On 3 April 2015 at 12:19, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
I'm sorry, doesn't seem to work too... ;(
This should work:
#(define t tuplet)
Cheers,
Neil
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On 23 September 2014 11:16, Jay Vara j...@diljun.com wrote:
I am not top-posting
I am trying to figure out how measure position and measure length work
so that I can change them to work properly with compound metres with
appropriate bar lines, notes on bars split and tied etc.
Two issues I
On 19 September 2014 18:18, TaoCG tao_lilypondu...@gmx.net wrote:
tisimst wrote
2. As shown on the
Ubuntu font website http://font.ubuntu.com/
, there is NO PHYSICAL DIFFERENCE between the upright (non-italic) shaped
series of Regular and Medium variants (not sure why that is since
there is
On 19 September 2014 18:58, Neil Puttock n.putt...@gmail.com wrote:
On 19 September 2014 18:40, Karol Majewski karo...@wp.pl wrote:
Exactly! This is what \medium should work like, isn't it?
Like the attached?
\version 2.19.15
\markup { \box \abs-fontsize #48 \override #'(font-name . Ubuntu
On 4 September 2014 13:18, Richard Shann rich...@rshann.plus.com wrote:
this illustrates the meaning, but doesn't hint at how to create a
variant of the procedure (in my case, make-small-markup is too small).
If I recall, it's a scheme macro which generates these. It only works
for existing
On 31 March 2013 12:05, Thomas Morley thomasmorle...@googlemail.com wrote:
Hi,
I downloaded 2.17.15 this morning and tried to compile my code, again: no
problem.
Perhaps some copy/paste error?
To be sure, I've attached the file.
Your code does naughty things inside a callback. LilyPond
On 21 January 2013 13:19, David Kastrup d...@gnu.org wrote:
When? \harmonicsOn is not a context creating command.
It used to be when it was a simple override.
\new Staff \with { \harmonicsOn } ...
but that has not always been the case.
Of course, this doesn't apply to any command which
On 15 July 2012 22:22, Phil Holmes em...@philholmes.net wrote:
Could someone have a look at http://lsr.dsi.unimi.it/LSR/Item?id=190 and say
what's wrong with it, please?
It uses extra-offset to move the segno, so no space is reserved for it
on the left hand side.
Cheers,
Neil
On 14 March 2012 03:01, Keith OHara k-ohara5...@oco.net wrote:
Off topic, LilyPond now places the dots equally-spaced from the
noteheads, in that particular example.
http://code.google.com/p/lilypond/issues/detail?id=2200
Previously, LilyPond put them all in one column because that was
Hi Haipeng,
2012/2/24 hhpmusic hhpmu...@163.com:
Thank you, just received. I reinstalled 2.14.2 and compiled the score
successfully.
As a temporary fix, you can remove the Span_bar_stub_engraver by
adding the following to your \layout block:
\context {
\GrandStaff
\remove
On 24 February 2012 11:44, Colin Hall colingh...@gmail.com wrote:
On Fri, Feb 24, 2012 at 07:37:55PM +0800, hhpmusic wrote:
I tried again on my Win7 64 machine, which has Intel I5 processor and 16GB
RAM for midi sequencing. The problem persists. Strange!
Send whatever output you have.
On 10 February 2012 13:39, Francisco Vila paconet@gmail.com wrote:
It comes from
http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00705.html
Hmm, I don't remember that not working, but it surely can't have done
even when I posted it. :)
Even worse now, since Mike's removed the
On 27 January 2012 15:20, Xavier Scheuer x.sche...@gmail.com wrote:
Use \override Staff.Barline #'space-alist =
#'((time-signature extra-space . 0.75)
(custos minimum-space . 2.0)
(clef minimum-space . 1.0)
(key-signature extra-space . 1.0)
(key-cancellation extra-space .
On 26 January 2012 17:27, Matie Holtzhausen mat...@gmail.com wrote:
I suppose what I'm looking for is shortStanza? Any other tricks?
