Re: Controlling compilation

David Sumbler writes: > From: David Kastrup >> > Date: Mon, 11 Apr 2016 09:29:40 +0200 >> > >> > #... at top level is executed and the result ignored to allow for >> > #(set! ...) and similar expressions with usually unspecified return >> > #codes. Just try

Re: Controlling compilation

Am 15.04.2016 um 19:46 schrieb David Sumbler: >>> You seem to be ready to *do* some manual changes to your master file >>> > > (e.g. defining a variable or not). So you could simply put your >>> > > different scores in individual include files and comment in/out these >>> > > includes. >>> > >

Re: Controlling compilation

David Sumbler writes: > As an experiment, I produced this: > > File: experimentNotes.ly > > \version "2.19.24" > > compileA = > \score { > \new Staff { >a' a' a' a' > } > \layout { } > } [...] > #(if sectionA #{ \compileA #} ) From: David Kastrup

Re: Controlling compilation

David Sumbler writes: > As an experiment, I produced this: > > File: experimentNotes.ly > > \version "2.19.24" > > compileA = > \score { > \new Staff { >a' a' a' a' > } > \layout { } > } [...] > #(if sectionA #{ \compileA #} ) #... at top level is executed and

Re: Controlling compilation

Hi David, compileA is not compiled, because it is just a music-expression inside a scheme-expression. But if you add it to the current book, it will appear. So your example will work with a tiny extension: #(if sectionA (add-score #{ \compileA #} )) But you should look around for templating

Re: Controlling compilation

Hi David, I'm sure this could be made work, with some more complex Scheme code. But If I'm understanding you correctly there seems to be a simpler way. You seem to be ready to *do* some manual changes to your master file (e.g. defining a variable or not). So you could simply put your different

Controlling compilation

When editing a piece with several instruments and several movements, there are various outputs I would like, such as a complete full score, a full score of a single movement, a complete instrumental part, the instrument part of a single movement, and also a midi file of any of these items. I