Am 16.08.2012 13:57, schrieb Werner LEMBERG:
* place lilyglyphs.sty and the complete definitions/ folder somewhere
on your disk, e.g. in a directory ~/lilyglyphs.
* create symlinks to lilyglyphs.sty and the definitions/ folder _in
the directory_ where your .tex file is located:
~/texmf/tex/xelatex/lilyglyphs/
Oops, didn't think this would work with the subfolder ...
This gets searched recursively by default.
Werner
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Now I know that, thanks :-)
Just had to exclude this from the git repo that controls my texmf dir ;-)
Best
Urs
Am 16.08.2012 14:29, schrieb Werner LEMBERG:
~/texmf/tex/xelatex/lilyglyphs/
Oops, didn't think this would work with the subfolder ...
This gets searched recursively by
LP users,
I encounter compile error from init.ly. Can anyone experience this before?
Detail of the error .
Starting lilypond-windows.exe 2.14.2 [definities-1159.ly]...
Processing `D:/mingtsang-2/lied-1159/definities-1159.ly'
Parsing...
Dear community,
I have the following problem, which is more a problem with rumor and linux
than with lilypond.
When I type
rumor --oss
I get
Can not open /dev/sequencer
When I just type rumor
I get
ALSA port connection error; do it manually using `aconnect'
and it doesn't react von
There seems to be some conceptual overlap here with literate
programming tools such as WEB (http://en.wikipedia.org/wiki/WEB).
Whether there's enough overlap to be useful ... that I must leave
you to decide.
/Christopher/.
On 2012-05-19 14:56, lilypond-user-requ...@gnu.org wrote:
Subject
... that I must leave you to
decide.
*Christopher*.
On 2012-05-19 14:56, lilypond-user-requ...@gnu.org wrote:
Subject:
Harvesting comments from music sources
From:
Urs Liska li...@ursliska.de li...@ursliska.de
Date:
2012-05-19 12:29
To:
Lilypond-User lilypond-user@gnu.org
\tempo Allegro Moderato4=86
\key c\major
\time 4/4
r2. e''4 \bar |: % 1
\repeat volta 2 {
e''8 [ a''8 ] a''4 ( a''8 ) [ c'''8 ] b''16 [ a''16 gis''16 a''16 ]
| % 2
...more music
c''4 r4. g''16 [ a''16 ] b''16 [ c'''16 d'''16 b''16 ] | % 69
}
\alternative {
without seeing this garbage - can you provide the code for
this!?
Eluze
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I compile the .ly file in v2.15.14, there is a programming error and a
warming. The generated output .pdf file seems OK.
Questions:
1. what is a programming error? Where can I find explaination in NR? -- red
text below.
2. what is the warning complain about (no line # reference given -
Hi Matthew,
I don't know how close they are, but I am using PC-BSD. Currently I
am running 2.13.26 with no problems for what I need it for.
Blessings,
Gordon+
--
Fr. Gordon Gilbert
Penetanguishene, ON
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she can to put everything down (instead of, say, failing) so
that you can troubleshoot.
Hope this helps.
Blessings,
Gordon+
Message: 5
Date: Sat, 16 Apr 2011 10:55:54 +0200
From: Mark Wirdnam mark.wird...@gmail.com
To: lilypond-user@gnu.org
Subject: bar line placing question
Message-ID
hi!
i have a definition that takes a list as an argument
\include bezier.ly
beza = {
\bezier #'( 0.1 1.0 0.15 1.0 0.5 )
}
i would like to be able to assign one of the elements of the list with a
variable like this
beza #0.4
feeding into something like this
beza = #(define-music-function
I am having an error in using lilypond 2.13.38Here is my input file:\book { \bookOutputName
"Romanze" a a a}\book { \bookOutputName "Menuetto"\score{ a a a}}I am getting a persistent error:testa.ly:3:4: error: syntax error, unexpected NOTENAME_PITCHI am inexperienced, but have gone thru the
in a \score block, and
it must be
surrounded by curly brackets.
hth
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Dear Nick,
thanks, that was easy! But I didn't know how to do!
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be worth the time. I'm still in
the camp that I prefer the list name appended to the subject. I think it
makes the emails look less personal, but that doesn't mean everyone
should be forced to use them.
Steven
On 2/16/10 8:26 PM, Colin Campbell wrote:
Peter Wright wrote:
I've noticed
. I'm still in the camp that I
prefer the list name appended to the subject. I think it makes the emails
look less personal, but that doesn't mean everyone should be forced to use them.
