On Wed, Sep 27, 2023 at 12:59 PM Knute Snortum wrote:
> On Tue, Sep 26, 2023 at 11:25 PM Michael Werner
> wrote:
>
>> Hi Knute,
>>
>> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>>
>>> TL;DR
>>> How do I engrave an alternating ti
On Tue, Sep 26, 2023 at 11:25 PM Michael Werner wrote:
> Hi Knute,
>
> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>
>> TL;DR
>> How do I engrave an alternating time signature and an initial cue clef?
>>
>> [snip]
>
> What about using a
Hi Knute,
On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
> TL;DR
> How do I engrave an alternating time signature and an initial cue clef?
>
> Scriabin has a prelude where he has written a time signature as
> alternating 5/8 and 4/8 time. After the initial one, no other ti
TL;DR
How do I engrave an alternating time signature and an initial cue clef?
Scriabin has a prelude where he has written a time signature as alternating
5/8 and 4/8 time. After the initial one, no other time signatures are
written. I have figured out a way to engrave this with help from a LSR
Something like this:
global = {
\repeat unfold 64 {
\time 3/4
s2.
\time 4/4
s1
}
}
soprano=
\global
{ c4 c d e }
Cheers,
- Graham
On Mon, 11 Feb 2008 16:12:24 +0100
Christ van Willegen [EMAIL PROTECTED] wrote:
Hi,
I've briefly referenced the manual, but am
Hi,
I've briefly referenced the manual, but am unsure if it is in there or not...
We're currently learning a new piece in choir practice, with 3/4, 4/4,
3/4 and 2/4 rythm. This alteration continues unto the end of the
piece.
Is there a reasonably simple way to:
a) Let Lilypond engrave the
