Le 5 juil. 2014 à 16:09, Francisco Vila paconet@gmail.com a écrit :
Hello. This is mainly for Monsieur N. Sceaux. I have been trying to
compile nenuvar/Haendel/Oratorio/Messiah and the standard way via
'make' does not work for me with lilypond 2.19.9.
First of all, I'd like to update
Le 24 juil. 2013 à 01:09, Thomas Morley thomasmorle...@gmail.com a écrit :
Hi David, Urs,
I'm sorry I didn't try to improve my recent code with David's proposals.
In a few hours (after sleep) I'll start my vacations, being offline
for three weeks.
Perhaps someone else might catch the
Le 12 janv. 2013 à 11:10, Christopher R. Maden cr...@maden.org a écrit :
I expect \bookpart{} to start a new page; and
if the bookpart has a title or any other header info, I expect that to
be printed at the top of that new page.
Christopher,
Indeed, \bookpart starts a new page.
In your
Le 10 déc. 2012 à 15:11, Max DeCurtins a écrit :
Hello,
I am just beginning to work on large, complex projects (e.g. multi-movement
scores with chorus and orchestra, with extensive tagging) in Lilypond, and
would like to get up to speed on current techniques for structuring projects,
Le 20 sept. 2012 à 19:21, Graham Percival a écrit :
On Wed, Sep 19, 2012 at 11:56:02PM +0200, David Kastrup wrote:
Jim Long lilyp...@umpquanet.com writes:
Please educate me if there is already a way to do this, but it
appears that 'q' as a shorthand for the repetition of the
previous
Le 25 déc. 2011 à 09:12, Marc Hohl a écrit :
Hello Nicolas,
Am 24.12.2011 11:13, schrieb Nicolas Sceaux:
Le 23 déc. 2011 à 09:39, Marc Hohl a écrit :
#(ly:add-option 'no-slurs #f
Whether to print a slur or not.)
The no- prefix is dealt with specially for options.
For instance
Le 24 déc. 2011 à 19:10, lily-user a écrit :
Thanks. That worked. However, is there an automatic way to align the content
instead of specifying manual numbers? Like how you do in word or even latex.
I would like to do something like the following
\set Staff.instrumentName = \markup {
Le 25 déc. 2011 à 21:55, -Eluze a écrit :
will you put it into LSR in the meantime or shall we raise a new issue!?
Err, how can I say... LSR interface is a pain for all sorts of sensitive
areas, so, no, sorry, I won't use it.
We can raise a new issue. But I'm not sure I will be able to submit
Le 23 déc. 2011 à 09:39, Marc Hohl a écrit :
#(ly:add-option 'no-slurs #f
Whether to print a slur or not.)
The no- prefix is dealt with specially for options.
For instance, considering an option named `foo', if you use the
command line switch:
lilypond -dno-foo ...
then (ly:get-option
Le 27 juin 2011 à 21:23, Giso Grimm a écrit :
How can I create ornaments like those in the attached example?
I tried \markup with creating a path, however, this is always placed
outside the staff. The desired ornament should always appear at a fixed
distance to the note head (similar to
Le 26 mai 2011 à 22:40, Jean-Charles Malahieude a écrit :
Hi all!
When using a separate book for generating instrumental parts, is there a
easy way to get rid of the superfluous instrument appearing with each
bookpart?
If you want the instrument to appear only on the title page, then you
Hi,
When forcing the staves spacing using
\overrideProperty #Score.NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (...)))
figured bass digits are stretched, whereas they shall be tightly stacked.
I can't find how to avoid this strange behavior. Is there a way?
Le 12 mars 2011 à 07:13, Carl Sorensen a écrit :
#!/bin/bash
sed -i bak 's:usr/include/FlexLexer.h:opt/local/include/Flexlexer.h:'
config.make
This patch is not required anymore on 10.6.
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Hi Tim,
I'm redirecting your help request to lilypond user list, as I know nothing of
the pango thing. You should provide a example of your use of
make-pango-font-tree
so that we could see what's wrong.
