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where the problem lies and how I can solve it?
I have also tried turning m into a music-function and redefining
resetRelativeOctave before the second call to \m, but that does not
work, either...
Thanks,
Reinhold
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brochures (stapling an A4 in the middle for folding).
I never regretted buying one.
Best regards,
Reinhold
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scores, and maybe I'd like to know what might be
the biggest score anyone has successfully created with LilyPond.
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2015-04-09 um 13:45 schrieb Reinhold Kainhofer:
Hi all,
I have a piece, where the Fagotto part is written in tenor clef and
after some measures rests switches to bass clef. Now, when I use
\cueDuringWithClef to cue other instruments during those rests, the
end of the cue notes will display two
?
Thanks a lot,
Reinhold
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.
Any idea how to keep the staff lines alive until the key/time/clef change?
Thanks,
Reinhold
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and
robust. I note that some tweaks have been added to partcombine recently,
has its default behaviour become less robust?
No.
Cheers,
Reinhold
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parts.
Of course, it will also not be shown if the choir staff is hidden and
you only have one or two soloist...
Cheers,
Reinhold
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the full page layout is probably missing
out a huge opportunity for lilypond. After all, MusicXML is nowadays
used by publishers to transfer the full score layout from one
application to another.
Cheers,
Reinhold
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\version 2.17.7
\language
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the \with, like I did in the alto
voice above, but in my opinion this is harder to read than when you
include the \with.
Cheers,
Reinhold
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,
Reinhold
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notation and sight-reading takes much more effort than with the
traditional notation. That might, however, also be due to me being used
only to the traditional notation.
Cheers,
Reinhold
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lilypond think that a beam
is still going on. Line breaks during beams are disallowed.
Cheers,
REinhold
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On So., 18. Nov. 2012 18:34:46 CET, Francisco Vila paconet@gmail.com
wrote:
2012/11/18 Reinhold Kainhofer reinh...@fam.tuwien.ac.at:
beam is still going on. Line breaks during beams are disallowed.
Not exactly,
{
\time 2/4
\override Beam.breakable = ##t
Doesn't that prove
.
Cheers,
Reinhold
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On 2012-11-03 22:32, Noeck wrote:
Am 02.11.2012 01:20, schrieb Reinhold Kainhofer:
On 2012-11-01 22:54, Eluze wrote:
Janek Warchoł-2 wrote
This may sound surprising, but there are many cases when LilyPond's
vertical spacing could be noticeably improved (i admit that most of
these cases would
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On Di., 30. Okt. 2012 19:35:42 CET, Tiresia GIUNO tires...@googlemail.com
wrote:
But shouldn't be: The syllable
should be ranged _right_ under the first notehead?
No, ranged left means that the left of the syllable is aligned with the left of
the note (i.e. left-aligned).
other cases (i.e. inside some piece), you don't ever want to set
the measure position to a negative value, as that will skip a measure in
the measure count.
Cheers,
Reinhold
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-aligning with the note in the second staff, since there the
syllable is assigned to more than one note.
Cheers,
Reinhold
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.
Cheers,
Reinhold
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I suppose, you'll still need quite some time to manually adjust what
cannot be cone automatically.
Cheers,
Reinhold
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. The
attached file does exactly this (adapted from a LSR snippet).
Cheers,
Reinhold
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the
documentation be adapted?
Apparently, yes.
Cheers,
Reinhold
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\!} }
or:
\new Voice \relative c'' { { c1 } { s2 s4..\ s16\!} }
or even (and no, this is NOT the \expressivo articulation):
\new Voice \relative c'' { { c1 } { s2\ s4..\ s16\! } }
Cheers,
Reinhold
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/detail?id=2875
Cheers,
Reinhold
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to make the mark reserve more horizontal space
(i.e. shift the following notes to the right) so that the fermata is
placed directly above the staff?
Thanks,
Reinhold
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-spacing-width to '(0.3 .
0.3) to prevent the ledger line from still shifting the fermata up.
But with that settings, things work like a charm!
Reinhold
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,
Reinhold
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that it is much harder later on (during the
proof-reading phase) to read at a glance.
