Re: How to transpose?

Wol, The bit about trombones in bass and Bb treble; I've only ever heard of Bb treble clef trombone in British brass band music. What is the "American bass part" in Bb? I've never heard of such a thing. I know that Richard Strauß wrote tenor tuba parts in Bb bass clef. -David > From:

Re: How to transpose?

Kenneth, If you look here: [ https://lilypond.org/doc/v2.24/Documentation/notation/displaying-pitches#instrument-transpositions | https://lilypond.org/doc/v2.24/Documentation/notation/displaying-pitches#instrument-transpositions ] You will see that '\transposition' tells the MIDI and cue

end-of-line-invisible exception

Is there a way to omit the key signature at the end of a line in this case? \version "2.24.2" \score { \relative c' { \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible \key b \major b1 \break \key c \major c1 } }

Re: remove key change at end of line

That did the trick! Thank you, Xavier. > From: "Xavier Scheuer" > To: "bobroff" > Cc: "Lillypond Users Mailing List" > Sent: Monday, March 25, 2024 9:37:38 PM > Subject: Re: remove key change at end of line > On Mon, 25 Mar 2024 at 22:19, [ m

remove key change at end of line

I want to remove a key change from the ends of lines/systems. I am *not* referring to just key cancellation, which I do also want. I mean, at the end of a line the new key should not appear before the new line. I haven't worked it out. -David

Re: 2-up duplex page numbering

ff" > Cc: "Lillypond Users Mailing List" > Sent: Sunday, January 28, 2024 4:30:38 PM > Subject: Re: 2-up duplex page numbering > I put this in my paper block: > > \paper { > two-sided = ##t > inner-margin = 12\mm > outer-margin = 8\mm > } >

2-up duplex page numbering

Is there an accepted normal practice for page numbering when music is printed 2-up on both sides of a sheet? Are the pages numbered at all? To be more specific, if I have four A4 (USletter) pages printed 2-up on A3 (11x17) are they normally numbered and, if so, what is the first page number?

Re: cadenza puzzle

relative c' { > c4 d e f > \cad \bar "|" > \break > R1*5 > } > > \score { > \relative { >\context Staff { > \override MultiMeasureRest.expand-limit = #1 >\compressMMRests ><< > \global > \tune >>> >

cadenza puzzle

Hello, I don't understand what's going on here. The output I get is in the attached PNG file. I hope this is minimal enough. It essentially reflects the structure of the file that is giving me trouble. Why is the five measure rest "duplicating" like that? In the actual project I'm working

spacing puzzle

I have a situation where I have too much music for one page and not enough to fill two pages. My desired solution is to split the material roughly 50/50 between two facing pages. Each page would be filled approximately 1/3 but I want that 1/3 centered top to bottom. I can achieve that by

start/stop staff

I have a quartet piece with a recitative type section in one part. The other parts play, essentially, punctuation. The "solo" part is rhythmically complex enough that having it on the accompanying parts would make it far easier to play. I could easily put the entire movement in each part as

Re: pageNumber

November 12, 2023 1:09:05 PM > Subject: Re: pageNumber > Hi David, > > On Sun, Nov 12, 2023 at 7:18 AM bobr...@centrum.is > wrote: > >> I have the following in my \paper block. I want to eliminate the page >> number on page 1. I have 'print-first-page-number = ##f' but th

pageNumber

I have the following in my \paper block. I want to eliminate the page number on page 1. I have 'print-first-page-number = ##f' but the oddHeaderMarkup is overriding it. Is there a way around this? Some sort of conditional? Thanks, David \paper { print-page-number = ##t

fill page

I have a page of music but it is a bit short on the page. I remember a long time ago that there was something involving padding (I think) as well as some opposing function that, when combined, would space out the systems to fill the page to the bottom margin. I've been looking through the

Re: lilypond 'not recognized'

; >> To: "bobroff" >> Cc: "Lillypond Users Mailing List" >> Sent: Friday, September 29, 2023 9:55:44 AM >> Subject: Re: lilypond 'not recognized' > >> Le vendredi 29 septembre 2023 à 09:06 +, bobr...@centrum.is a écrit : >

Re: lilypond 'not recognized'

ubject: Re: lilypond 'not recognized' > Le vendredi 29 septembre 2023 à 09:06 +, bobr...@centrum.is a écrit : >> Thank you Jean for pointing me to those instructions.  They are very clear.  >> I >> followed them to the letter.  I used plain cmd -- even in admin mode -