You need a scheme engraver to do this, since it must generate a
StanzaNumber for every lyric then discard the mid-line stanza numbers:
\version 2.14
\relative
On 26 January 2012 18:06, James pkx1...@gmail.com wrote:
This isn't going to work on 2.12 is it?
Afraid not.
I tried to add this to the LSR and got compilation errors - I checked
it on my own 2.14.1 install to be certain it wasn't a copy/paste
error.
It might break things on 2.14 too.
On 18 January 2012 01:01, Thomas Morley thomasmorle...@googlemail.com wrote:
I worked a little more in the direction you objected.
\version 2.15.24
cadenzaRest =
#(define-music-function (parser location fermata? music) (boolean? ly:music?)
Make a full-bar rest with the same length as
On 17 January 2012 07:20, Nick Payne nick.pa...@internode.on.net wrote:
I'm using Lilypond to engrave Sor's Op 59 from a 19th century edition, and
it has quite a number of constructs like the below, each of which puts an
entry in the log: warning: no viable initial configuration found: may not
On 16 January 2012 15:09, Paul Scott waterho...@ultrasw.com wrote:
Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
It is pretty pointless. This has popped up before, and I suggested
last time not to use \cadenzaOn since multi-measure rests need timing
information
On 16 January 2012 15:23, Mátyás Seress serima...@gmail.com wrote:
I've got a problem, which is: if I put '\arpeggio' after a chord, and create
a MIDI file, then it doesn't play like that. It remains to be a simple
chord. (I'm trying to do this with acoustic guitar (nylon) and acoustic
guitar
On 22 October 2011 14:35, Alan McConnell a...@patriot.net wrote:
Assembled Wisdom!
Sometimes it is necessary to use an
anomalous key signature. An example
is: #11 of Bartok's 44 Duos for 2
violins, where the upper violin
staff has a key signature of B flat
and D flat(with a footnote
On 20 October 2011 11:23, Nick Payne nick.pa...@internode.on.net wrote:
I don't get this error with any of the other scores I have built with
2.15.14, and this score built without error on 2.14 and hasn't been modified
since except by running convert-ly against it.
Can you recompile the code
On 14 October 2011 15:29, Peter Otto kayakfish...@gmail.com wrote:
Unable to get any flats in the Key Signature when I include the English.ly
When I enter es for \key it returns E double sharp. e will work as
well. All flats i.e. eis will fail.
You write E flat as `ef' if you're using
On 28 September 2011 09:04, David Kastrup d...@gnu.org wrote:
With the current development version, you can write this as
partialInline = #(define-music-function (parser location dur mus)
(ly:duration? ly:music?)
#{
\set Timing.measureLength = $dur
measureLength is a moment, so you
2011/9/21 Janek Warchoł janek.lilyp...@gmail.com:
So, \bar |s should do the trick?
...hmm, it doesn't work in the first measure, see:
{
\bar |s s1 \break
\bar |s s1 \break
\bar |s s1 \break
}
i think it's a bug?
Did you see the warning message? You haven't instantiated a Staff
On 20 September 2011 21:17, harm6 thomasmorle...@googlemail.com wrote:
Is there a better or easier way to get this output?
You don't need to hack SystemStartBracket stencil. Just set
instrumentName in the StaffGroup (and change the alignment via
self-alignment).
Cheers,
Neil
On 20 September 2011 21:33, Neil Puttock n.putt...@gmail.com wrote:
self-alignment).
self-alignment-X of course :)
Cheers,
Neil
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On 17 September 2011 14:23, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
I would like to define a variable with sheme and I want to substract the
number one from this variable.
I tried it with:
% the following defines a Slur, lasting a certain number of eigth-notes
On 17 September 2011 17:42, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
I've tried Your code, but unfortunately Your code connects always two notes
under one slur, no matter which number I've choosen for x.
Which version? It might rely on a recent change in behaviour for #{ #}.
On 17 September 2011 17:52, David Kastrup d...@gnu.org wrote:
In which case
xaS = #(define-music-function (parser location x) (number?)
