb Robert Hickman: Second thought: (see my previous, sorry about double posting). What are the risks of integrating lillypond into a CMS from a security perspective, does it allow you to run shell commands for instance? I will not be exposing this publicly, just

Re: cannot run ../.ly file which includes another file

Am 13.04.2018 um 21:22 schrieb Federico Bruni: I don't think this is the problem you think it is. It's actually myMusic = \relative c' { c4 d e f | } \myMusic where the definition of myMusic tries to eat itself. Doh, I forgot the basics. Thanks David. I've now moved \myMusic into a \score

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 19:25 schrieb Mark Stephen Mrotek: Marco, In the attached I got the beaming you want. Do not know how to give each tuplet is own 3. Have a look at my answer to that question: setting subdivideBeams (and baseMoment) is way easier than setting stemLeftBeamCount and

Re: Tremolo repeats and groups of notes

/2 { d8:16 -\markup { \tiny \italic { rep. notes opt. }} \f f8:16 bes8:16 } d4 \tuplet 3/2 { c,8:16 ees?8:16 aes8:16 } c4| } Il giorno gio 12 apr 2018 alle 14:56 Malte Meyn <lilyp...@maltemeyn.de <mailto:lilyp...@maltemeyn.de>> ha scritto: Am 12.04.2018 um 11:24 schrieb Marco Ba

Re: \include command and local network folders

Am 12.04.2018 um 15:10 schrieb foxfanfare: That's odd, I don't understand why but however Lilypond seems to find my file! : That’s not LilyPond but Frescobaldi finding the file …

Re: Download for 2.19.81

Am 12.04.2018 um 13:59 schrieb Andrew Bernard: Why is 2.19.81 not in: http://download.linuxaudio.org/lilypond/binaries/linux-64/ Highest rev is 2.19.80. 81 seems to come and go. Andrew That’s a known problem, have a look at http://lilypond.org/downloads/binaries/linux-64/ instead.

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 11:24 schrieb Marco Bagolin: I solved the second question using your proposal of code. I did not solved the first question. Have you tried overriding the slope? And have you read my recommendation? Probably it would be possible to bring the StemTremolos nearer to the note

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 07:13 schrieb Marco Bagolin: Hi all, please someone can help me? Hi Mark, please always give minimal *working* examples. Your code doesn’t compile. Also it would be better to write simple text emails instead of HTML, because then it’s easier to copy the code and have it

Re: {SPAM 02.4} Re: Repeating \markup commands

Am 08.04.2018 um 20:13 schrieb David Sumbler: \version "2.19.81" nar = ^\markup \whiteout \pad-markup #2 \etc Unfortunately the above produces "syntax error, unexpected \etc" The older version works fine. That’s because that’s a very recent change that hasn’t been released yet so “\version

Re: Articulation sign in Haydn

Am 05.04.2018 um 20:48 schrieb Lukas-Fabian Moser: Can I help in any way? You could review my proposed changes at https://codereview.appspot.com/340660043 You don’t need to compile or review the code itself, just have a look at the PDF I attached here:

Re: Corrected: Beaming in LilyPond

Am 07.04.2018 um 22:44 schrieb Filip May'r: Hello, I'm sending my response in an attachment. Best, Filip Why don’t you write a regular e-mail but send a Word document that is classified as junk by my mail program? The God’s words are a tool to defend one’s arguments. Opinions are

Re: Cross-staff chords question

Am 07.04.2018 um 10:51 schrieb Menu Jacques: I’m no pianist though: is this OK for a keyboard player, or is Finale’s output: […] better, and if so, how can I obtain the cross-staves stems this way? What is better depends on whether it should be played with one hand or two. Please always

Re: Corrected: Beaming in LilyPond

Am 06.04.2018 um 17:57 schrieb Filip May'r: Notwithstanding I think it would be better to find a different signature because it may send a wrong idea about the intent. Moreover, we are made in the image of God who is upright and just and never does harm, and we should seek to reflect that

Re: Articulation sign in Haydn

Am 04.04.2018 um 23:23 schrieb Noeck: I see at least three options: 1. Use a \turn or \mordent 2. Use the symbol from Bravura (there is something like \smuflglyph "ornamentHaydn" if you use openlilylib) 3. Create your own symbol from existing glyphs like: { d'^\markup \combine \huge "~"