Re: lilypond 'not recognized'

. - Original Message - > From: "Jean Abou Samra" > To: "bobroff" > Cc: "Lillypond Users Mailing List" > Sent: Thursday, September 28, 2023 10:19:40 PM > Subject: Re: lilypond 'not recognized' > Le jeudi 28 septembre 2023 à 22:12 +,

Re: lilypond 'not recognized'

age - > From: "Phil Holmes" > To: "bobroff" > Cc: "Lillypond Users Mailing List" > Sent: Thursday, September 28, 2023 2:40:49 PM > Subject: Re: lilypond 'not recognized' > On 28/09/2023 15:36, bobr...@centrum.is wrote: >> >>> PATH &g

Re: lilypond 'not recognized'

iling List" > Sent: Thursday, September 28, 2023 7:22:27 AM > Subject: Re: lilypond 'not recognized' > Le jeudi 28 septembre 2023 à 06:26 +, bobr...@centrum.is a écrit : >> Understood.  As noted in my original post, I also still have v2.22.2 >> installed >> which I

Re: lilypond 'not recognized'

Understood. As noted in my original post, I also still have v2.22.2 installed which I installed with the installer. The fact that I installed 2.22.2 with the installer leaves me puzzled as to why I can't invoke it without the full path. I can, indeed, use the full path -- with quotes to cope

lilypond 'not recognized'

Hello all, I've got LilyPond 2.22.2 (and 2.24.2) installed on a Windows 11 box. If I try to call it from the command line I get: 'lilypond' is not recognized as an internal or external command, operable program or batch file. It runs just fine from Frescobaldi. I was trying to use

Frescobaldi default directory

Frescobaldi 3.2 windows 11 When starting Frescobaldi and selecting the "open" button the default directory is: ...\Program Files(x86)\Frescobaldi I want to point it to where I keep my LilyPond files. According to the Frescobaldi configuration section at frescobaldi.org under the section

Re: how to avoid double sharps in \transpose?

t; > Cc: "Lillypond Users Mailing List" > Sent: Saturday, February 4, 2023 11:47:52 AM > Subject: Re: how to avoid double sharps in \transpose? > Great, thanks! Just what I need :-) > > Roosna & Flak > Contemporary Dance & Music > https://roosnaflak.com &

Re: how to avoid double sharps in \transpose?

Do a search for “smart transpose.” I did this recently. I’m not home at the moment but I’ll dig it up and post it when I get back. -David - Kenneth Flak wrote: > Hi list, > > I have this: > > \version "2.24.0" > > \language english > > > patright = { > 2 | > } > > patleft = {

tremolo w/dots

Does LilyPond know how to do this without resorting to using \markup? The dots over the stemDown note also looks too far right. I could adjust it on a case-by-case basis but that seems rather tedious if LilyPond can do the dots itself without using \markup. -David \version "2.22.2"

Re: \time 9/8 (3/4)

Carl, The 9/8(3/4) time can be used in a situation where the music is in three beats per measure but it changes between a triple and duple feel. There is exactly such a thing in the Blazhevich "70 Studies for Tuba." -David - Original Message - > From: "Carl Sorensen" > To: "Eef

Re: Time signature guide

- Original Message - > From: "Rip _Mus" > To: "Lillypond Users Mailing List" > Sent: Monday, March 21, 2022 8:51:16 AM > Subject: Time signature guide > Good morning, > I would need advice. > In a score with many time signature changes (where I therefore cannot use a > stable global

Re: Lilypond's English Horn MIDI instrument is non-transposing?

- Original Message - > From: "Wols Lists" > To: "Lillypond Users Mailing List" > Sent: Saturday, January 15, 2022 10:38:05 AM > Subject: Re: Lilypond's English Horn MIDI instrument is non-transposing? > On 13/01/2022 21:40, James B. Wilkinson wrote: >> If I make it with the English

Re: Terminology question

Commercial programs like Finale and Sibelius refer to “extracting” parts. That doesn’t really apply to LilyPond. With LilyPond, scores are built from the input. A score may contain a single part or a complete orchestral score. Parts are not extracted from anything in LilyPond. I would

Re: struggling to get horizontal space on the page exactly proportional to time

- Original Message - > From: "Sam Roberts" > To: "Lillypond Users Mailing List" > Sent: Monday, July 5, 2021 12:41:14 AM > Subject: struggling to get horizontal space on the page exactly proportional > to time > Hello lilyponders. I'm new to music, and very new to lilypond, but I >

Re: Score and parts

For different output in score vs part you can use tags. http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html -David - Jenifer Tribe wrote: > It is often useful to create a score and individual parts. > > Sometimes you need to mark up a point in each

Re: How to stretch one single line?