Steven
On 2/16/10 8:26 PM, Colin Campbell wrote:
Peter Wright wrote:
I've noticed this for a while
Steven,
On 15/02 12:41:58, Steven White wrote:
On 2/15/10 12:06 PM, Colin Campbell wrote:
Steven White wrote:
Hello,
Just an inquiry, but is there any specific reason why the mailing
list doesn't have a prepended subject like [lilypond-user]?
[ ... ]
At home, I use Thunderbird, so I've
D'oh! Mental typo.
On 17/02 08:57:57, Peter Wright wrote:
[0] You *could* however use the Thunderbird tagging feature as a
colour-based alternative to the Subject prefix marker:
Right-click on a lilypond-user message
- Tag - New Tag - lilypond [set colour]
Then Tools
Peter Wright wrote:
I've noticed this for a while with lilypond-user - like you, it's one
of the minority of the mailing lists I'm on that *doesn't* use the
subject prefix convention, so it's much less easy to do an
eyeball-filter/scan as you describe.
Colin's suggestion of filter rules to put
Steven White wrote:
Hello,
Just an inquiry, but is there any specific reason why the mailing list
doesn't have a prepended subject like [lilypond-user]? I just joined
the mailing list to read the solutions as I learn lilypond to help my
wife out while she is learning to use the engraver. I
On 2/15/10 12:06 PM, Colin Campbell wrote:
Steven White wrote:
Hello,
Just an inquiry, but is there any specific reason why the mailing list
doesn't have a prepended subject like [lilypond-user]? I just joined
the mailing list to read the solutions as I learn lilypond to help my
wife out while
On 2/15/10 11:41 AM, Steven White saw7...@cacs.louisiana.edu wrote:
On 2/15/10 12:06 PM, Colin Campbell wrote:
Steven White wrote:
I'm currently working on tweaking the placement of a note in a two voice
segment. Working on this Scriabin piece Two Poems There is an odd
Chord in the piece
Steven White wrote Monday, February 15, 2010 6:41 PM
I'm currently working on tweaking the placement of a note in a two
voice segment. Working on this Scriabin piece Two Poems There
is an odd Chord in the piece where all the members are not of
the same durations. I think to get it in
* Steven White saw7...@cacs.louisiana.edu [2010-02-15 12:41]:
Other then that the only problem I have run in to is a good way to
visually block off the Mystic Chords found in the piece for turning
in the final analysis of the paper. I am currently just punting back
to photoshop and editing
Hello,
Just an inquiry, but is there any specific reason why the mailing list
doesn't have a prepended subject like [lilypond-user]? I just joined the
mailing list to read the solutions as I learn lilypond to help my wife out
while she is learning to use the engraver. I was shocked to see
On Mon, Feb 15, 2010 at 5:01 AM, Steven White
saw7...@cacs.louisiana.edu wrote:
Just an inquiry, but is there any specific reason why the mailing list
doesn't have a prepended subject like [lilypond-user]?
That would make all the subject lines much longer. On some displays,
this wouldn't
Am 15.02.2010 06:01, schrieb Steven White:
I was shocked to see the
volume of emails that come across and the difficulty to visually tell
the origin of an email based on the subject line compared to other
mailing list.
It is easy to sort based on the cc/to, but I have come accustomed
In
/v2.6/Documentation/topdocs/NEWS.html:
The SVG backend is now a fully functional backend.
Please, can this be fixed this in 2.12? It is hardly a new feature.
Hasn't it been out of commission long enough? TAI. Regards, daveA
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Dear Sandeep,
Yes, there is an solution, hope You can use it:
#(define (naturalize-pitch p)
(let* ((o (ly:pitch-octave p))
(a (* 4 (ly:pitch-alteration p)))
; alteration, a, in quarter tone steps, for historical reasons
(n (ly:pitch-notename p)))
(cond
((and ( a
...@hidden*
* An: addr...@hidden, lilypond-user addr...@hidden*
* Betreff: Re: Subject: functional/degree theory ? symbols*
* Dear Patrick,*
* Yes, it is possible to get these symbols. See this snippet:*
* \version 2.13.0*
* % Inspired by slashed-digit from scm/define-markup.scm:*
* #(define-markup
Dear Patrick,
Yes, it is possible to get these symbols. See this snippet:
\version 2.13.0
% Inspired by slashed-digit from scm/define-markup.scm:
#(define-markup-command (slashed-char layout props ch) (char?) A character,
with slash.
