David Raleigh Arnold wrote:
You need his permission to publish, but there is no reason to ask him
to surrender his rights. Why do you want to do that?
I am very unsure about the legal stuff, but I think (thought...?) that
if something was distributed along with the lilypond-archive then it
David Raleigh Arnold wrote:
Unless I use psresize, I get clipping of the tops
of the pages. Ghostview shows Bounding Box which
Don't use ps-resize!
As illustrated by my resent 48 handclappers postings you can specify the
size of the page with linewidth and textheight.
The shifting gets
Han-Wen wrote:
I get lots of improbable offset errors. Molecule.cc checks for
offsets that are larger than 30 cm. I changed it to 100 cm in
CVS. ... Perhaps that is the cause ? :-)
No, but it fixed the span-bars bug :-)
It seems to work over here -- if you want, I can try to process the
Rune Zedeler wrote:
Now I have started processing the full 385 measures file on my 1.8GHz P4.
The processing has lasted for 15 minutes now and lilypond is still at
the first step (that is: it hasn't even started to print bar numbers yet).
I corrected the last errors of the file
Mats Bengtsson wrote:
The variables to increase are extra_mem_top, extra_mem_bot
and pool_size. Actually, the ly2dvi script sets these variables
as environment variables which overrides the settings in the
texmf.cnf file, so as long as you use ly2dvi and these settings
are not high enough,
Han-Wen Nienhuys wrote:
Btw: The problem occured when trying to typeset the first 85 measures of
the first 20 staves on A4-paper.
I need to typeset 385 measures of 48 staves on A3-paper - so there is
still a LONG way to go!
whoah! What's this piece ?!
Okay, I'll tell you the story because
Han-Wen Nienhuys wrote:
Okay, I start using 1.5 again (manually setting the vertical spacing :-( )
(Can you submit a separate bugreport for this vertical spacing thing?,
or perhaps the score itself (you may send it privately))
Felipe Massia Pereira wrote:
1) how can I control breaks (I didnt get it with \bar ... it just does
not break when there is space... and I couldnt user \penalty ... I tried
#0 value and #9)
What do you mean.
is \break what you are looking for
2) how do I justify a staff (I want
Jan Nieuwenhuizen wrote:
I have a file, which would not compile thou the end, but only until a certain point.
It crashes during the LaTeX portion:
I have just experienced the same problems with a HUGE file. (48 staves
with one voice in each, 385 measures. Should I just give up, or should I
Carlos Garcia Suarez wrote:
The attached file provides .ly input for a series or exercises for piano.
Well, you use a file, spannish.ly which is not part of standard
lilypond and hence I cannot compile your example-file.
Why not submit spannish.ly to the deveopment list so that other users
Rune Zedeler wrote:
% ad
\context ChordNames \ascenascenacordes
\context Staff = des { \property Staff.instrument = #'(lines
Ascendente Descendente) \ad }
sorry, make that
% ad
\context ChordNames = ad \ascenascenacordes
\context Staff = ad { \property Staff.instrument = #'(lines
Jan already explained the reason for your problem.
Joerg Anders wrote:
bcc = {
\property Voice.NoteHead \set #'style = #'xcircle
}
btr = {
\property Voice.NoteHead \set #'style = #'triangle
}
...
\bcc b \btr as'
That won't work. You cannot in the same context have different
Maurizio Tomasi wrote:
Trio. At the end of the piece there is Menuetto da capo. Well, I
want to write Minuetto and Trio once, and above the whole set of
staves, and Menuetto da capo below them. But if I place these texts in
the first violin staff, they will never be printed when
Joerg Anders wrote:
My problem is: The NoteEdit user can place the drum notes at any
pitch he/she wants. Therefore I need a means to place - say a note with
triangle head - at any pitch and ...
Okay then you cannot use the official drum notation scheme - or using it
would at least be very
Carter Brey wrote:
refuses to compile unless I enclosed them in quotes. That's fine, but
they appear in a larger, less attractive font than the single digits.
Any workaround?
bes,^#'(finger 10)
-Rune
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Hi MTB!
First of all there are several issues in you posting that you should
correct in the future - otherwise we have a much harder time helping you
- and remember that we are sitting here for free in our spare time.
1) Always post a FULL (ought to be) working example - complete with
Ville V Sinkko wrote:
What am I doing wrong?
You are using lilypond instead of ly2dvi
try running
ly2dvi -P
instead
-Rune
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Carlos Garcia Suarez wrote:
I am about to finish transcription of a Bach piece for piano. It looks
I you use the pianostaff-environment and don't have any knees (beams
crossing the staves) then you can save a lot of space by changing to the
grandstaff-environment.
If you need the
Greg Guest wrote:
and although I built guile (apparently successfully), when I try to run
./configure in lilypond, it complains that I can't find either
libqthreads.so.0 or guile-config
which guile?
(guile --version)
-Rune
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Carlos Garcia Suarez wrote:
I have not figured out how I can print chords with inversion. For
example, Bb/D which would indicat the first inversioin, i.e. the bass
note is d adn then f and the bb.
bes/+d
-Rune
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I wrote this for a modern music analysis at my studies. I thought that
the code might give inspiration for some of you guys :-)
voa = \translator Voice=voa
vob = \translator Voice=vob
voc = \translator Voice=voc
\score {
\context Staff \notes
\property Staff.whichBar = #'
Okay, sorry, a few more errors:
stemDown = \property Voice.stem \override #'direction = #-1
stemUp = \property Voice.stem \override #'direction = #1
capital S in Stem: \property Voice.Stem \override...