Cheers,
Reinhold
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that issue:
http://tex.stackexchange.com/questions/50388/attached-external-pdf-file-is-not-showing-page-number
Cheers,
Reinhold
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On 17/09/2012 13:11, Urs Liska wrote:
Am 17.09.2012 12:59, schrieb Reinhold Kainhofer:
It does not use an absolute font size. The size is relative to the staff
size.
Thanks for this information.
Of course I realize that it is relative to the staff size. But in the
end Lily _has_ to print
Cheers,
Reinhold
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need and I could
not find an command-line option to prevent the PDF from being created.
But that's what a Makefile is for: I just delete the PDF.
Lilypond also has a --ps option So what you want is:
lilypond -dbackend=eps -daux-files=#f --ps file.ly
Cheers,
Reinhold Kainhofer
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-*.otf files to ~/.fonts
2) run fc-cache
Cheers,
Reinhold
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, not with normal latex.
Any idea how to make the glyphs available without using xelatex?
Cheers,
Reinhold
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on the same staff.
Cheers,
Reinhold
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to be there in the first
place? Shouldn't you be looking for a way to fix the underlying problem
instead?
Cheers,
Reinhold
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. in parallel
with the spacers in the same voice (i.e. if you would use notes instead
of the spacers, you would get collisions etc.)
Cheers,
Reinhold
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, override the *-position.
Cheers,
Reinhold
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a + or a ` is stacked onto a normal digit, clearly
showing they are two different glyphs.
Cheers,
Reinhold
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instead.
Cheers,
Reinhold
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.
[...]
Is there a way for producing a real extender line here?
Use an implicit figure:
http://lsr.dsi.unimi.it/LSR/Item?id=607
Cheers,
Reinhold
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- Ursprüngliche Mitteilung -
I've recently started getting ERROR: Wrong type (expecting pair): ()
when I compile the code for a rather large (5000+ lines) project, and I
have no idea how to fix it. There is no line reference, and no
indication what causes this problem
Try enabling
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://lsr.dsi.unimi.it/LSR/Item?id=248
Cheers,
Reinhold
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c'' 4 g' a' b' c'' 4 d'' e'' f'' g'' 1 }
\addQuote right { \right }
anotherinstrument = { c' 1 \quoteDuring #right s1 c'1 }
\score { \new Staff \anotherinstrument }
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are:
\new Voice { ... }
{ ... } \\ { ... }
\partcombine {...} {...}
Cheers,
Reinhold
I have the problem, that the music of the cellopart is not quoted, although
it isn't a Pianostaff.
2011/10/16 Reinhold Kainhofer reinh...@kainhofer.com
Am Sonntag, 16. Oktober 2011, 10:01:46 schrieb
Am Montag, 26. September 2011, 23:05:02 schrieben Sie:
2011/9/26 Reinhold Kainhofer reinh...@kainhofer.com:
For my empty score sheet generator, I had to adjust the vertical spacing
quite a bit, too. The default settings of lilypond simply look ugly.
Yes they do.
Well, fixing this is on my
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code to try to reproduce (and then track
down) the problem.
Thanks,
Reinhold
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contains the vertical spacing
variables that I'm using with lilypond 2.14.
Cheers,
Reinhold
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signature.asc
Description: This is a digitally signed
?
No, unfortunately, not. It would be great to have it, though.
Cheers,
Reinhold
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,
Reinhold
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.
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Am Montag, 12. September 2011, 14:48:51 schrieb David Kastrup:
Reinhold Kainhofer reinh...@kainhofer.com writes:
Dear all, Sometimes it can be very useful -- in particular for new and
not so experienced users -- to have the basic LilyPond syntax
available compressed on one single sheet. I
incompatibility with
Acrobat Reader.
I can print it just fine from okular.
Cheers,
Reinhold
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(and also the preview), but
the second time you choose that configuration there is no delay, because all
already-created scores are cached and re-used on the server.
Cheers,
Reinhold
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. for orchestral scores).
Yeah, I'll think about it. However, then I'll also have to allow more than 15
systems on a single page...
Cheers,
Reinhold
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}
\layout {}
}
Cheers,
Reinhold
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signature.asc
Description: This is a digitally signed
, depending on
other articulations, like 'HarmonicEvent.
The articulations are a list, so you have to filter them to get the actual
string numbers.
Example attached,
Reinhold
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classical pieces it is okay to use c4. c8[ c
c] in 3/4, because the beats are very clear. That's an exception to the rule,
though, rather than the rule.