#{ % in der folgenden Zeile Lilypondcode eingeben
s1*0 ( \repeat unfold $(- x 1) {s8 } s8)
#})
should work just fine. The slur has no noteheads
On 17 September 2011 23:30, Xavier Scheuer x.sche...@gmail.com wrote:
However I do not find a clean way with LilyPond to have the measure
width to adapt to the text length. Would you recommend me to use
MetronomeMark, MultiMeasureRestText or TextScript?
MultiMeasureRestText. If you set
On 17 September 2011 23:27, David Kastrup d...@gnu.org wrote:
I don't think so. This should have worked years ago already.
Which snippet are you referring to? My snippet doesn't work in 2.14
since #{ #} returns sequential music rather than the direct object
(i.e., the \repeat unfold music).
On 14 September 2011 21:30, Xavier Scheuer x.sche...@gmail.com wrote:
What I'd like to get but I did not managed to is to begin the staff
with a _normal bar_ ( \bar | ) at the left edge (because these
measures are to be inserted in the middle of an existing [scanned]
score).
I tried to
2011/9/14 Janek Warchoł janek.lilyp...@gmail.com:
Interesting, shouldn't \override Staff.BarLine #'break-visibility =
#'#(#t #t #t) solve Xavier's problem? Should i report this as a bug?
No. An ordinary barline isn't allowed at the start of a system.
Cheers,
Neil
2011/9/14 Janek Warchoł janek.lilyp...@gmail.com:
Why shouldn't it be controlled by break-visibility?
See output-lib.scm, bar-glyph-alist and bar-line::calc-glyph-name.
Cheers,
Neil
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On 13 September 2011 23:50, harm6 thomasmorle...@googlemail.com wrote:
modifying some definitions developed by Mike and David in this thread
http://old.nabble.com/shorten-a-broken-hairpin-at-a-linebreak--td32343028.html
I hope this will do the job:
This is a bit complicated. :)
\version
On 11 September 2011 22:28, Nick Payne nick.pa...@internode.on.net wrote:
What should I replace it with?
\once \override Flag #'style = #'no-flag
I'm not sure why we don't have a convert rule though.
Cheers,
Neil
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On 29 August 2011 17:07, Marc Hohl m...@hohlart.de wrote:
How can I proceed?
'articulations is a list.
Cheers,
Neil
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On 14 August 2011 08:48, Jan-Peter Voigt jp.vo...@gmx.de wrote:
I will optimize and use overrides for this engraver - the markup is a first
shot. If I have time and/or a need, I will look for another context than
Dynamics.
I don't think you need a new engraver for this; overriding the stencil
On 14 August 2011 22:07, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
When did lyricMelismaAlignment begin to require an exact integer?
My 2.13 scores with #-0.9 as the setting are throwing errors in 2.15.8 —
feature or bug?
Where are you setting it? If it's inside a \layout block,
On 13 August 2011 10:27, Jan-Peter Voigt jp.vo...@gmx.de wrote:
So my question is: How do I catch the right event and get the time sig probs
to display?
There's no event* for time signatures; they're generated when certain
context properties change.
See the scheme engraver I posted here for
On 7 August 2011 14:00, Xavier Scheuer x.sche...@gmail.com wrote:
Could you add it to the LSR (or does it need an updated version of
LilyPond not available on the LSR?)?
It does use ly:grob-array-list, but I can still add a version to LSR
which includes a helper function to do this.
I'm also
On 7 August 2011 17:28, Volker Paul volker.p...@v-paul.de wrote:
Hello,
there is something I don't understand. In the following example:
\version 2.12.3
v = { c }
\chordmode { c }
\chordmode { \v }
I expected to see two times the same result, but
only the first expression yields a
On 7 August 2011 19:14, Volker Paul volker.p...@v-paul.de wrote:
Is there such a thing as forcing a mode change when READING the variable?
Or is there another function that builds a chord on a
note stored in a variable?
