Hi Werner!
Attached is a lilypond source that shows how to use postscript
to crop parts from a lilypond page.
Obviously you still need to find a way to pass the right corner
coordinates to the postscript code ...
Knut
\version "2.21.0"
\pointAndClickOff
#(set-global-staff-size 18)
>> I have to typeset a bunch of snippets that contain ties and slurs
>> either from a (not typeset) bar at the left or to a bar to the
>> right (see attached example). What is the recommended way to do
>> that gracefully?
>
> I'm still not sure what you're after and/or the wished workflow.
See
Am Do., 18. Juli 2019 um 07:38 Uhr schrieb Werner LEMBERG :
>
>
> Folks,
>
>
> I have to typeset a bunch of snippets that contain ties and slurs
> either from a (not typeset) bar at the left or to a bar to the right
> (see attached example). What is the recommended way to do that
> gracefully?
>
>> What I imagine is a possibility to specify `front matter' and
>> `back matter' that gets processed but not displayed, for example
>>
>>\relative c' {
>> \frontmatter { f4( }
>> g a b c
>> \backmatter { d) }
>>}
>>
>> which should be handled as
>>
>>\relative c' {
>>
Hi Werner,
What I imagine is a possibility to specify `front matter' and
`back matter' that gets processed but not displayed, for example
\relative c' {
\frontmatter { f4( }
g a b c
\backmatter { d) }
}
which should be handled as
\relative c' {
\partial 4 f4(
> You mean you just want the slurs to extend before and after the
> notes?
Yes, but ...
> Any reason you can't use \shapeII from openlilylib?
... I don't want to have a manual solution – but thanks for the
suggestion.
What I imagine is a possibility to specify `front matter' and
`back matter'
You mean you just want the slurs to extend before and after the notes?
Any reason you can't use \shapeII from openlilylib?
Andrew
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
On Mon, Mar 18, 2013 at 5:44 PM, Noeck noeck.marb...@gmx.de wrote:
2.) For notes outside the staff (on ledger lines, like c’) there is in
my opinion no reason to place ties below the note heads. I would prefer
to have them placed like for the d or b example, because currently ties
are
You are absolutely right, this is just LilyPond's sloppiness. In
general, tie formatting is ugly in many cases, and i'm thinking about
a complete redesign of tie formatting since summer 2011 (yep, 1.5
years now). I have many examples and half the design written, but
little time to finish it
Erik Appeldoorn wrote:
Attached a jpg snipped of score parts I want to reproduce with
lilypond. (Took me 30 secs to make using Sibelius)
But after a day of trying I can’t figure it out.
I have looked into the LSR and tried to adapt the following snippet
without any success.
Making an
: lilypond-user@gnu.org
Subject: Re: slurs and ties
Erik Appeldoorn wrote:
Attached a jpg snipped of score parts I want to reproduce with
lilypond. (Took me 30 secs to make using Sibelius)
But after a day of trying I can't figure it out.
I have looked into the LSR and tried to adapt
[mailto:kieren_macmil...@sympatico.ca]
Sent: zaterdag 7 november 2009 1:31
To: Erik Appeldoorn
Cc: lilypond user group; Carl Sorensen
Subject: Re: slurs and ties
Hi Erik,
I WANT TO CREATE NICE SCORES!!!
Well, aren't you glad you're learning Lilypond, then!? ;)
Here's a final version
Erik Appeldoorn ursus.k...@ziggo.nl writes:
Thanks Nick,
Interesting to see how your solution differs from the one Kieren and Carl
offered. More than one way to reach the goal. Nice.
Disagree. Seems rather like more than one trick to reach the goal.
From a user interface perspective, I find
Hi Erik,
As I see it you create the two voices as if nothing special was
needed.
Then create a third voice, with identical notes as the second voice.
These remain hidden, but the ties are visible.
Am I correct?
Essentially, with one [very small] correction: the third Voice
context doesn't
David,
If the composer has written them it is not to me to leave them out. Sensical
or not-so-sensical.
As I'm restoring an old manuscript I feel I'm bound to what I find. It is
difficult enough to recreate the score with only parts in different
handwriting available.
But I have to agree on the
15 matches
Mail list logo