Re: How make "piece" behave?

Bernhard Kleine wrote Monday, October 23, 2017 10:57 AM > But why has it to go to \score to correct in an included file? Does this help? http://lilypond.org/doc/v2.19/Documentation/notation/creating-titles-headers-and-footers Trevor --- This email has been checked for viruses by AVG.

Re: mid-melisma lyrics

Sorry, that was a bit garbled and premature. Try this: > Kieren, you wrote Friday, August 18, 2017 7:01 PM > > Hi Kieren > >> The snippet, below, is a mockup of what I'd like to accomplish without >> resorting to markup hacks. >> I've tried a few things (\melismaOff, etc.), but the only

Re: mid-melisma lyrics

Kieren, you wrote Friday, August 18, 2017 7:01 PM Hi Kieren > The snippet, below, is a mockup of what I'd like to accomplish without > resorting to markup hacks. > I've tried a few things (\melismaOff, etc.), but the only successful ones are > even hackier than the markup hack (involving

Re: Multiple rest and system break

Menu Jacques wrote Friday, June 16, 2017 11:39 AM > This beats me : in the following snippet, why is there a break after ‘R1*2’ ? > There seems to be plenty of room to put everything on a single line…? > % > \version "2.19" > > P_POne_Staff_One_Voice_One = \relative { >

Re: ly:expect-warning (was Re: Slur from one voice to another emitswarning)

David, you wrote Monday, June 05, 2017 5:34 PM > Richard Shann writes: > >> I found by trial-and-error that if I remove any of the three occurrences >> of the ly:expect-warning the warning returns. >> >> Where should it be called? > > At the top, once for every

Re: Back in the Pond

Hi David Thanks for the update. You wrote Monday, May 29, 2017 9:56 PM > Gianmaria Lari writes: >> >> what's the better way to give a financial contribution? > > In Europe's EURO zone (guessing from your name, that would likely be the > case) SEPA transfers are

Fw: Alignment problem

be thinking of changing the voice instead. Trevor - Original Message - From: Giampaolo Orrigo To: Trevor Daniels Cc: lilypond-user@gnu.org Sent: Sunday, June 04, 2017 6:58 PM Subject: Re: Alignment problem Trevor, Thanks for the suggestion. I didn't want to overflow

Re: Alignment problem

Hi Geppo You'd be more likely to get a reply if you posted an immediately compilable example showing the problem. Trevor - Original Message - From: Giampaolo Orrigo To: lilypond-user@gnu.org Sent: Saturday, June 03, 2017 12:02 AM Subject: Alignment problem Hi, trying

Re: Multiple voices and rest position

Johan Vromans wrote Wednesday, May 31, 2017 10:17 PM > In the attached example, I would like the 8th rest symbol at the same level > as the 8th notes. See the right side of the attached image. > > How can I obtain this? r8 -> b8\rest Trevor --- This email has been checked for viruses by

Re: opus conflict

Thomas Morley wrote Monday, May 01, 2017 12:05 AM > 2017-04-30 23:09 GMT+02:00 Mark Stephen Mrotek : >> [...] I have very limited knowledge as to how to customize (write Lilypond), >> [...] > > So here a little tutorial about writing custom book/scoreTitleMarkup Nicely

Re: 2.19.59: Bad horizontal spacing when \override LyricText#'X-offset

Dmytro, you wrote Saturday, April 29, 2017 8:06 PM >> please, dear 'ponders, let me know what's wrong here in my email. >> >> Should I post this in bug-lilypond? Or is this spacing correct? > Oh SORRY, your replies were dropped by my gmail. No need to apologise. We've noted this as a

Re: "loose" alignment of lyrics

Hi Jonathan Not entirely sure what you mean, but is it this? \version "2.19.52" \score { << \new ChordNames \chordmode { a1 b2 c d1 e } \new Lyrics \with { \override LyricText.self-alignment-X = #LEFT } \lyricmode { "bar one"1 "bar two" "bar