(let*
((mag (magstep (chain-assoc-get 'font-size props 0)))
One question to the community:
When I compile this file I get the message:
string:3:1: error: syntax error, unexpected '}'
I don't know why!
Your music functions have a '}' too much.
Your structure is like this:
\context Voice $x { ... } }
The last bracket generates the error.
Actually
Stefan Thomas wrote:
One question to the community:
When I compile this file I get the message:
string:3:1: error: syntax error, unexpected '}'
I don't know why!
You have an ending brace too much in each of your music function
definitions, i.e. replace
verkuerzter= #(define-music-function
Oh, yes, thanks!
2009/6/15 Mats Bengtsson mats.bengts...@ee.kth.se
Stefan Thomas wrote:
One question to the community:
When I compile this file I get the message:
string:3:1: error: syntax error, unexpected '}'
I don't know why!
You have an ending brace too much in each of your music
Stefan Thomas wrote:
When I compile this file I get the message:
string:3:1: error: syntax error, unexpected '}'
I don't know why!
Mats Bengtsson wrote:
You have an ending brace too much in each of your music function
definitions
Tao Cumplido wrote:
Your music functions have a '}' too
Original-Nachricht
Datum: Mon, 15 Jun 2009 16:04:32 +0200
Von: Stefan Thomas kontrapunktste...@googlemail.com
An: p.l.schm...@gmx.de, lilypond-user lilypond-user@gnu.org
Betreff: Re: Subject: functional/degree theory ? symbols
Dear Patrick,
Yes, it is possible to get
Dear community,
with Your hints I made success with my idea of changing the enharmonic context.
But, what I did doesn't still work like I expect it.
Here is an example with short comments on it:
\version 2.13.0
#(define (naturalize-pitch p)
(let* ((o (ly:pitch-octave p))
(a (* 4
How to make an easy installation on vista ? I have very little it background.
Best regards
Edmond.___
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Hugo,
In March, you sent a request for beam subdividing help.
We've just written a patch to the autobeaming code that now makes things
work well.
Here's your test code, modified to work properly:
\version 2.10.57
% Header
\header {
title = Quarter beams with subdivision, minimal test
Greetings -
I'm running LilyPond 2.11.53 under WinXP SP2.
I'm trying to add ossia to a traditional Nova Scotian fiddle tune, and
I can't figure out how to get rid of the initial clef in the ossia
staff. I've tried using explicitClefVisibility, but I can't get it to
work. Anyone have any
Hey Graham (et al.):
I'm back out of my rabbit hole for a while... =)
What can I do to help the docs project? At one point, we were talking
about me doing some large scale, real world examples — putting
together a real tutorial on chord name changes, revamping the
examples on
Dear Graham,
if someone is needed:
I could write about the notation of percussion or vocal music.
But I have one problem:
I can only write in BSE (bad simple english).
I could write it in geman, and someone else, meybee, could translateit. Or
I can try writing in english (maybee a good exercise
Great!
Lack of English is *no* problem whatsoever. The time-consuming
task is to create good examples (potentially learning new material
in order to do so). If you can write lilypond files and
sufficient BSE such that I can understand you, that's fine.
I edit the English of all submission in
Ok, fine to be in the community.
But one more question:
How can I see, how these texinfo files look like?
2008/5/11 Graham Percival [EMAIL PROTECTED]:
Great!
Lack of English is *no* problem whatsoever. The time-consuming
task is to create good examples (potentially learning new material
in
2008/5/11 Stefan Thomas [EMAIL PROTECTED]:
Ok, fine to be in the community.
But one more question:
How can I see, how these texinfo files look like?
OK, time to introduce you to the way LilyPond is developed!
http://git.sv.gnu.org/gitweb/?p=lilypond.git;a=summary
On this website, you can
On Sun, 11 May 2008 18:26:02 +0200
Valentin Villenave [EMAIL PROTECTED] wrote:
2008/5/11 Stefan Thomas [EMAIL PROTECTED]:
Ok, fine to be in the community.
But one more question:
How can I see, how these texinfo files look like?
OK, time to introduce you to the way LilyPond is developed!
2008/5/11 Graham Percival [EMAIL PROTECTED]:
No, no, NO! Valentin, you /idiot/!
