Re: vertical spacing between systems for only part of a score

On 2024-05-21 18:45, Werner LEMBERG wrote: Here, I want to make 7 lines spread out to fill the entire last page, but leave the other pages alone. Ah, I missed 'last page'. Perhaps all you need is ```

Re: Naming lines of music

On 2024-05-14 15:08, Xavier Scheuer wrote: > Or is there a line title, like the variables for "Composer" Piece" etc. I looked, but I haven't found anything obvious. I would use "piece", but actually you could even define your own custom header field and custom layout for titles.

Re: Solving espressivo problem

On 2024-05-11 15:18, Kieren MacMillan wrote: Hi Morten, Here’s one approach: %%% SNIPPET BEGINS \version "2.25.11" esp = \markup \lower #1 \scale #'(1.375 . 1) \musicglyph #"scripts.espr" stuff = \relative { \time 4/4 r4 b'4 a2-\tweak

Re: \after … \beforeLast?

On 2024-05-02 21:19, Knute Snortum wrote: On Thu, May 2, 2024 at 10:31 AM Pierre-Luc Gauthier wrote: Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum a écrit : > Perhaps I'm not getting the need for this command as you could using an empty chord at the end of the repeat to do

Re: Embedding music expression in lyrics

On 2024-04-30 15:33, Walt North wrote: Hello,  I have a case where I'm putting together something will be mostly chordnames and lyrics with a few music expression hints needed here and there. I've been able to get most of what I want using \markup.  The only issue I've come across is

Re: Spacing between staves

On 2024-04-25 15:44, Peter Mayes wrote: I may be missing something in the documentation here. I have a two-movement score for a single melodic instrument. Each movement fits conveniently onto a single page. I

Re: Horizontal note spacing in chant template

On 2024-04-17 12:45, rich...@oneill-griffiths.net wrote: Hi, I’ve been using the Anglican chant template to set items for our choir and I’ve just a note spacing problem with one chant (Walford Davies) last quarter. How do I address the note spacing for the B/C clash in the 3^rd bar? Now

Re: Multiple parts on the same stems

On 2024-04-16 21:59, Gerardo Ballabio wrote: Hello all, I'm trying to typeset a percussion score with several instruments on the same staff. When they play simultaneous notes I want to line them up all on the same stem, like this (output attached, percussion1.pdf): %% \version "2.24.1"

Re: PianoPedalBracket.to-barline doesn't always work as expected

On 2024-04-12 12:05, Werner LEMBERG wrote: Might I suggest that “to-barline” is potentially misleading/confusing…? On the other hand: end-at-barline, for a pedal coded for release on a note **just after** a barline, might be more clearly descriptive of the current behaviour; and

How apply \magnifyStaff to full StaffGroup?

Hi, In the piano scores for piano quartets, and similarly, I haven't managed to find a way to apply \magnifyStaff to all the staves of the remaining instruments, using a single \with statement on the StaffGroup level. I can achieve what I want, using a \with{...}

Re: ragged-bottom and spacing for individual pages

On 2024-03-21 02:08, kie...@kierenmacmillan.info wrote: Hi Paul, I have a separate voice where I put all my breaks and pageBreaks.  I haven't been able to make a blank markup.  TIA on how to do that. e.g.: \version "2.25.1" \paper {     indent = 0     ragged-bottom = ##f } {     \repeat

Re: \partial and \compressMMRests don't seem to work together

On 2024-02-17 01:15, Gerardo Ballabio wrote: Hello, I need to change the time in the middle of a bar. I managed to do that using \partial, but it seems that after that, \compressMMRests no longer works -- only for the group of measures immediately

Re: Incipit with default noteheads possible?

I have to try it. So far, I've used the more manual solution available in https://lsr.di.unimi.it/LSR/Item?id=451     /Mats On 2024-01-24 18:39, YTG 1234 wrote: betterIncipit = #(define-music-function (incipit-music) (ly:music?)

Re: zero-duration s to hold marks

On 2024-01-12 15:58, Knute Snortum wrote: At least section 1.2.2 of the reference manual ought to be updated to include <> in the discussion of invisible rests. Can you share how you would want that

Re: Question about \include options

On 2024-01-08 21:49, Kieren MacMillan wrote: Hi all, A pity, since this is clearly explained on https://lilypond.org/doc/v2.24/Documentation/learning/types-of-properties.html That’s the first hit when I search! :) K

Re: lilypond "preprocessor"?