Re: LD_LIBRARY_PATH in different installation contexts

Urs Liska wrote Tuesday, April 11, 2017 9:58 AM > e) Windows > I can imagine this isn't an issue because everything has to be bundled > anyway. > But I don't know about that. Please help me by giving me that information. Well, I've never seen that problem running Frescobaldi under Windows

Re: Shortened extender problem 2.19.57

Simon, you wrote Wednesday, April 05, 2017 10:58 PM > only now did I encounter this problem – I’m on Windows 7, x64. What am I > doing wrong/am I doing anything wrong/has this to do with recent Lyric > extender changes? > > \version "2.19.57" [snip] This looks correct in

Re: Melisma with manual syllable durations

ybody noticing or complaining: > >commit 4133b4e0ec939a427a70361ad838c65a84a0dfda >Author: Trevor Daniels <t.dani...@treda.co.uk> >Date: Fri Apr 8 08:26:15 2011 +0100 > >Search of context hierarchy for voice for lyrics is optional > > - add new context pr

Re: aligning dynamics to lowest dynamic mark in system

Mason Hock wrote Tuesday, February 07, 2017 12:13 AM > I would like to align all dynamics within each system with just enough > padding > to avoid collisions. I could do this by using > \override DynamicLineSpanner.staff-padding = #x > at the beginning of each system, but if I do anything

Re: Multiple markings

Trevor Daniels wrote Tuesday, February 07, 2017 9:21 AM > > Flaming Hakama by Elaine wrote Tuesday, February 07, 2017 2:00 AM > >> I can't answer that, but here's a way to get a rehearsal mark and a tempo >> mark at the same point in time, using an empty chord: >

Re: Multiple markings

Flaming Hakama by Elaine wrote Tuesday, February 07, 2017 2:00 AM > I can't answer that, but here's a way to get a rehearsal mark and a tempo > mark at the same point in time, using an empty chord: \version "2.19.15" { R1 \mark <>\tempo Allegro 4=120 R1 } This works in

Re: Warning about beam slope configuration

Simon Albrecht wrote Sunday, January 22, 2017 11:54 AM > Alas, \offset is a 2.19 addition, but undocumented. Is there an entry in > Changes? > Anyway, that’s clearly something we need to fix for 2.20. See https://sourceforge.net/p/testlilyissues/issues/3830/ Trevor

Re: OOoLilyPond

Klaus Blum wrote Saturday, January 21, 2017 11:54 AM > In addition, my knowledge about collaboration with git repositories is > absolutely zero, but I'm always open to learn. Can anyone recommend a > good introduction for Windows users? A fairly basic introduction is here:

Re: Back in the Pond

David, you wrote Thursday, January 19, 2017 10:18 AM > it would appear that my excursion into a regular workplace ended up somewhat shortlived. Really sorry to hear that, but it's great to have you back! > So for the short time range, I am again dependent > on support by other LilyPond

Re: Which Linux distro for Lilypond

Urs Liska wrote Saturday, January 07, 2017 6:59 PM > Am 07.01.2017 um 19:46 schrieb H. S. Teoh: >> I didn't realize there was so much going on with the transition (or lack >> thereof?) to guile 2.0. What of the idea of packaging the last >> known-to-be-good version of guile 1.8 with the

Re: LyricExtender and alternate volta ending

Here's one alternative method, which might suit you better, but it's even more hacky. Note the space in " ". \version "2.19.49" % \version "2.11.65" music = \relative c' \new Voice = "music" { \repeat volta 2 { c4 c c c ~ } \alternative {{ c2 c }{ \once \hideNotes c2*1/4~ c2*3/4 a4( c)

Re: Cannot vertically move markup in cue voice context

Articulations attached to multi-measure rests create MultiMeasureRestText objects. So it is these that should be overridden. Try: \version "2.18.2" \score { \relative c' { \time 4/4 R1 << { R1-\tweak Y-offset #-5 _\markup A \override

Re: Stepping down and moving on

David, you wrote Wednesday, November 09, 2016 5:09 PM > I have accepted a full-time development (and team management) position > with another company. Due to their project and team expansion plans, > I will be starting already in December. I sincerely hope you're finding your new job engaging

Re: How to build LilyPond.app on macOS?

