Am 26.06.2013 02:10, schrieb Hilary Snaden:
On 24/06/13 03:20, Nick Payne wrote:
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular
Urs Liska u...@openlilylib.org writes:
Am 26.06.2013 02:10, schrieb Hilary Snaden:
On 24/06/13 03:20, Nick Payne wrote:
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the
2013/6/25 Joshua Krämer joshua.krae...@gmail.com:
On Thu, 06 Jun 2013 00:11:41 +0200, Janek Warchoł wrote:
This typeface style is known as Scotch. A high-quality, free Scotch
type-family is Old Standard. [...]
[...] Unfortunately, in my opinion it's too thin, so it would need to
be
On Thu, 06 Jun 2013 00:11:41 +0200, Janek Warchoł wrote:
This typeface style is known as Scotch. A high-quality, free Scotch
type-family is Old Standard. [...]
[...] Unfortunately, in my opinion it's too thin, so it would need to
be modified - this would be a nice project, but i don't
On 24/06/13 03:20, Nick Payne wrote:
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the
Am 23.06.2013 23:14, schrieb Mark Polesky:
Urs,
I missed the big discussion earlier, but has anyone mentioned FreeSerif?
Not that I recall ...
http://www.fontspace.com/gnu-freefont/freeserif
I'm getting some good results with lyrics. I particularly like that it has all
5
of the common
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the SIL open font license
(http://scripts.sil.org/cms/scripts/page.php?site_id=nrsiid=OFL) and
contains virtually all
Urs,
I missed the big discussion earlier, but has anyone mentioned FreeSerif?
http://www.fontspace.com/gnu-freefont/freeserif
I'm getting some good results with lyrics. I particularly like that it has all
5
of the common English ligatures 0xFB00 - 0xFB04 (ff fi fl ffi ffl). Century
Schoolbook
Urs Liska wrote:
http://www.fontspace.com/gnu-freefont/freeserif
...
test sentence with ligatures:
office flight raffle, final offer
test sentence, spelled out completely:
office flight raffle, final offer
I just could only look at the samples on the page you linked, but it
looks quite
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the SIL open font license
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the SIL open font license
This typeface style is known as Scotch. A high-quality, free Scotch
type-family is Old Standard. [...]
Thanks for letting us know.
I've tried it (only on the screen, no time to visit print shop for a
high quality print :( ); it is in fact very similar in shape to
Century (except that it's
Hi,
2013/6/5 Joshua Krämer joshua.krae...@gmail.com:
Hello list!
On Mon, 07 Jan 2013 22:23:24 +0100, Werner LEMBERG has written:
Besides a font with similar functionality as Minion, I would like to
find a font which resembles the `classical' text font used about 100
years ago in Germany for
Hello list!
On Mon, 07 Jan 2013 22:23:24 +0100, Werner LEMBERG has written:
Besides a font with similar functionality as Minion, I would like to
find a font which resembles the `classical' text font used about 100
years ago in Germany for virtually all vocal scores (see attachment).
This
How does Fairplay look to you?
http://www.google.com/webfonts/specimen/Playfair+Display
Thanks for the suggestion! Yes, the font looks nice, and it is quite
compact. However, I'm not too happy with the italic shape which is a
bit too ornamental for my taste (and contains too many very thin
4. http://arkandis.tuxfamily.org/adffonts.html
What do you think about Tribun and Romande there?
The condensed Tribun looks nice. I know Hirwen Harendal, author of
this font, so in case you need something special, just tell me :-)
Werner
___
Am 09.01.2013 09:43, schrieb Werner LEMBERG:
4. http://arkandis.tuxfamily.org/adffonts.html
What do you think about Tribun and Romande there?
The condensed Tribun looks nice.
This is one of the fonts I intended to test more thoroughly.
I know Hirwen Harendal, author of
this font, so in
On 01/08/2013 12:23 PM, Urs Liska wrote:
Am 07.01.2013 10:14, schrieb Urs Liska:
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
Hi all,
thank you for your diverse suggestions. [...]
But I'd still be pleased by further suggestions.
Hi
On 01/09/2013 10:01 AM, Alexander Kobel wrote:
If you use your Google-fu, you'll find a wealth of discussion whether
or not the CorelDRAW should be avoided by professional typesetters
[...]