Mmmh. You never change, do you?
I do *not* want new helpers to waste time screwing around with
git. It's a huge hurdle for newcomers. One of the whole points
of GDP is that I take care of such technical
On Mon, 12 May 2008 00:12:04 +0200
Valentin Villenave [EMAIL PROTECTED] wrote:
2008/5/11 Graham Percival [EMAIL PROTECTED]:
No, no, NO! Valentin, you /idiot/!
Mmmh. You never change, do you?
Well, I *did* promise that I was never gonna give you up. ;)
2008/5/11 Valentin Villenave
Ho,
As a librarian-in-training I have to agree with Jay (it generally hurts more
omitting an entry than including it, especially in a open project like this
that/which doesn't really have page limits to think about). I've been
thinking on speaking up about the indeces for quite some while now but
On Sat, 9 Feb 2008 12:55:06 +0100
Kess Vargavind [EMAIL PROTECTED] wrote:
First, I love indeces (indexes?) and use them everywhere.
Would you be willing to maintain the indeces/indexes? Some of the
doc writers (including myself) either aren't good, or aren't
interested, in trying to think of
Not knowing the question to ask is often a problem for me to. You are
not alone with this experience.
Perhaps he is asking how docbook format works. I'm just guessing about
his query myself.
The html version's indeces. See above for general pointers, there
really is just one main thing
As a former librarian, I know that creating indexes is a total pain and
unfortunately should be as extensive and repetitious as possible.
Over-estimating the users ability/intelligence is a grave error.
Yours-
Jay
Jay Hamilton
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Hello.
In the following example I need all the stems to be up.
{c1} \\ {c8 f a d e d a f}
How could I do it? I tried to put \stemUp anywhere but it didn't work.
I'm sorry if my question is stupid. I'm a newbie.
Thank you for any answers.
Petr Muzikar
Speaking of poor thinking, I meant to say Vertical* spacing in 2.11
ga-hernk.
Fr.P
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I am trying to get an ossia section like the example in section
6.4.8 of the user guide, but for a voice within a ChoirStaff.
Attached is my attempt at modifying the example but a clef and time
signature appear at the start of the line (also, a key signature would
appear if there were one). Is
Le lundi 28 mai 2007 à 20:06 +0300, Till Rettig a écrit :
Hi Thomas,
das sieht schön aus, ich werd mal schaun ob ich es schaffe, da aktiv
dabei zu sein. :-) Habe auch schon eine Weile nachgedacht... Eigentlich
ist die Idee von einem Forum fast besser als eine Mailing-Liste,
jedenfalls ist
And yet another problem.
In the following code bar 23 is only 7 instead of 8 16ths long.
I marked the part in the code.
I can't figure out what's wrong, maybe someone can help me here.
Thanks in advance.
Tao
{
\time 2/4
\key d \minor
\partial4
\relative c''
Hi Thomas,
das sieht schön aus, ich werd mal schaun ob ich es schaffe, da aktiv
dabei zu sein. :-) Habe auch schon eine Weile nachgedacht... Eigentlich
ist die Idee von einem Forum fast besser als eine Mailing-Liste,
jedenfalls ist die Hemmschwelle kleiner. Wie wäre es mit einer Notiz auf
die
Hi ! I try to use markup text and \with-url. That works fine if I authorized
point-and-click. But if I run lilypond with the -dno-point-and-click option I
don't have link in my PDF. Is it a known issue ? If not to reproduce it I
enclose a test file.If you run lilypond test.ly. The pdf file
Dear all,
I use Trillspanners without the tr at the beginning (left side) for
vibrato ampio
Yesterday Night I downloaded the last version of LP (2.11.15-1).
Now my tweak below does not work any more but I'am not sure if this
is the reason
\override Voice.TrillSpanner #'edge-text = #'( . )
Good morning!
Today I downloaded LilyPond, gave it a first try, and liked it a lot.
So I will see if I can get to learn the how-to. I have started with
my string quartet ( I still prefer to write with my own hands, but it
is a nice way to practise) and with some didactical work for my
In trying to use the OOoffice LP macro, I get:
Parsing..ERROR: unbound variable: ly:parser-print-score
I suppose this is because the templates are designed for LP 2.6 and I'm using
2.8. but I don't know what to change in the templates to make them work.
Can someone tell me?