Carl Sorensen wrote Wednesday, December 07, 2016 4:39 PM On 12/7/16 2:49 AM, "Andrew Bernard" wrote: >>I have offered on more than one occasion on the list to do the Python >>port. I have been knocked back, to be more accurate, strongly >>discouraged, each time. As

Re: LSR - file information [0.24759]

David Kastrup wrote Sunday, November 27, 2016 5:14 PM > File names are a tricky area in itself. I think that there is some > normalization process involved in some systems that tries to make sure > that something like an ä will be recognized regardless of whether it is > written as a single

Re: general question for composers

Kieren MacMillan wrote Friday, November 18, 2016 9:28 PM > my strategies include iterative printing: engrave a little, print out the > score (with skips for gaps), do pencil-work to fill in the gaps, repeat. This is exactly my approach, although, unlike Kieren, I'm only working on simple SATB

Re: Performance advice: Tied quavers in British (sacred) music

Alexander Kobel wrote Thursday, November 17, 2016 10:13 PM > The question is whether the singers are supposed to sing the note values > true to notation, or whether a final quaver after a long note indicates > that the final consonant is to be executed on the very beat where the > note is.

Re: barNumberCheck with repeats

Robert, you wrote Wednesday, November 09, 2016 9:49 AM >> \set Score.ignoreBarChecks = ##t > > Ah, great - thanks David! > > I guess, a mention of this in the sections "Repeats in MIDI" would be a > good idea - I'd be happy to do that, if the Doc-people let me know, how > I can do that.

Re: Stepping down and moving on

Hi David The first thing to do is to sincerely thank you for your extreme dedication, skill and energy in developing our favourite program over recent years. Even that seems a weak effort at expressing the gratitude and admiration I feel. We owe you a great deal. But eventually we all have

Re: Font cache issues on Windows 10

Carl Sorensen wrote Monday, November 07, 2016 7:04 PM > On 11/7/16 2:56 AM, "Sirius Barras" wrote: > >>Ciao Andrew, you wrote: >> >> >>> Where are we at with the font caching issue on Windows 10? There does >>>not >>> appear to be much discussion on the bug list

Re: Changing voice order...

David Kastrup wrote Tuesday, November 01, 2016 4:11 PM > I want to rename the \voiceXXX constructs > as well. The old ones will be available still but no longer promoted > and/or documented prominently, instead using something like \voiceUp, > \voiceDown, \inner \voiceUp, \inner \VoiceDown ...

Re: Changing voice order...

Simon Albrecht wrote Tuesday, November 01, 2016 10:42 AM >On 27.10.2016 13:40, David Kastrup wrote: >> This concerns << ... \\ ... \\ ... ... >> >> >> If we have more than one voice, voices are assigned in order: >> >> 1/2, 1/2/3, 1/2/3/4, 1/2/3/4/5, 1/2/3/4/5/6 ... >> >> while the documentation

Re: tuplet stats…

Urs Liska wrote Sunday, September 25, 2016 8:51 PM > > Am 25. September 2016 19:41:33 MESZ, schrieb Simon Albrecht > : >>On 25.09.2016 19:29, Simon Albrecht wrote: >>> >>> is it just me or does \tuplet get 3/2 as first argument >90% of the >>time? >>> And, assuming that

Re: What to do wanting a 4th order Bézier?

Impressive work, Urs! Kudos! Trevor - Original Message - From: Urs Liska To: lilypond-user@gnu.org Sent: Monday, September 19, 2016 11:40 PM Subject: Re: What to do wanting a 4th order Bézier? Am 19.09.2016 um 22:49 schrieb Urs Liska: Am 19.09.2016 um 20:50

Re: BendSpanner-engraver

masmorle...@gmail.com> > wrote: >> 2016-09-11 20:38 GMT+02:00 Trevor Daniels <t.dani...@treda.co.uk>: >>> Hi Harm >>> >>> I'm not a fretted-string player, but this looks very impressive! This will >>> be a tremendous addition to LP! >>

Re: BendSpanner-engraver

Hi Harm I'm not a fretted-string player, but this looks very impressive! This will be a tremendous addition to LP! Trevor - Original Message - From: "Thomas Morley" To: "lilypond-user" Sent: Sunday, September 11, 2016 10:53 AM

Re: changing staff-size throughout a score

Hi Urs I think \magnifyStaff would do this. See http://lilypond.org/doc/v2.19/Documentation/notation/setting-the-staff-size Trevor - Original Message - From: "Urs Liska" To: "lilypond-user" Sent: Wednesday, September 07, 2016 11:40 PM

Re: Stem for French Lute Tablature (Dowland)?