\version 2.14.2
v = { c }
\musicMap #(lambda (m)
(and
On 24 July 2011 21:10, Xavier Scheuer x.sche...@gmail.com wrote:
I'm running into issue #1150 (RehearsalMark placement at start of line)
again and again.
http://code.google.com/p/lilypond/issues/detail?id=1150
Neil's workaround (see comment 2 5) is nice but:
1. It does not shift enough.
On 4 August 2011 19:27, Robert Schmaus robert.schm...@web.de wrote:
Anyone know of an easy solution to this?
\layout {
\context {
\Staff
\accepts ChordNames
}
}
Cheers,
Neil
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On 3 August 2011 20:26, Bjorn amorf...@att.net wrote:
I need to insert numbers into the noteheads
of sheet music and went to your help page:
http://kainhofer.com/~lilypond/Documentation/notation/note-heads.html
This is a mirror of the latest documentation build. I'd advise
bookmarking the
On 4 August 2011 19:50, James Lowe james.l...@datacore.com wrote:
So why does
{ g4 g g g \chords { d1:m7 b1:min7.5- } }
\layout {
\context {
\Staff
\accepts ChordNames
}
}
Give me a GS error?
I have no idea. It works fine here.
Does the original snippet also fail?
Cheers,
On 4 August 2011 23:47, James Lowe james.l...@datacore.com wrote:
Is this a 2.12.2 snippet
Yes. It uses a scheme engraver; support for this wasn't added until 2.13.9.
Cheers,
Neil
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2011/7/24 Janek Warchoł lemniskata.bernoull...@gmail.com:
Hmm, does this work or is this just a proof-of-concept? I wasn't able
to determine it after reading
http://www.gnu.org/software/guile/manual/html_node/Exactness.html
I suppose it might break if users try to make pitches with really
2011/7/24 Janek Warchoł lemniskata.bernoull...@gmail.com:
Oops, sorry for the late answer!
2011/7/18 Mario Moles mario-mo...@libero.it
even if I correct the syntax (without = c, = d, = f) the error remains.
I'm surprised too.
I've discovered that when you use words for alteration (i.e.
On 22 July 2011 19:26, Ruud van Silfhout ruud.vansilfh...@gmail.com wrote:
\multiMeter { 6/8 3/4 }
I'm afraid you won't have much luck with this syntax since it would
require several parser changes which would most likely be vetoed.
I'd suggest a music function taking a scheme list as an
On 20 July 2011 15:26, Neil Puttock n.putt...@gmail.com wrote:
Let me think about it for a bit. I have an idea using a scheme
engraver which might work.
Here's the scheme engraver if you want to try it out. It's obviously
not as sophisticated as Mike's proposed fix, but it does have
On 20 July 2011 13:27, Xavier Scheuer x.sche...@gmail.com wrote:
I was wondering if you (or someone else) would have maybe a workaround
I could use in order to have a fairly good output for the code attached
to #1724 ?
http://code.google.com/p/lilypond/issues/detail?id=1724
Let me think
On 19 July 2011 16:08, Federico Bruni fedel...@gmail.com wrote:
About the transparency in PNG, last year Patrick McCarty said that he could
implement it eventually:
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00115.html
But AFAIK nobody sent a feature request to bug-lilypond
On 15 July 2011 23:06, Matthew Collett m_coll...@ihug.co.nz wrote:
On 15/07/2011, at 11:07 pm, Matthew Collett wrote:
I still don't understand why I can use 'last-page' (defined in
titling-init.ly) with no problem, but cannot use 'book-last-page?' (also
defined in titling-init.ly) unless I
2011/7/12 Janek Warchoł lemniskata.bernoull...@gmail.com:
I don't see this reported yet, so i add it to the tracker as issue
1759 http://code.google.com/p/lilypond/issues/detail?id=1759
It was posted as issue 1738 which got merged as a duplicate
(ulitmately of issue 620).
Cheers,
Neil
On 8 July 2011 21:09, David Nalesnik dnale...@umail.iu.edu wrote:
So to refine the original question: Is there any way to do this
without multi-voice trickery?