Re: Problem with a font

Am 03.04.2018 um 17:30 schrieb Walter Garcia-Fontes: * Abraham Lee, tisimst.lilyp...@gmail.com [03/04/18 17:23]: Hi, Walter! I took at a look at the internals of the font and you're not seeing anything unintended (unfortunately). The single ASCII apostrophe is set abnormally low compared to

Re: Temporarily split lyrics

Am 02.04.2018 um 15:01 schrieb Malte Meyn: I don’t know whether \addlyrics or \lyricsto "split" would work here but if you have only a short split section you can do the durations by hand. Of course I meant \lyricsto "alto",

Re: Temporarily split lyrics

Am 02.04.2018 um 14:55 schrieb li...@openlilylib.org: Hm, thanks for the idea, but the problem is that this would require the "empty" lyrics to actually start at the beginning of the piece. You could try something like (pseudo-code): % \new Voice = "alto" \relative {

Re: Temporarily split lyrics

Am 02.04.2018 um 14:32 schrieb u...@openlilylib.org: Hi all, what would be the most efficient way of typesetting lyrics that are split for a few words, ideally together with some sort of brackets similar to what can be seen in https://git.openlilylib.org/bfsc/kayser/issues/58 ? Might

Re: OpenLilyLib with Windows

Am 01.04.2018 um 15:48 schrieb foxfanfare: When I applied your settings with #(set-global-staff-size 17) and later #:factor (/ staff-height pt 20), I find the result a bit strange as all the music seems to be smaller. Is it the same to put something like : #(set-global-staff-size 20) /

Re: Links to version 2.19.81-1 binaries

Am 01.04.2018 um 17:22 schrieb David Sumbler: Is this a temporary blip, or should I use the earlier version? I think it’s a known problem but you can download it from here: http://lilypond.org/downloads/ http://lilypond.org/downloads/binaries/linux-64/lilypond-2.19.81-1.linux-64.sh

Re: Upline articulation

Am 01.04.2018 um 17:00 schrieb Andrew Bernard: I cannot recall where I obtained this code from. But I want to have the line thicker. I don't know how to modify this. Grepping the lilypond installation I am unable to find the function make-draw-line-markup. Where does that come from? Can I

Re: Problem with \ottava #-1

Am 01.04.2018 um 12:54 schrieb Malte Meyn: I would strongly suggest either to look for another possible notation (f. e. use a third staff, put the upper voice in the upper staff, or don’t use an ottava here because three ledger lines aren’t that much for piano) or to add a “loco” sign

Re: Problem with \ottava #-1

Am 01.04.2018 um 12:17 schrieb Robert Blackstone: But something strange happened. This \ottava #-1 also changed the notes of voice 4, the upper voice of the lower staff. That’s not so strange … see my explanation below. I have not been able to reproduce this effect in a ME, which works

Re: 2.19.81 pitchedTrill ending on rest

Am 01.04.2018 um 06:37 schrieb Mark Stephen Mrotek: I compiled \version "2.19.80" \relative c'' { g2 (\pitchedTrill a) \startTrillSpan bes r4\stopTrillSpan } No warning! Check the version you are using. I get the warning both with 2.19.80 and 2.19.81 (and with 2.18.2 and current

Re: OpenLilyLib with Windows

Am 31.03.2018 um 19:14 schrieb foxfanfare: - Could someone please make a quick tutorial on how include the bravura font? Have a look at section 3.4.4 of the Notation Reference: http://lilypond.org/doc/v2.19/Documentation/notation/replacing-the-notation-font.html (this is the english

Re: Tweaking individual BassFigures

Am 31.03.2018 um 00:17 schrieb Simon Albrecht: Hello everybody, it is currently not possible to tweak individual BassFigures – this: \version "2.19.80" \figures {   <\single \hide BassFigure 6 3> } gives a syntax error, unexpected MUSIC_FUNCTION. How fundamental are the reasons for this?

Re: \offset argument order

Am 23.03.2018 um 19:25 schrieb David Kastrup: Why is this on the bug list? That was an accident, sorry (typed lilypond, hit enter, didn’t realise that autocompletion did not what I had expected) You get the drift. Yes, now that I got to know both versions of the command (\override and

Re: PianoStaff and StaffGroup brackets are truncating single line DrumStaff at top left of staff system.

Am 22.03.2018 um 15:22 schrieb David Kastrup: I am not fixing the awful things your mail program did to your code (consider using an attachment instead). Off-topic: To me it seems as if it was your mail program that did awful things. Mine displays the code (including long lines) correctly.