Cheers,
Reinhold
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On Fr., 26. Aug. 2011 23:32:39 CEST, David Kastrup d...@gnu.org wrote:
I checked around, and Rationals (which are used for time) have a
representation of -inf. I think it would be a good start if the default
grace time component (namely when no grace is present) was not set to 0,
but to
c4
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On Do., 25. Aug. 2011 09:11:49 CEST, Mike Solomon mike...@ufl.edu wrote:
The issue with Finale and Sibelius exporting is user overrides. I can
drag a markup over the last note in my score to be in the position of
the title and it'll look just fine in Finale, but LilyPond will have no
clue
of the current problems iwth lilypond:
The syntax changes regularly, and you need to update your scores every few
months to be able to run them properly.
Cheers,
Reinhold
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documentation for free software.
I consider this tutorial additional material, not core documentation, so I
don't see this as an issue...
Cheers,
Reinhold
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and
all settings as they appear in the score.
Cheers,
Reinhold
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effects
on 18th century instruments!
Haydn did something similar with his Echo double-string quartet, although that
uses just two string quartets in two different rooms. Six organs can do a lot
more.
Cheers,
Reinhold
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function):
http://kainhofer.com/~lilypond/Documentation/changes/index.html
In 2.14 you can copy the new definition into your own file (example attached).
Cheers,
Reinhold
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and for footnotes with symbols.
Cheers,
Reinhold
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a line width (i.e. paper size) for single-line
snippets, because one-line snippets are layed out with ragged-right.
Cheers,
Reinhold
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On Di., 9. Aug. 2011 01:34:02 CEST, David Kastrup d...@gnu.org wrote:
harm6 thomasmorle...@googlemail.com writes:
Yes. But the Notation Reference demonstrates:
\relative c' {
c e g2~ c e g
\override TieColumn #'tie-configuration =
#'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
c e g2~ c e g
\new Staff \notesA
\new Staff \notesB
should be:
\new Staff \new Voice \notesB
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial Actuarial Math., Vienna
Am Donnerstag, 4. August 2011, 00:49:11 schrieb Christopher R. Maden:
On 08/03/2011 06:07 PM, Reinhold Kainhofer wrote:
Nope, Lilypond doesn't try to be a full text layout application. You
cannot do multi-column text with automatic line- and
column-breaking.
I am using Latex
will NOT be indented:
static char const *WARRANTY
= _i (This program is free software; you can redistribute it and/or\n
Is this really what we want?
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com
wrote that other snippet that
Harm suggested; But then decided that lilypond simply isn't capable of what I
need), critical report, etc.
Cheers,
Reinhold
--
--
Reinhold Kainhofer, Vienna University of Technology, Austria
email: reinh
On Tue, 2 Aug 2011, James Lowe wrote:
I've looked at the documentation and I remember the conversation I had
with our Doc Meister, normally you would do this (at least on Mac OS -
which I used at the time) via a terminal and there is no 'rename'
command, so when you
mv folder_name
length.
(For dual times like 3/4 6/8 which have the same length the measure length is
not a problem, but now lilypond doesn't know which automatic beaming to apply
to a measure...)
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh
.
\on-the-fly #last-page \fromproperty #'header:tagline
}
}
}
As you can see, you need to include the tagline yourself in the footer if you
want to get it printed...
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial Actuarial Math., Vienna Univ. of Technology, Austria
* http://www.fam.tuwien.ac.at/, DVR: 0005886
* LilyPond, Music typesetting, http
us a minimal example (including the staves)? Maybe the problem lies
elsewhere
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial Actuarial Math., Vienna Univ. of Technology
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial Actuarial Math., Vienna Univ. of Technology, Austria
* http://www.fam.tuwien.ac.at/, DVR: 0005886
* LilyPond, Music typesetting, http
then the score has 5 pages and does no longer fit on one sheet...
Basically, what he wants is 2-up page layout rather than booklet layout.
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com
On Mi., 6. Jul. 2011 21:10:51 CEST, Janek Warchoł
lemniskata.bernoull...@gmail.com wrote:
Which one of the clefs in the attachment do you like best?
The last one.
In the first one, the vertical strike looks too straight. The second one feels
unbalanced and looks loke it's falling over to
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