Devin, you wrote Friday, August 19, 2016 2:04 PM >On 08/18/2016 04:21 PM, Trevor Daniels wrote: > >> Unfortunately virtually nowhere, apart from the first tiny step - lettered >> fret indications. > > Trevor, would you mind sending the complete .ly file you used t

Re: Stem for French Lute Tablature (Dowland)?

Pierre Perol-Schneider wrote Thursday, August 18, 2016 8:35 PM > There have been some discussion about that on the list: > - > http://lilypond-s-support-for-tablatures.3383434.n2.nabble.com/Baroque-lute-tablature-td4008032.html > - >

Re: Laissez viber ties dotted

Andrew Bernard wrote Thursday, July 21, 2016 10:55 AM > On 21 July 2016 at 3:19:49 PM, Malte Meyn wrote: >> >> laissezVibrerTieDotted = \override LaissezVibrerTie.dash-definition = >> #'((0 1 0.1 0.75)) > Is it only me that finds the IR inadequate? There appears to be no mention > of being

Re: Ledger Lines and Tremolos

Dave Higgins wrote Thursday, May 12, 2016 5:53 PM > I've noticed that with high notes that are tremolo'd (or short repeat), > the tremolo covers the ledger lines. > > For example: a1:32 would give 4 ledger lines but it's hard to tell > that there are 4 ledger lines because the tremolo

Re: Ledger Lines and Tremolos

Dave Higgins wrote Thursday, May 12, 2016 6:05 PM > And make them lighter. Maybe \override Beam.beam-thickness = 0.4 (default is 0.48) Trevor ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Tuplet number direction

Thomas Morley wrote Friday, April 15, 2016 11:25 PM > Agreed. I never considered to disallow tuplets over line-break. > Gould has nothing to say about it? (I still don't own the book...) She has a complete chapter devoted to tuplets. She talks of tuplets across barlines (can be sub-divided

Re: Adding acoustic guitar (steel) to MIDI

David, you wrote Thursday, March 17, 2016 11:53 PM > I attempted to use the input statements some of you provided, but I couldn't > suppress the default acoustic grand MIDI instrument that plays due to > ChordName context. Following the formatting example shown in the notation > documentation

Re: Adding acoustic guitar (steel) to MIDI

David you wrote Tuesday, March 15, 2016 5:35 AM > On Mon, Mar 14, 2016 at 10:23 PM -0700, "tisimst [via Lilypond]" wrote: >> Frescobaldi doesn't actually provide the MIDI sound >> font, just the player interface. So, if you are only >> hearing piano, regardless of your choice of

Re: Set beam subdivision to #t by default

Urs Liska wrote Tuesday, March 15, 2016 8:44 AM > I would like to ask for your opinion on the matter of switching beam > subdivisions on or off by default. > > I would strongly suggest to switch the default setting so that > subdivideBeams is set to #t by default. I know that will affect

Re: OT: pagenumber

Blöchl Bernhard wrote Friday, March 04, 2016 9:11 PM > "false is ##f " really always? > > Please check > http://www.lilypond.org/doc/v2.19/Documentation/learning/modifying-context-properties > > Seriously, is this an exception? Should one throw a bug report or may be > a suggestion for

Re: TextSpanner left-bound-info

Andrew Bernard wrote Monday, February 29, 2016 4:35 AM > In the NR, the following entry is given on the TextSpanner page: > > left-bound-info (list): > >ly:line-spanner::calc-left-bound-info > >An alist of properties for determining attachments of spanners to edges. > > Similarly for

Re: Spacing with \new Lyrics and a full measure rest.