On 2023-12-12 11:26, Werner LEMBERG wrote: One thing occurred to me.  If the original \score did not have a \midi block, would it be possible to ask lilypond to produce midi output without modifying the input file?

Re: Fermata Markup below Staff

On 2023-11-12 17:37, Michael Werner wrote: Hi Johannes, On Sun, Nov 12, 2023 at 11:01 AM Johannes Roeßler wrote: Hi all,

Re: top-level `\midi` doesn't work as expected

On 2023-11-12 14:31, Werner LEMBERG wrote: MIDI settings can be changed globally (or in a book or bookpart), but the generation of an actual MIDI file is only triggered when a \midi block is encountered inside of a \score . Thanks

Re: Octave control.

Yes, as Paul already answered, Lilypond does exactly what you describe in the example you sent. This is what happens since you used  \relative{...}. In some cases when you have music that mostly stays within a single octave, it may be more convenient to use

Re: adding accidental to "tr" for trill spanner

Have you looked at http://lilypond.org/doc/v2.25/Documentation/notation/trills ?    Mats On 2023-10-15 20:18, Paul Scott wrote: This is probably simple but some parts of the wonderful Lilypond documentation are not clear to me.

Re: Anything similar to to-barline for extender lines of cresc/dim?

On 2023-10-11 17:17, Knute Snortum wrote: On Wed, Oct 11, 2023 at 5:40 AM Mats Bengtsson <matsboxergr...@gmail.com> wrote: Follow-up question; wouldn't it be good to have this s

Re: Anything similar to to-barline for extender lines of cresc/dim?

On 2023-10-10 23:01, Mats Bengtsson wrote: On 2023-10-10 18:07, David Kastrup wrote: Have you tried not "anything like to-barline" but rather _exactly_ to-barline ? Like c -\tweak to-barline ##t \cresc and its ilk? Silly me! Too obvious to try. Well, in fact I was look

Re: Anything similar to to-barline for extender lines of cresc/dim?

On 2023-10-10 18:07, David Kastrup wrote: Mats Bengtsson writes: Hi, Is there anything analogous to Hairpin.to-barline = #t that applies to the extender line of textual dynamics like \cresc or \dim? Unfortunately, I don't have a copy of Gould, but to me

Anything similar to to-barline for extender lines of cresc/dim?

Hi, Is there anything analogous to Hairpin.to-barline = #t that applies to the extender line of textual dynamics like \cresc or \dim? Unfortunately, I don't have a copy of Gould, but to me all the options I tried below look worse than having an extender line that ends exactly below the bar

Re: \markup text outside Lyrics - how?

Why not use text marks, http://lilypond.org/doc/v2.25/Documentation/notation/text-marks ? They are intended exactly for textual indications that should appear at the top of each system, i.e. above the lyrics in your case.    /Mats On 2023-10-02

Re: Symmetrical hairpins

On 2023-09-24 16:58, Arjen wrote: Hi, I'm trying to place symmetrical hairpins under a bar, but it turns out that the left (crescendo) hairpin is longer than the right (descrescendo) hairpin. MWE: \version

Best solution for pairs of hairpins?

Hi, The following example illustrates a type of passage I'm currently trying to typeset. In the original score, the hairpins are nicely symmetric; the crescendo hairpin ends right aligned with the right edge of the 4th note and the decrescendo hairpin starts left

Concerto Grosso scores? Was: Question about condensed score

On 2023-08-14 19:46, David Kastrup wrote: Sounds somewhat like exa.ly %%% \version "2.24.1" global = { s1\break s1\break s1 } flOne = \relative c' { e1 r1 e1 } flTwo = \relative c' { c1 r1 c1 } \new StaffGroup \with { \consists "Keep_alive_together_engraver" }

Re: Default beam exceptions for 4/4

port would be needed to be able to specify more specific beaming patterns.     /Mats -- ===== Mats Bengtsson, Prof. Information Science and Engineering School of Electrical Engin. and Comp. Science Royal Institute of Technology (KT

Re: RE: Unterminated terminated tie

On 2023-04-18 15:01, Mark Stephen Mrotek wrote: Mike, Try using \stemDown Mark First try Jean's suggestion! In general, it's better to use \voiceOne, \voiceTwo, (which is implicitly done by the <<{...} \\ {...}>> construct) which sets the direction not only on stems but also on lots

Re: removing `--show-rules` option of `convert-ly`?