You can also do: \layout { indent = # line-width = # ragged-last = ##f } To adjust the left and right endpoints of your snippet. -David - Original Message - > From: "Thomas Breuss" > To: "Phil Holmes" > Cc: "Lillypond Users Mailing List" > Sent: Friday, April 2,

Re: broken TextSpanner

Hi Kieren, Thank you! Now I get it. -David - Original Message - > From: "Kieren MacMillan" > To: "bobroff" > Cc: "Lillypond Users Mailing List" > Sent: Saturday, March 20, 2021 11:43:14 PM > Subject: Re: broken TextSpanner > Hi David, > >> Thanks for chiming in. I don’t really

Re: broken TextSpanner

the left-broken and right-broken parameters. > > Hope that helps! > Kieren. > > > On Mar 20, 2021, at 1:03 PM, bobr...@centrum.is wrote: > > > > Somewhere in the docs I ran across this structure (v2.20 or v2.22). I have > > not been able to find it

broken TextSpanner

Somewhere in the docs I ran across this structure (v2.20 or v2.22). I have not been able to find it again: \override TextSpanner.bound-details.left.text = \markup{\dynamic "mf" "dim."} \override TextSpanner.bound-details.right.text = \markup{ \dynamic "pp" } \override

Re: set page number

bookparts containing Arabic numbers, I include this in > the \paper block: > > oddHeaderMarkup = \markup { > \fill-line { > " " > \on-the-fly #create-page-number-stencil \offset-page-number #(1- > begin-arabic) > } >

set page number

I have a series of scores in a small book. I want to have the first couple of pages numbered in Roman numerals and then switch to Arabic. I have accomplished that. The problem I face now is that I want the first Arabic numbered page to be page 1. There is '\set currentBarNumber' but there

Re: \tuplet 2/3

- Original Message - > From: "Timothy Lanfear" > To: "Lillypond Users Mailing List" > Sent: Tuesday, December 15, 2020 10:44:33 PM > Subject: Re: \tuplet 2/3 > On 15/12/2020 22:26, Aaron Hill wrote: >> On 2020-12-15 2:09 pm, bobr...@centru

\tuplet 2/3

I need to print half-note duplets in 3/4 time. '\tuplet 2/3' does not work. The code below *does* work. My question is; is this the "right" way to do this? Thanks, David \version "2.20.0" \score { \relative c' { \time 3/4 \once\override TupletNumber.text = \markup{ "2" }

Re: Numero sign

e . "Linux Libertine G") "№" > \override #'(font-name . "Source Serif Pro") "№" > \override #'(font-name . "Source Serif Pro Semibold") "№" > \override #'(font-name . "Source Serif Pro Semibold") "№" > \override

Numero sign

Perhaps a bit off-topic but here goes: I want to use the 'numero' sign. I can do it in two or three different ways but I have not found a way to get the version/typeface I'm after. The one I want is the old fashioned style with the curved bulbous serifs on the legs of the N at the lower left

Re: Cut Common Time signature

\time 2/2 That will, by default, produce the C with vertical slash. David - Ritchie Fraser wrote: > Hello all, > > I am trying the engrave a Cut Common time signature (Capital C with a > vertical line through it) and the beginning of the stave and can't find > out how to achieve

Re: Free time

- Original Message - > From: "Gonsolo" > To: "Jacques Menu" > Cc: "Claire Meyer" , "Lillypond > Users Mailing List" > Sent: Friday, October 2, 2020 8:57:00 PM > Subject: Re: Free time >> You can multiple, simultaneous slurs as of the recent versions of LP. > > How? The following

Re: set-current-page-number

Replying to my own query here with the solution. I was sent, off-list, a couple of solutions: \paper { ... oddHeaderMarkup = \markup \fill-line { "" "11" } } \paper { print-first-page-number = ##t first-page-number = 2 % or whatever number you need } The second one is working fine.