"Simon Albrecht wrote Tuesday, March 01, 2016 10:37 AM > On 01.03.2016 11:04, Hwaen Ch'uqi wrote: >> Greetings All, >> >> This is an example from a vocal score for a musical. What is the best >> way of ensuring that the barline and subsequent measure respects the >> length of the spoken text

Re: Avoiding PhrasingSlur/accidental collisions

Noeck wrote Sunday, February 14, 2016 12:10 PM > this [1] is more automatic: > > \relative c { > \override PhrasingSlur.details.accidental-collision = #1000 > \repeat tremolo 8 { es'''32\( es, } es'!2\) | > } > > I don't know what it actually means. Probably sth. like the value is > very

Re: repeat

"BB" wrote Saturday, February 13, 2016 1:31 PM > Your answer: No, you can't. That is what I argued, therefore I postet this > question, hoping that eventually somebody has a solution. But it is good to > know that there is'nt. > >FAA BBB DDD EEE >GAA BBB DDD EEE Doesn't

Re: repeat

David Wright wrote Saturday, February 13, 2016 11:34 PM > On Sat 13 Feb 2016 at 20:29:15 (-), Trevor Daniels wrote: >> "BB" wrote Saturday, February 13, 2016 1:31 PM >> >> > Your answer: No, you can't. That is what I argued, therefore I postet this >

Re: Super and sub

Kieren MacMillan wrote Saturday, February 06, 2016 8:03 PM >> - raise the superscript by 0.8 instead of 1.0 >> - lower the subscript by -0.4 instead of -0.75 > > In my opinion, these are both improvements on the current default. I agree. Trevor ___

Re: Sustain pedal cautionary after line break

Thomas Morley wrote Tuesday, February 02, 2016 11:17 PM > To make it work with recent devel versions you need to add > \once\override Staff.SustainPedalLineSpanner.layer = #2 %% every value >>1 will do > > No idea why. > 'layer is unset for SustainPedalLineSpanner in 2.18.2 _and_ 2.19.35 When

Re: Learning more complicated lilypond coding

Hi Charles There may well be a nicer way, but here's a quick hack: \relative c' { \clef treble \time 2/4 s8*1/1024 \clef bass r8*1023/1024 } - Original Message - From: Charles O. Lawrence To: lilypond-user@gnu.org Sent: Friday, January 29, 2016 10:54 PM Subject:

Re: Repeat 8va

John, you wrote Wednesday, January 13, 2016 6:18 PM > I’m still puzzled by the lack of documentation for \transposition, however. > How have you all learned to use it, by word of mouth? No :), you'll find it here:

Re: Can't seem to merge note groups

Hi Michiel Chopin is notorious for this kind of notation, and you do seem to have found a construction where Lily's standard approach fails to reproduce what Chopin wanted. You can achieve the desired appearance with a bit of subterfuge and at the expense of a warning with: fixme-section = {

Re: Cross-staff stems + TupletBracket.outside-staff-priority

takumi ikeda wrote Tuesday, January 12, 2016 10:52 AM > I found that the following code does not work properly. I don't know > whether it is the known bug or not... > > > > \version "2.18.2" > > { > \new PianoStaff << >\new Staff = up { > > % It works well when the followong

Re: Outliner markup command

Hi Pierre Very nice! Ideal for those more light-hearted musical items. LSR? Trevor - Original Message - From: Pierre Perol-Schneider To: lilypond-user Sent: Tuesday, January 12, 2016 2:37 PM Subject: Outliner markup command Hi, Yesterday night I thought about

Re: Dynamics and markup inside tuplet bracket

There's a list here: http://www.lilypond.org/doc/v2.19/Documentation/learning/outside_002dstaff-objects Not quite complete, but it covers most objects, and explains how the property is used. Trevor - Original Message - From: Phil Holmes To: Andrew Bernard ; Malte Meyn ;