Also, you can have a look at the following of the Scribus project's wiki
pages:
Am 09.01.2013 10:01, schrieb Alexander Kobel:
On 01/08/2013 12:23 PM, Urs Liska wrote:
Am 07.01.2013 10:14, schrieb Urs Liska:
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
Hi all,
thank you for your diverse suggestions. [...]
But I'd
Am 09.01.2013 17:18, schrieb Dave Crossland:
Impallari's Libre Baskerville, perhaps? www.impallari.com
While it looks very nice, judging from the samples on the web page this
font is too wide also (no significant improvement)
Thanks anyway
Best
Urs
That bug if it still happening has been around since at least 2009. I saw
one of my scores the other day with the faulty barlines with that date. I
recommend using Okular it is in some ways preferable to even Acrobat
reader.
Shane
On Tue, Jan 8, 2013 at 5:08 AM, Carlo Stemberger
2013/1/9 Shane Brandes sh...@grayskies.net:
That bug if it still happening has been around since at least 2009. I saw
one of my scores the other day with the faulty barlines with that date. I
recommend using Okular it is in some ways preferable to even Acrobat reader.
In my experience, this
Am 09.01.2013 17:32, schrieb vern adams:
Sounds like you need to look at raising funds to have a font made to perfectly
for your needs.
Not really. I already have a font that suits my (personal) needs
perfectly. I'm rather looking for a free alternative to be shared
publicly
Best
Urs
Impallari's Libre Baskerville, perhaps? www.impallari.com
This is indeed a beautiful font! However, a condensed shape is
missing, and this is what would be urgently needed for vocal scores
and the like.
Werner
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Sounds like you need to look at raising funds to have a font made to
perfectly for your needs. Or a font like Pablo's Libre Baskerville
customised to your needs. I can highly recommend this approach, it
can be a great investment for your own product. Go for it!
Indeed! I had similar ideas
One of the things to be clear about for yourself and the designer you work with
is what the medium you want it to work in will be.
For example is this mainly a font for printing on paper? Is it for the web too?
Do you want it to work well in fine printing? Do you only care about laser
Precisely. It makes sense to fund a public resource.
If you see something close to what you want Playfair for example, you could ask
the designer to make a version with less contrast as Libre software and fund
that work. He probably has a lower contrast version already.
-e.
On Jan 9, 2013, at
Hello Eben!
One of the things to be clear about for yourself and the designer
you work with is what the medium you want it to work in will be.
For example is this mainly a font for printing on paper?
Yes.
Is it for the web too?
No.
Do you want it to work well in fine printing? Do
I'm rather looking for a free alternative to be shared publicly
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska li...@ursliska.de wrote:
Precisely. It makes sense to fund a public resource.
If you see something close to what you want
Werner LEMBERG w...@gnu.org writes:
Hello Eben!
One of the things to be clear about for yourself and the designer
you work with is what the medium you want it to work in will be.
For example is this mainly a font for printing on paper?
Yes.
Is it for the web too?
No.
Beg to differ.
Impallari's Libre Baskerville, perhaps? www.impallari.com
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Sounds like you need to look at raising funds to have a font made to perfectly
for your needs. Or a font like Pablo's Libre Baskerville customised to your
needs. I can highly recommend this approach, it can be a great investment for
your own product. Go for it!
-v
On 9 Jan 2013, at 08:29,
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska li...@ursliska.de wrote:
I'm rather looking for a free alternative to be shared publicly
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lilypond-user@gnu.org
On 9 January 2013 12:07, Werner LEMBERG w...@gnu.org wrote:
The font should cover the most important languages used for
`classical' vocal music, especially operas. This includes Italian,
German, French, Czech (e.g. Dvořák), Russian (in Cyrillic), English,
probably Hungarian (Bartók). Today
The price depends on the details of the project; mainly the number of
family styles, the character set, and the delivery schedule. Designing
a single style latin-1 font in 2 weeks is relatively expensive ($3,000
minimum) versus a 10 style family with latin 1-2-3-4 in 2 months
($10,000 min)
Vern, can you give a rough estimate about the financial frame?
Yes i would generally echo what Dave and Eben have said said on
costs; and note these would be minimum costs;
The price depends on the details of the project; mainly the number
of family styles, the character set, and the
Am 09.01.2013 19:11, schrieb Werner LEMBERG:
I'm rather looking for a free alternative to be shared publicly
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska li...@ursliska.de wrote:
Precisely. It makes sense to fund a public resource.
