2013/11/13 David Nalesnik david.nales...@gmail.com:
I've worked on this a bit more, and come up with the attached file. This
version takes the beam angle into consideration, so the wings of the slash
are handled better.
Looks very nice, thanks a lot!
Janek
Hi David,
I am sorry for the late reply. Your snippet is being so useful to me now, I
am already using it to type a score full of slashed graces. Thanks a lot for
sharing it here, and in case you make some other modifications to it, please
share it with us!
Take care,
Gilberto
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View this
gilberto,
On Thu, Oct 24, 2013 at 12:56 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
When dealing with older music, the grace notes are normally referred as
...SNIP...
When it comes to contemporary music, both types of grace notes tend to be
interpreted as play as fast as possible.
On 10/24/2013 09:34 AM, Simon Bailey wrote:
another question, in german these notes are often also called
vorschlagnoten [literally before beat notes] and are required to
be played before the beat they are associated with. are these notated
any differently? simply asking because i'm currently
I totally agree with Peter that the German name shouldn't be taken
literally. The art of interpreting musical ornaments is a complicated one,
particularly with old music (since they were used according to the
geographical and temporal tradition). In Bach, for instance, it is
generally accepted
On Thu, Oct 24, 2013 at 9:10 PM, David Nalesnik david.nales...@gmail.comwrote:
I worked on this a bit more, and I've come up with a snippet which allows
for better placement and customization.
You call it with
\slash [angle] [stem-fraction] [protrusion]
(Explanation of these variables is
EdBeesley edplaysdrums at gmail.com writes:
Digging up an old chestnut here... I've gone through the archives and it
seems that there was interest from several users for a reliable solution to
a slash through the first of a beamed group of grace notes.
The oft-quoted solution is the
Yeah, this issue with slashed grace notes has been bothering me for some long
time. The kind of music I write uses this notation constantly. So far, the
best temporary solutions I have found have been to draw a line manually on
LilyPond and move it to the correct position (which is a pain if the
Hi,
On Wed, Oct 23, 2013 at 2:25 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
I recently discussed this with some other users on this post here:
http://lilypond.1069038.n5.nabble.com/Acciaccaturas-and-slashed-stems-td150981.html#a150995
In one of the messages, an example was
Hi David,
This function is a nice workaround, and it indeed works much better than the
previous one. I will certainly explore this snippet, thanks a lot for
sharing it!
Take care,
Gilberto
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View this message in context:
Hi David,
I slightly modified the constants in your function and the result now is
looking even better (in my opinion, the slashes tend to be in a better
position now). This is the modified code:
% A better slash snippet %%%
\version 2.17.29
slash = {
#(remove-grace-property 'Voice
hi,
On 23 Oct 2013, at 21:25, Gilberto Agostinho gilbertohasn...@gmail.com
wrote:
As for typing a score without the slashes: as a composer myself, I think
that it is inadmissible that a score of mine would be printed without the
slashes if I wrote them there.
i may have missed this part
Hi Simon,
When dealing with older music, the grace notes are normally referred as
appoggiaturas and the slashed grace notes as acciaccaturas. In general
lines, an appogiatura is played with its full value of duration, which is
then subtracted from the main note. It is easier to see an image of
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