Re: converting svg glyph to path data for use in scheme

David Kastrup wrote Monday, December 14, 2015 11:32 AM > Urs Liska writes: > >> Am 13.12.2015 um 14:09 schrieb Graham Breed: >>> On 13/12/15 12:48, N. Andrew Walsh wrote: Take a look at conversions.ly (sorry; mround is the equivalend function in the

Re: NR 4.1.4 ragged bottom and vertical spacing

Noeck wrote Friday, December 11, 2015 1:19 PM > Hi Federico and Simon, > >>> % >>> If a page has a ragged bottom, the resulting distance is the largest of: >>> >>>basic-distance, >>>minimum-distance, and >>>padding plus the smallest distance necessary to eliminate collisions

Re: Shrinking a part with its lyrics

David Wright wrote Sunday, December 06, 2015 11:11 PM > Hi, I sometimes set an accompanist's copy (merging/separating the > pedal, unfolding repeats, improving pageturns etc) and reduce the > pagecount by shrinking the vocal parts. The lyrics say it all: I'm > perplexed as to why they remain at

Re: Moving a single note (optical spacing once more)

"Urs Liska" wrote Friday, December 04, 2015 10:59 AM > Am 04.12.2015 um 11:54 schrieb Trevor Daniels: >> \once ] \override Arpeggio.minimum-X-extent =#'(-1 . 0) > > This creates additional space by moving the Arpeggio to the right. But I > want the fourth note e'

Re: Moving a single note (optical spacing once more)

Urs Liska wrote Friday, December 04, 2015 10:23 AM > As discussed recently (starting here: > http://lists.gnu.org/archive/html/bug-lilypond/2015-11/msg00054.html) > LilyPond's optical spacing can have side-effects. If you consider the > first attachment you can see that the quavers of the left

Re: Changing first-system indent

David, you wrote Thursday, November 19, 2015 3:14 PM >I have finally got to the stage of tidying up the score I have been > working on. [snip] > For the first movement of the score, I have Staff.instrumentName defined > for each instrument, and this requires an indent of 16mm. However, in >

Re: The stafftab reversed!?

Thomas Morley wrote Tuesday, November 17, 2015 9:31 PM > 2015-11-17 14:14 GMT+01:00 Pierre Perol-Schneider > : >> Well it is actually in the manual: >> http://www.lilypond.org/doc/v2.18/Documentation/internals/tab_005fnote_005fheads_005fengraver > > > > This

Re: ottavation function

Noeck wrote Friday, October 30, 2015 9:31 PM > just to make sure: "Post awaiting moderation." is the usual thing to > happen on sourceforge and someone will have a look at some point if he > allows my comment? All approved now - future posts should be forwarded immediately. Trevor

Re: Questions - Modern Chant Notation

Hi Karen Disabling timing means LP has no notion of where barlines occur, so you do need to indicate these with \bar "". These then are places where line breaks are permitted. But you might find it better to force line breaks where you want them by adding \break as well. Add

Re: compress full bar rests

Try s1*5 Trevor - Original Message - From: Flaming Hakama by Elaine To: Lilypond-User Mailing List Sent: Friday, October 09, 2015 9:31 PM Subject: compress full bar rests Somehow, through this framework, I cannot get full bar rests to compress when I use a globals

Re: Accidentals tied over a system break

Phil Holmes wrote Thursday, October 08, 2015 3:21 PM > From: "Thomas Morley" > To: "Sven" > Cc: "lilypond-user" > Sent: Thursday, October 08, 2015 3:10 PM > Subject: Re: Accidentals tied over a system break > > >>

Re: Text centralized above a TextSpan

David Nalesnik wrote Monday, September 21, 2015 5:13 PM > I'm attaching a rewrite of the code which allows an easy mix of > markups/strings and interprets hyphens as connectors. > Now there's no need for a TextSpanner.connectors property. ... and hardly any need for the

Re: Text centralized above a TextSpan

David Nalesnik wrote Saturday, September 19, 2015 7:14 PM On Sat, Sep 19, 2015 at 12:10 PM, David Kastrup <d...@gnu.org> wrote: > "Trevor Daniels" <t.dani...@treda.co.uk> writes: > >> http://www.lilypond.org/doc/v2.19/Documentation/notation/opera-and-stage-musi

Re: Text centralized above a TextSpan

This looks potentially very useful for adding spoken words which need to be said during a passage of music, often required in musical theatre. This is very difficult and hackish to do with current LP - see

Re: OT: Beauty of programming languages

PMA wrote Thursday, September 10, 2015 7:21 PM > PMA wrote: >> Martin Tarenskeen wrote: >>> This thread makes me wonder: what's the average age of LilyPond users >>> and developers? > > Better answer -- My age is 75. At 74 I thought I might be the oldest user/developer, but it seems I'm not.

