BB writes:
> \markup
> \override #'(fret-diagram-details . (
> (number-type . arabic)
> (finger-code . in-dot))) {
> \fret-diagram #"s:3;f:1;6-3-2;5-2-1;5-5-4;4-4-3;"
> % percent sign is for comments
> % s:3 tells lilypond to make diagram 3x normal size
> % f:1 is to
Simon Albrecht writes:
> The subject certainly seems cryptic – it’s difficult to summarize, but
> an example will make it clear immediately.
> I want to write a scheme procedure, which takes a pair like #'(3 . 7)
> and returns a list with all the numbers in the range: #'(3
Thomas Morley <thomasmorle...@gmail.com> writes:
> 2015-11-08 12:23 GMT+01:00 pls <p...@philomelos.net>:
>> Hi Harm,
>>
>> I finally managed to test your code and I really, really like it! I
>> especially like the option to
>> turn the annotations o
Thomas Morley writes:
> Hi Patrick,
>
> I did some experiments, result attached.
>
> Please test. There is a README in it.
>
> Please be aware it's experimental code, not ready yet to put up a
> patch, although it compiles as far as I tested...
> (some debugging code is
Thomas Morley <thomasmorle...@gmail.com> writes:
> 2015-11-01 19:55 GMT+01:00 pls <p...@philomelos.net>:
>> Hey all,
>>
>> currently it's possible to add fingering indications (any character) inside
>> of dots or "below" the strings. (In my a
Thomas Morley <thomasmorle...@gmail.com> writes:
> 2015-10-29 23:53 GMT+01:00 pls <p...@philomelos.net>:
>
>>
>> My use case: I have created a huge library of predefined fret
>> diagrams (https://github.com/Philomelos/lilypond-predefined-fretboards)
>> a
Hey all,
I would like to override some fingering information of predefined fret
diagrams. The relevant information should be in the
/dot-placement-list/ of the fret-diagram-interface (see
http://lilypond.org/doc/v2.19/Documentation/internals-big-page#fret_002ddiagram_002dinterface).
But I
Thomas Morley <thomasmorle...@gmail.com> writes:
> 2015-10-29 19:24 GMT+01:00 pls <p...@philomelos.net>:
>> Hey all,
>>
>> I would like to override some fingering information of predefined fret
>> diagrams. The relevant information should be in the
>
David Kastrup writes:
> Thomas Morley writes:
>
>> Ok. I found a problem: you can't bend an open string ...
>
> When you "bend" with a bottleneck, it might be feasible. So not sure
> whether this would not warrant at least an option.
>
> And I'm not sure
David Kastrup <d...@gnu.org> writes:
> pls <p...@philomelos.net> writes:
>
>> David Kastrup <d...@gnu.org> writes:
>>
>>> Thomas Morley <thomasmorle...@gmail.com> writes:
>>>
>>>> Ok. I found a problem: you can't ben
Thomas Morley writes:
> 2015-10-24 23:20 GMT+02:00 Thomas Morley :
>>
>> Well, it's not related to my changes, as far as I can tell. See:
>>
>> \markup {
>> \fret-diagram-verbose #'(
>> (place-fret 4 0)
>> )
>> }
>>
>> I
Hi Harm,
I just tested your changes (from 2014) to fret-diagram.scm and I really like
the new
options.
There is only one little issue: when one defines text inside dots
for open strings an unwanted capo bar appears. Tiny example:
\version "2.19.30"
\markup
\override #'(size . 5)
\override
Hi all,
lilypond-mode (Git-repository) and electric-indent-mode don't seem to get along
too well
in Emacs. (I'm currently using GNU Emacs 25.0.50.2 (x86_64-pc-linux-gnu,
GTK+ Version 3.10.8) but I have experienced the same issues with all
other Emacs-versions I have tried before.)
When I press
Marc Hohl writes:
> Am 18.09.2015 um 08:40 schrieb bart deruyter:
>> Hi all,
> [...]
>> For inversions one might choose a number based on the n'th note of a
>> chord, for example 2 as the second note from the root note, which in the
>> case of c:m would result in a ees as the
Thomas Morley writes:
> 2015-09-17 10:47 GMT+02:00 Simon Albrecht :
>> Hello Kaj,
>>
>> On 17.09.2015 09:27, 70147pers...@telia.com wrote:
>>>
>>> First I will declare, that I am not 100 percent sure this is a bug, but
>>> friends of mine,
On 26.05.2015, at 23:58, Carl Sorensen c_soren...@byu.edu wrote:
Let's try again. I have checked this version; it has the warning code.