On 2023-03-09 20:05, Werner LEMBERG wrote: * Replace `--show-rules` with a more common `--verbose` option to show rule descriptions while `convert-ly` is running. Right now, `--show-rules` only emits the rules but doesn't do a conversion at the same time, which is rather useless

Re: removing `--show-rules` option of `convert-ly`?

On 2023-03-04 19:15, Werner LEMBERG wrote: who has ever used option `--show-rules` of `convert-ly`, except for being curious what this option does? In https://gitlab.com/lilypond/lilypond/-/merge_requests/1854 we are

Re: removing `--show-rules` option of `convert-ly`?

(Sorry, my email client keeps using the wrong From: address)    /Mats On 2023-03-04 08:09, Werner LEMBERG wrote: Folks, who has ever used option `--show-rules` of `convert-ly`, except for being curious what this option does? In

Re: removing `--show-rules` option of `convert-ly`?

On 2023-03-04 08:09, Werner LEMBERG wrote: Folks, who has ever used option `--show-rules` of `convert-ly`, except for being curious what this option does? In https://gitlab.com/lilypond/lilypond/-/merge_requests/1854 we are discussing whether it would

Re: spurious second treble clef sign, what did I do wrong this time?

On 2023-02-21 21:33, Kenneth Wolcott wrote: Hi Leo; Thanks again for your help. I have the "\grace s8." now in all three of the voices that do not have the "\acciaccatura", yet the problem persists. I'm not sure how I would insert the "\grace

Using \repeat segno for rondo form?

Hi, I'm slowly starting to get a grip on the \repeat segno features, but I need some hints on how to best use it for a ABACA type rondo. My first attempt was the following, where especially the placement of the double wheel (coda) symbol looks weird, since it ends up at the end of the first

Re: Align markup above staff

On 2023-02-10 15:20, Johannes Roeßler wrote: Hi Group, I would like to align markups above my staff - I checked the page regarding vertical spacing and found "\override TextScript.outside-staff-padding = #3" but this just raised all markups but still unaligned \override

Re: music function playing well with context

On 2023-02-07 22:07, Jean Abou Samra wrote: I understand that having a ly:pitch argument, I can only use... pitch But changing it to ly:music?, I am not being able to control the notes duration. This is my first function, so sorry if this is too basic  This is not a dumb question. Try

Re: German notation

On 2023-01-30 13:04, Wols Lists wrote: A quick search tells me the violin plays in the treble clef, which I doubt is what you mean? I'm guessing the violin clef is one of the C clefs, but which one? I know Tenor and Alto.

Re: German notation

On 2023-01-30 10:43, Lukas-Fabian Moser wrote: By the way, there also exists the opposite: In (older?) scores of symphonies by Anton Bruckner, the violoncello part, if using the violin clef, is notated

Re: autobeaming over rests,Re: autobeaming over rests

On 2023-01-29 18:19, Lukas-Fabian Moser wrote: Am 29.01.23 um 17:54 schrieb David Kastrup: Valentin Petzel writes: Hello David, in most cases definitely, but I suppose

Re: Repeat Segno with MIDI

On 2023-01-22 21:17, Jean Abou Samra wrote: Le 22/01/2023 à 21:05, Mark Mathias a écrit : I'm not seeing a post from anyone else exactly on this issue, so... I like the new repeat structure:

Re: Separate a tuplet from the rest under a common beam

Just copying and pasting from the example of subdividing beams at https://lilypond.org/doc/v2.23/Documentation/notation/beams, I tried the following, which seems to give the desired result. \version "2.23.81" \relative {   \clef treble   \key c \minor   \time 2/4   \set subdivideBeams = ##t  

Re: Extended bar checking?

, Mats Bengtsson a écrit : Hi, I've been pondering about a missing feature in LilyPond, namely the possibility to get a warning printout if there isn't an explicit bar check ("|") in the input file at the end of each

Extended bar checking?

