Re: How to handle changing transpositions

2014-12-10 Thread Tim Reeves
clef parts written a fourth lower than they sound. Tim Reeves Message: 5 Date: Tue, 09 Sep 2014 13:52:06 +0200 From: Urs Liska u...@openlilylib.org To: lilypond-user@gnu.org Subject: Re: How to handle changing transpositions Message-ID: 540ee9e6.8020...@openlilylib.org Content-Type: text

Re: How to handle changing transpositions

2014-12-10 Thread Urs Liska
-user@gnu.org Subject: Re: How to handle changing transpositions Message-ID: 540ee9e6.8020...@openlilylib.org Content-Type: text/plain; charset=windows-1252; format=flowed Am 09.09.2014 13:46, schrieb Simon Albrecht: Am 09.09.2014 um 11:46 schrieb Urs Liska: Hi list, I have a problem

Re: How to handle changing transpositions

2014-10-13 Thread Urs Liska
Am 09.09.2014 21:44, schrieb Jan-Peter Voigt: Hi Kieren, I modified the example for the auto-transpose engraver a bit, so it uses a music and a global variable. I merged them in one Voice, so that the cue names are not printed twice. But that is not necessary for the transposition. If the

Re: How to handle changing transpositions

2014-10-09 Thread Jan-Peter Voigt
Hi Urs, I updated the snippet in oll (master). It compiles with 2.9.15 (and should with 2.9.16). There was an old try to automatically insert a timesignature, when the transposition changed. I tried with broadcast-stream-event (or thelike), which didn't do the trick. That part is not essentially

Re: How to handle changing transpositions

2014-10-07 Thread Urs Liska
Sorry about the premature sending ... Am 09.09.2014 13:18, schrieb Jan-Peter Voigt: Hi Urs, I see a lot of action on the Fried-Crowd-Project :) ... it is great luck to me but also a pity that I started my new job ... well, I don't have a key-turn-solution, but just a hint on the auto-transpose

Re: How to handle changing transpositions

2014-10-07 Thread Jan-Peter Voigt
Hi Urs, I will see, what I can do about it. If you don't see an answer within the next week, don't hesitate to contact me again. For now best, Jan-Peter On 07.10.2014 12:03, Urs Liska wrote: Sorry about the premature sending ... Am 09.09.2014 13:18, schrieb Jan-Peter Voigt: Hi Urs, I see

How to handle changing transpositions

2014-09-09 Thread Urs Liska
Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in the bass clef it is notated in concert pitch. Is there a convenient way in LilyPond (or

Re: How to handle changing transpositions

2014-09-09 Thread Jan-Peter Voigt
Hi Urs, I see a lot of action on the Fried-Crowd-Project :) ... it is great luck to me but also a pity that I started my new job ... well, I don't have a key-turn-solution, but just a hint on the auto-transpose snippet in OLL

Re: How to handle changing transpositions

2014-09-09 Thread Simon Albrecht
Am 09.09.2014 um 11:46 schrieb Urs Liska: Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in the bass clef it is notated in concert pitch.

Re: How to handle changing transpositions

2014-09-09 Thread Urs Liska
Am 09.09.2014 13:46, schrieb Simon Albrecht: Am 09.09.2014 um 11:46 schrieb Urs Liska: Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in

Re: How to handle changing transpositions

2014-09-09 Thread Urs Liska
Ok, I've verified that *this* issue is no issue. But I have another issue warranting the same thread: What are the most straightforward approacges to dealing with instruments that actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn part? Thanks for any ideas Urs

Re: How to handle changing transpositions

2014-09-09 Thread Jan-Peter Voigt
Hi Urs, On 09.09.2014 14:29, Urs Liska wrote: What are the most straightforward approacges to dealing with instruments that actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn part? may I again mention the auto-transpose snippet. If music is either entered in

Re: How to handle changing transpositions

2014-09-09 Thread Kieren MacMillan
Hi Jan-Peter, may I again mention the auto-transpose snippet. Does the key signature get changed automatically, even if the key-signatures are defined “externally” (i.e., in a variable) and change DURING THE TIME the player is on the second (or third) instrument? If so, this would solve a

Re: How to handle changing transpositions

2014-09-09 Thread Kieren MacMillan
Hi Urs, What are the most straightforward approacges to dealing with instruments that actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn part? There are no “straightforward” approaches, unfortunately… =( See, for example, the thread

Re: How to handle changing transpositions

2014-09-09 Thread Jan-Peter Voigt
Hi Kieren, On 09.09.2014 14:55, Kieren MacMillan wrote: Hi Jan-Peter, may I again mention the auto-transpose snippet. Does the key signature get changed automatically, even if the key-signatures are defined “externally” (i.e., in a variable) and change DURING THE TIME the player is on the

Re: How to handle changing transpositions

2014-09-09 Thread Urs Liska
I tried out the example file, and I have the impression this could be a solution. Unfortunately it does not seem to compile with current LilyPond. 2.19.11 seems to work. Would somebody mind to check if that's an issue with the function or with my build? TIA Urs On 9. September 2014 14:42:37

Re: How to handle changing transpositions

2014-09-09 Thread Jan-Peter Voigt
Hi Kieren, I modified the example for the auto-transpose engraver a bit, so it uses a music and a global variable. I merged them in one Voice, so that the cue names are not printed twice. But that is not necessary for the transposition. If the music is in concert-pitch and transposed to