Hello to all. I quote from the file usage.pdf in the section about
lilypond-book:
Each snippet will call the Following macros if they have been defined by
the user:
\preLilyPondExample [...]
\postLilyPondExample [...]
\betweenLilyPondSystem [...]
»
A few pages after this point, there is a
Hello to all. I quote from the file usage.pdf in the section about
lilypond-book:
Each snippet will call the Following macros if they have been defined by
the user:
\preLilyPondExample [...]
\postLilyPondExample [...]
\betweenLilyPondSystem [...]
»
A few pages after this point, there is a
Hello :-)
With this code I pointed to the extension of a instrument (the horn). The
code is correct, do you think? You can stop the diagonal line so that it
does not overlay the treble clef?
\version 2.16.2
\relative c'' {
\clef bass
\cadenzaOn
bes,,,1 \glissando \clef treble f
Thank you, Pierre, but the folliwing code don't works :-(
I get an error: clefGlyph is not a known grob...
Where I'm wrong?
\version 2.16.2
\relative c'' {
\clef bass
\cadenzaOn
\override Score.StaffSymbol #'layer = #4
\override Staff.clefGlyph #'layer = #3
bes,,,1 \glissando
\once
Thanks to all :-)
My version is 2.16.2.
My difficulties lie in not being able to put the Glissando in the triplet:
I have to treat it like a cadence? If you notice, the first note of
Glissando is the eighth is lacking in the triplet and it is written with
the normal size, the other notes are
Hello to all,
this is the code:
\new Staff \relative c'' {
\key es \major
\time 3/4
\override BreathingSign #'text = \markup { \musicglyph #scripts.upbow }
\once \override ParenthesesItem #'font-size = #0
es8[-\parenthesize \trill d es f
\once \override ParenthesesItem #'font-size = #0
do I have to change in the code?
Grazie e ciao
Tommaso
2013/8/27 Thomas Morley thomasmorle...@gmail.com
2013/8/27 Tommaso Gordini illinguista1...@gmail.com:
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like that that you see below. If you think that
everything is OK, no problem.
Ciao
Tommaso
Here's the code:
%-%
\version
Hello to all,
here's a minimal code:
%%
\version 2.16.2
\relative c {
\clef bass
\key c \major
\cadenzaOn
c,2
^\markup { \tiny { Serie armonica del fa (+: crescente; -: calante) } }
^\markup {\small { Corno in Fa } }
c' \clef treble g' c e g \stemUp bes4-- \stemDown c2
Hello to all,
here's a minimal code:
%%
\version 2.16.2
\relative c {
\clef bass
\key c \major
\cadenzaOn
c,2
^\markup { \tiny { Serie armonica del fa (+: crescente; -: calante) } }
^\markup {\small { Corno in Fa } }
c' \clef treble g' c e g \stemUp bes4-- \stemDown c2
Hello to all,
I would like to avoid that the new key appears when I have a key change at
the end of the staff. I tried it in the documentation, but I could not find
what I need.
Can you help me?
Ciao
Tommaso
___
lilypond-user mailing list
Sorry, I meant increasing and waning harmonics :-)
Ciao
Tommaso
Il giorno lunedì 19 agosto 2013, Tommaso Gordini illinguista1...@gmail.com
ha scritto:
Hello to all,
here's a minimal code:
%%
\version 2.16.2
\relative c {
\clef bass
\key c \major
\cadenzaOn
c,2
Here are the notes of the
harmonic series that can be played on the horn. The notes marked with a
plus tend to sound sharp, and the notes marked with a minus tend to
sound flat.
Yes, exactly! :-) I was wondering if there is a typographically correct to
report it. Maybe it could be done with the
Tommaso
-- Forwarded message --
From: Thomas Morley thomasmorle...@gmail.com
Date: 2013/8/18
Subject: Re: Writing a fingering chart for French Horn
To: Tommaso Gordini illinguista1...@gmail.com
Cc: lilypond-user lilypond-user@gnu.org
Hi Tommaso,
2013/8/18 Tommaso Gordini
Hello to all,
this is my first post on lilypond-user.
I'm translating a practical guide to French horn and I have a problem that
I could not solve.
I have to write a French Horn fingering card. Many notes admit alternative
combinations, and they are written one below the other. Below I attack the
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