Btw, I think that stemUp and stemDown IS defined in the setup-files -
you dont need to
Robin Davies wrote:
What I'd really like to be able to do is use the slash symbol from the
percent repeat as a note head, and then hide the stem (which seems easy
What you are looking for is
\property Staff.NoteHead \override #'style = #'slash
Notes with slash-heads go here ...
Carlos Garcia Suarez wrote:
I have followed all instructions and installed from hard disk the whole
lilypond package. Everything looked fine until I tried to run gsview32
it can not find the program.
I had the same problem when installing lilypond under win2k.
The problem is that I now
Andy Winton wrote:
1) It looks like c'. or c.' is a syntax error. I can
Yes, it is. if you wan't a dotted note you need to specify the duration
as well:
c'4.
The two other problems I cannot help you with. Some sort of postscript
problem...
-Rune
Chris Jackson wrote:
I'm happy with automatic and manual staff changes for voices in piano
staffs, but is it possible to typeset a single chord, with notes on both
staffs, whose stem spans the two staffs?
No.
You can fake this by using two voices (one in each staff) and setting
the
Citat jennifer l doering [EMAIL PROTECTED]:
But when I embed the postscript file, it is on a single page. I thought
a
negative value for linewidth produced a single, unjustified line?
It does - it IS unjustified (i.e. leftified). But the postscript is still an
entire page.
By the way,
how can i fix this?
Whoops, forgot the 1.4.10 solution (attached). It is a hack because the problem
is caused by a bug. The solution will not work probably in 1.5++
london-trio-03-02.diff
Description: Binary data
Is it possible to make (untested)
\score {
\notes
\context Staff = sup
\clef G
\context Voice = vone { a' c'' e'' e'' }
\context Staff = sdown
\clef F
\context Voice = vtwo { a a \translator Staff = sup a' a' }
\context Voice = vthree { f f f f, }
}
(cc'ing list as this might be relevant for other users)
Citat Latawiec Régis [EMAIL PROTECTED]:
I am trying to use lilypond for african percussion transcription
(djembe, dundun). To create new symbols, I added some new notes to the
drum-pitch.ly file you have written and I have 2 questions:
Citat Chris Lipe [EMAIL PROTECTED]:
been able to figure out how to get a note to have a diamond-shaped
notehead. I'm currently using Lilypond 1.4.8.
\score {
\context Voice \notes
\clef F
\context Thread = main {
c8 d e f g2 a1
}
\context Thread = arti {
Citat Amelie Zapf [EMAIL PROTECTED]:
- An easier way to write drum notation (not fussing with Threads all
the
time)?
Eh, you don't need threads to use the (temporary) drum notation algorithm (
see /input/test/drums.ly ).
Imho the only problem with it is that it feels temporary. It is fully
Jack Chartreuse wrote:
How does one make a convincing analysis of a Bach Chorale?
I don't understand what you mean... Is it something like this, you are
after?
URL:http://www.daimi.au.dk/~rz/home/temp/KoralEks.ps
(Please don't commment the musical contents)
-Rune
Den 19-Jan-02 skrev Niklas Saers:
NS Hi, how well-suited is LilyPond to write early music? In particular I
NS need to know how well it will write general base? (as used by i.e.
NS Harpsichord-players)
Search for figured bass on the web page (I don't think that general base
is the correct name
Den 17-Dec-01 skrev Joerg Anders:
JA Ok! But what shell I do if the time signature is 5/4 ?
JA
JA R(1+4)*17
JA
JA does not work.(?)
AFAIR R1*5/4*17 will work - otherwise use R1*85/4 (yikes, ugly).
-Rune
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Han-Wen Nienhuys wrote:
Maybe it would also be
a good idea to use #'elements for repeated music as well (1st element
is the body, the rest the alternatives.)
Yes, good idea - that would make the scheme functions somewhat smaller.
Why not use #'element for the body and #'elements for the
Han-Wen Nienhuys wrote:
cis2 c | cis cis | c cis | cis
gives ( § = natural sign)
#O §O | #O O | §O #O | #O
I don't understand, why does the last one get a # ? Other than that
forgetAccidentals should do what you want.
I think it is easier first to understand the reminder version
How do you run ly2dvi as a filter, taking input from stdin, writing to
stdout?
-Rune
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David Pirotte wrote:
ly2dvi (GNU LilyPond) 1.5.13
As others have stated, your syntax is completely wrong.
But you should also notice that 1.5.13 have problems with the position
of dots - c.f. the bug mailing list.
If you don't need any of the new development functions, you really
should
Is it possible to tie together notes from different voices or is the
attached ex impossible in lilypond?
-Rune
Jérémie Lumbroso wrote:
- There doesn't seem to be a double repeat bar :||: I
Use
\bar :|:
Why don't you use LilyPond's repeat-function to autocreate the correct
bars?
- I perfectly know that sluring grace notes with the
next one is not available in current stable
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