Hello Jan-Peter,
Thanks, that allows cross-selection between source code and resulting image.
JM
> Le 4 oct. 2018 à 20:49, Jan-Peter Voigt a écrit :
>
> Hello,
>
> an engraver can set the duration-log property conditionally as a tweak:
>
> %%
Hello,
an engraver can set the duration-log property conditionally as a tweak:
%%
\version "2.19.82"
\layout {
\context {
\Voice
\consists #(make-engraver
(listeners
((note-event engraver event)
Hi All,
Another option:
\version "2.19.82"
\relative d {
\clef bass \key d \major
\time 3/2
d1. | e1.
\override NoteHead.duration-log = #1
| fis2 b,8*2[ cis d b] |
\once\revert NoteHead.duration-log
e1. | fis2. gis8*2 ais2 | b2 b,8*2 cis d2 |
e2. d8*2 cis2
}
Cheers,
Hello Graham & Aaron,
Thanks, both your solutions work fine. Lily is really great!
Avoiding to use multiplying factors as in b,8*2 has the advantage that
Frescobaldi can select the code from the glyphs and vice-versa alright.
A nice day!
JM
> Le 4 oct. 2018 à 13:29, Aaron Hill a écrit :
>
On 2018-10-04 2:09 am, Jacques Menu wrote:
Hello folks,
I’ve found this in Charpentier’s Te Deum, as engraved by the
Centre de Musique Baroque de Versailles, which I had never seen
before:
It’s quite readable indeed, maybe more than using the modern
notation with quarters, and I’ve wondered if
On 4 Oct 2018, at 10:09, Jacques Menu wrote:
> Hello folks,
>
> I’ve found this in Charpentier’s Te Deum, as engraved by the Centre de
> Musique Baroque de Versailles, which I had never seen before:
>
> <3-2 unusual writing.png>
>
> It’s quite readable indeed, maybe more than using the
Hello folks,
I’ve found this in Charpentier’s Te Deum, as engraved by the Centre de Musique
Baroque de Versailles, which I had never seen before:
It’s quite readable indeed, maybe more than using the modern notation with
quarters, and I’ve wondered if there a way to obtain that with Lily.