Re: How to write a ly:pitch? as element of a pair?

Am 21.03.2018 um 15:28 schrieb Urs Liska: Hi all, I have a with block where I would like to let the user enter a pair as a value, and one of the elements of the pair should be a pitch. Something like: \with {   transposition = #'( d' . "D") } But this doesn't work, just like  

Re: trillspann without trill

Am 19.03.2018 um 18:11 schrieb Ali Cuota: Hi again, for Bach BWV 528, 2nd mvt, meas. 38-39, I need a trillspann without trill (see not-so-tiny pic). How can I achieve this? Try one of the following: \version "2.19.81" { \override TrillSpanner.bound-details.left.text = #'()

Re: MIDI tick resolution

Am 19.03.2018 um 14:59 schrieb David Kastrup: I think we'd rather want this value to be read from some \midi layout block variable when Midi is getting initialized. That would be better than reading from a context property of course. ___

Re: MIDI tick resolution

Am 19.03.2018 um 14:47 schrieb k...@aspodata.se: You could try the attached rudimentary patch and recompile your lilypond source, see if that solves your problem, and report back. Would it be possible to make a patch that reads this from a context property so that the user could input

Re: Combine tied notes

Am 18.03.2018 um 12:58 schrieb paolo prete: Hello, given a sequence of tied notes/chords, is there a way to automatically combine them into a minimal sequence of long notes obtained with the sum of the sequence's durations? Something like: c4~ c4~ c4~  > c2. c4~ c4~ c4~ c4~ c4   --->

Re: Build error. MergeFonts: Can't find font: feta11.pfb

Am 17.03.2018 um 20:01 schrieb Lucas Werkmeister: Can confirm, coredumpctl shows loads of t1asm core dumps (no idea why there’s no error message in the terminal), and downgrading to t1utils 1.39 fixed the problem (1.40 seems buggy as well). Thanks for the info! I’m back from Lisbon and can

Re: Ending repeat sign for first section in AABB form not displayed

Am 13.03.2018 um 06:24 schrieb Robert Schmaus: You should use just one bar sign, in your case the double bar ":|.|:" Or the double bar ":..:". That’s the default for \repeat volta, but of course it’s a matter of taste. ___ lilypond-user mailing

Re: Build error. MergeFonts: Can't find font: feta11.pfb

Am 11.03.2018 um 01:01 schrieb Lucas Werkmeister: Hi everyone, I’m getting the following error message when trying to build LilyPond from git (specifically, building the AUR lilypond-git package). […] The requested file, feta11.pfb, does not exist I have a similar problem after

Re: Absolute temporal positioning of mm-rests

Am 09.03.2018 um 11:45 schrieb Arttu Punkkinen: I was wondering, if there is a way to specify a multimeasure rest which length is only relatively defined so that it ends at predetermined bar number? I often find myself needing to adjust or add material between multimeasure rests, which

Re: Für Kurzentschlossene: Plätze im Linuxbus Ruhr nach Chemnitz!

Am 08.03.2018 um 23:24 schrieb Carl Sorensen: I ran this through Google Translate, and it mostly worked well. Except it named Harm as "Grief", which brought me a smile. I think the German “Harm” is similar to “harm” in English ;) (see also “harmlos” = “harmless”) On topic: Ich hab sowohl

Re: How to write this note from chaconne?

Am 08.03.2018 um 02:01 schrieb Simon Albrecht: On 08.03.2018 01:39, Edmundo Carmona Antoranz wrote: So I asked around[1] and apparently it's a "harmonic delay" or a prolongation... There is no reason whatsoever for any fancy words. It’s just a dotted note with the dot written at the

Re: OpenType in LilyPond

Am 03.03.2018 um 22:15 schrieb Malte Meyn: Am 03.03.2018 um 20:47 schrieb Noeck: Am 26.08.2017 um 13:16 schrieb Malte Meyn: In case someone is interested: here comes the adapted snippet (with usage example). Hi Malte, this is great news! Can this be also applied to the default font

Re: OpenType in LilyPond

Am 03.03.2018 um 20:47 schrieb Noeck: Am 26.08.2017 um 13:16 schrieb Malte Meyn: In case someone is interested: here comes the adapted snippet (with usage example). Hi Malte, this is great news! Can this be also applied to the default font (outside the score)? For markup in general? I