Cheers
Nicolas
Le 15 févr. 2011 à 14:38, Tim Sheasby a écrit :
Hello
I am using
Le 12 août 2010 à 02:33, Ian Hulin a écrit :
Hi all,
In a recent piece I've had occasion to produce a trill mark with an
accidental above, and stealing from the manual, I came up with
g4(^\markup{
\tiny \center-column {
\flat \musicglyph #scripts.trill }
for example.
As
Le 15 juil. 2010 à 08:28, David Kastrup a écrit :
Well, it does not look like this is going to be a fast thing.
a) Nicolas has decided against using CEDET/Semantic for the parsing of
Lilypond because of performance reasons. That is a no-go for my
tastes because of being Emacs fanboy:
Le 15 juil. 2010 à 16:06, Tim McNamara a écrit :
Nicolas Sceaux wrote:
Having a useful lilypond mode in Emacs would be really great.
Using the existing lilypond-mode for all my .ly file editing already and it's
pretty useful to me- but of course there is always room for improvement
Le 4 juin 2010 à 18:13, Kieren MacMillan a écrit :
Hey all!
Can anyone explain what's going wrong here? [The scores are intended/expected
to have identical output, i.e., the first version.]
Is it the q function that's messing me up, or my \split function?
Itt is the conjonction of `q',
Le 31 mai 2010 à 17:57, Neil Puttock a écrit :
On 31 May 2010 16:11, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Unfortunately, minimal-breaking causes Lilypond to [try to] cram
everything on one page
You have to use manual breaks with minimal-breaking (though I think a
bug's
Le 31 mai 2010 à 17:11, Kieren MacMillan a écrit :
[Lilypond 2.13.21]
Hey all,
I'm trying to get a score out this afternoon (for a competition deadline
tomorrow!) and I'm running into a bug...
My score looks quite nice on 17 systems spread over 5 pages -- I would like:
Page 1: title
Le 5 mai 2010 à 14:25, Bernardo Barros a écrit :
1. Is there an easy way to hack Lyqi to i and e increase and lower a
quarter tone instead of half step? I'm looking at the file
lyqi-mode.el to figure out if it is easy of not.
2. Impossible to use MIDI in OSX?
Huh, actually I've rewritten
Le 6 mars 2010 à 20:09, Giovanni Roversi a écrit :
Ok ok, I know I'm opening a new thread on the same topic just after few
days, but I saw another possible solution. The problem follows:
I'm transcribing the complete Supper's Ready suite by Genesis, and I
want achieve a book: in the first
Le 3 mars 2010 à 15:04, Werner LEMBERG a écrit :
Using a recent development version, it is possible to print the
ambitus of the whole score on the first system, by slightly adapting
the example given in
Documentation/snippets/new/scheme-engraver-ambitus.ly
Uff. Nothing for the
Le 3 mars 2010 à 15:04, Werner LEMBERG a écrit :
Using a recent development version, it is possible to print the
ambitus of the whole score on the first system, by slightly adapting
the example given in
Documentation/snippets/new/scheme-engraver-ambitus.ly
Uff. Nothing for the
Le 2 mars 2010 à 23:04, James Bailey a écrit :
I know that doing \new Score is generally not recommended, but in the process
of helping someone I came across a couple of questions, and the only solution
I could find required me to do \new Score. First, the goal here is have a
score with
Le 29 janv. 2010 à 16:27, David Stocker a écrit :
The q command is really a time saver and I'm really glad to have it. After
using it in scores, I have the following observation:
q makes it really easy to reprint chords and articulations that are attached
to them, but it also reprints
Le 8 déc. 2009 à 18:40, Alexander Kobel a écrit :
It was written by someone (Nicolas?) who needed it
I've written it be never needed it nor used it. It was a very old
feature request.
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Le 10 nov. 2009 à 07:19, David Kastrup a écrit :
Nicolas Sceaux nicolas.sce...@free.fr writes:
Le 9 nov. 2009 à 11:10, Jiri Zurek (Prague) a écrit :
It happens to my scores that when using \markuplines for long texts
(more
than a page), Lilypond leaves a first or a last line orphaned
Le 11 nov. 2009 à 16:07, Reinhold Kainhofer a écrit :
Now, this is a problem, if the whole score consists of several
different parts.
