Re: Can \markuplist prduce uneven width columns?

you can obtain something close with the new \table markup-list command http://lilypond.org/doc/v2.19/Documentation/notation/text-markup-list-commands On Wed, Nov 27, 2019 at 7:10 AM Peter Toye wrote: > I'm trying to write some editorial notes for a score, and would like to > have the references

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

I get this error when I run Frescobaldi 3.0.0 on Windows 7. ​ On Tue, Mar 7, 2017 at 3:46 PM, Klaus Blum wrote: > Thanks to everyone who helped to make this wonderful tool available for > Windows as well! > > However... I installed Frescobaldi 3.0.0 with the provided

Re: markup functions

this works: #(define-markup-command (instruct layout props text) (markup?) (interpret-markup layout props #{ \markup \italic \magnify #0.7 #text #})) mkTenor = \markup { \instruct "tenor"} \relative c' { d1-\mkTenor } =Marc On Sat, Feb 18, 2017 at 9:52 AM, Rob Torop

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

Thank you for your work. Will you provide a .dmg file for MacOS? On Fri, Feb 17, 2017 at 4:58 AM, Wilbert Berendsen wrote: > Dear friends, > > I just released the source packages for Frescobaldi 2.20.0, Frescobaldi > 3.0.0 and python-ly 0.9.5 today. (I couldn't way until my

Re: New LilyPond website

+ 1 to include lilybin not just a link but include the ability to try lilypond directly from the browser without having to open another window. Like the Haskell or like the ruby lang website ( https://www.ruby-lang.org/en/ see the link on the right "Try Ruby") . 2 user stories 1. a ) as a

example(s) of the power of Lilypond

Lilypond is a very powerful music score writing software. Today examples of this power are buried in the documenation. I'd like to see featured on the website, examples of the power of Lilypond. To select the best or most useful, I'd like to ask the community what is/ are your best example(s) of

Re: New LilyPond website

First, I want to thank John for his contribution. The new design looks more modern and gives a feeling that lilypond's community is alive. I deal with UI at work on a daily basis and no two persons will agree on the look and feel of a website of application. So IMHO we should focus on making sure

Re: Experience with several import filters

abc2ly: I use it from time to time to convert Celtic tunes. It works but converts the chords as markup and starting from scratch in lilypond happens to be faster. On Tue, Jan 3, 2017 at 7:23 PM, Noeck wrote: > Hi, > > > midi2ly > > I used it for freely licensed scores on

hide time signature in markup command

i use a shorthand mark up command to insert music snippets into text. See below definition "WriteScore" I'd like to add a command to hide the time signature \override Staff.TimeSignature #'stencil = ##f In scheme the command should be something like this : (make-music 'OverrideProperty

Re: sorry for the spam

I had requested my domain provider to set the SPF record and I thought they did. Apparently not :-( Was the email really sent from nabble cause the same kind of email was sent to a group of friends. -Marc > On May 10, 2016, at 3:55 PM, Federico Bruni wrote: > > Il

Re: Spam u don't like

seems like an injection via Nabble.com. Rather than a spoofed > mail address, this would rather look like a hacked account at > Nabble.com. Much less likely, a hacked iPad (but what kind of > virus/worm would try going through a Nabble account next?). > > Marc? Any ideas? > > -- &g

Re: Default margins in Letter truncated

that the units are mm rather than staff spaces? -- David Kastrup -- Marc Mouries 571-428-6771 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Slur collides with Sharp

Hi Lilyponders, In the following measures, the slur collides with the sharp sign I tested with 2.16 and 2.17 This does not occur in the original score from 1910. http://erato.uvt.nl/files/imglnks/usimg/3/3a/IMSLP212816-SIBLEY1802.20456.9d77-39087017285851violin.pdf % slur collides with the

