On 11/5/2015 12:21 PM, Urs Liska wrote:
Am 05.11.2015 um 18:02 schrieb Johan Vromans:
On Thu, 5 Nov 2015 16:18:21 +0100
Urs Liska wrote:
Is there *any* tool around that offers more than a notepad application
but doesn't try to be an IDE?
Eh, Emacs?
Well, Emacs tries
On 10/29/2015 5:28 AM, Richard Shann wrote:
This
script looks for pairs of same pitch notes connected by a slur and
changes them into two tied notes. That one is actually so common (people
make the mistake when entering music in Denemo too) that it is available
in Denemo as a command.
How do
On 10/15/2015 7:24 AM, Andrew Bernard wrote:
I’m aware that the emacs lilypond-mode needs attention, but I wonder
if anybody has seen this. When I enter a ‘>’ character to complete a
chord, emacs goes into narrow mode, which then has to be undone with
C-x n w. It’s consistently reproducible.
On 10/15/2015 10:28 PM, Andrew Bernard wrote:
With the fi, or workaround, for the narrowing problem, in place, the
issue I reported regarding the emacs buffer being messed up
(apologies for my lack of technical precision there! The buffer was
being truncated to almost half the length in a way
On 10/7/2015 5:50 AM, Jacques Menu wrote:
Is that the kind of things you’re aiming at?
http://lilypondblog.org/2013/09/automatic-generation-of-scales-in-various-modes-for-all-21-pitches/
Exactly. Except I'm doing it manually, instead of programmatically,
since I think that will
On 10/5/2015 12:58 PM, Noeck wrote:
Hi Michael,
Am 05.10.2015 um 11:33 schrieb T. Michael Sommers:
Hmmm. When I change from a key with sharps or flats in it to one with
no sharps or flats, the cancelling accidentals still appear. I can
understand that, since otherwise there would
On 10/5/2015 2:59 PM, Simon Albrecht wrote:
On 05.10.2015 11:33, T. Michael Sommers wrote:
Hmmm. When I change from a key with sharps or flats in it to one with
no sharps or flats, the cancelling accidentals still appear. I can
understand that, since otherwise there would be no indication
I have a couple of questions about key signatures:
1) When a key change occurs at the end of a printed line, the new key
signature is printed at the end of the line. Is there any way to
suppress that?
2) When the key changes, the new key signature includes a bunch of
naturals to negate the
On 10/5/2015 3:33 AM, Robert Schmaus wrote:
On 5 Oct 2015, at 09:16, T. Michael Sommers <tmsomme...@gmail.com
<mailto:tmsomme...@gmail.com>> wrote:
I have a couple of questions about key signatures:
1) When a key change occurs at the end of a printed line, the new key
signatur
On 10/5/2015 3:42 AM, Robert Schmaus wrote:
Actually, so save you some time finding the relevant passages, your
... Q2 in section "Visibility of cancelling accidentals".
Thanks. I hadn't seen that while searching the manual.
--
T.M. Sommers -- tmsomme...@gmail.com -- ab2sb
On 10/5/2015 5:13 AM, T. Michael Sommers wrote:
On 10/5/2015 3:42 AM, Robert Schmaus wrote:
Actually, so save you some time finding the relevant passages, your
... Q2 in section "Visibility of cancelling accidentals".
Thanks. I hadn't seen that while searching the manual.
Hmm
On 10/5/2015 5:33 AM, Robert Schmaus wrote:
I tried this:
\override Staff.KeySignature.break-visibility = ##(#f #t #t)
along with some variations, but it didn't seem to have any effect.
Also, I had used that formula in another situation (with the
TimeSignature, I think), and, although it
On 9/26/2015 3:31 AM, Andrew Bernard wrote:
The output is normal and correct. What may be putting you off is that
with the default fonts, under 2.19.27 at least, the numerals are
aligned slightly to the left of the barline, perhaps giving the
impression they belong to the bar before.
That is
On 9/26/2015 1:53 AM, David Kastrup wrote:
"T. Michael Sommers" <tmsomme...@gmail.com> writes:
It seems that unless I put a
\set Score.currentBarNumber = #0
at the top of a score, the bar numbers that get printed are one higher
than they should be. For instance, this
On 9/26/2015 3:41 AM, Andrew Bernard wrote:
Well, to align the numbers more inside the bar they relate to, add:
\override Score.BarNumber.self-alignment-X = #-1
Thanks.
--
T.M. Sommers -- tmsomme...@gmail.com -- ab2sb
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lilypond-user mailing
On 9/26/2015 3:54 AM, msk...@ansuz.sooke.bc.ca wrote:
On Sat, 26 Sep 2015, Andrew Bernard wrote:
The output is normal and correct. What may be putting you off is that
with the default fonts, under 2.19.27 at least, the numerals are aligned
slightly to the left of the barline, perhaps giving the
On 9/26/2015 3:41 AM, bobr...@centrum.is wrote:
I think maybe you did not understand clearly what David Kastrup said.
When counting bar numbers, incomplete bars at the beginning are *not*
counted.
No, I understand. The posted example is just part of a larger score.
The rests are there
It seems that unless I put a
\set Score.currentBarNumber = #0
at the top of a score, the bar numbers that get printed are one higher
than they should be. For instance, this, with the above line commented
out, labels the first bar "2". What am I missing?
- snip -
\version
On 9/25/2015 2:44 AM, Mats Bengtsson wrote:
In particular, read about the setting print-all-headers! See also
http://lsr.di.unimi.it/LSR/Item?id=310. There is no need to redefine the
titling commands!
I swear I tried that before and it gave an error message. Now it works
in my test file,
On 9/22/2015 2:06 PM, Simon Albrecht wrote:
On 22.09.2015 19:53, T. Michael Sommers wrote:
Is it possible to have multiple independent scores in a single document,
Of course it’s possible: just use more than one \score {} block.
with each score having its own title, composer, arranger
On 9/24/2015 9:15 PM, Thomas Morley wrote:
2015-09-25 2:46 GMT+02:00 T. Michael Sommers <tmsomme...@gmail.com>:
On 9/22/2015 2:06 PM, Simon Albrecht wrote:
On 22.09.2015 19:53, T. Michael Sommers wrote:
Is it possible to have multiple independent scores in a single document,
Of
Is it possible to have multiple independent scores in a single document,
with each score having its own title, composer, arranger, and so forth?
From what I can see, if a score has those items in its header, they
are ignored. Thanks.
--
T.M. Sommers -- tmsomme...@gmail.com -- ab2sb
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