Hi, I've been pondering about a missing feature in LilyPond, namely the possibility to get a warning printout if there isn't an explicit bar check ("|") in the input file at the end of each measure. This would catch many of the typos I personally do when

Re: docs about Rest vertical position

On 2022-09-02 16:43, Kieren MacMillan wrote: A little more context: “To explicitly specify a rest’s vertical position, write a note followed by \rest.” While this is a useful thing to know about, I don't personally believe it's a best

Re: Non-alignment of lyrics in occasional divisi

There's no need for a null voice. The trick is to keep using the original voice also during the divisi, more or less as you have done. Here's my version. I also moved the \new Lyrics outside the Staff definitions, which is not really needed, but still a good

Re: Mutopia?

On 2022-03-31 11:38, Silvain Dupertuis wrote: Would it be that everything is now on this page: https://www.ibiblio.org/mutopia/ Sincerely That seems like an extremely outdated site "Latest additions ... 2010...".

Re: Running 2.23.7 on Linux

On 2022-03-28 15:35, Carl Sorensen wrote: I just tried doing a similar soft link in Ubuntu and I get exactly the same error message, so it's most likely not OS related.

Re: Running 2.23.7 on Linux

On 2022-03-28 12:02, Jogchum Reitsma wrote: Op 28-03-2022 om 07:29 schreef Kevin Pye: (OpenSUSE Leap 15.3 to be precise) So I've downloaded 2.23.7 and

Re: Need help with \force-hshift or \shiftO... (off, on, onn, onnn, etc.)

On 2022-03-28 03:54, Kevin Cole wrote: Ah. I think you're right. And, when I do what you suggested in the minimal example, it works as described: Your example looks like the image I sent. But when I inject it into the full score I get the attached, which still

Re: Ossia with beam too long

On 2022-02-25 18:01, Knute Snortum wrote: On Fri, Feb 25, 2022 at 8:25 AM Mats Bengtsson wrote: How about ossiaPart = \relative { \global \stopStaff s4. \startStaff << { \magnifyMusic 0.63 { \slashFlag as

Re: Ossia with beam too long

On 2022-02-25 17:07, Knute Snortum wrote: I'm having a problem with the ossia of a fairly convoluted two measures (because Chopin played fast and loose with the rhythm). The broken beam extends a little too far into the next measure. I've attached a picture of the ossia as I want it, with

Re: LilyPond 2.23.6 released

On 2022-02-09 08:41, Jonas Hahnfeld wrote: Am Dienstag, dem 08.02.2022 um 22:35 +0100 schrieb Mats Bengtsson: I tried the Guile 2.2 version on a Windows 10 box where I don't have any admin rights, and even with the simplest input file, I

Re: LilyPond 2.23.6 released

On 2022-02-09 09:10, Mats Bengtsson wrote: On 2022-02-09 08:41, Jonas Hahnfeld wrote: Am Dienstag, dem 08.02.2022 um 22:35 +0100 schrieb Mats Bengtsson: I tried the Guile 2.2 version

Re: LilyPond 2.23.6 released

I tried the Guile 2.2 version on a Windows 10 box where I don't have any admin rights, and even with the simplest input file, I get the following error message: C:\Nobackup\lilypond-2.23.6\bin\lilypond.exe test.ly GNU LilyPond 2.23.6 (running Guile 2.2) ;;;

Re: Applying rhythms

) <https://www.mail-archive.com/lilypond-user@gnu.org/msg70504.html> All help appreciated, Calvin Ransom -- = Mats Bengtsson, Prof. Information Science and Engineering School of Electrical Engin. and Comp. Science

Re: Reset page numbers on \bookpart?

On 2021-06-18 03:12, Ignacio Lois wrote: No particular reason. My aim is to have one pdf with all the instrumental parts, each with its own numbering. it felt like it was a book, and each individual instrument

Re: Re: 2,21,4 released

On 7/28/20 5:28 PM, Pierre Perol-Schneider wrote: Hi All, Under W10, the compilation fails after the second attempt: You didn't, by chance, open the PDF file in Adober Reader or some other PDF viewer that

Re: Re: Breath with fermata

On 2020-06-08 15:55, Pierre Perol-Schneider wrote: Hi Paolo, Just to avoid any surprise, I'd add \once before the overrides. Also, I found the comma size a little too big compare to the fermata dot, E.g.: \version "2.20.0" breatheWithFermata =   #(define-music-function (offs) (number?)    