SpanBar joining Ossia main staff no longer printed in 2.17

Hi Lilyponders, I am typesetting a score with an ossia using the snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=125 In version 2.16, this snippet print a spanBar joining the ossia and the main staff. In 2.17, the following warning is printed in the logs: warning: No span bar glyph defined for

Fwd: barline in gregorian

that was my reponse to Marek and it works fine in my Bach transcriptions. -- Forwarded message -- From: Marc Mouries m...@mouries.net Date: Fri, Sep 9, 2011 at 2:36 PM Subject: Re: barline in gregorian To: Marek Klein ma...@gregoriana.sk that's what i use: divisioMaior

Re: Shaping slurs --- both broken and unbroken

2011/7/24 David Nalesnik david.nales...@gmail.com Hello, all -- This is on the LSR, at least. http://lsr.dsi.unimi.it/LSR/Item?id=639 Just thought I'd let you know that Dmytro's function as given on the earlier thread incorporates an older version of my slur-shaping function. I've

Re: rendering png without page

On Tue, Jul 19, 2011 at 6:43 PM, Carl Sorensen c_soren...@byu.edu wrote: ... This is not directly documented in LilyPond, because it's not a feature of LilyPond, it's a feature of GhostScript. Thanks, Carl OK but this is a frequently asked question related to exporting scores part as

Re: Lilypond making my Macbook Pro run slow

On Jul 6, 2011, at 9:35 PM, Marc Mouries wrote: Very much like lilyPad I built a simple lilypond editor and added syntax coloring. You may want to download it and try it https://www.dropbox.com/s/4tig7qmcpamb1w4/LilyEditor.app -Marc Tim, I am glad my simple Lilypond editor for Mac is helpful

Re: Lilypond making my Macbook Pro run slow

What exactly does 'keep lilypond open' mean in this context? It just runs once, sprouts a pdf and then stops. That's why I can't understand what else would be running unless we have a memory leak somewhere? LilyPad is as far as I can see a very lightweight editor (and much easier to

Re: markup for partial measures

On Fri, Jun 24, 2011 at 11:57 AM, Henning Hraban Ramm hra...@fiee.netwrote: Greetings again, since I mostly typeset folk songs, I need a lot of \partial measures (e.g. at the end or at repeats). I can't understand why LilyPond since 2.13.xx throws warnings that \partial is only allowed at

Re: markup for partial measures

On Fri, Jun 24, 2011 at 4:00 PM, Reinhold Kainhofer reinh...@kainhofer.comwrote: Am Freitag, 24. Juni 2011, 18:56:00 schrieb Marc Mouries: For a better understanding and some examples, I would recommend LilyPond's notation reference: http://kainhofer.com/~lilypond/Documentation/notation/long

Re: markup for partial measures

On Fri, Jun 24, 2011 at 1:36 PM, Henning Hraban Ramm hra...@fiee.netwrote: Am 2011-06-24 um 18:56 schrieb Marc Mouries: I like you was initially surprised that \partial are only allowed at the beginning. However I found that this can be avoided by simply moving the repeat sign. Example

Re: Dynamic + text aligned: BEST solution?

On Fri, Jun 24, 2011 at 6:44 PM, Valentin Villenave valen...@villenave.netwrote: If you have some time, please do read http://lilypond.org/doc/v2.15/Documentation/extending/scheme-in-lilypond and http://www.gnu.org/software/guile/manual/ it makes for a fascinating reading reading