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:46 schrieb Malte Meyn: Oh, I forgot to say: This doesn’t work with 2.18.2 so you’re partially right. And again I made a mistake: It *does* work but only if you surround the pitch by ##{ #} \version "2.18.2" fun = #(define-music-function (parser locatio

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:44 schrieb Malte Meyn: Am 21.02.2018 um 15:40 schrieb Joshua Stutter: […] fun = #(define-music-function (parser location note dur) (ly:pitch? ly:duration?) #{ $note$dur #}) and create notes from pitches and durations within #{ #}. I explained that, to the best of my

Re: Extract pitch and duration from ly:music

Am 21.02.2018 um 15:40 schrieb Joshua Stutter: […] fun = #(define-music-function (parser location note dur) (ly:pitch? ly:duration?) #{ $note$dur #}) and create notes from pitches and durations within #{ #}. I explained that, to the best of my knowledge, this is not possible and new notes

Re: Three simultaneous slurs

Am 21.02.2018 um 15:18 schrieb David Kastrup: Marc Hohl writes: Oh sorry, it looks lie a tie between b-flat and b-flat With a syncopated rhythm adding up to a simple on-beat amount? That would be quite curious for a tie. But it’s quite common to have something like 4~

Re: Very small rhythmic values

Am 20.02.2018 um 16:57 schrieb Malte Meyn: it’s possible with beamed notes but not (yet) for rests and flagged notes because there are no rest/flag glyphs in the font for these note durations. But they could be added … Update: I made a patch that adds these glyphs but that will take some

Re: Very small rhythmic values

Am 20.02.2018 um 12:04 schrieb Amir Teymuri: Hello, is a 128 the smallest possible rhythmic value one can write in Lilypond or is there a way to write even shorter values (e.g. 256 or even smaller)? Thanks in advance, - - - - - - - - - - - ateymur...@gmail.com Hi Amir, it’s possible

Re: Bad tie position

Am 19.02.2018 um 15:42 schrieb Ethan Sue: \clef bass b16 b b8 b b16 b16 ~ b4 a8 b Tie looks like a bump. Cannot reproduce (2.18.2, 2.19.81). That’s why we need *compilable* minimal examples. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: quetion about slur in the "<< .... \\ .....>>"

Am 30.01.2018 um 09:01 schrieb mosea chen: Hi,     I found it difficult to engrave the staff as the fingure: 内嵌图片 1 the "slur" just does not work. The source is as follows: \version "2.19.80" {     \clef bass     \time 3/4     fis-2 ( e-1 d-2|     <<         { r4 ) e4 a8 ( g8  |}      

Re: turning a blind eye to dotted note

Am 29.01.2018 um 10:53 schrieb Blöchl Bernhard: In my limited knowledge of music I think that bar is wrong because of the dotted 8th note? Regards %\version "2.19.80" \version "2.18.20" mus = \relative c'' { d4  cis8  c8  b8. ais8  a  gis } <<   \new Voice \mus LilyPond does the right

Re: Rests vs spacers style question

Am 24.01.2018 um 07:28 schrieb Menu Jacques: Hello folks, P_POne_Staff_One_Voice_Two below contains rests which may seem to be make the score more difficult to read that spacers. Apart for single voice staves where rests are necessary, is there a best-practise style for multivoice staves?

Re: Empty Staves & Overriding Sequences

Am 24.01.2018 um 02:58 schrieb joedavnport: Q1. Is there a way to create (and show) an empty stave in a score, rather than creating {s1 s1 s1} spaces? You can write s1*3 instead of s1 s1 s1 ;) Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing repeat marks), instead of

Re: Transcriber title

Am 22.01.2018 um 06:49 schrieb Brian Barker:   arranger = \markup {     \column {   \fill-line { " " "Arranger: Jacob Collier" }   \fill-line { " " "Transcriber: Álvaro Cáceres Muñoz" }     }   } More simple solution for the same effect (but maybe with less side effects in

Re: \set TabStaff.minimumFret = #x

Am 21.01.2018 um 14:57 schrieb bb: I use   \set TabStaff.minimumFret = #7   \set TabStaff.restrainOpenStrings = ##t […] Is there any possibility to throw an exception for a single note or a group of notes? How about \once \unset TabStaff.minimumFret ?