Yes, it does. Looks very good to me!
Thanks a lot,
patrick
___
lilypond-user mailing list
On 26.05.2015, at 04:34, Carl Sorensen c_soren...@byu.edu wrote:
On 5/25/15 5:25 AM, pls p.l.schm...@gmx.de wrote:
Works great! Thanks a million!
Thanks for your feedback.
Should/Could LilyPond issue a warning message in the case of open strings
whenever wrong fingers (not 0
On 25.05.2015, at 01:16, Carl Sorensen c_soren...@byu.edu wrote:
On 5/23/15 11:59 PM, pls p.l.schm...@gmx.de wrote:
\transpose f g { f,-1 c-3 f-4 a-2 c'-1 f'-11 }
Here's a revised version of translation-functions.scm. It will generate
barres only if fingers are indicated, and multiple
On 23.05.2015, at 22:06, Carl Sorensen c_soren...@byu.edu wrote:
On 5/23/15 6:34 AM, pls p.l.schm...@gmx.de wrote:
Here is another test case for your patch:
\version 2.19.20
\new FretBoards {
d-1 a c'-1 fis' a'-11
g,-1 d f-1 b d'-1 g'-11
\transpose g a { g,-1 d f-1 b d
On 23.05.2015, at 06:22, Carl Sorensen c_soren...@byu.edu wrote:
+ some frequently used chords are missing, such as m7.5- and suspended
chords. (I know of course from my own experience that predefined fret
diagram tables unfortunately are never complete.)
m7.5- is not commonly used in
On 23.05.2015, at 06:22, Carl Sorensen c_soren...@byu.edu wrote:
+ some chords lead to unwanted barre indicators, e.g.:
+ d-1 a d¹ f¹ or
+ e, b,-3 e-3 gis-3 b e¹ (wrong fingers!)
I will look into those. Thanks.
Here is another test case for your patch:
\version 2.19.20
\new
On 22.05.2015, at 01:43, Carl Sorensen c_soren...@byu.edu wrote:
I am now speaking solely in LilyPond internals terms. When \transpose is
applied to a chord, it changes the pitches of the chord, but does not
change the fingerings. And there is no reasonable system I can imagine
that would
On 21.05.2015, at 02:44, Thomas Morley thomasmorle...@gmail.com wrote:
2015-05-20 13:16 GMT+02:00 pls p.l.schm...@gmx.de:
Begin forwarded message:
From: pls p.l.schm...@gmx.de
Subject: Re: how to add barre indications to automatic fret diagrams?
Date: 20. Mai 2015 13:12:30 MESZ
On 21.05.2015, at 15:10, Carl Sorensen c_soren...@byu.edu wrote:
On 5/21/15 1:30 AM, pls p.l.schm...@gmx.de wrote:
Nice! Thanks a lot.
Yes, transposing chords with open strings probably poses a problem.
Fingering information would have to be included automatically in order to
decide
On 21.05.2015, at 21:06, Carl Sorensen c_soren...@byu.edu wrote:
On 5/21/15 8:39 AM, pls p.l.schm...@gmx.de wrote:
I thought about this issue quite a bit when I was creating predefined
fret
diagrams. There, we introduced the idea of a chord shape. There is a
function that shifts
On 19.05.2015, at 20:45, pls p.l.schm...@gmx.de wrote:
Hi all,
LilyPond’s automatic fret diagrams really are a very helpful feature! More
often than not it helps to not having to predefine and store a diagram in a
lookup table. But it has one little drawback: it doesn’t automatically
include
Hi all,
LilyPond’s automatic fret diagrams really are a very helpful feature! More
often than not it helps to not having to predefine and store a diagram in a
lookup table. But it has one little drawback: it doesn’t automatically include
a barre indication when several strings are to be
On 19.05.2015, at 21:47, Stephen MacNeil classicalja...@gmail.com wrote:
you can check here see if that's what you want.
http://lsr.di.unimi.it/LSR/Search?q=fret-diagram
Thanks, but unfortunately these snippets are all about customizing predefined
fret diagrams and not about adding barre
Thanks!