Re: How to generate small example PNGs

On Thu, Jun 23, 2011 at 6:06 AM, Ralf Mattes r...@mh-freiburg.de wrote: Hello list, for a webproject with music examples I need to create PNG files with small mucic examples. I'm shure I once had some examples but I can't find them any more. I'm currently invoking lilypond like this:

re: orchestra and individual parts

Marc Mouries marc at mouries.net writes: The common templates for orchestral music require to remove comments when using separate files. (ex: http://lsr.dsi.unimi.it/LSR/Item?id=359). I am using the following structure that does not require commenting and un-commenting the score parts

list of changes in minor versions

I just saw that version 2.15.2 was released. Is there a page somewhere listing the list of bug fixed? PS: I went to http://lilypond.org/doc/v2.15/Documentation/changes-big-page.html but the page lists changes about the major version from 2.12 to 2.14 -Marc

orchestra and individual parts

The common templates for orchestral music require to remove comments when using separate files. (ex: http://lsr.dsi.unimi.it/LSR/Item?id=359). I am using the following structure that does not require commenting and un-commenting the score parts but this requires to create one more file for each

Re: misaligned rest in quatuor in 2.14.1

On Wed, Jun 15, 2011 at 8:49 AM, Ralph Palmer ralphbugl...@gmail.comwrote: On Tue, Jun 14, 2011 at 9:27 PM, Marc Mouries m...@mouries.net wrote: Here is a simple example of a quatuor that shows that the first rest in the Vln 3 staff is misaligned and too close to the G. -Marc I

misaligned rest in quatuor in 2.14.1

Here is a simple example of a quatuor that shows that the first rest in the Vln 3 staff is misaligned and too close to the G. -Marc misaligned rest in quatuor.ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org

question on a bach's canon: mordent repeat

Let me know if this is off-topic but i thought someone on the list might know the answers. I am transcribing a Canon from Bach and would like your input. *1) The sign of the last measure.* The manuscript here: http://www.greatjsbach.net/mscript_img/bwv1073.jpg and the score on IMSLP show at the

Re: question on a bach's canon: mordent repeat

thought that was the more accurate one. Best greetings Francois 2011/6/14, Marc Mouries m...@mouries.net: Let me know if this is off-topic but i thought someone on the list might know the answers. I am transcribing a Canon from Bach and would like your input. *1) The sign of the last

Re: why does lily prints both a natural and sharp sign?

2011/6/11 Janek Warchoł lemniskata.bernoull...@gmail.com I've looked at Ted Ross, Kurt Stone, Gardner Read and Elaine Gould and can't find any explicit mention of this. AFAIK this was a common practice in XIXth century engraving (a period that LilyPond tries to mimic), but it is

why does lily prints both a natural and sharp sign?

in the following code, lily prints both a natural and sharp sign before the G #. Why? Is there a way to avoid that? \version 2.14 \language english { \relative d' { \key df \major df ef f gs af bf c df } } -Marc ___ lilypond-user mailing list

equivalence of old XXX-spacing to new flexible vertical spacing commands

Is there a doc page in 2.13 listing the equivalence between the old spacing commands to the new flexible vertical spacing commands? I checked the page:

Re: convert from .mus to .ly (Bach BWV 1073: Canon )

On 5/24/2011 10:01 PM, Shane Brandes wrote: Yes. First you must convert the Finale 2002 file to a Finale version that supports exporting to a .xml version (Finale 2007 or thereabouts) and then from there it is usually easy to convert the .xml file to .ly using xml2ly. Shane On Tue, May 24,

Re: convert from .mus to .ly (Bach BWV 1073: Canon )

On 5/26/2011 9:27 PM, Colin Campbell wrote: On 11-05-26 11:18 AM, Marc Mouries wrote: On 5/24/2011 10:01 PM, Shane Brandes wrote: Yes. First you must convert the Finale 2002 file to a Finale version that supports exporting to a .xml version (Finale 2007 or thereabouts) and then from

Re: convert from .mus to .ly (Bach BWV 1073: Canon ) - SOLVED

This piece is a canon where the 4 instruments play the same notes but using a different key. http://erato.uvt.nl/files/imglnks/usimg/f/f7/IMSLP88821-PMLP18465-BWV_1073.pdf I want to transpose it for 4 violins Would anyone has a script that would allow me to transpose and generate the

convert from .mus to .ly (Bach BWV 1073: Canon )