Re: Long syllable vs. span bar

Am 19.01.2018 um 17:29 schrieb Torsten Hämmerle: Probably the easiest way to achieve this is just to use *ChoirStaff* and add the Span_bar_engraver to get the bar lines. That way, Lyrics will nonchalantly cross the bar lines as if they weren't there and by setting the whiteout property, you're

Re: Left-handed fretboard?

Am 18.01.2018 um 14:09 schrieb Torsten Hämmerle: Ah, yes, when in landscape mode, setting a negative string-distance makes the whole diagram flip below the baseline. Oh dear, another effect (in general): capo numbers and other objects that should be placed in the margin of the diagram. When

Re: Left-handed fretboard?

Am 17.01.2018 um 22:59 schrieb Thomas Morley: 2018-01-17 22:36 GMT+01:00 David Kastrup : Thomas Morley writes: Should we document it as is or introduce a details.subproperty setting string-distance negative? Left-handed diagrams are peculiar enough

Re: odd marcato placement

Am 18.01.2018 um 05:58 schrieb Shane Brandes: The following code produces what looks to me as an an unanticipated result as the second two marcato marks are slightly elevated. I fixed it with a Script.extra-offset but still wonder if this is some odd edge case. \version "2.18.2" \new Staff

Re: Guitar palm mutes - almost done

Am 31.12.2017 um 17:20 schrieb Neo Anderson: 1. How to change the look of the extender lines (dashes)? I'd like them to be more dense or compact. The following -\tweaks with various values won't make a difference.     -\tweak bound-details.dash-fraction #0     -\tweak

Re: fixed vertical spacing within staff-group

, the output is transposed to F Maj. Do let me know how to set fixed vertical spacing for staff-group. Please reply thru the lilypond user list and do not share the file on the list. Thanks. On Fri, 29/12/17, Malte Meyn <lilyp...@maltemeyn.de>

Re: fixed vertical spacing within staff-group

Am 29.12.2017 um 05:30 schrieb Eby Mani: Hi, How to set fixed vertical spacing within staff-group ?. Hi, please always give a minimal working (and compilable) code example that shows what you are doing currently. I have tried the following in \layout { \context } section. Vertical

Re: Two short questions

Am 28.12.2017 um 17:11 schrieb Wols Lists: On 28/12/17 16:07, Malte Meyn wrote: Have a look at the PDF in the post linked above: The function can do both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)). Sorry, I did look, but obviously missed it ... :-( No problem ;) Mixed

Re: Two short questions

Am 28.12.2017 um 16:57 schrieb Wols Lists: My reaction would be to take your version, and rewrite all the others to call it. That way you don't break existing code, but you simplify lily itself in that there is just one function. That’s what I would do too. I just have to figure out, which

Re: Two short questions

Am 28.12.2017 um 16:34 schrieb Malte Meyn: Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1)   \time 2/1   \set

Re: Two short questions

Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1) \time 2/1 \set Score.timeSignatureFraction = 2/2 2. In virtually

Re: TAB-problem

Am 28.12.2017 um 15:54 schrieb bb: Thank you for answering. Your code has exactly the problem I wanted to overcome. There is a "cleftext"  every time the clef changes! No it has not. Have a close look: I do \omit Clef \once \override Clef.stencil You do \override Clef.stencil That’s

Re: TAB-problem

Am 28.12.2017 um 15:22 schrieb Malte Meyn: Set the clef stencil to ##f (\omit is a shorthand for that) and only set the stencil for the first occurence. As I realised some seconds after sending the message, this isn’t enough if you want to have the clef at the beginning of each line

Re: TAB-problem

Am 28.12.2017 um 14:21 schrieb bb: I attach an example code. (Sorry, my skills are just not developed enough to shorten the code essential.) Here is a much smaller example. It’s not minimal but near. How to build such an example? Well, just leave everything out that has nothing to do with

Re: Dynmaic size

Am 27.12.2017 um 20:57 schrieb Johannes Roeßler: So I found this: (Its scheme? right?) ep = #(make-dynamic-script (markup #:dynamic "p" )) - but I have no idea how to integrate the size here. You can use #:huge and friends or #:fontsize as seen below. Or you switch to “non-scheme lilypond

Re: Staff Group Bracket

Am 27.12.2017 um 20:59 schrieb Johannes Roeßler: Hi, is it possible (ok, its Lilypond, let me rephrase that... HOW is it possible) to tweek the distance of the staff-group bracket from the staff lines? (See attachment for clarification) Cheers Joei \version "2.19.80" \new StaffGroup