Re: Gallery of Interesting Music Notation

Simon Albrecht wrote Tuesday, September 01, 2015 1:58 AM > ... especially with the complex situation > often seen with Chopin). Indeed. I chose a few bars from Chopin's Première Ballade, Op. 23 to illustrate how to resolve some of the (much easier!) difficulties with typesetting his music

Re: Gallery of Interesting Music Notation

PMA wrote Tuesday, September 01, 2015 1:49 PM > Trevor Daniels wrote: >> ... in the Learning Manual: >> http://www.lilypond.org/doc/v2.19/Documentation/learning/real-music-example > > Should the LH upper 'D' not be an E-flat? It's debatable, but it isn't i

Re: slurs and articulation

Martin Tarenskeen wrote Monday, August 31, 2015 10:50 AM > Try to compile the following example: > > > > \version "2.19.25" > > \relative { > d''-.( d-. d-. d-.) > d-_( d-_ d-_ d-_) > d--( d-- d-- d--) > d-^( d-^ d-^ d-^) > d-+( d-+ d-+ d-+) > d-!( d-! d-! d-!) > d->( d->

Re: New bug tracker?

Javier Ruiz-Alma wrote Monday, August 31, 2015 4:12 AM > Is there a new bug tracker for Lilypond? > LP site still points to the now-read-only tracker: > http://lilypond.org/bug-reports.html We are currently in transition between bug trackers. The intention is to migrate to a new bug tracker

Re: how to get notes without tails?

Blöchl Bernhard wrote Sunday, August 30, 2015 7:56 PM Well, the glossary is a nice hint. But have you considered that the glossary is only available in English? So that a not anglophone could not find an expression she/he does not know! (Just the case for me.) That deficiency has long been

Glossary index [was: how to get notes without tails?]

Simon Albrecht wrote Sunday, August 30, 2015 8:58 PM Am 30.08.2015 um 21:52 schrieb Trevor Daniels: It would be a great help, I think, to add all the non-English terms to the Glossary Index. That would be easy to do, but very laborious and time-consuming. Just needs someone to do

Re: Glossary index [was: how to get notes without tails?]

David Kastrup wrote Sunday, August 30, 2015 10:27 PM Trevor Daniels t.dani...@treda.co.uk writes: Simon Albrecht wrote Sunday, August 30, 2015 8:58 PM Am 30.08.2015 um 21:52 schrieb Trevor Daniels: It would be a great help, I think, to add all the non-English terms to the Glossary Index

Re: Allow LyricText/SpanBar overlapping

Simon, you wrote Monday, August 24, 2015 8:27 PM following 19th century practice, I am using StaffGroup for choir scores. When there are longer syllables at the end of a measure, they avoid to overlap with the span bar, which costs horizontal space. I’d prefer this to be turned off, but

Re: vertical spacing of rests

Michael Gerdau wrote Tuesday, August 25, 2015 3:27 PM \override Rest.voiced-position = 0 Yes, first available in 2.19.15, courtesy of Keith O'Hara. Yet to be documented in the NR, I believe. I have used Peter's example code and tried various parameter to voiced-position (see

Re: vertical spacing of rests

Peter Selinger wrote Tuesday, August 25, 2015 2:28 PM I think using \override Rest.voiced-position = 0 in the voice in which you have rests might do the trick for you. Trevor This shows that I should read my emails in the correct order. Thanks for the tip about voiced-position.