I'd like to make an arrangement of Bach BWV 1073: Canon. I found the Finale 2002 source files2 on the icking-music-archive.org and would like to know if there is a way to convert them to lilypond. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Problems when adding chords

On 5/18/2011 2:48 AM, Keith OHara wrote: Fabian Binzfabianbinzat yahoo.de writes: whenever I try to add chords to my score, I get a GhostScript-related error message when it tries to convert the ps file to pdf. Fabian, This sounds like the problem described at

Re: with 2.13.61, file on wikipedia no longer compiles

On 5/12/2011 4:21 AM, Phil Holmes wrote: - Original Message - From: Marc Mouries m...@mouries.net To: Nick Payne nick.pa...@internode.on.net Cc: lilypond-user@gnu.org Sent: Thursday, May 12, 2011 4:05 AM Subject: Re: with 2.13.61, file on wikipedia no longer compiles On May 11, 2011

Re: with 2.13.61, file on wikipedia no longer compiles

On 5/18/2011 10:40 AM, Phil Holmes wrote: It's actually a different problem. The first was to do with accented characters in a file which was not UTF encoded. The one you refer to is a problem with the sans font and Windows 7 SP1. once the file has been encoded as UT8 i encountered the same

Re: ppp on harmonics is too close to the bar line than normal notes

do you need more info or help to fix that ? On May 14, 2011, at 6:49 PM, Marc Mouries wrote: When a note is defined as an harmonic it creates a side effect on the position of dynamics. In this example, when the note D is a normal note the ppp does not touch the bar line however when

LSR is not available

FYI the LSR is not available at this hour http://lsr.dsi.unimi.it/ HTTP Status 404 - Servlet SearchPage is not available ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

text after dynamic

i need to have a a tempo indication right after a note with a forte dynamic. When i type the following lilypond code I get the text below the dynamic. That's logical as the both the dynamic and markup are attached to the note but how can i have the rallentando after the forte? \version 2.13.61

Re: text after dynamic (unrelated to the dynamic) / left or right markup

thanks for text that is related to dynamics i already use a simpler version of the same command: piuF = \markup { \italic più \dynamic f } this makes sense for text that is related to the dynamic such as molto forte, piu forte, ... but does not make sense for text that is unrelated like -

ppp on harmonics is too close to the bar line than normal notes

When a note is defined as an harmonic it creates a side effect on the position of dynamics. In this example, when the note D is a normal note the ppp does not touch the bar line however when it is an harmonic it does touch. inline: PastedGraphic-1.png %% When a note is defined as an

with 2.13.61, file on wikipedia no longer compiles

I tried to compile the lilypond file in for the song Au clair de la Lune in Wikipedia http://en.wikipedia.org/wiki/File:Ly_au_clair_de_la_lune_accords_melodie_paroles.png It used to compile with 2.11, 2.12. The log files contains 100's lines like this: programming error: invalid UTF-8 string

Re: with 2.13.61, file on wikipedia no longer compiles

On May 11, 2011, at 10:51 PM, Nick Payne wrote: On 12/05/11 12:46, Marc Mouries wrote: On 5/11/2011 10:26 PM, Nick Payne wrote: I did a copy and paste of the ly source from that web page, saved it as UTF-8, and it builds without any errors at all. Lilypond 2.13.61 running on Ubuntu amd64

bug triplet line collides with fingering

In this snippet the triplet line collides with the fingering. \version 2.13.60 \language english Violin = \relative d'' { \times 2/3{d4 a8-4} } \score { \new Staff { \Violin } \layout {} } inline: PastedGraphic-2.png I know i could use \once \override TupletBracket #'direction = #DOWN