set-current-page-number

Hi all, Is there a way to set the current page number? It's possible to set the current bar number but I have not found a reference to an analogous setting for page numbers. Thanks, David

Re: notes in text

Noeck, Yes, I was able to alter one of those to fit my needs exactly. Thank you! -David - Original Message - > From: "Noeck" > To: "Lillypond Users Mailing List" > Sent: Thursday, April 23, 2020 5:57:27 PM > Subject: Re: notes in text > It sounds like you could pick or adapt one of

notes in text

I'm looking for a way to include some free standing notes in a line of text. Specifically, I want a pair of beamed 16th, a '=' sign, and then three beamed 16th notes, indicating that two 16ths equal three 16ths. I'd also like to use it in a \tempo marking. I searched nabble but did not find

raise markup

I've created a markup, simplified to 'X' in my example, and I would like to move it up partway into the staff. I can move it down with a negative number but it won't move higher than '0' in \translate. There must be a way to do this. -David % \version "2.18.2" \score { \relative {

scoops

I've been looking for a solution for scoops. A scoop is visually similar to a doit. A doit occurs after the note and goes up. A scoop starts before and belowe the note and ends on the note. How can I achieve this? Thanks, David ___ lilypond-user

Re: Transpose

Hi John, I suspect you'll have to write out your pattern in C major and then A minor first, and then transpose the pair all the way through the other keys. Be aware that you should be able to use '\key c \major' for the C maj. and A min. pattern. Hope this helps, David - Original

two strange issues

Admittedly, it's been a while since I've had any kind of LilyPond project and I'm likely rusty but this is really puzzling me. Input file: \version "2.18.2" definition = \relative c, { \key c \time 4/4 c1 } \score { \relative c, { \clef F \transpose c es

Re: Parenthesized second key signature

Alternative key signatures like this are also used to save space in a book of musical exercises. Rather than print out the exact same think in a key a half-step away, both keys are indicated. - Original Message - > From: "Andrew Bernard" > To: "Lillypond Users Mailing List" > Sent:

Re: Combining full bar rests with omitted grobs in between

I’m responding from my phone so I can’t create an example, but you use tags. See the docs: http://lilypond.org/doc/v2.19/Documentation/notation/different-editions-from-one-source - Davide Liessi wrote: > Dear all, > is there a way to combine the two full bar

ossia

I want to set an ossia passage like the one in the attachment. I have achieved partial success with the code below. The actual musical content in the code is from the docs which I've attempted to modify to get my intended result. I have managed to get the measure number on the main staff but

Re: Page numbers with "Page"

t; To: "lilypond-user" <lilypond-user@gnu.org> > Cc: "bobroff" <bobr...@centrum.is> > Sent: Tuesday, April 3, 2018 8:41:48 PM > Subject: Re: Page numbers with "Page" > At 19:20 03/04/2018 +, David Bobroff wrote: >>I want to put page n

Re: Page numbers with "Page"

That solution works, too. Thank you! - Original Message - > From: "Auke" <a...@jongbloed.net> > To: "lilypond-user" <lilypond-user@gnu.org>, "bobroff" <bobr...@centrum.is> > Sent: Tuesday, April 3, 2018 9:13:30 PM > Subj

Page numbers with "Page"

I want to put page numbers centered at the bottom of each page with the word "Page" before the number. I found this code in the docs which gets me halfway there but I don't know what to do to add "Page" before each number. The closest I've managed to come to a solution results in "Page" being

Re: Emacs for Windows lilypond mode

- Original Message - > From: "Garrett Fitzgerald" > To: "Lillypond Users Mailing List" > Sent: Tuesday, October 24, 2017 7:31:27 PM > Subject: Emacs for Windows lilypond mode > I'm sorry, but I'm having the darnedest time following the

Re: Ugly slur with large leap - help?

See: http://lilypond.org/doc/v2.18/Documentation/notation-big-page#modifying-ties-and-slurs - Original Message - > From: "Shevek" > To: "Lillypond Users Mailing List" > Sent: Friday, December 23, 2016 10:18:12 AM > Subject: Re: Ugly

Re: Ugly slur with large leap - help?