For example, I have a choral score with fugues and a soprano solo.
during the fugues, none of the staves should be removed (if e.g. the
Alto sets
in 9
Le 9 nov. 2009 à 11:10, Jiri Zurek (Prague) a écrit :
It happens to my scores that when using \markuplines for long texts
(more
than a page), Lilypond leaves a first or a last line orphaned (single,
alone) on a page. This is normally unwanted in printed literature.
Is there
a way how to
Le 2 nov. 2009 à 11:07, Jiri Zurek (Prague) a écrit :
I would like to hide displaying the header on every first page of a
bookpart. Currently, the behavior I get is that the header is
printed and
only the page number is omitted when the first page of each bookpart
is
engraved. I would like
Le 31 oct. 2009 à 12:40, Jiri Zurek (Prague) a écrit :
However, since the variant may at times span accross several (2-3)
lines of music, I needed that there may be multi-line score
fragments inside
the markuplines.
At the moment, you won't be able to have:
Some text with =short=score=
Le 28 sept. 09 à 10:34, Nick Payne a écrit :
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 32) . (4 4 4
4 4 4)))
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 8) . (2 2 2)))
These are not a correct beam rules, as I was told lately.
A beam setting override *must*
Le 3 sept. 09 à 10:47, Valentin Villenave a écrit :
On Fri, Jul 24, 2009 at 10:51 AM, Nicolas Sceauxnicolas.sce...@free.fr
wrote:
%% UNTESTED!
includeList =
#(define-music-function (parser location variable-names) (list?)
(make-sequential-music
(map (lambda (variable-name)
(let
Le 29 août 09 à 00:11, Graham Percival a écrit :
On Fri, Aug 28, 2009 at 04:30:58AM +0200, Frank Steinmetzger wrote:
So I have had a look at the code and found
scoreTitleMarkup = \markup \null
BTW, this would probably be better written as
scoreTitleMarkup = ##f
But there is one
Le 9 août 09 à 13:21, Marc Hohl a écrit :
#(define-public (slur::boolean grob)
;; just a test function to try and switch boolean values
(display \nWithin callback\n)
(display myBool: )(display myBool)(newline)
(if myBool
(set! myBool #f)
(set! myBool #t))
this can be
Le 24 juil. 09 à 10:37, Valentin Villenave a écrit :
musicOne = { c''' }
musicTwo = { c, }
#(define mylist (list musicOne musicTwo))
includeList =
#(define-music-function (parser location listname) (string?)
(make-sequential-music (for-each
(lambda (x)
(let ((music
Le 2 mai 09 à 20:56, Robin Bannister a écrit :
Does anyone have an idea why the fourth system is put on the second
page
I'm out of my depth here, but if your title is done the normal
Lilypond way, with bookTitleMarkup, it counts as a system
too. So might the pagebreaker be
Le 26 avr. 09 à 05:12, Chip a écrit :
In using the sample code from NR 3.2.4 Table Of Contents I get all
my page numbers as question marks. Even the example shows all the
page numbers are page 1. There is no info on how to get the page
numbers to increment, or how to manually insert the
Le 26 avr. 09 à 01:38, Nick Payne a écrit :
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I
haven't
figured out how to get that font used is for the header text for the
table
of contents that Lilypond
Le 7 avr. 09 à 00:57, Nick Payne a écrit :
Is it intended that a title or subtitle in the main header should be
repeated in each bookpart that doesn't redefine the title or subtitle,
because that's what I see [...]
Main Subtitle appears in each bookpart. If I change each bookpart
to use
Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
No matter the value of this project itself (or possibly lack thereof,
time will tell), what makes me proud is that I've been able to pursue
the path opened by people like Nicolas Sceaux, Kieren, Trevor B., Jose
Padovani and several others
Le 1 avr. 09 à 19:55, Jonathan Kulp a écrit :
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section
listing recent productions performances which used Lilypond scores!
What does everyone think?
Le 1 avr. 09 à 20:17, Francisco Vila a écrit :
2009/4/1 Nicolas Sceaux nicolas.sce...@free.fr:
The première of Haendel's Giulio Cesare in Romania was perfomed using
a LilyPond score, as will be the première of Lully's Armide in
Houston,
or instrumental pieces from Rameau's Hippolyte et
Le 23 févr. 09 à 10:36, Michael Käppler a écrit :
Hi,
I don't know if it will work, but perhaps you can try to type
\displayMusic { \clef #testclef a4 h c } to get the scheme
version of your music,
and to copy/paste the output you got after the #:score markup ...
good idea! But it still
Le 10 févr. 09 à 10:40, Johan Vromans a écrit :
Hi,
I have a score with 3 voices, A, B, and C.