I'm afraid this is a bug in the Horizontal_bracket_engraver, so until
it's fixed your only other option would be to roll you own
On 5 July 2011 23:34, Andrea La Rose andrea.lar...@gmail.com wrote:
This snippet seems to do the trick:
global = { \repeat unfold 3 { \time 4/4 \once \override Staff.TimeSignature
#'stencil = ##f { s1*4 } \bar \break { s1*4 }
The override of the stencil removes the extra time signatures;
On 7 July 2011 04:36, Jay Lee jkl...@mac.com wrote:
Anybody? Or is it really not possible?
The easiest method is to define the markup first, then insert it into
the verbose list:
flatSeven = \markup { \concat { \flat 7 } }
\markup {
\override #'(fret-diagram-details . ((finger-code .
On 5 July 2011 15:45, Marc Hohl m...@hohlart.de wrote:
Ideally, there is something I can put in a separate include file which works
for
*all* markups that follow (which are mixed with scores and bundled in
several
\bookpart contexts.
I don't think this is possible without redefining
On 5 July 2011 17:01, Andrea La Rose andrea.lar...@gmail.com wrote:
I've reduced the example to just viola 3 4 and included only up to the
part where it stops working properly. The first line breaks mid-measure as
I'd like, without my having to do anything special. But the second system
runs
On 26 June 2011 17:40, Nick Baskin amphio...@gmail.com wrote:
After moving the Bar_number_engraver, the Timing_translator, and the
Default_bar_line_engraver to the Staff context, everything seems to be
working correctly except for the repeat. The bracket for the first
alternate disappears
On 5 July 2011 22:45, Andrea La Rose andrea.lar...@gmail.com wrote:
I just tried your suggestion, but it still only seems to affect the first
system and nothing else. I even reduced it to four-bar skips, but the second
system has far more than that and runs off the page. I can't figure out why
On 3 July 2011 15:25, Jay Hamilton i...@soundand.com wrote:
Ok I've missed that explanation before so thank you. I don't really care
about the midi so your suggestion is possible (a pain but doable). Anyone
know of a single line override?
You could put the decrescendo in a Dynamics context:
On 1 July 2011 22:15, Xavier Scheuer x.sche...@gmail.com wrote:
PS: That certainly deserves a snippet in the LSR.
I'll add it next week unless Jay does it before.
http://lsr.dsi.unimi.it/LSR/Item?u=1id=772
(tweaked and simplified a bit)
Cheers,
Neil
On 24 June 2011 21:19, Nick Baskin amphio...@gmail.com wrote:
Is this a bug, or is there something else I need to add to the Staff context
to
get the desired output?
It's not a bug. currentBarNumber is maintained by the
Timing_translator, which lives in the Score context unless you move
it.
On 26 June 2011 15:09, Nick Baskin amphio...@gmail.com wrote:
Neil,
When I try to move the Timing_translator by both adding it to the Staff
context and removing it from the Score context, the file starts to compile,
but then stops without doing anything after printing the following message:
On 21 June 2011 15:51, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
I would expect (hope!) that the second dynamic would fall towards the staff
-- at the very least, I should be able to easily turn off whatever is keeping
it aloft.
\once \override DynamicLineSpanner #'Y-offset = #0
On 18 June 2011 22:12, Stefan Thomas kontrapunktste...@googlemail.com wrote:
Unfortunately I couldn't convert this file with convert.ly and I don't know,
why it doesn't work.
There's a clue in the file:
(beam-width (ly:grob-property beam 'thickness)) ; 'beam-thickness from
version 2_13_4
On 16 June 2011 23:45, Matthew Collett m_coll...@ihug.co.nz wrote:
Why is the behaviour different in the two cases,
The Stanza_engraver generates a stanza number if the markup changes.
It keeps a cache of the old stanza markup as a Scheme smob (type SCM
in C/C++) and compares it to the new
2011/6/15 Jakub Pavlík seve...@post.cz:
I'm using sort of non-standard notation - in four-lines-staff in the way in
which gregorian chant is notated.
In this way I set up the staff:
\override Staff.StaffSymbol #'line-positions = #'(-7 -5 -3 -1)
So, the notes B, D, F, A lie on the lines.