Re: Re: 2.21.1 change of behavior of \compressMMRests?

On 2020-05-04 08:14, Valentin Villenave wrote: On 5/3/20, Paul Scott wrote: Out of simple curiosity what is the purpose of the \compressMMRests { } structure rather than the \set or \override action I would think of? I'm guessing \compressMMRests does \set \unset or \override \revert pairs.

Re: Re: 2.21.1 change of behavior of \compressMMRests?

On 2020-05-03 11:25, Paul Scott wrote: Phil, To make sure we're on the same page is \compressMMRests the same as \compressFullBarRests which doesn't seem to exist any more? If \compressMMRests is intended to replace or rename \compressFullBarRests then I have been using it in a common or

Re: GS problem with Lily 2.21.0

On 4/16/20 2:46 PM, Simon Albrecht wrote: Hello everyone, I’m having a problem with my newly installed Lilypond versions 2.20.0 and 2.21.0: Any compilation I start aborts while GS tries writing a PDF. I installed both versions yesterday, and the first tests were successful, before this

Re: Re: How to limit the effect of \voiceOne for certain parts of the score?

r) - thunderbird mit enigmail GPG schlüssel: D5257409 fingerprint: 08 B7 F8 70 22 7A FC C1 15 49 CA A6 C7 6F A0 2E D5 25 74 09 -- ===== Mats Bengtsson, Prof. Information Science and Engineering School o

Re: Crash with bars-per-line-engraver as of LSR snippet id=838

I can confirm the segmentation fault in the "Drawing systems" phase, using 2.20.0 in Ubuntu.    /Mats On 2020-04-08 09:41, Michael Gerdau wrote: Hi list, I'm playing with the bars-per-line-engraver as of LSR http://lsr.di.unimi.it/LSR/Item?id=838 When I increase the number of bars in my

Re: Re: strange time changes - req help

On 2020-03-30 16:10, Eby Mani wrote: Thank you Aaron. Malte, can you explain why you have mentioned \partial 8*7 is not needed ?. Probably since Malte uses the latest stable version, 2.20, which handles these things much better than what was done in version 2.18. Try it out and you

Re: Problems generating MIDI

On 3/15/20 6:01 AM, Pablo Cordal wrote: Hi everyone, I've got a problem generating midi. I open a file with lilypond, press crtl+M and the midi out is OK. But if I compile the file again the midi is not generated. If I want to regenerate the midi I have to close lilypond, open it again and

Re: Problems generating MIDI

On 3/15/20 6:01 AM, Pablo Cordal wrote: Hi everyone, I've got a problem generating midi. I open a file with lilypond, press crtl+M and the midi out is OK. But if I compile the file again the midi is not generated. If I want to regenerate the midi I have to close lilypond, open it again and

Re: Swing/Shuffle rhythmMark

om my system quite a while ago. Or are there other hints how to address my challenge? TIA Steff -- ===== Mats Bengtsson, Prof. Information Science and Engineering School of Electrical Engin. and Comp. Science Royal Institute of Tech

Re: Re: Macro with pitches as parameters

On 2019-11-14 12:46, Aaron Hill wrote: On 2019-11-14 1:02 am, David Menéndez Hurtado wrote: >> I am transcribing a piece that is filled with the rhythmic motif "8. 16 8" at different pitches. Being a LaTeX user, I want to write a macro like \myrithm{c a g}. I found the documentation for

Re: Re: DrumVoice Polyphony and MIDI

Sorry, I pushed "Send" before finishing. Here comes the correct version of the email. On 2019-08-28 13:14, Stefano Antonelli wrote: On Wed, 2019-08-28 at 09:01 +0200, Federico Bruni wrote: Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli ha scritto: That is not always a convenient

Re: Re: DrumVoice Polyphony and MIDI

On 2019-08-28 13:14, Stefano Antonelli wrote: On Wed, 2019-08-28 at 09:01 +0200, Federico Bruni wrote: Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli ha scritto: That is not always a convenient format for working with drum parts though.  I would like to be able to use a syntax more

Automatic syncopated beams crossing bars?