On 05.05.2015, at 14:21, Stephen MacNeil classicalja...@gmail.com wrote:
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
http://mglessons.com/lilypond/fret-diagram.ly
http://mglessons.com/lilypond/fret-diagram.pdf
HTH
Stephen
%% cut
Hi Ole,
in measure 3 your friend swapped voices. It should read {bes1} \\ { ges1}
instead of {ges1} \\ { bes1} .
hth
patrick
On 05.05.2015, at 17:08, Ole Schmidt oleschm...@gmx.net wrote:
Hi,
A friend showed me his first leadsheed to proofread and we both stumbled over
the strange
This looks like a regression to me. See
https://codereview.appspot.com/4176056/ (allow non numeric fingers (e.g. for
thumb))
http://lilypond.org/doc/v2.19/input/regression/dd/lily-caf6e8f6.ly (the “P” is
not printed)
hth
patrick
On 03.05.2015, at 17:35, Stephen MacNeil
the quotes silly mistakes drive me crazy !
Thanks
Stephen
On Mon, May 4, 2015 at 2:43 AM, pls p.l.schm...@gmx.de wrote:
This looks like a regression to me. See
https://codereview.appspot.com/4176056/ (allow non numeric fingers (e.g. for
thumb))
http://lilypond.org/doc/v2.19/input/regression
Hi Jan-Peter,
I’m very familiar with musicxml2ly. I can offer to have a look at your files
(tomorrow or sunday).
Cheers,
Patrick
On 06.02.2015, at 11:57, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hi list,
in the project, Iam currently working on, I am importing music-xml-files
created by
Or:
\version 2.19.11
{
\once\override TextSpanner.style = #'trill
\time 3/4
b'
\startTextSpan
b' b'
\stopTextSpan
}
hth
patrick
On 25.01.2015, at 12:03, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Try :
\version 2.18.2
{
b'-\tweak
Hi Harald,
this is one possibility:
{
\tempo \markup {
\concat {
Moderato
\smaller \general-align #Y #DOWN \note #4 #1
=
\smaller \general-align #Y #DOWN #112
}
}
c'1 c'1 c'1
}
hth
patrick
On 16.01.2015, at 00:01, Harald Christiansen
James and Phil,
I know, it’s a bit late to join the party — but better late than never! ;)
I experimented a bit with org-babel-lilypond (version 7.9.3f) in basic mode and
it looks like -dpreview is not absolutely necessary to automatically trim
images in org-mode. I didn’t have to manipulate
Sounds like you might as well be interested in
* http://www.projectabjad.org/ and
* http://web.mit.edu/music21/.
hth
patrick
On 09.01.2015, at 01:35, Matthew James Briggs matthew.james.bri...@gmail.com
wrote:
Thank you everyone for the info. Lilypond sounds totally awesome.
Just a little
On 29.10.2014, at 09:56, Urs Liska u...@openlilylib.org wrote:
Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni fedel...@gmail.com:
Il giorno mer 29 ott 2014 alle 0:50, tisimst
tisimst.lilyp...@gmail.com ha scritto:
Sorry for the confusion, but I'm pretty sure I said, look on
It’s the “grace note bug”. Workaround: insert \acciacatura s8 after \time 6/8
in your right-variable.
hth
patrick
On 02.10.2014, at 14:50, MING TSANG tsan...@rogers.com wrote:
Dear lilyponders,
I didn't realize until I have coded a hymn with 92 measures that two time
signature at bar #78.
On 25.09.2014, at 14:48, bb bb-543...@versanet.de wrote:
The description of chord naming is a bit short for my experience.
I am looking for the code for a
Dominant Seventh Sharp Fifth Chord
Say i. e. G^7#5
How can I do that?