Voices B and C have a lot in common. For about half of the score the B
parts is identical to the C part.
By specifying rests in voice B where it is identical to voice C, and
using
Le 29 janv. 09 à 16:29, Carl D. Sorensen a écrit :
On 1/29/09 7:12 AM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Carl,
So we have the following, which all work:
#(define-markup-command (test layout props stringA stringB) (string?
string?)
(interpret-markup layout
Le 14 janv. 09 à 03:54, nick.pa...@internode.on.net a écrit :
I have a score and parts to which I have just added \bookpart plus
the hack suggested in http://www.nabble.com/Separate-page-numbering-in-separate-book-parts--td20831772.html
in order to get the pages renumbered to 1 for each
Le 14 janv. 09 à 20:20, Nick Payne a écrit :
Ah. Something as simple as that! BTW, I also notice that although I
have
both title and tagline setup in the header sections for each
bookpart, the
tagline only prints at the end of the last part. You can see this in
the
example I sent by adding
Le 4 janv. 09 à 15:15, John Mandereau a écrit :
When you're done with this task, each function for which you are
responsible
should have an internationalizable docstring. By
internationalizable, I
mean that it will look like (_i This is the docstring.), rather
than This
is the docstring.
Le 1 janv. 09 à 23:02, Laura Conrad a écrit :
It looks like there are rumor-based solutions that might be closer to
what I need. I was hoping someone would say, I'm entering notes into
emacs via keyboard, and here are the programs I use and the order in
which I start them. But maybe nobody is
Le 25 déc. 08 à 05:40, 今井雄治 a écrit :
Hi, users.
I am making opera full score that
all staves include in StaffGroup.
So, SpanBar appear in lyrics line also.
Then, I want to remove SpanBar from lyrics line
as following.
_
flute |==|==|==|
| | | |
Horn
Le 19 déc. 08 à 14:12, Valentin Villenave a écrit :
Greetings Nicolas, hi everybody,
can someone tell me why the following snippet doesn't work?
(It's heavily based on Nicolas' functions -- and looked sooo
promising...)
%%%
#(use-modules (ice-9 format))
toto = { c d c d }
Le 14 déc. 08 à 20:29, Jonathan Kulp a écrit :
Running 2.11.65, Ubuntu Linux.
I'm having problems running a file made up of several bookparts. It
looks like it's compiling fine and then it gets to the part where it
draws systems and then there's a segmentation fault that kills it.
Each
Le 12 déc. 08 à 07:59, Simon J Mackenzie a écrit :
Hi
I have a table of contents which contains the following...
1. Joy to the
Universe1
56. Woe Beyond Hope3
112.
Frankly
Le 4 déc. 08 à 12:52, Graham Percival a écrit :
On Thu, Dec 04, 2008 at 11:58:48AM +0100, Mats Bengtsson wrote:
With the new book parts feature, is it possible to restart the page
numbering for each book part.
Surprisingly,
\paper{ first-page-number = #1 }
doesn't do this!
Indeed,
Le 4 déc. 08 à 21:25, james a écrit :
I'm having some difficulty. So far, in a score that compiles fine
without \bookpart, I only get bus errors when I try to use
\bookpart. I've tried having just one \score in the \bookpart, I've
tried having all of them in \bookparts. The example from
Le 21 nov. 08 à 14:34, Bertalan Fodor a écrit :
In LilyPondTool you'll be able to type:
c g c s x c (try it!)
Much more natural. However, it makes it complicated, because the
software
must know the key. So for example is c minor it will be rendered as
c es c bes, b c
but in h major, it
Le 16 nov. 08 à 22:50, Johan Vromans a écrit :
Hi,
I can do
\new Staff = FooBar ...
and
xxx = #(string-append Foo Bar)
\new Staff = \xxx ...
but not
\new Staff = #(string-append Foo Bar) ...
What is needed to get the last form working?