Re: bug triplet line collides with fingering

On Apr 20, 2011, at 3:04 PM, Marc Mouries wrote: In this snippet the triplet line collides with the fingering. \version 2.13.60 \language english Violin = \relative d'' { \times 2/3{d4 a8-4} } \score { \new Staff { \Violin } \layout {} } PastedGraphic-2.png I know i could

length of stems of sextuplets is too short

As you can see on this snippet thelength of stems of sextuplets is too short. The length of the stems extend for 32th but not for the 8th notes.Is there anything i should do or is there something wrong is the default values?inline: Screen shot 2011-04-16 at 2.41.05 PM.png%% the sextuplets look

slur collides with ledger line grace note size

I tested with both 2.12 and 2.13 and in both versions the slur collides with the ledger line In the picture of the old score i have the slur is moved below the ledger line. How can we do the same with lilypond? I also noticed that lilypond prints

swing rhythm in midi output?

Is possible to write regular eight notes and set settings in midi output to generate a swing rhythm like? inline: SwingRhythm.gif -Marc___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

how to set a partial measure after the beginning of a piece?

I checked the doc here: http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-rhythms and it says: partial command is intended to be used only at the beginning of a piece. If you use it after the beginning, some odd warnings may occur. Any pointer about how to achieve this?

Mismatch version number in 2.13.58 on Windows

I just installed 2.13.58 on Windows and when i run lilypond I get C:\lilypond GNU LilyPond 2.13.54 Usage: lilypond [OPTION]... FILE... Anyone else gets that? ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Mismatch version number in 2.13.58 on Windows

On 4/8/2011 5:21 PM, Marc Mouries wrote: I just installed 2.13.58 on Windows and when i run lilypond I get C:\lilypond GNU LilyPond 2.13.54 Usage: lilypond [OPTION]... FILE... Anyone else gets that? It seems that the uninstaller of lilypond 2.14.54 did not work well. If i uninstall it 2.13.58

abc2ly limitations?

I am trying to convert an Irish Fiddle tune and abc2ly complains about grace notes, repeat signs and text quotes. Are the limitations of abc2ly documented anywhere? Any workaround to import the file?

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

On 3/25/2011 5:17 PM, Kieren MacMillan wrote: David, Again: staring into the sun is not overstimulation since it is not overloading the sensors with content but rather blocking them. Looking into the sun can't be characterized as I am seeing too much. There's clearly a semantic

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

On 3/22/2011 9:57 PM, Graham Percival wrote: Pop music (and thus a lot of Vocaloid stuff) gets a bad rap for using the I IV V I chord progression a lot, but I don't see that amount of predictability to be any worse than classical music's predictability of beat strength in 4/4 time

Re: Suppress NoteNames output on ties ?

On 3/21/2011 4:59 PM, Gilles THIBAULT wrote: Could/did you add this to the LSR? Done http://lsr.dsi.unimi.it/LSR/Item?id=760 Gilles shouldn't this be the default behavior of context NoteNames and thus changed added to the context NoteNames instead of the LSR?

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

This is intellectually interesting but the question is not who deserves to create good music? but rather who wants to listen to music made by someone that does not practice? and who wants to listen to music played by a computer? Sure many times, nowadays, the rendition of a computer playing is

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

On 3/17/2011 10:57 AM, David Kastrup wrote: Marc Mouriesm...@mouries.net writes: This is intellectually interesting but the question is not who deserves to create good music? but rather who wants to listen to music made by someone that does not practice? and who wants to listen to music

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

On 3/17/2011 11:31 AM, Graham Percival wrote: Art conveys emotions which are the one thing that make us human and thus should be played by human. should be? Hmm. Art conveys emotions, and thus sheet music should be engraved by a human. You are mixing unrelated things. The analogy is about

Re: Creation of a generic pattern

have you taken a look at this snippet: http://lsr.dsi.unimi.it/LSR/Item?id=654 -Marc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Italian translation?

On 2/20/2011 1:39 PM, Phil Holmes wrote: In the Gondoliers, the Contadine sing Per voi, bei signori. According to Google translate, 'bei' does not exist. Is there an Italian speaker here who can say whether it is Italian, or whether Gilbert got it wrong? No google does not know everything!