\chords { g:7.5+ }
hth
patrick
Is there any extended
On 16.09.2014, at 20:42, pls p.l.schm...@gmx.de wrote:
Jay,
there is actually a way to achieve what you want. I am not sure if it’s
documented: pretend that your single notes are chords, put them in angled
brackets and use the command for string numbers after the closing brackets,
like so
On 28.07.2014, at 12:52, Simon Albrecht simon.albre...@mail.de wrote:
Am 27.07.2014 23:17, schrieb pls:
On 27.07.2014, at 22:18, Phil Holmes m...@philholmes.net wrote:
I don't know. My guess: there is no reasonable slur that will miss the
hairpin if the hairpin is inside the slur, so
Hey all,
today I experimented with hairpins inside slurs and encountered a strange
phenomenon:
\version 2.19.11
exOne = {
\override Slur.height-limit = 20
\override DynamicLineSpanner #'outside-staff-priority = ##f
c'32 ( g'32 ^\ c''32 g''32\! a''32 ^\ g''32 e''32\! g'32 )
}
On 27.07.2014, at 22:11, Mike Solomon m...@mikesolomon.org wrote:
On Jul 27, 2014, at 10:18 PM, pls p.l.schm...@gmx.de wrote:
Hey all,
today I experimented with hairpins inside slurs and encountered a strange
phenomenon:
\version 2.19.11
exOne = {
\override Slur.height
to
re-engrave. There is probably no automated solution for this case so I might
use the \shape function.
patrick
- Original Message -
From: pls
To: Abel Cheung
Cc: lilypond-user
Sent: Sunday, July 27, 2014 8:18 PM
Subject: Re: Hairpin inside slur?
Hey all,
today I experimented
Hi David,
you can find it in the Notation Reference under 3.4.2 Skipping corrected music.
lilypond.org seems to be down. Therefore I copied the text from the
documentation:
3.4.2 Skipping corrected music
When entering or copying music, usually only the music near the end (where you
are
example:
\set Score skipTypesetting = ##t
c d e
\set Score skipTypesetting = ##f
f g a
hth
patrick
On 26.05.2014, at 22:48, pls p.l.schm...@gmx.de wrote:
Hi David,
you can find it in the Notation Reference under 3.4.2 Skipping corrected
music. lilypond.org seems to be down. Therefore I
On 21.05.2014, at 18:44, Dennis Clason dennis.cla...@gmail.com wrote:
I have a publisher interested in some of my work, but they want it in their
house style. They know about LilyPond, but it's a fringe market they are
watching (their words). Their preference would be for me to submit in
in the upcoming version 2.0.
On May 21, 2014, at 2:18 PM, pls p.l.schm...@gmx.de wrote:
On 21.05.2014, at 18:44, Dennis Clason dennis.cla...@gmail.com wrote:
I have a publisher interested in some of my work, but they want it in their
house style. They know about LilyPond, but it's
-for-Frescobaldi-td161735.html.
hth
pls
On 10.05.2014, at 15:01, rif r...@mit.edu wrote:
FWIW, I spent multiple hours in install hell trying to get a homebrew install
of frescobaldi to work, with zero success. AFAICT homebrew doesn't really
have forums or mailing lists? I might stick with emacs
Hey Davide,
no problems on OS 10.9.2!
Thanks a lot!
patrick
On 22.04.2014, at 12:42, Davide Liessi davide.lie...@gmail.com wrote:
Dear FrescobaldiLilyPondMac users,
as some of you may know, I'm trying to make Frescobaldi more
Mac-friendly, by packaging it as a native application bundle
Hi Westley,
you are probably looking for something like this:
\new Staff \relative c' {
c2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
}
\new Dynamics {
s1\ |
s1\f |
s2\dim s2-rit. |
s1\p |
}
You find it here:
On 20.03.2014, at 08:35, Johan Vromans jvrom...@squirrel.nl wrote:
I use musescore for MusicXML - LilyPond conversion. It does a much
better job than any other tool I know (including musicxml2ly).
Hm, my experience has been quite different! 7 months ago I tested MuseScore
v1.3 with 10
On 06.03.2014, at 09:58, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
David Kastrup d...@gnu.org writes:
pls p.l.schm...@gmx.de writes:
sounds good. perfectly doable. no problems. I like the dorian runs
but I’d rather start the repetition sign after
On 05.03.2014, at 20:49, David Kastrup d...@gnu.org wrote:
I am not top-posting
I want to avoid ossia staves. They seem reasonably self-evident as
alternatives for the potentially less playable runs (probably the end is
the clincher). But how bad are those, anyway? The Midi sounds
On 04.03.2014, at 16:46, Marc Hohl m...@hohlart.de wrote:
Am 02.03.2014 16:10, schrieb Schneidy:
Hi LilyPonders,
I'm working on an ancient tablature form.