Re: No Time Signature

Am 27.12.2017 um 16:54 schrieb nokel81: Hello, is there a way so that lilypond treats an entire staff as a single bar and just break the notes where it is best? I want to do this with stem-less notes for modern chant. How about this? \version "2.19.80" \relative { \omit

Re: Changing the car or cdr of a pair

Am 25.12.2017 um 19:01 schrieb David Kastrup: David Kastrup writes: \once \override Staff.LigatureBracket.edge-height = #(grob-transformer 'edge-height (lambda (grob original) (cons 0.3 (cdr original For example. Malte's suggestion to use \offset does something

Re: Changing the car or cdr of a pair

Am 25.12.2017 um 17:48 schrieb Menu Jacques: The edge-height pair can be given a value with: \once \override Staff.LigatureBracket.edge-height = #'(0 . +0.7) but how can I change only one of the members of the pair, leaving the other one as it is? There are two options: Either use

Re: change regular/staccato/staccatissimo midi duration 2.19.80

Am 25.12.2017 um 14:22 schrieb Gianmaria Lari: This code generate some 'regular', staccato and staccatissimo notes: \version "2.19.80" \score {   \fixed c' {c8 d e-. f-. g-! a-! r4}   \midi{}   \layout {} } Is there any way to change the default duration of

Re: getting paid for an include (I offer)

Am 23.12.2017 um 20:38 schrieb Ali Cuota: Excuse me, the New German Tabulatur is my topic. https://de.wikipedia.org/wiki/Tabulatur#Neue_deutsche_Orgeltabulatur Hi, I would be interested maybe; coincidentally I’m just now reading Willi Apel’s book on notation and the next chapter I’ll read

Re: Lining up the word "subito"

Am 23.12.2017 um 10:17 schrieb Malte Meyn: \version "2.19.65" \include "english.ly" A small, slightly off-topic remark on these lines: Instead of \including the file english.ly the standard way of setting the note name language now (since version 2.14) is using

Re: Lining up the word "subito"

Am 23.12.2017 um 10:10 schrieb Andrew Bernard: Also, with respect, when asking for help on the list people usually provide an MWE, a minimum working example. For a case like this just a note or two would suffice. If you give an MWE it is a lot easier for people to help out, as they don't

Re: accedentals

Am 17.12.2017 um 15:58 schrieb Vivyan: I'm not sure why my accidentals arn't working? Screen_Shot_2017-12-17_at_14.png Please always give a minimal example of your code (as text, not screenshot); looking at

Re: Font for headers

Am 13.12.2017 um 16:58 schrieb Edward Neeman: I apologize if this is an obvious question: is there a way to set a font for headers only? One that applies to all header elements but not the score. Thanks, Edward Select from the following \paper block what fits your needs:

Re: How to show split stems

Am 10.12.2017 um 08:08 schrieb Phil Hanna: I have a measure with two notes on the same line of the staff, a D natural and a D sharp. I'm trying to figure out how to have the stems split as shown in the image, but I can't find anything obvious in the documentation. Thanks for any help.

Re: Fontsize ornaments

Am 07.12.2017 um 17:57 schrieb Pieter Terpstra: Do you think this could be made in to a configuration file and store it in the /usr/share/lilypond/$VERSION/ly directory? You could have a “personal/private includes directory” in your home dir, f. e. something like ~/MyLilyIncludes

Re: Fermata below text

Am 04.12.2017 um 19:34 schrieb Phil Holmes: I've tried over-riding Script.outside-staff-priority Are you sure? Setting it to something < 450 works for me in 2.18.2 and 2.19.80. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Fontsize ornaments

Am 03.12.2017 um 09:47 schrieb Malte Meyn: You can change this by copying the definition of general-grace-settings/score-grace-settings and commenting out the Fingering.font-size. Of course, you can adjust the value instead of commenting the whole line out if you want smaller but not so

Re: Fontsize ornaments

Am 03.12.2017 um 09:34 schrieb Malte Meyn: It *seems* (I’m not sure whether it actually works like that) like Fingering.font-size is based on the context property fontSize and that is set to -3 for grace notes (Fingering.font-size = fontSize - 5) so for normal notes it’s -5 and for grace