If you see
Am 09.01.2013 19:37, schrieb Dave Crossland:
On 9 January 2013 12:07, Werner LEMBERGw...@gnu.org wrote:
The font should cover the most important languages used for
`classical' vocal music, especially operas. This includes Italian,
German, French, Czech (e.g. Dvořák), Russian (in Cyrillic),
Urs Liska li...@ursliska.de writes:
Am 09.01.2013 19:11, schrieb Werner LEMBERG:
I'm rather looking for a free alternative to be shared publicly
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska li...@ursliska.de wrote:
Precisely. It makes sense
The font should cover the most important languages used for
`classical' vocal music, especially operas. This includes Italian,
German, French, Czech (e.g. Dvořák), Russian (in Cyrillic),
English, probably Hungarian (Bartók). Today it's common that the
original language is typeset in
vern adams v...@newtypography.co.uk writes:
On 9 Jan 2013, at 08:54, Werner LEMBERG w...@gnu.org wrote:
Vern, can you give a rough estimate about the financial frame?
Yes i would generally echo what Dave and Eben have said said on costs;
and note these would be minimum costs;
To put
On 9 Jan 2013, at 08:54, Werner LEMBERG w...@gnu.org wrote:
Vern, can you give a rough estimate about the financial frame?
Yes i would generally echo what Dave and Eben have said said on costs; and note
these would be minimum costs;
The price depends on the details of the project; mainly
Actually, I would rather like to have a font which exactly clones the
old lyrics font. But this is probably me only.
This points to one problem I see with this approach: If one wanted
to create something new (or rework something existing) there would
be _much_ discussion to do. And I
What's the difference between `fine' and `laser' printing?
It is a question of the level of detail. If you are making a font
for laser printers you have to avoid certain characteristics in
shapes. The shapes have to be more gross or brutal to reproduce
well. If you know you want something
There is a good chance that LilyPond can do decidedly better than it
does now without the necessity of producing new fonts, by making
better use of currently available free fonts. I'd rather see those
venues explored first.
Yes, certainly.
But more importantly: _iff_ LilyPond and Feta are
Am 09.01.2013 20:30, schrieb Werner LEMBERG:
Actually, I would rather like to have a font which exactly clones the
old lyrics font. But this is probably me only.
This points to one problem I see with this approach: If one wanted
to create something new (or rework something existing) there
On Wed, Jan 9, 2013 at 8:50 PM, Werner LEMBERG w...@gnu.org wrote:
You will want someone who is sensitive to Cyrillic to Latin and who
can manage the difficulties of the dense use of diacritics in Czech
set which are significant. Is Polish relevant?
Interestingly, no. There aren't any
Am 09.01.2013 21:25, schrieb Janek Warchoł:
On Wed, Jan 9, 2013 at 8:50 PM, Werner LEMBERG w...@gnu.org wrote:
You will want someone who is sensitive to Cyrillic to Latin and who
can manage the difficulties of the dense use of diacritics in Czech
set which are significant. Is Polish relevant?
Am 09.01.2013 20:07, schrieb David Kastrup:
At least with regard to chord names, the current situation is untenable.
That does not necessarily mean that a new font needs to be developed.
But one way or the other, the default look of LilyPond needs to be more
consistent and less ugly.
If one
Is it for the web too?
No.
Beg to differ. Formatting for electronic display of music is one of
the more important application areas for LilyPond.
Beg to differ, too. A `web font' is essentially a font suitable for a
computer display with a (quite) low resolution. In particular, such a
Hello Janek!
?! How are we supposed to typeset Frédéric Chopin's songs written
to polish lyrics, then? Or Moniuszko's operas?
[http://en.wikipedia.org/wiki/Stanis%C5%82aw_Moniuszko#Operas]
As a Pole i feel seriously discriminated - after all, isn't LilyPond
supposed to provide music
Am 09.01.2013 22:00, schrieb Werner LEMBERG:
I'm a pianist, and I know Chopin very well and like him a lot, but I
have *never* heard or played a song written by him.
I have two complete recordings of Chopin's songs, one of them published
by the Deutsche Grammophon. So they are existent.