The idea is to get an simple tool that helps people to rewrite ancient tab
together with a standard modern score.
Herewith is a
On 04.02.2014, at 09:41, Urs Liska u...@openlilylib.org wrote:
Am 04.02.2014 09:08, schrieb Martin Tarenskeen:
Hi,
When I look at the lilypond-musicxml2ly-dev fork from Philomenos.net on
Github I see that the last commit has been 6 months ago. Also when I
look at their code the Lilypond
On 28.01.2014, at 12:24, k...@aspodata.se wrote:
http://www.cdik.se/pdf/midiformat.pdf describes the time signature
event on page 12. It is unclear written. Is there anyone here that
have a clear understanding about the last two parameters, named cc and
bb in the document ?
And page 4
please reply to the list!
On 27.01.2014, at 09:59, Rupert Snook rupertsn...@gmail.com wrote:
Thanks Patrick and Harm for the suggestions! These could work as workarounds,
but still not exactly what I'm after. I'm looking for a color that has an
opacity / transparency channel, and this
On 26.01.2014, at 06:41, Thomas Morley thomasmorle...@gmail.com wrote:
2014-01-26 Rupert rupertsn...@gmail.com:
Hi all,
Is there a way to color objects semi-transparently in Lilypond?
Perhaps one could use an rgba color
instead of #red in the following example?
There's at least a
On 26.01.2014, at 21:00, Federico Bruni fedel...@gmail.com wrote:
There's a way to display a predefined guitar fretboard inside a \markup block?
See below an example of a simple leadsheet: I want to display the chord
fretboards below the title. I'm defining the fretboards with \fret-diagram
On 12.01.2014, at 19:11, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Phil Holmes em...@philholmes.net
To: LilyPond User Group lilypond-user@gnu.org
Sent: Sunday, January 12, 2014 5:48 PM
Subject: Dashed line tuplet bracket
I've spent most of this afternoon
On 11.01.2014, at 20:06, Carl Sorensen c_soren...@byu.edu wrote:
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or
On 11.01.2014, at 21:15, David Kastrup d...@gnu.org wrote:
Johan Vromans jvrom...@squirrel.nl writes:
Carl Sorensen c_soren...@byu.edu writes:
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
I have a slight
On 21.12.2013, at 09:14, James Harkins jamshar...@gmail.com wrote:In case anybody is working on musicxml2ly:I just found that it doesn't handle the case of an XML document where the title node exists, but is empty. I've uploaded a zip archive of two musicxml documents.Hi James,we fixed this bug
On 21.12.2013, at 10:58, Urs Liska u...@openlilylib.org wrote:
What would be the necessary approach to port your -dev work back to main
LilyPond's musicxml2ly?
Nothing special. It's a git repository. I simply haven't had the time (and
probably won't in the near future) to prepare small
On 25.11.2013, at 14:34, Kai Lautenschläger kai.lautenschlae...@me.com wrote:
As you can see in the following not so tiny example inserting the ambitus
makes the \RemoveEmptyStaves command ineffective.
I reduced your example quite a bit and the problem is still there:
\RemoveEmptyStaves does
On 24.11.2013, at 10:06, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well,
On 22.11.2013, at 14:48, MarcM m...@mouries.net wrote:
David,
Thank you for providing the link to the documentation. I've seen the code
you mention in the doc
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-rhythms#time-signature
and it is providing the following example:
On 20.11.2013, at 12:25, Urs Liska u...@openlilylib.org wrote:
Hi,
please consider the situation in the attached (or inline?) image.
eecjhibe.png
a chord is repeated an octave higher, which is indicated by an \ottava.
Does the repeated chord need accidentals or not?
Both accidentals
On 20.11.2013, at 13:03, Urs Liska u...@openlilylib.org wrote:
Am 20.11.2013 12:58, schrieb David Kastrup:
pls p.l.schm...@gmx.de writes:
On 20.11.2013, at 12:25, Urs Liska u...@openlilylib.org wrote:
a chord is repeated an octave higher, which is indicated by an \ottava.