Re: Fontsize ornaments

Am 03.12.2017 um 01:43 schrieb Pieter Terpstra: Dear People, Have a piece here with a lot, lots of acciaccatura's. The fingering numbers font size under the principal notes is good but those under the acciaccatura's are too small to read. Is there a way to increase the fontsize under the

Re: Full bar rest R time 6/8 and 9/8

Am 29.11.2017 um 18:36 schrieb David Kastrup: Ming Tsang writes: Lilyponders: 1 for time 4/4R1 provides full bar rest centered; 2 for time 2/4R2 provides full bar rest centered 3 for time 3/4 R2. Provides full bar rest centered How to code : 4 for time

Re: variable

Am 24.11.2017 um 09:37 schrieb Gianmaria Lari: I'm sorry for the trivial question but why this code is wrong? \version "2.19.80" music = {a b} \music The easiest way to deal with this is to add some scheme code that does nothing: \version "2.19.80" music = {a b} #'() \music

Re: [OT] Linux Users

Am 19.11.2017 um 20:28 schrieb David Kastrup: Jacques Peron writes: The only thing I don't know how to do is to have the same name (lilypond) for thé command and for the environment. So I privileged the environment. Neither are called lilypond. It's not particularly

Re: [OT] Linux Users

Am 19.11.2017 um 16:57 schrieb Urs Liska: Am 19.11.2017 um 16:46 schrieb Marc Hohl: Am 18.11.2017 um 17:58 schrieb Jacques Peron: Linux, LilyPond, LuaLaTeX (and Gregorio for gregorian chant) here. To integrate LilyPond into LaTeX, I developped lyluatex

stanza alignment

Hi list, when I have multiple verses the stanza numbers are aligned. This works also I put some verses above the a staff and some below. But it doesn’t work anymore if I then add another staff. Any ideas how to solve this problem? Is this a bug? Cheers, Malte %

\startGroup and \=

Hi list, it seems like \= doesn’t work for \startGroup and \stopGroup as it does for slurs and phrasing slurs. Any ideas how to achieve the same effect for analysis brackets? Cheers, Malte %% \version "2.19.80" % this is nice \relative { \cadenzaOn

Re: mix dynamic within markup on single note

Am 11.11.2017 um 07:20 schrieb Ryan Michael: I am trying to place "submit" markings after dynamics, but I would like the dynamics to be the actual default dynamic font as opposed to bold text. Just replace \bold by \dynamic ;) %% \version "2.18.2" { \time 4/4 d'4\pp fis'

Re: Transposing an entire score

Am 07.11.2017 um 17:54 schrieb peter.gam...@homecall.co.uk: I have a piece of choral music written in 7 parts. It's around 80 bars long. It's in the key of F major, which is too low for my choir. I'd like to transpose it up 3 semitones to A flat major. I'm new to Lilypond and the syntax gives

Re: "Guide notes"

Am 07.11.2017 um 16:45 schrieb David Wright: Thanks for the replies. I did try specifying a chord, but the "pitch" parameter won't take it. That’s because I didn’t know that you wanted chords … Of course it’s possible to specify a chord, see the following code. There’s only one reason I

Re: "Guide notes"

Am 01.11.2017 um 16:03 schrieb David Wright: I've sung (strictly, not sung) a great many of these without knowing what they're officially called. I've created this one with what looks like an awful hack. Is there a better way in LP? (Googling lilypond guide note turns up anything but.)

Re: How to end a melisma

Am 01.11.2017 um 01:19 schrieb Simon Albrecht: The correct way would be Music = \relative c'' {   c4 d e f\melisma   c d e f\melismaEnd   r d e f   c d e f } Ok, obviously that’s more correct than my solution. I didn’t know these commands, nice to learn something new about LilyPond

Re: How to end a melisma

Am 31.10.2017 um 18:09 schrieb pkarl: My next naive attempt was to try to positively indicate where the melisma should end: Music = \relative c'' { c4 d e f    c d e f    r d e f    c d e f } Lyrics = \lyricmode { do re mi fa __ _ _ _ _  " "   \repeat unfold 2 { \skip 1 } sol

Re: rallentando/ritardando midi

Am 31.10.2017 um 15:44 schrieb Caagr98: ``` << { e8^"rall." d c c c4 c } \tag midi { \tempo 4=50 s8 \tempo 4=45 s8 \tempo 4=40 s8 \tempo 4=35 s8 %etc... } ``` You'll have to use two scores, one of which has `\removeWithTag midi`, to make this work. Alternatively, you

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