Am 09.01.2013 22:05, schrieb Urs Liska:
Am 09.01.2013 22:00, schrieb Werner LEMBERG:
I'm a pianist, and I know Chopin very well and like him a lot, but I
have *never* heard or played a song written by him.
I have two complete recordings of Chopin's songs, one of them
published by the Deutsche
Werner LEMBERG w...@gnu.org writes:
Is it for the web too?
No.
Beg to differ. Formatting for electronic display of music is one of
the more important application areas for LilyPond.
Beg to differ, too. A `web font' is essentially a font suitable for a
computer display with a (quite)
Werner LEMBERG w...@gnu.org writes:
Hello Janek!
?! How are we supposed to typeset Frédéric Chopin's songs written
to polish lyrics, then? Or Moniuszko's operas?
[http://en.wikipedia.org/wiki/Stanis%C5%82aw_Moniuszko#Operas]
As a Pole i feel seriously discriminated - after all, isn't
Urs Liska li...@ursliska.de writes:
Of course it is ambitious, but I'd agree that conceptually LilyPond
should be able to typeset in any language.
Right-to-left languages are distinctly tricky.
--
David Kastrup
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lilypond-user mailing list
Wow. This is a large project in terms of glyph coverage then. :-)
It can evolve, starting with Latin-1 Latin-2, for example.
That makes sense.
And Latin-2 covers Polish also...
Urs writes:
Sorry to say, but this is utter nonsense. It's a matter of fact
that from an international
David Kastrup d...@gnu.org writes:
Tablets and/or electronic ink are becoming increasingly important
players in music.
URL:http://news.cnet.com/8301-17938_105-57546915-1/orchestra-swaps-sheet-music-for-the-galaxy-note-10.1/
Oh, by the way: while we are using a device that has an unfavorably
On Jan 9, 2013, at 2:50 PM, Werner LEMBERG wrote:
What's the difference between `fine' and `laser' printing?
It is a question of the level of detail. If you are making a font
for laser printers you have to avoid certain characteristics in
shapes. The shapes have to be more gross or
On 9 January 2013 16:03, Janek Warchoł janek.lilyp...@gmail.com wrote:
What i meant is: i would feel sorry if i couldn't use LilyPond's new,
unique, custom-designed professional font to engrave polish national
anthem or any other polish song because someone decided that polish
language is not
Beg to differ, too. A `web font' is essentially a font suitable
for a computer display with a (quite) low resolution. In
particular, such a font contains hints to intentionally distort the
glyph shapes, making them render fine on such devices.
Lilypond fonts and its other graphical
#1 VerdiItalian (3020 szenical runs)
#2 Mozart German/Italian (2410)
#8 BizetFrench (654)
How many of those are Carmen? For the purpose of LilyPonding,
number of _different_ performed compositions might be interesting.
OK, some more
What i meant is: i would feel sorry if i couldn't use LilyPond's
new, unique, custom-designed professional font to engrave polish
national anthem or any other polish song because someone decided
that polish language is not important enough to be supported.
The way crowd funding works on
What i meant is: i would feel sorry if i couldn't use LilyPond's
new, unique, custom-designed professional font to engrave polish
national anthem or any other polish song because someone decided
that polish language is not important enough to be supported.
So what about the people from, say,
El 09/01/2013 22:00, Werner LEMBERG w...@gnu.org escribió:
#87 ChapíSpanish (?) (21)
Yes, Spanish. Covered by Latin-1.
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On Jan 9, 2013, at 4:05 PM, Urs Liska wrote:
Am 09.01.2013 22:00, schrieb Werner LEMBERG:
I'm a pianist, and I know Chopin very well and like him a lot, but I
have *never* heard or played a song written by him.
I have two complete recordings of Chopin's songs, one of them published by
On Jan 9, 2013, at 5:03 PM, Janek Warchoł wrote:
Hi Werner,
first of all, let me assure everyone that the last thing i want is a
heated argument.
I'll try to be brief:
On Wed, Jan 9, 2013 at 10:00 PM, Werner LEMBERG w...@gnu.org wrote:
Hello Janek!
[...]
I'm a pianist, and I know
On Wed, Jan 9, 2013 at 8:27 PM, Eben Sorkin e...@eyebytes.com wrote:
Polish is like Czech a bit tricky because it has shapes that needs special
treatment and thought. The most obvious are the slashes and ogoneks (Ł ł ą Ą
etc. ). The use of w and other diagonals is different and requires
[...] it doesn't change the fact that it should be possible to
typeset scores in practically any language, if LilyPond wants to be
'for everyone’.