Re: Italian translation?

On 2/21/2011 10:56 AM, Phil Holmes wrote: - Original Message - From: Marc Mouries m...@mouries.net To: lilypond-user@gnu.org Sent: Monday, February 21, 2011 3:53 PM Subject: Re: Italian translation? On 2/20/2011 1:39 PM, Phil Holmes wrote: In the Gondoliers, the Contadine sing Per voi

Re: exercise notation

On 1/26/2011 1:08 AM, Patrick Horgan wrote: On 01/25/2011 12:25 PM, lilyp...@josebreden.nl wrote: Hello, Singing in a coral I would like to exercise the different parts (soprano, alto, bass). So I would like to generate from a single .ly-file, multiple midi-files: - all parts together (which

Re: How to start translate documents without running autoconf.sh

On 1/25/2011 10:48 AM, Francisco Vila wrote: 2011/1/25 Ben Luoben...@gmail.com: neuro, 中文 should be great. Francisco, Please use 中文 for Chinese in Chinese. Ok, using 中文 instead of 汉语 There are actually six ways to designate the Chinese language: hànyǔ 汉 语 (Chinese) Pǔtōnghuà 普通话

Re: instrumentName in StaffGroup

On 1/15/2011 4:56 AM, Xavier Scheuer wrote: On 14 January 2011 20:56, Reinhold Kainhoferreinh...@kainhofer.com wrote: To be honest, I don't understand, why the Instrument_name_engraver is not added to all staff group contexts by default. It is a very simple engraver, so it would not induce

Re: function looksSlower from LSR produces many warnings

On 1/12/2011 2:00 AM, Nick Payne wrote: On 12/01/11 16:08, Marc Mouries wrote: On Jan 11, 2011, at 6:34 PM, Carl Sorensen wrote: On 1/11/11 11:30 AM, Marc Mm...@mouries.net wrote: As a matter of fact, I get the same warnings without the function but with \stemUp with the code: \version

Re: why chords with notes of different duration is not supported?

On 1/12/2011 4:40 AM, Graham Percival wrote: On Wed, Jan 12, 2011 at 09:15:41AM +0100, Reinhold Kainhofer wrote: Am Mittwoch, 12. Januar 2011, um 09:02:19 schrieb Graham Percival: On Wed, Jan 12, 2011 at 12:04:50AM -0500, Marc Mouries wrote: i'd like to know about the rationale behind

why chords with notes of different duration is not supported?

lilyponders, i'd like to know about the rationale behind not supporting chords with notes of different duration. In the case typesetting violin music it would be much simpler if the notation for chord allowed for notes of different duration. It also applies to other instruments where chords are

Re: function looksSlower from LSR produces many warnings

On Jan 11, 2011, at 6:34 PM, Carl Sorensen wrote: On 1/11/11 11:30 AM, Marc M m...@mouries.net wrote: As a matter of fact, I get the same warnings without the function but with \stemUp with the code: \version 2.13.45 \language english \score { \relative g' { { \stemUp g, } \\

function looksSlower from LSR produces many warnings

I am using the function looksSlower from the snippet http://lsr.dsi.unimi.it/LSR/Item?id=305 and when i use it, it produces many warnings such as: - warning: stem does not fit in beam - warning: beam was started here I tested the snippet and it does not produce those warning because it does

Re: how to write a scheme function to override glissando properties

This slide function is great. I always have to tweak the glissando command because it is always too small. On 12/19/2010 3:26 PM, jakob lund wrote: I 2010/12/19 Marc Hohlm...@hohlart.de: Am 16.12.2010 17:04, schrieb Patrick Schmidt: [...] Hi Marc, thanks for your solution but I'm still

fretboard with fingers on the same string / scale

Lilyponders, I might be pushing the fretboard to its limit but i just found a very useful use after a discussion with my Violin teacher and I'd like to know if it's possible to print fingers dot on the same strings. It can also be used to print scales like