How's this? \version "2.18" \language "english" \relative c''' { \grace { f8^( } c,8 b c2.) % added '^' to flip the slur } - Original Message - > From: "Shevek" > To: "Lillypond Users Mailing List" > Sent: Friday, December 23, 2016

Re: score as footnote/footer

\layout {} tune = \relative c' {\repeat unfold 25 { c4 d e f }} \score { \tune } \header { tagline = "" copyright = \markup \score { \models \layout { } } } - Original Message - > From: "Urs Liska" <u...@openlilylib.org> >

score as footnote/footer

It is sometimes the case in an etude book that a model of the etude showing a different general rhythm or articulation pattern will be given at the bottom of a page. Typically, the model will be only one or a very few measures in a smaller size, centered at the bottom of the page. Is this

Re: Bar numbers seem to be one off

- Original Message - > From: "T. Michael Sommers" > To: "Lilypond-User Mailing List" > Sent: Saturday, September 26, 2015 6:37:17 AM > Subject: Re: Bar numbers seem to be one off > > On 9/26/2015 1:53 AM, David Kastrup wrote: > > "T.

Re: OT: Beauty of programming languages

I'm 57. Full-time orchestra musician (bass trombone). I've been using LilyPond for at least 12 years, maybe longer. First heard of it when there was an announcement on the MusiXTeX list that version 0.0.1(?) was released having grown from being a pre-processor to MusiXTeX. It still

Re: OT: Barenreiter Plate Engraving Pictures

- tisimst wrote: > On 9/10/2015 1:01 PM, Johan Vromans [via Lilypond] wrote: > > On Thu, 10 Sep 2015 11:02:36 -0700 (MST) > > tisimst <[hidden email] > > > wrote: > > > > > > > http://leighverlag.blogspot.com/2015/09/gorgeous-plate-engraving-pics.html > > > >

Re: what's wrong with \partial

Try this: Change \partial 2 to \partial 4 "\partial 2" means that the first measure contains a half-note's worth of time. It does *not* mean the first part of the measure you want to leave out. You obviously want only one quarter note in the partial measure so you need '\partial 4'. -David

Re: automatic bar number following multimeasure rest

Klaus, I haven't tested that. I'm sure it probably works. Unfortunately, this is what I was trying not to do. My reason for wanting an automatic solution is for making rehearsals easier for parts with lots of rests. Start at measure x, can be a bother with many blocks of multi-measure

automatic bar number following multimeasure rest

Is there a way to automatically have a measure number printed after a multi-measure rest? I mean, aside from/in addition to the default behavior of placing them at the beginning of a system. I did try searching for a solution but did not find anything. -David

Re: automatic bar number following multimeasure rest

Yes! Nice! Thank you! -David - Original Message - From: Thomas Morley thomasmorle...@gmail.com To: bobr...@centrum.is Cc: Lillypond Users Mailing List lilypond-user@gnu.org Sent: Sunday, August 16, 2015 1:47:30 PM Subject: Re: automatic bar number following multimeasure rest

Re: Half flat or sharp

See: http://www.lilypond.org/doc/v2.18/Documentation/source/Documentation/notation/writing-pitches#index-microtones - Original Message - From: Marco Oros marco.oro...@gmail.com To: lilypond-user@gnu.org Sent: Sunday, June 14, 2015 2:05:59 PM Subject: Half flat or sharp Hello! I

Re: Is SMuFL's cClefCombining LilyPond's varC clef?

I suspect the combining refers to the adding of the elements of the older/French style C clef to the G clef to represent tenor clef. -David - Simon Albrecht simon.albre...@mail.de wrote: Am 01.06.2015 um 10:11 schrieb Urs Liska: Sorry for cross-posting, but I think it's possible to get

Re: beaming problem

...@gmail.com To: bobr...@centrum.is Cc: lilypond-user lilypond-user@gnu.org Sent: Friday, May 29, 2015 10:43:26 AM Subject: Re: beaming problem On 5/29/15, bobr...@centrum.is bobr...@centrum.is wrote: Haipeng, There was no attachment. -David - Original Message - From: Haipeng Hu

Re: beaming problem

Haipeng, There was no attachment. -David - Original Message - From: Haipeng Hu hhpcompo...@gmail.com To: lilypond-user lilypond-user@gnu.org Sent: Friday, May 29, 2015 9:42:31 AM Subject: beaming problem Hello, I'm now composing an orchestral work, in which there are plenty of

Re: What is the problem with \relative? (Was: Do we really offer the future?)