Hi, Is it somehow possible to tweak the automatic beaming to produce beams that cross bar lines? I'm typesetting a piece with a syncopated rhythm which is indicated by beaming eight notes two and two, off the beats. I can managed to make the automatic beaming handle it within the bars, but

Re: aligning variables with upbeats

On 2019-02-07 15:08, 智樂喬 wrote: I'm sure I'm not the first person to ask this, but I'm looking for a clean, way to align music variables which begin with partial measures. For example, \version "2.19.82" partA = { c'2 b | R1*3 } partB = { \partial 4 g4 | \bar "||"  c'1 } \score { { \partA

Re: Organization of the piese part by part, not staff by staff

niques that Valentine mentioned in his reply, for example.    /Mats -- = Mats Bengtsson, Prof. Information Science and Engineering School of Electrical Engin. and Comp. Science Royal Institute of Technology (KTH)

Re: Re: <>

On 1/4/19 11:55, Thomas Morley wrote: For the record, one could do: \layout { \context { \Voice \remove Slur_engraver } } \new Staff \with { \consists Slur_engraver } { \key aes \major \clef bass \time 3/4 << aes,2.\=7( \\ { s4 ees2 } \\ s2. \\ { s2 bes4\=7) } >> } This

Re: Re: emails innummerable

On 2018-11-06 03:23, David Linn wrote: ... I can raise "the specified limit" and potentially reduce the number of digests per day, but it will probably increase the number of large messages *everyone* on the digest list receives. I'd appreciate such a solution, such that the normal arrival

Re: Align text above clef

Hi, On 2018-10-15 11:22, Urs Liska wrote: Hi, I have to center-align some texts above and below clefs like in the attached image. Before I start fiddling around with the Clef stencil and combine the markups I'd like to ask if there's a simpler and more straightforward way to achieve

Re: Measure numbering: Volta with incomplete alternatives

half bar doesn't get any extra bar number. (And a bonus question if anyone knows: why isn't this bagatelle written starting on beat 1?) Well, isn't it a kind of Gavotte?     /Mats Thanks for any help anyone may offer! Sam -- = Mats

Re: \longa and \maxima

On 2018-06-06 11:37, Urs Liska wrote: Hi all, do we have something for the notehead in the attached image? I need to print a note lasting four 4/4 measures. { c'' \longa } does produce the desired duration and the result shown in the second attachment. But is it possible to have a

Re: Re: Adding a continuous drone to midi output

On 2018-05-22 21:54, Sven Axelsson wrote: Another somewhat related question, would it be possible to automatically wrap the music with `\unfoldRepeats` when generating MIDI output? Isn't that what you always want anyways? Not really, if you mainly use the MIDI for proof listening (which

Re: Re: Vertical space above ossia

On 2018-05-18 09:43, Walter Garcia-Fontes wrote: Thanks Carl and Ben for your suggestions. Let me provide a summary so far, since the discussion was a little messy. So we start from the example provided for a single ossia, with more code to have the score extend over multiple lines: ... So

Re: Re: Fwd: Compile crashing... help!

On 2018-05-09 15:59, Brent Annable wrote: Thanks everyone. Yeah I forgot to mention: I'm on a Windows 10 Thinkpad machine with i7 and 16GB RAM. So looks like the errors are coming through on the same systems. Sigh. What to do? I have an old laptop with a rocket-engine fan that I could

Re: Re: Scordatura question

On 2018-04-11 23:17, Jacques Menu Muzhic wrote: Hello all, Thanks for the pointers and explanations. I thought there might be a specific way to indicate a scordatura, and it turns out there are many possible ways, including providing a second scores with the actual pitches or a staff

Re: Printing lower continuo figures only

On 2018-03-29 16:31, Brent Annable wrote: Hi all, I am currently reproducing a continuo part, and am having trouble achieving a particular effect: printing a continuo figure in the *lower *position only. So in the first example in the attached image, I want the '3' to appear on the lower

Re: double slurs within beamed notes

On 2018-03-29 13:33, Kieren MacMillan wrote: Hi Mats, Just use the new features of version 2.19: I tried that (see a previous post on this thread), but there are collisions (see a separate "bug?" thread). Did you not find that the slurs collide with the noteheads on your machine? Right,