Re: pb with 2.13 with doc example fret diagram

On 12/22/2010 9:10 AM, Carl Sorensen wrote: On 12/22/10 12:12 AM, Marc Hohlm...@hohlart.de wrote: Am 22.12.2010 03:43, schrieb Carl Sorensen: On 12/21/10 7:26 PM, Marc Mouriesm...@mouries.net wrote: On Dec 21, 2010, at 1:28 PM, Carl Sorensen wrote: Well, it's supposed to be the number

Re: fretboard diagram : removing the fret number on the side

On 12/21/2010 10:51 AM, Carl Sorensen wrote: On 12/21/10 12:51 AM, David Kastrupd...@gnu.org wrote: Carl Sorensenc_soren...@byu.edu writes: On 12/20/10 8:57 PM, Marc Mouriesm...@mouries.net wrote: The fret diagram prints a fret number indication on the right that is confusing from a

Re: fretboard diagram : alignment issue

On 12/21/2010 12:30 AM, Carl Sorensen wrote: On 12/20/10 8:47 PM, Marc Mouriesm...@mouries.net wrote: Hi Lilyponders, I am trying to generate a chord chart for Violin and i have an alignment problem. I want to include the different possibilities of playing a chord and thus i can't use the

pb with 2.13 with doc example fret diagram

I just tested the example "Defining predefined fretboards for other instruments" with 2.13 and it produces a bizarre output. http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings \paper { #(define dump-extents #t) indent = 0\mm

Re: pb with 2.13 with doc example fret diagram

On 12/21/2010 12:09 PM, Carl Sorensen wrote: On 12/21/10 9:44 AM, Marc Mouriesm...@mouries.net wrote: I just tested the example Defining predefined fretboards for other instruments with 2.13 and it produces a bizarre output.

Re: pb with 2.13 with doc example fret diagram

On Dec 21, 2010, at 1:28 PM, Carl Sorensen wrote: Well, it's supposed to be the number of semitones above middle C for each open string, starting with the highest string. Wow, that's really not self-explanatory but i get why it's needed. However I'll have one less argument when my friend

Re: ways of using Lilypond?

On 12/20/2010 8:54 AM, Ludo Beckers wrote: On Sun, Dec 19, 2010 at 9:22 PM, Marc Mouries m...@mouries.net mailto:m...@mouries.net wrote: On Dec 18, 2010, at 5:19 PM, Ludo Beckers wrote: Just wondering, has there ever been a poll about how many Lilypond users work with a certain

fretboard diagram : alignment issue

Hi Lilyponders, I am trying to generate a chord chart for Violin and i have an alignment problem. I want to include the different possibilities of playing a chord and thus i can't use the command storePredefinedDiagram and thus can't use a FretBoard like this \score { \new

fretboard diagram : removing the fret number on the side

The fret diagram prints a fret number indication on the right that is confusing from a Violinist perspective. Is there any option for the fret diagram not to print it? For instance, in the 2nd D chord i'd like to get rid of the "iv" or print "i" because on the

Re: ChordName Font [was: lilypond cameo]

wow the font is really nice for song books. I also discovered the Gonville fonts and it would be great if those fonts be included into lilypond out of the box and the selection of font made simpler. On 12/14/2010 7:15 AM, Valentin Villenave wrote: On Tue, Dec 14, 2010 at 11:58 AM, M

text inside the staff close to the notes

I am wondering if it is possible to write text inside the staff close to the notes or without the notes like in the attached image to show the name of the notes. -Marc ___ lilypond-user mailing list

Re: text inside the staff close to the notes

ead #'text = \markup { B } b } You'll have to do a fair bit of tweaking to get the right size and placement... Cheers, Mike On Dec 13, 2010, at 5:36 PM, Marc Mouries wrote: I am wondering if it is possible to write text inside the staff close to the notes or without the notes like in th