Re: vertical spacing of rests

selin...@mathstat.dal.ca (Peter Selinger) writes: this is a true newbie question. I am trying to engrave two polyphonic voices on a single staff. Since the two voices have all their rests in common, I only want to typeset each rest once, so I use spacer rests in the second voice. Still the

Re: Can't find right hand fingering without string #'s

David Kastrup wrote Sunday, August 16, 2015 12:32 PM BB bb-543...@telecolumbus.net writes: I think I understand what you think to be wrong. Obviously you are refrencing to version 2.10.33 stable branch of ilypond

Re: nested tuplet problem

Jacques Menu wrote Sunday, July 26, 2015 12:21 PM It seems that a dedicated section in the docs detailing the meaning and use of \single, \set, \override, \temporary, \omit, \revert, \tweak and so forth becomes a necessity… A fair number of them are here

Re: Two-Syllable Beam with Sharp and Slur

BGM brgabr...@sspx.org wrote Tuesday, July 21, 2015 5:37 PM I am a programmer, and never in the world would I have used brackets and parenthesis like that! It's better not to think of them as brackets and parentheses, because they are not, they are symbols indicating the start and end points

Re: Tweaking in scheme

David Kastrup wrote Monday, June 29, 2015 12:40 PM As 2.19.22 is now available for download, let me smugly suggest: \version 2.19.22 tweakIII = #(define-music-function (music) (ly:music?) (tweak 'color red (tweak 'style 'harmonic music))) However, like all of the previous

Re: Specifying a different number of systems on pg 1 ?

On 23 Jun 2015, at 02:05, Larry Kent kentla...@gmail.com wrote: My apologies..I'm sure I've seen this in the documentation or on this list somewhere, but today when I actually need this, I can't find a way to do this. I want to have 3 systems per page, except only 2 systems on the

Re: question about multi measure rests from a blind user

David Kastrup wrote Tuesday, June 16, 2015 8:24 AM \compressFullBarRests is probably named a bit confusingly: LilyPond merely refrains from uncompressing the rests then, but it does not actively compress them. It is poorly named, but for a different reason. \compressFullBarRests merely sets

Re: \dim and avoid-slur

David Kastrup wrote Sunday, June 14, 2015 10:05 AM Trevor Daniels t.dani...@treda.co.uk writes: Simon, you wrote Sunday, June 14, 2015 12:20 AM And I just noticed that, with outside-staff-priority being unset for both (or rather, all three), avoid-slur doesn’t have the desired effect

Re: avoid merging stems

musicus wrote Sunday, June 14, 2015 12:16 PM I'd like to avoid stem-merging in measure 13 between the upper g2. and the first lower g4. Additionally I'd like to hide the stem of the first lower g4 in m.13 (should be no problem, if the stems don't merge). I tried a couple of things to

Re: \dim and avoid-slur

Simon, you wrote Sunday, June 14, 2015 12:20 AM I stand corrected. And thanks for spelling out that explanation :-) I Happy to help; sorry for sounding a little irritated. And I just noticed that, with outside-staff-priority being unset for both (or rather, all three), avoid-slur doesn’t

Re: \dim and avoid-slur

Simon Albrecht wrote Saturday, June 13, 2015 2:00 PM Weird, but it works and is definitely preferable over extra-offset. Does anybody have an explanation? I couldn’t find the table with default values for outside-staff-priority. They don’t seem to be referenced in the IR, are they? Try

Re: \dim and avoid-slur

Simon Albrecht wrote Saturday, June 13, 2015 8:53 PM Am 13.06.2015 um 15:17 schrieb Trevor Daniels: Simon Albrecht wrote Saturday, June 13, 2015 2:00 PM Weird, but it works and is definitely preferable over extra-offset. Does anybody have an explanation? I couldn’t find the table

Re: Problem with repeat alternative endings that contain lyricsandleading rests

Trevor Daniels wrote Wednesday, March 25, 2015 9:44 PM Nathan Ho wrote Wednesday, March 25, 2015 9:01 AM On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen writepeterhei...@gmail.com wrote: The LilyPond notation reference, section 2.1.2, (http://www.lilypond.org/doc/v2.18/Documentation

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