Re: double slurs within beamed notes

Sorry, I was too quick! See corrected version below. On 2018-03-29 09:24, Mats Bengtsson wrote: On 2018-03-29 00:39, Lucas Werkmeister wrote: Hi everyone! In a composition I’m transcribing, there are double slurs between some notes (see attached image, also uploaded at [1

Re: double slurs within beamed notes

On 2018-03-29 00:39, Lucas Werkmeister wrote: Hi everyone! In a composition I’m transcribing, there are double slurs between some notes (see attached image, also uploaded at [1]), and the lower slurs are right next to the note heads, inside the beams – whereas when typeset by LilyPond,

Re: Re: what's the error?

On 2018-02-19 09:38, David Kastrup wrote: \once \set sets tieWaitForNote once at the current point of time. That means it will be active for the first grace note but not for the others. Consequently it's inactive for d~ which is still followed by another grace note before the ties are

Re: Re: quetion about slur in the "<< .... \\ .....>>"

On 2018-01-30 11:45, Thomas Morley wrote: 2018-01-30 11:40 GMT+01:00 Robert Blackstone : Hi Harm. Your example did not work on my system. No idea why not. The error message mentions an unexpected } at the end. What is bothering LilyPond here? I've retested my

Re: Re: tie polyphony

On 2018-01-24 11:56, David Kastrup wrote: > Letting the main voice continue.  Cf \version "2.19.80" \fixed c' \new Voice = "main" { r4 a( b d' \voices "main",2 << { \voiceOne 4) 4 4 4 \oneVoice} \\ c1 >> } Interesting feature! Don't forget to add it in the Changes document. Also,

Re: Re: Auto-transposition

On 2017-12-15 13:30, Ralph Palmer wrote: Greetings - Just a reminder and note: I have been using \relative for years and have been quite happy with it. Perhaps my situation is fairly unique. I transcribe a lot of fiddle tunes, then transpose them down an octave and into alto clef. Using

Re: possible bug?

ces a new line is not actioned whilst a beam is active. -- ===== Mats Bengtsson, Prof. Information Science and Engineering School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM

Re: A notice about \mark when Mark_engraver is moved

On 2017-03-23 10:18, wrote: Hello all! I had need of printing marks on several staves, so I moved the Mark_engraver to the Staff context, all according to LilyPond NR, see snippet below. Then I noticed, that I could not control the contents of Rehearsal marks any more, except for the first one.

Re: new to this list - converting from Noteworthy Composer

On 2017-03-22 11:14, lilypond-user-requ...@gnu.org wrote: Am 22.03.2017 um 09:52 schrieb Guido van Harten: Hi, I think I am new to this list. A few years ago I tried Lilypond to create my music files. It failed, but I do not remember why. As of today I will give it a new try. Now I am

Re: Changing voice order...

01-1006_(Bach,_Johann_Sebastian), bottom of the page. I clearly support the proposal to change of the voice order to a more logical top to bottom structure, even though it would break some of my LilyPond code. /Mats -- = Mats Bengtsson, Prof.

Re: Keep alive together - call for use cases

On 08/21/2016 06:26 PM, Mark Knoop wrote: I've just submitted an additional patch which I think addresses the uses raised by Mats, Kieren and Abraham. See attached ly and pdf files. Comments, particularly on usability, appreciated. Looks good! The possibility to group staves seems intuitive.

Re: Keep alive together - call for use cases

On 08/19/2016 08:16 PM, Mark Knoop wrote: At 18:02 on 19 Aug 2016, Mats Bengtsson wrote: >I recently typeset a concerto grosso from the baroque period, where >the solo and tutti parts are identical during long sections and then >they differ for some bars, every here and there. When

Re:Keep alive together - call for use cases

I've been working on some patches to enable more flexible uses for the Keep_alive_together_engraver. Whilst I've achieved my particular use case, David K is (rightly) keen that any changes might also address (or at least not rule out) other potential improvements. (If you're interested in the

Re: An unusual marking

Does anyone recognize the attached marking (*) It seems to be a spanner of some sort, perhaps indicating a cresc. or swelling of some sort. If so, has anyone got some code to generate it? Without a name, it is difficult to search for ... Richard (*) from an early 18th Italian composer,

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