That would require to change the parser.
Le 16 nov. 08 à 23:15, chip a écrit :
Ok, I'll ignore, even though I prefer not to see errors and
warnings. Not that it matter, I'm just curious, in my code I don't
adjust any of the between systems padding, so what might be causing
this? Is it something in my code or just some oddity in
Le 12 nov. 08 à 05:48, Carl Sorensen a écrit :
Johan Vromans jvromans at squirrel.nl writes:
Stupic question, I assume...
In a scheme function I have a symbol that is the name of a lilypond
expression. How can I get its music value?
E.g.
ifDefined =
#(define-music-function
(parser
Le 15 oct. 08 à 03:07, Joe Neeman a écrit :
On Tue, 2008-10-14 at 17:26 -0700, Graham Percival wrote:
On Tue, 14 Oct 2008 17:07:13 -0700
Joe Neeman [EMAIL PROTECTED] wrote:
On Tue, 2008-10-14 at 14:54 -0700, Graham Percival wrote:
I have a collection of scores that I'd like to print in one
Le 24 août 08 à 14:40, Jonathan Kulp a écrit :
for LILYFILE in *.ly
do
echo updating syntax on $LILYFILE...
convert-ly $LILYFILE $LILYFILE-new
sleep 1
mv $LILYFILE-new $LILYFILE
done
The -e option of convert-ly can be used to modify the file in place.
nicolas
Le 2 août 08 à 20:08, Frederick Dennis a écrit :
Sorry, I forgot to edit the subject line again.
Dear All,
\version 2.10.33
Thanks to Trevor Daniels, I can now prevent the precautionary
time signature at the end of a movement by putting:
\override Staff.TimeSignature #'break-visibility =
Le 22 juil. 08 à 16:12, luis jure a écrit :
hello lilyponders,
is there a way in LP to insert a markup as a footnote? i mean, i
want to
append a markup to a note in the score, and i'd like the text to
appear
at the bottom of the corresponding page. is it possible with lilypond?
This is
Le 24 juil. 08 à 01:11, Neil Puttock a écrit :
2008/7/23 James E. Bailey [EMAIL PROTECTED]:
I don't know if it's broken, or I just don't know how to use it,
but my
current workaround is to adjust the line-width and the horizontal
shift
It's definitely broken.
For the record:
No, it was
Le 16 juil. 08 à 16:13, Eric Knapp a écrit :
The next issue in trying to extend Lilypond for my instrument is that
I want to change things in the Note based on the text in the
Fingering. Here's an example, this displayMusic call results in the
make-music call that is after it. I have code
Le 17 juil. 08 à 16:16, Eric Knapp a écrit :
I am using this approach with good results. I know the music
expression I want to create. I just need to be able to catch music
expressions so that I can get the fingering number that the user
entered. Then I can create the correct note based on the
Le 16 juil. 08 à 13:31, Roman Stawski a écrit :
The command order I'm using is from a really old template that I've
been using for years without problems. I came across your formulation
when checking an answer to another post on the bugs list.
Looks as if I'll have to update my templates.
Le 15 juil. 08 à 21:02, Trevor Daniels a écrit :
Roman Stawski wrote
\new Staff { \new Voice = dirge { c''1 } }
\lyricsto dirge \new Lyrics { Whoops }
\tag #'harmony \new Staff { a'1 }
OK, I see what you are trying to do. The error is that
the order of the commands in the lyrics line is
Le 14 juil. 08 à 04:21, Carl Sorensen a écrit :
I propose some new predefined functions:
\pointAndClickOn
pointAndClickOn = #(ly:set-option 'point-and-click #t)
and
\pointAndClickOff
pointAndClickOff = #(ly:set-option 'point-and-click #f)
These do not do what you think they do.
When the
Le 14 juil. 08 à 14:19, Bertalan Fodor (LilyPondTool) a écrit :
Well, the fun is that it seems that Scheme creators like predefined
commands as well. Think of the commands
cadr, caddr, cadddr, which are essentially:
(car (list-tail mylist 2)) (car (list-tail mylist 3)) (car (list-
tail
Le 3 juil. 08 à 21:15, Kieren MacMillan a écrit :
[Lilypond 2.11.49]
Hello all,
I need boxed markups with a set padding, i.e. I'm currently using
^\markup { \override #'(box-padding . 1) \box { ... } }
How can I set this value once, rather than needing to do it each
time? I've tried
Le 4 juil. 08 à 21:31, Kieren MacMillan a écrit :
Hi Nicolas,
Thanks for the tip!