Does
On 09.11.2013, at 21:06, Frederick Bartlett frederick.bartl...@gmail.com
wrote:
Urs,
Thanks for that; I have been putting spacers everywhere. But now I have a new
problem: My wife just asked me (she's the musician, I'm just the engraver) to
transpose the piece up a half step. So, I put
On 08.11.2013, at 18:12, Jan Kašpar jan.kas...@gmail.com wrote:
Hello,
at this documentation page:
http://www.lilypond.org/doc/v2.17/Documentation/notation/common-notation-for-fretted-strings
Hi Jan,
you need to upgrade your LilyPond version to 2.17.x to be able to render this
example
On 29.10.2013, at 07:52, ArnoldTheresius arnold.we...@siemens.com wrote:
Hello,
I see two options:
1. Build your own font which includes the additional glyphs (and all the
other accidental glyphs, too).
Then make LILYPOND use this new font for all accidentals.
2. Replace the stencil
Hey all,
I'd like to be able to call some rare accidentals by their own note names. For
example ceseses should result in a triple flatted note c. I found a very
useful snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=784. I just added three
lines to test the new note name and it basically
On 23.10.2013, at 17:46, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Urs Liska u...@openlilylib.org
To: lilypond-user lilypond-user@gnu.org
Sent: Wednesday, October 23, 2013 4:33 PM
Subject: specific dot configuration
Hi,
I have a polyhonic situation
On 17.10.2013, at 13:04, Xavier Noria f...@hashref.com wrote:
Is there a way to get the crossed-o notation for a half-diminished seventh
chord (m7♭5)? I don't see it in
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords.
\chords {
c:1.3-.5-.7
c:m7.5-
}
hth
patrick
Hi Frederico,
On 13.10.2013, at 18:35, Federico Bruni fedel...@gmail.com wrote:
The default chord is derived from the shape of bes:7, so it requires a barré.
But there's also a handy shape in first position. Shouldn't this be the
default?
I've tried to change the definition but there's
Hey all,
according to the NR bar numbers are typeset by default at the start of every
line except the first line. In the following example the second line starts
with an incomplete measure which automatically results in a missing bar number.
I would expect a bar number at the beginning of
On 01.10.2013, at 16:41, Alexander Kobel n...@a-kobel.de wrote:
Hi Alexander,
Any integer bar number at the start of the system would be misleading, as you
probably figured. In your example, the proper number to place after the break
would be 5.5, right? What if you put 5 there and the
On 27.09.2013, at 08:27, Johan Vromans jvrom...@squirrel.nl wrote:
Laura Conrad lcon...@laymusic.org writes:
I use http://utopia.knoware.nl/~hlub/uck/software, which I think has
been mentioned elsewhere in the thread.
As being a 404?
On 18.09.2013, at 04:42, Guy Stalnaker jimmyg...@gmail.com wrote:
Davide,
Success!! I followed your guide for uninstalling and reinstalling and it all
now works!
Thank you very much for your continued help and guidance. And for the
Frescobaldi port!
+1
Best regards,
Guy
Guy
Hi Davide,
thanks for your portfile and your detailed instructions! Now I have
frescobaldi-devel up and running! I just wanted to mention that I got the
following error:
Error: org.macports.activate for port py27-cx_Freeze returned: Image error:
On 22.08.2013, at 18:40, Derek Klinge schilke...@gmail.com wrote:
Using Version 2.16.2-1 on a macbook
Thanks
Derek
On Thu, Aug 22, 2013 at 9:35 AM, Derek Klinge schilke...@gmail.com wrote:
Exactly, how do I write a chordname exception for a Half Diminished 7th?
\version 2.17.24
On 20.08.2013, at 10:15, Mark Polesky markpole...@yahoo.com wrote:
I know it's an odd request, but what if I actually want
the ~ character to print in lyrics? None of these work:
~
'~'
\~
#~
##\~
#(string #\~)
Thanks.
- Mark
\char ##x007E
hth
patrick
On 12.08.2013, at 19:51, Thomas Morley thomasmorle...@gmail.com wrote:
I'll arrive Thursday, leave Tuesday, sleeping in my tent.
This applies to me, too!
See you soon!
patrick
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On 23.07.2013, at 15:03, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Richard Shann richard.sh...@virgin.net
To: Mats Bengtsson mats.bengts...@ee.kth.se
Cc: lilypond-user@gnu.org
Sent: Tuesday, July 23, 2013 1:06 PM
Subject: Re: Comparing LilyPond with Sibelius,
It's a well known issue.