Ali, Frescobaldi does, in fact, offer the capability of changing LilyPond input code between absolute and relative in EITHER direction. -David - Original Message - From: Ali Cuota alicuota...@gmail.com To: Simon Albrecht simon.albre...@mail.de Cc: lilypond-user@gnu.org Sent:

Re: What is the problem with \relative? (Was: Do we really offer the future?)

- Original Message - From: Calixte Faure calixte.fa...@gmail.com To: Noeck noeck.marb...@gmx.de Cc: LilyPond Users lilypond-user@gnu.org Sent: Thursday, April 23, 2015 7:35:18 PM Subject: Re: What is the problem with \relative? (Was: Do we really offer the future?) I learned

Re: title_page

...@rshann.plus.com, bobr...@centrum.is Cc: Lillypond Users Mailing List lilypond-user@gnu.org Sent: Sunday, April 19, 2015 8:35:02 AM Subject: Re: title_page Am 19. April 2015 10:09:53 MESZ, schrieb Richard Shann rich...@rshann.plus.com: On Sat, 2015-04-18 at 23:33 +, bobr...@centrum.is

title_page

I'm trying to make a title/cover page within LilyPond. I'm aware of the possibility of workarounds: lilypond-book/LaTeX; Strikes me as a bit ham-fisted, not sure if I would run into trouble as I've seen the warning about \pageBreak not playing well with lilypond-book Create separate

Re: cadenza_and_accidentals-take2

- Original Message - From: Jim Long lilyp...@umpquanet.com To: bobr...@centrum.is Cc: Noeck noeck.marb...@gmx.de, lilypond-user@gnu.org Sent: Sunday, March 29, 2015 2:51:41 AM Subject: Re: cadenza_and_accidentals-take2 On Sat, Mar 28, 2015 at 07:45:51PM +, bobr...@centrum.is

Re: cadenza_and_accidentals-take2

- Original Message - From: Noeck noeck.marb...@gmx.de To: lilypond-user@gnu.org Sent: Saturday, March 28, 2015 3:55:07 PM Subject: Re: cadenza_and_accidentals-take2 A naive question: Could the \cadenzaOff command be changed in a way that it automatically implies the end of a

Re: cadenza_and_accidentals-take2

- Original Message - From: Noeck noeck.marb...@gmx.de To: bobr...@centrum.is Cc: lilypond-user@gnu.org Sent: Saturday, March 28, 2015 7:53:58 PM Subject: Re: cadenza_and_accidentals-take2 Hi David, I recall thinking at some point that perhaps LilyPond would count up

Re: cadenza_and_accidentals-take2

- Original Message - From: Mark Knoop m...@opus11.net To: Lilypond User List lilypond-user@gnu.org Sent: Saturday, March 28, 2015 12:14:36 PM Subject: Re: cadenza_and_accidentals-take2 At 10:49 on 28 Mar 2015, bobr...@centrum.is wrote: - Original Message - From: Andrew

cadenza_and_accidentals-take2

I provided a bad example in my previous attempt in an effort to be minimal. Here goes with one that actually illustrates the issue: I ran into some seemingly odd output when using \cadenzaOn and \cadenzaOff. According to this:

Re: cadenza_and_accidentals-take2

- Original Message - From: Andrew Bernard andrew.bern...@gmail.com To: bobr...@centrum.is, Lillypond Users Mailing List lilypond-user@gnu.org Sent: Saturday, March 28, 2015 10:23:40 AM Subject: Re: cadenza_and_accidentals-take2 Well, you have a C natural in the group of 32s

cadenza_and_accidentals

I ran into some seemingly odd output when using \cadenzaOn and \cadenzaOff. According to this: http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#unmetered-music ...it is clear that using \bar | will not reset accidental display rules. What it doesn't say is that even

suppress one bar number

I have a situation where a cadenza begins on one system, continues on the following system, and ends at the end of that system. I have to use \bar for the break and that prints a bar number at the beginning of the line. Furthermore, at the next \break after \cadenzaOff it prints the same bar