Re: text inside the staff close to the notes

{ \lower #0.5 \fontsize #-3.5 A} a }} On Dec 13, 2010, at 9:10 PM, Marc Mouries wrote: On 12/13/2010 5:54 PM, m...@apollinemike.com wrote: Yup! \version "2.13.43"

Re: text inside the staff close to the notes

On Dec 13, 2010, at 11:33 PM, Carl Sorensen wrote: Make your leger lines transparent and the final A should look great. i am not sure i am following because if the ledger line is transparent it defeats the purpose to show that the A is now on a line. What is bizarre is that the ledger line

Re: musescore

it's explained here: http://screenr.com/3L0 On Dec 10, 2010, at 3:32 AM, Phil Burfitt wrote: From: Marc Mouries m...@mouries.net I like however the page that allows to sync scores with youtube videos. Check it out it's really nice. http://musescore.com/node/855 -- Marc Any idea

Re: Odd output

You get 2 stems because you created 2 voices with the signs and \\ see http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Multiple-voices.html What are you trying to compose? On Dec 9, 2010, at 7:35 PM, Marco Correia wrote: Hi, I just started using lilypond, so it is very

Re: musescore

i just tried it and it took me forever to enter 5 notes and add text about the notes. However, looking at the lilypond file generated from MuseScore, this reminded me how big the size of the lilypond file is compared to the number of notes. %= %

Re: Lyx 2.0 Beta 1, LilyPond OS X, MacTeX etc. - got it to work with different gs

Talking about Ghostscript, I noticed that the latest version is GPL Ghostscript 9.00 released 2010-09-17 Wouldn't it make sense to update it in the lilypond distribution to benefit from the updates and ease the integration with other authoring software like LyX? On Dec 6, 2010, at 10:16 PM,

Re: ANDLINUX: Easy virtualization option

thanks for passing the info. that's interesting. Too bad is supports only 32 bits OS. On Dec 6, 2010, at 8:54 PM, Mike Blackstock wrote: I've attached a screenshot of Ubuntu and Windows 7 running concurrently on a 1 gig netbook (yeah, believe it or not). andlinux has a somewhat different

Re: paper block for little snippets for webpublishing

Apparently the lilypond-book script does not accept Would anyone point me to the instruction to register an enhancement request? On Dec 1, 2010, at 12:04 PM, Marc Mouries wrote: On 11/19/2010 4:54 AM, Bill Mooney wrote: Hi, you might try :- lilypond -f png -dresolution=600 filename

Re: how to get half-bar used in Bach Music?

automatically? On Dec 4, 2010, at 9:49 PM, Marc Mouries wrote: thanks all for your help. Browsing the lilypond doc I have stumbled upon the section on the Gregorian notation and what do i find? a half-bar! http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Typesetting-Gregorian-chant.html

Re: paper block for little snippets for webpublishing

On 11/19/2010 4:54 AM, Bill Mooney wrote: Hi, you might try :- lilypond -f png -dresolution=600 filename where the 600 is an example - whatever you find is appropriate Hope this helps Regards Bill Thanks Bill. The option -d is not accepted by lilypond-book only by lilypond. Is there any way

How to get bar numbers very close to the staff?

I'd like to get bar numbers very close to the staff to avoid confusing them with fingering. Through Google i could find how to change the position UP or DOWN but i could not find how to reduce the space between the bar number and the staff. Here is the snippet for testing i created. % test bar

Re: how to get half-bar used in Bach Music?

' { \override Staff.BarLine #'bar-size = #2.0 c4 c c c | c c c c | } On Sat, Nov 20, 2010 at 9:00 PM, Marc Mouries m...@mouries.net wrote: thanks Nick. A half-bar is Bach's writing was a bar containing the same number notes but only went over the staff from the 2nd to the 4th lines

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