Workaround: use s8 instead of r8 in measure 5 (flute).
hth
patrick
On 07.06.2013, at 16:44, Jacques Menu jacques.m...@epfl.ch wrote:
Hello folks,
I ran into this with irregular bars combined with repeats, but only with
multiple staves.
The source and PDF are
fond of the pond
:)
On 01.06.2013, at 12:08, Renato Biolcati Rinaldi rebio...@gmail.com wrote:
Il laghetto del larghetto..
(laghetto= pond in Italian)
Just kidding, but it's fun:-)
Renato
On Fri, 31 May 2013 23:59:12 +0200
Janek Warchoł janek.lilyp...@gmail.com wrote:
2013/5/31
Hey all,
in case you hadn't noticed: last year at the Waltrop meeting Julien Lerouge
started to work on a LilyPond to MusicXML converter using LilyPond-engravers
(based on Jan Nieuwenhuizen's to-xml.scm script and some of John Mandereau's
ideas (see
On 09.04.2013, at 09:01, Urs Liska li...@ursliska.de wrote:
Am 09.04.2013 08:49, schrieb David Kastrup:
Jacques Menu jacques.m...@tvtmail.ch writes:
Hello folks,
I've been experimenting with Sibelius 7.1.3 as a front-end to Lily,
i.e. as a note input engine.
This lead me to fix some
On 07.04.2013, at 19:29, Joseph Rushton Wakeling joseph.wakel...@webdrake.net
wrote:
On 04/07/2013 06:51 PM, Stjepan Horvat wrote:
I realy like git too..Once i tried to make my own git server on my private
web-server so when i finish the work i can send the customer his pdf folder
Am 22.03.2013 um 00:52 schrieb Martin Tarenskeen m.tarensk...@zonnet.nl:
On Thu, 21 Mar 2013, pls wrote:
Martin,
IINM Julien Lerouge and me are the only ones who currently work on
musicxml2ly. We publish our
results on https://github.com/Philomelos/lilypond-musicxml2ly-dev. Feel
Martin,
IINM Julien Lerouge and me are the only ones who currently work on musicxml2ly.
We publish our results on
https://github.com/Philomelos/lilypond-musicxml2ly-dev. Feel free to use it
and help to improve it! Some of our latest improvements:
recognition of credit-Elements (title,
yes, thanks for sharing it!
Am 08.03.2013 um 14:22 schrieb Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Thanks for this intersting info Mike.
Pierre
2013/3/8 Mike Blackstock blackstock.m...@gmail.com
This paper might be of interest to anyone typesetting public domain
music
I'm only guessing but perhaps you should have a look at
http://lilypond.org/macos-x.html?! Did you set up a helper script called
lilypond-book and did you make it executable?
hth
p
Am 21.01.2013 um 21:10 schrieb SoundsFromSound soundsfromso...@gmail.com:
If this helps, here is what it says:
Am 21.01.2013 um 22:39 schrieb Federico Bruni fedel...@gmail.com:
Il 21/01/2013 22:33, SoundsFromSound ha scritto:
I'm on a PC, the link you posted seems to be Mac?
Also, no I have not made a script - should/how can I?
Then you don't need to make a script but you have to make sure that the
Am 17.01.2013 um 10:25 schrieb pls p.l.schm...@gmx.de:Am 16.01.2013 um 22:38 schrieb Mason Austin Green mason.gr...@gmail.com:Hello,For tablature, Is it possible to position note beams above the staff, similar to the tab style in MuseScore 2.0? Please see this link for an example:http
Am 04.01.2013 um 12:16 schrieb Sven Axelsson sven.axels...@gmail.com:
On 4 January 2013 10:43, Han-Wen Nienhuys hanw...@gmail.com wrote:
-- Forwarded message --
From: Kristina Vuckovic kvuck...@ffzg.hr
Date: Fri, Dec 28, 2012 at 11:29 AM
Subject: LilyPondXs
To:
Am 22.09.2012 um 01:04 schrieb TaoCG:
pls-2 wrote
Hi,
can you replicate the error in a tiny example and post the .xml-file?
Right now I can only guess. Is there a pickup measure? Are there multiple
voices?
patrick
Unfortunately no. It's a very complex piece which I got
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