I don't know if it is a good advice
Why not?
I just don't know if this text-font-defaults variable is a public
interface.
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Le 28 juin 08 à 20:52, Patrick Horgan a écrit :
Nicolas Sceaux wrote:
oops, baseline-skip and word-space should also be fixed absolutely,
and
not based on the ones from props.
Do you mean like:
#(define-markup-command (abs-fontsize layout props size arg)
(number? markup?)
(let* ((ref-size
Le 28 juin 08 à 17:18, Reinhold Kainhofer a écrit :
Is there any way to specify the fontsize for a markup in absolute
size? In
particular, the markup (title page for A4, defined in an in external
include
file) should always use the same font size, irrespective of the
global staff
size.
Le 28 juin 08 à 18:11, Nicolas Sceaux a écrit :
Le 28 juin 08 à 17:18, Reinhold Kainhofer a écrit :
Is there any way to specify the fontsize for a markup in absolute
size? In
particular, the markup (title page for A4, defined in an in
external include
file) should always use the same font
Le 24 juin 08 à 21:41, Kieren MacMillan a écrit :
Hi Reinhold,
Here you really need to use \column-lines...
I was trying that... but it doesn't seem to work either. =\
So, basically, each \markuplines should typically be followed by
\column-lines, and the contents of \column-lines
Le 25 juin 08 à 13:30, Kieren MacMillan a écrit :
[Lilypond 2.11.49]
Hello all,
Can the properties of \underline (such as thickness, distance from
text, padding/width, etc.) be tweaked?
The documentation says that the thickness can be tweaked.
Le 19 mai 08 à 15:58, Reinhold Kainhofer a écrit :
When I use \markuplines\justified-lines, I would expect that all
lines are
equally spaced, just like in a word processor. However, if a line
contains a
capital Umlaut (i.e. Ä, Ö, Ü, ...), then that line is spaced just a
little
bit more
Le 15 juin 08 à 14:18, Arno Rog a écrit :
\displayLilyMusic did the trick.
Is there also a command to convert the implicit notelengths into
full notation.
e.g. r8 d d e f d16 e f8 g - r8 d8 d8 e8 f8 d16 e16 f8 g8
displayLilyMusicWithExplicitDuration =
#(define-music-function (parser
Le 14 juin 08 à 15:11, Reinhold Kainhofer a écrit :
Does anyone know how to fix this problem, or at least where to look
in the
code?
You can have a look at scm/layout-page-layout.scm, function
stretch-and-draw-page, in particular around line 88, where there is a
comment explaining what
Le 11 juin 08 à 13:21, Arjan Bos a écrit :
May I chime in a bit here? This prodding of the scheme interpreter
is one of the few things I do not like in the lilypond syntax. I do
love LilyPond and as a programmer at heart, I adore its syntax.
However, as a programmer, it is my duty to let
Le 8 juin 08 à 16:21, Reinhold Kainhofer a écrit :
Can someone please explain to me how lilypond's vertical page layout
works?
In particular, I'm writing a full score with one system per page, so
I want
that one system to exactly stretch to the full page. I'm doing this by
setting
Le 29 mai 08 à 00:04, Stefan Thomas a écrit :
Dear lilypond-users,
is anyone of You experienced with RUMOR? Or with emacs Midi-input
mode by Hans Lubs?
I tried to install these programs from source many times, but
without success!
What operating system are you using? Rumor is Linux only
Le 29 mai 08 à 17:18, Herbert Liechti a écrit :
Hello all
I have some problems to get a vertical distance between
to staffs:
s1.jpg
Everything went ok from the second line in sheet:
s2.jpg
I'm attaching a stripped down version of the score. I tried
the code in the snippet archive
Le 23 mai 08 à 15:36, Christopher Suckling a écrit :
On Wed, May 21, 2008 at 08:29:43PM +0200, Nicolas Sceaux wrote:
Le 21 mai 08 à 10:44, Christopher Suckling a écrit :
In The LilyPond Report #4
http://valentin.villenave.info/The-LilyPond-Report-4, there is a
video in which Nicolas Sceaux
Le 22 mai 08 à 12:13, Nicholas Wastell a écrit :
Hello list,
A couple of months ago, Nicolas Sceaux showed some code to redefine
the
\smallCaps function to extend support to non-ascii characters (ref:
http://snipurl.com/smallcaps).