On 12 June 2011 09:49, Nick Baskin amphio...@gmail.com wrote:
I am working on a large-scale minimalist piece that uses repeats in the
instrumental parts to make page turns possible. Since these repeats are only
a space-saving device (they are different in each part and do not exist in
the
On 31 May 2011 00:01, Nick Payne nick.pa...@internode.on.net wrote:
The documentation on script-priority in s.1.3.1 of the NR (Controlling the
vertical ordering of scripts) only mentions scripts attached to single
notes. Maybe a sentence or two should be added regarding chords.
Paraphrasing
On 12 May 2011 19:42, Trevor Bača trevorb...@gmail.com wrote:
Is there any way to turn these warnings off?
It's a bit convoluted, but you could redefine the
Time_signature_engraver in Scheme, removing the warning:
\version 2.15.0
#(define (funky-time-signature-engraver ctx)
(let
On 9 May 2011 02:49, Paul Scott waterho...@ultrasw.com wrote:
I need to to place a fermata over a bar line at the end of a line and have a
rehearsal mark at the beginning of the next line. I would normally use
\mark to place the fermata over the bar line but then I don't know how to
reuse
On 2 May 2011 14:55, MING TSANG tsan...@rogers.com wrote:
Re posting the following. Need help!
Use \tag and separate scores for layout/midi. The arpeggiated chord
can be faked in midi using tied grace notes.
\version 2.13.59
\include english.ly
TimeKey = { \time 4/4 \key ef \major }
On 17 April 2011 22:46, Xavier Scheuer x.sche...@gmail.com wrote:
Basically if a user could give me a clue how to disable the fact that
when a note is far from the staff, its stem goes to the middle line of
the staff, I would be grateful. :)
\override Stem #'no-stem-extend = ##t
Cheers,
On 8 April 2011 15:16, northofscotland strath100-...@yahoo.co.uk wrote:
Is there a simple command to move each separate letter individually into the
space above its line?
\override TabNoteHead #'Y-offset =
#(lambda (grob)
(+ (/ (ly:staff-symbol-staff-space grob) 2)
On 29 March 2011 15:26, m...@apollinemike.com m...@apollinemike.com wrote:
You'll see that the three noteheads never translate in their X dimension.
I'm suspecting that the note column tries to keep them in line. Is there a
workaround for this without messing with stencil extents?
On 22 March 2011 21:55, James Lowe james.l...@datacore.com wrote:
It does something but not quite what I intended. I have attached two pngs
of my real-world file (before and after) and wondered if I was simply
using the wrong grob or something like that?
Right grob, wrong property.
On 14 March 2011 19:11, Xavier Scheuer x.sche...@gmail.com wrote:
I would like to define the \score blocks as variables or as music
functions. Unfortunately it seems impossible.
I tried
scoreOne = \score {
c'1
\layout {} % required!
}
\markup {
\column {
On 9 March 2011 23:18, James Lowe james.l...@datacore.com wrote:
If this is true I can add an @knownissue in the Notation Reference at
least. Unless anyone objects?
It's only true at the most basic level, i.e., using the bare digits,
since this is a parser limitation. However, there's nothing
On 10 March 2011 18:18, James Lowe james.l...@datacore.com wrote:
We could add this snippet to the LSR and then add an @known, or (someone)
make a code change to allow any digit to be generated (i.e. we use 0 - 9 but
let users have multiple instances of 0 - 9 so you can get 'fingering'
On 10 March 2011 18:52, James Lowe james.l...@datacore.com wrote:
I've added a snippet for approval.
Great, thanks!
I've made a few style/coding tweaks (including an override to suppress
annoying warning messages for those who like clean compilation) and
tagged/approved it.
Cheers,
Neil
On 10 March 2011 22:08, Tim Sheasby t...@sheafpublishing.co.za wrote:
Using lilydev on a Virtual Box ubuntu machine – how do I compile a Mac binary?
Via GUB: http://lilypond.org/gub/
It's not for the faint of heart, but should be possible (if very slow)
on a virtual machine.