Many thanks,
Greetings,
I attach a minimal example of my problem. I have some tweaking to do of slurs,
by overriding control-points. I have hit a problem when I try to do this
across a line-break; as can be seen in the attached file.
Is there any way of doing this over line-breaks? Is this a bug, or could
Im having problems with this file
http://www.ezequielsierra.com/1.txt
Lyrics Jumping to next staff
Removing Staff Numbering
Adding repeat to the end of the song
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Geoff said:
Every now and then, assigning durations to syllables really is easier than
\lyricsto. I was trying it with long-duration notes and ran into a
problem--\breve is not interpreted as a duration in Lyrics context.
Fr. P says:
I think you can do this: { word1*4 } That's the same duration
Hi,
I'm trying to move some dynamics downards. From
various places from the internet, I've come up with:
\context Staff =
violini\property
Staff.DynamicLineSpanner \override #'direction =
#-1\global\set
Staff.instrument = "Violin I"\set Staff.instr =
"Vln.
I"\violini\override
Mats Bengtsson wrote:
Quoting Marcus Macauley [EMAIL PROTECTED]:
As an alternative to the second method -- and a perhaps more
conventional one, recommended by Kurt Stone -- niente can be notated
not with the dynamic letter n but with the italic n. (this time
with a period). This
Please specify a Subject line on your emails.
As far as I know, it's not directly supported, but a hack like the following
might be useful (it is of course possible to define some macros to make
it more convenient to use):
\version 2.7.32
% Define a macro that prints a circle and handles
On 3/16/06, Arno Waschk [EMAIL PROTECTED] wrote:
dear list,
for a contemporary music score i need hairpin having a circles around
their tip, indicating cresc./descresc. from/into silence.
what is the easiest way to enter these into the score? or does this need
to be implemented yet? i did
On 3/16/06, Marcus Macauley [EMAIL PROTECTED] wrote:
On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača [EMAIL PROTECTED]
wrote:
On 3/16/06, Arno Waschk [EMAIL PROTECTED] wrote:
dear list,
for a contemporary music score i need hairpin having a circles around
their tip, indicating
(in Italian it is not de niente but dal niente)
Best
-a-
On 16 Mar 2006, at 23:27, Trevor Bača wrote:
On 3/16/06, Marcus Macauley [EMAIL PROTECTED] wrote:
On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača
[EMAIL PROTECTED]
wrote:
On 3/16/06, Arno Waschk [EMAIL PROTECTED] wrote:
dear list,
On Thu, 16 Mar 2006 14:27:24 -0800, Trevor Bača [EMAIL PROTECTED]
wrote:
On 3/16/06, Marcus Macauley [EMAIL PROTECTED] wrote:
Another way of notating this, which I prefer, but also I think needs to
be
implemented, is to follow the decresc. (or precede the cresc.) with a
bold/italic n or
Arno Waschk wrote:
dear list,
for a contemporary music score i need hairpin having a circles around
their tip, indicating cresc./descresc. from/into silence.
what is the easiest way to enter these into the score? or does this
need to be implemented yet? i did not find that mentioned in
Thanks for the informations.
I just finally understood today the relative.
I don't understand for the way to indicate the bars within the text.
I still have some questions concerning signo and Coda.
If I put the information concerning the coda after break command. It is
not at the beginning of
Hey
I am trying to connect a tie between voltas. I have this piece of music:
\repeat volta 2 { c 1~ c4 d, e fis b2 b ~ \break
b4 c, d e a1 ~ }
\alternative { {a4 b, cis dis e1 \break
r4 e fis g} { a4 fis a g e1( e4) r4 dis e} } }
The thing is, that even though I get a
Hello
Whenever I start lilypond in shell, I get this message:
/usr/share/guile/1.6/srfi/srfi-13.scm:159:1: In
procedure dynamic-link in _expression_ (load-extension
libguile-srfi-srfi-13-14-v-1 scm_init_srfi_13):
/usr/share/guile/1.6/srfi/srfi-13.scm:159:1: file:
As a small note, and a little off topic, more users will benefit more
from these discussions if the subject tag indicates what is being
discussed.
Josiah
On Tue, 2005-09-20 at 13:37 +0200, Peter Mogensen wrote:
Trent Johnston wrote:
It's been on the list for a while... the windows native
hi,
i changed the duration of a note in a score today and got this error
and a file that failed to compile:
Layout output to `ariaTbAddVox1.ps'...