I have just tried inserting his code in a .ly file, but I
Le 21 mai 08 à 10:44, Christopher Suckling a écrit :
In The LilyPond Report #4
http://valentin.villenave.info/The-LilyPond-Report-4, there is a
video in which Nicolas Sceaux demonstrates his lyqi quick insert mode
he wrote for Emacs.
The video appears to demonstrate a lyqi+rumor combination
Le 21 mai 08 à 18:21, Reinhold Kainhofer a écrit :
In one of my pieces, I want to print a similar markup as the
bookTitleMarkup
somewhere in the middle of a page.
However, it seems that at this position, I'm not able to access the
header
properties, which are used in the title markup. In
Le 19 mai 08 à 18:05, Reinhold Kainhofer a écrit :
PS2: Is there any way to set something like ragged-bottom=##t only
for the
current page? It would suffice to have some \vfill construct, which
simply
takes up all the remaining space on the page. This would do away
with the
need to insert
Le 19 mai 08 à 15:58, Reinhold Kainhofer a écrit :
When I use \markuplines\justified-lines, I would expect that all
lines are
equally spaced, just like in a word processor. However, if a line
contains a
capital Umlaut (i.e. Ä, Ö, Ü, ...), then that line is spaced just a
little
bit more
Le 19 mai 08 à 18:05, Reinhold Kainhofer a écrit :
How can I add a TOC entry from inside a markup (or from a markup
function)?
I tried
#(define-markup-command (piece-title layout props title) (markup?)
(add-toc-item! 'tocItemMarkup title)
(interpret-markup layout props (markup #:bold
Le 19 mai 08 à 21:56, Nicolas Sceaux a écrit :
Le 19 mai 08 à 15:58, Reinhold Kainhofer a écrit :
When I use \markuplines\justified-lines, I would expect that all
lines are
equally spaced, just like in a word processor. However, if a line
contains a
capital Umlaut (i.e. Ä, Ö, Ü
Le 18 mai 08 à 16:46, Reinhold Kainhofer a écrit :
In the NR in Section 7.4.4
(http://lilypond.org/doc/v2.11/Documentation/user/lilypond/New-markup-list-command-definition
)
there is a definition of the \paragraph markup list command, which
indents
the first line by the value of the
Le 18 mai 08 à 17:30, Reinhold Kainhofer a écrit :
In one of my scores, I'm writing two pages with the lyrics of a
mass, together
with the corresponding German/English translations. I'm using
\fill-line {
\column{Latin text...}
\column{German text...}
\column{English text...}
}
to
Le 18 mai 08 à 00:24, Karl Hammar a écrit :
Actually what I would like is some way to tell on the command line
that
this run should have /ancient fonts/c-clefs/modern clefs/... so I
could
easily switch style without having to write a new file.
You can already do this, using -d options in
Le 5 mai 08 à 19:05, Valentin Villenave a écrit :
Hi everybody,
Can anyone make this snippet work?
http://lsr.dsi.unimi.it/LSR/Item?id=100
I added it last year (it was in a set of regtests Graham sent me, I
think), but IIRC it never worked. I thought it was a version
compatibility problem,
Le 1 mai 08 à 15:26, Kieren MacMillan a écrit :
Hi all,
Is there a possibility to add manual line breaks within the markup
text?
Yes; it's
\markup {
\column {
Your first line
}
{
Your second line
}
}
Ouch. There must be a better way, no?
No, this is the way, although the
Le 1 mai 08 à 17:45, Kieren MacMillan a écrit :
Hi Nicolas,
Do any of the LaTeX commands work (e.g., \par, or \\, etc.)?
this LilyPond, not LaTeX, why in the name of Mandos would LaTeX
commands work?
I was under the impression that LilyPond once used a LaTeX engine in
the background --
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