Re: suppress one bar number

HTH Jan-Peter Am 18.03.2015 um 08:14 schrieb bobr...@centrum.is: I have a situation where a cadenza begins on one system, continues on the following system, and ends at the end of that system. I have to use \bar for the break and that prints a bar number at the beginning of the line

Re: cue_problem

- Original Message - From: Thomas Morley thomasmorle...@gmail.com To: bobr...@centrum.is Cc: Lillypond Users Mailing List lilypond-user@gnu.org Sent: Saturday, February 21, 2015 10:05:07 PM Subject: Re: cue_problem 2015-02-21 22:53 GMT+01:00 bobr...@centrum.is bobr...@centrum.is

cue_problem

I've made my first attempts with \cueDuring. I have it working but I've hit a small snag. The part being quoted has slurs which I want to appear in the cue. I found how to add various *-events to cues in order to add slurs. The problem is that the slur in question ends *after* the quoted

Re: cue_problem

- Original Message - From: bobr...@centrum.is To: Thomas Morley thomasmorle...@gmail.com Cc: Lillypond Users Mailing List lilypond-user@gnu.org Sent: Saturday, February 21, 2015 10:38:09 PM Subject: Re: cue_problem - Original Message - From: Thomas Morley

Re: #(set-global-staff-size 40)

If you do something like: \header { tagline = \markup { \fontsize #-2 YourTagLine } } ...it should probably work. -David - Original Message - From: Stephen MacNeil classicalja...@gmail.com To: lilypond-user@gnu.org Sent: Saturday, January 31, 2015 5:22:19 PM Subject:

Re: horizontal control

want to do is to shorten the stems on some beamed notes. I can shorten them on separately flagged ones, but I have not found how to shorten beamed stems. Hints? -David - Original Message - From: Kevin Barry barr...@gmail.com To: bobr...@centrum.is Cc: Lillypond Users Mailing List

horizontal control

I want to compress a specific measure horizontally. It contains a full measure rest and nothing else. I have tried various searches but have not found how to do this. Can someone point me to the place in the docs where this is explained? Thanks, David

Re: horizontal control

...@centrum.is Cc: Lillypond Users Mailing List lilypond-user@gnu.org Sent: Wednesday, January 21, 2015 9:46:03 PM Subject: Re: horizontal control 2015-01-21 17:54 GMT+01:00 bobr...@centrum.is bobr...@centrum.is: I want to compress a specific measure horizontally. It contains a full measure rest and nothing

Re: Information about Parts

Very briefly; I think of it as building scores rather than extracting parts. I keep my music definitions for all the parts in one file and then make scores, which may only consist of a single part. I use an '\include' to call make the definitions available. maybe this will help:

ppc64

A friend retired his Mac G5 and gave it to me. I have installed Debian on it and wanted to get LilyPond installed as well. In the download section of lilypond.org there was a 64-bit Linux binary and a PPC binary. It seems that the PPC binary is 32-bit as I get this when running the install

hairpin Y-offset

I want to place a hairpin inside the staff. I have found that I can move hairpins vertically with: \override Hairpin.Y-offset = #'n ...but this will only allow me to move them farther from the staff and will not allow them to move into the staff. I have not managed to find an example of

Re: hairpin Y-offset

Thanks all! I've got what I need! -David - Original Message - From: Pierre Perol-Schneider pierre.schneider.pa...@gmail.com To: Mike Solomon m...@mikesolomon.org Cc: bobr...@centrum.is, Lillypond Users Mailing List lilypond-user@gnu.org Sent: Saturday, November 29, 2014 7:52:15 PM

modalTranspose with chromatic

I'm having a problem with chromatic scales and \modalTranspose. According to: http://lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches#modal-transformations it should be possible to do what I want. Ascending passages work as expected. Descending ones do not. I get an

Re: modalTranspose with chromatic

, Malte On 31.08.2014 12:29, bobr...@centrum.is wrote: \version 2.18.0 chromaticScaleUp = \relative c { c cis d dis e f fis g gis a ais b } chromaticScaleDown = \relative c { c b bes a as g ges f e es d des } motiveUp = \relative c { c8 cis d dis e f fis g gis a ais b c4. r

multiple time sigs

I'm setting a piece in which the staves do not always have the same time signature. In the manual I found the \layout block below which almost solves my problem. In my example here, when the outer staves have synchronous bar lines they cut through the middle staff. This occurs when outer

  1   2   >