Converting to `ariaTbAddVox1.pdf'...sh: fork: Resource temporarily
unavailable
`gs -q -dSAFER -dCompatibilityLevel=1.4 -sPAPERSIZE=a4
Hi,
Thanks for the suggestion on altering the spacing for key signatures. I
tried playing with the settings but nothing was altered. I am attaching
two .jpg's (or giving links to see them) of how things look right now.
As well, I will add, below, snippets of my code maybe there is a
really
Hard to see
how this empty document can be of value, but here it is.
I just
downloaded and installed lilypad. It seems to have take forever and been
consisting of far more than just lilypad
I experienced
a downloading error on the US
mirror, so tried again at the second listed site,
I am creating some music using the piano centered dynamics
template from the manual, with lilypond 2.4.2. It works great for the printed music,
but the MIDI output is unaffected by the
dynamics. How can I modify the template so that the dynamics will also be used
in the midi output?
Hi,
I guess that's true.
However, if Aron's \pedal definition contains things other than pedal
markings, then I would think it would be more fiddly to have to go
through and tag all of the pedal markings in \pedal.
In this case, unless I've missed something, attacking the engraver setup
might
Hello everybody,
I would like to give more information about my installation problem I've sent on january the 21st.
It seems several persons have the same problem but on different platforms.
Personally, I've tried to run lilypond 2.2 on a windows95 platform. I have followed the installation
Test
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: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Mail Delivery (failure [EMAIL PROTECTED])
Date: Fri, 12 Nov 2004 20:02:09 +0530
MIME-Version: 1.0
Content-Type: multipart/related;
type=multipart/alternative;
boundary==_NextPart_000_001B_01C0CA80.6B015D10
X-Priority: 3
X-MSMail-Priority
Hi at all,
about the last two years there was ALWAYS a warning at invoking
lilypond, but nevertheless I was always satisfied by the output, so that
I didn't mention it.
The warning was:
/usr/bin/lilypond:666: SyntaxWarning: local name 'e' in
'make_html_menu_file' shadows use of 'e' as
Hi again,
Here is Marcelino Pittman. I write to you because we are accepting your mortgage
application.
Our office confirms you can get a $220.000 loÀn for a $252.00 per month payment.
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: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Information
Date: Thu, 14 Oct 2004 15:23:08 +0530
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- Original Message -
From: Alois Steindl [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, September 17, 2004 5:28 AM
Subject: Re:
On Freitag, 17. September 2004 03:53, David wrote:
Same thing happens... tho there was no \home directory so i created it
so
its now C:\cygwin\home\David\test.ly
Same thing happens... tho there was no \home directory so i created it so its now
C:\cygwin\home\David\test.ly and still i get nothing... im sure im missing something
simple but who knows...
any help would be greatly appreciated thank you
What happens if you
- copy your test.ly file into
Hi guys:
Not to complain too bitterly, but I'm subscribed to more than two
dozen mail-lists, all of which include list identifiers, all except
LilyPond. Could you *please* add it to your mail service ?? My LP mail
is scattered through literally hundreds of messages per day, it would be
so
Dave Phillips wrote:
Not to complain too bitterly, but I'm subscribed to more than two
dozen mail-lists, all of which include list identifiers, all except
LilyPond. Could you *please* add it to your mail service ?? My LP mail
is scattered through literally hundreds of messages per day, it
Dave Phillips writes:
all of which include list identifiers, all except LilyPond.
The LilyPond lists are run with mailman, which includes the standard
List-Id: LilyPond user discussion lilypond-user.gnu.org
This procmail recipy catches all lists, except for majordomo en LISTSERV:
#
Dave Phillips writes:
obviously nothing was done about it. Also, hitting Reply-to for LP
mail addresses the response to the sender, not to the
list. Grrr... ;)
Then that's what the sender wants. If the sender wants followups only to
the list, she uses the header
Mail-Followup-To:
Hi!
Many thanks for this wonderfull piece of software.
I am trying to write a song book and in such case in the refrain, there is
only one line of lyrics and in the couplets there are several. I could do
this only by split the score in two, one for the refrain and one for the
couplets but if the
Hi Bruce,
Many thanks for that.
When you put it like that it makes perfect sense!
I'll give it a try!
Regards,
Ralph
Hi Ralph.
This problem was bugging me too. Unfortunately the docs don't explain
that you have to force the drumvoice to be as long as the piece if you
want it to be
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