Cheers,
Neil
On 9 March 2011 16:02, Laura Conrad lcon...@laymusic.org wrote:
Unfortunately, it creates a new one. In some cases, such as the
attached small example, when I use this BarType I get a lot of errors:
programming error: Loose column does not have right side to attach to.
I was hoping these
On 8 March 2011 18:05, Laura Conrad lcon...@laymusic.org wrote:
Does anyone know a way to tell lily that an empty barline shouldn't
have space, but there should still be some space around the barlines
that are being printed?
If you're running 2.13, change
defaultBarType = #empty
to
On 26 February 2011 22:01, Nick Payne nick.pa...@internode.on.net wrote:
I'm using glissandos with fingering in guitar scores to indicate that a
finger should be kept on the string when moving up/down the fretboard. If
this is between bars and across a line break, the glissando does not appear
On 16 February 2011 14:14, Rob Canning r...@goto10.org wrote:
i wonder is it possible to add a relative within the function? or maybe
allow the function to accept \relative as part of its input argument?i guess
the former would be better if its possible
I don't think it's possible since you'd
On 15 February 2011 01:56, Graham Percival gra...@percival-music.ca wrote:
That sounds like a lot. After 2.13.50, we added some optimizations.
I don't think they have much influence on memory usage (only
compilation speed, due to caching property lookups).
If anybody sees the same behaviour
On 15 February 2011 14:25, Rob Canning r...@goto10.org wrote:
where lies the error or is there a better way to do this - am slightly
suprised there is not a build in function for this... maybe there is?
There are several parser limitations you're encountering here. The
only way around them is
2011/2/15 Janek Warchoł lemniskata.bernoull...@gmail.com:
Do you mean simply using \slurDown? I'd say that the result (attached)
is indeed a little better, but flipping bes quarter note makes it yet
more good-looking.
You might try adding the Melody_engraver for this: it changes the
On 7 February 2011 13:03, Phil Burfitt phil.burf...@talktalk.net wrote:
Thank you, that fixed their order, but now the slur, fingering and
phrasingslur are distanced too far from the staff. Any ideas?
If the slur never starts or stops at the same point as the phrasing
slur, the following
On 7 February 2011 20:27, Shane Brandes sh...@grayskies.net wrote:
That works. Sort of ugly but it works.
This snippet shows the correct approach:
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Rhythms#Changing-time-signatures-inside-a-polymetric-section-using-_005cscaleDurations
On 7 February 2011 21:18, Nick Baskin amphio...@gmail.com wrote:
I'm working on a piece that requires players to switch from pitched
percussion notated on a five-line staff to non-pitched percussion notated on
a one-line staff. I've managed to change the line count using the \stopStaff
On 14 January 2011 13:27, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Labels are used to create the table of contents and I use them in my little
footnote snippet ( http://lsr.dsi.unimi.it/LSR/Item?id=728 )
Very nice. :) With a bit more work, it might make a suitable fix for issue 737.
When I
On 15 January 2011 19:01, Marc Hohl m...@hohlart.de wrote:
Now I wonder whether it is possible to create a kind of text book by
including the lyrics in a markup, perhaps with a scheme function which
replaces the -- by .
Is it possible to store the text in a variable?
Store the lyrics
2011/1/11 Janek Warchoł lemniskata.bernoull...@gmail.com:
unfortunately i cannot see how dir-column can help me :(
You use \dir-column instead of \column for the list of markups (not `foobar').
TBH, you're better off following James's advice using \general-align,
since it doesn't require you
On 14 January 2011 21:04, David Kastrup d...@gnu.org wrote:
No comment this time round, either.
Sometimes I am inclined to just commit and be done. After all, this
would just omit a warning in working cases, and would fix the totally
broken warning message when breves and longas get into
On 2 January 2011 19:18, David Kastrup d...@gnu.org wrote:
I don't see anything in the notation manual that would tell me why.
The circles don't change the baselines of the text, hence why you get
uneven alignment. \general-align #Y #DOWN simply shifts the baseline
to the bottom of each
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