Covering European languages including all the eastern ones is a
straightforward task. Cyrillic is non-trivial unless you have be
trained. I
What i meant is: i would feel sorry if i couldn't use LilyPond's
new, unique, custom-designed professional font to engrave polish
national anthem or any other polish song because someone decided
that polish language is not important enough to be supported.
Polish is like Czech a bit tricky
At least on Ubuntu, LilyPond supports OpenType glyph substitution
and glyph positioning -- something I use quite heavily since I
typeset scores in Church Slavonic -- at least the ccmp, rlig, kern,
mark, and mkmk features work without any problems (though there
seems to be no way to access
Il 08/01/2013 08:14, Johan Vromans ha scritto:
Although I use evince all of the time, I never use it for printing
LilyPond scores. There are (very long standing) bugs in its printing
engine that particularly affect LilyPond pdfs. For example, vertical
bars are printed be much too black, and
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
So far, Linux Libertine[1] has been my go-to replacement font,
especially when I want to be more economical with horizontal space.
It's not the most beautiful font in the world, but it does look good on
paper,
On 01/08/2013 11:23 AM, Josiah Boothby wrote:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
[...]
Another source of open fonts that may be of sufficient quality for use
in scores is Arkandis Digital Foundry[4].
[...]
4.
Am 07.01.2013 10:14, schrieb Urs Liska:
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
Hi all,
thank you for your diverse suggestions.
I found quite a number of fonts that seem to be very fine and deserve a
closer look.
I'm still not
Am 2013-01-08 um 11:36 schrieb Alexander Kobel:
On 01/08/2013 11:23 AM, Josiah Boothby wrote:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
[...]
Another source of open fonts that may be of sufficient quality for use
in scores is Arkandis Digital
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
I created a style sheet for a certain kind of score that I need
regularely, namely classical voice-piano songs. When I reduced the staff
size in a way that I get enough music on a page it
Am 07.01.2013 11:24, schrieb Andrew Bernard:
Greetings from Australia,
So what font is it, actually? You did not mention.
I didn't mention because it is visible in the pdf...
But of course it would have been polite to explicitely mention Adobe
Minion Pro.
What I like about it is
- the
On 07/01/13 21:36, Urs Liska wrote:
Am 07.01.2013 11:24, schrieb Andrew Bernard:
Greetings from Australia,
So what font is it, actually? You did not mention.
I didn't mention because it is visible in the pdf...
But of course it would have been polite to explicitely mention Adobe
Minion Pro.
Am 07.01.2013 11:48, schrieb Nick Payne:
On 07/01/13 21:36, Urs Liska wrote:
Am 07.01.2013 11:24, schrieb Andrew Bernard:
Greetings from Australia,
So what font is it, actually? You did not mention.
I didn't mention because it is visible in the pdf...
But of course it would have been polite
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for good free
text fonts to use with LilyPond.
They should be well equipped in terms of language
Henning Hraban Ramm hra...@fiee.net writes:
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for
good free text fonts to use with LilyPond.
They
On Mon, 7 Jan 2013, Nick Payne wrote:
The Minion Pro font is bundled by Adobe with Adobe Reader. If you install
Reader on Linux, the font files are copied to
/opt/Adobe/Reader9/Resource/Font (that's where they are on my system), and if
you install Reader on Windows, they are copied to
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
On Mon, 7 Jan 2013, Nick Payne wrote:
The Minion Pro font is bundled by Adobe with Adobe Reader. If you
install Reader on Linux, the font files are copied to
/opt/Adobe/Reader9/Resource/Font (that's where they are on my
system), and if you
Am 07.01.2013 12:14, schrieb David Kastrup:
Henning Hraban Ramm hra...@fiee.net writes:
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for
good free
2013/1/7 Martin Tarenskeen m.tarensk...@zonnet.nl:
[...]
I don't like Adobe Reader on
my system, it takes much too much space. I use evince.
[...]
A little off-topic.
I recently wrote a draw-dashed-line-markup-command.
During development I made the experience that evince didn't print all
Am 07.01.2013 12:09, schrieb Henning Hraban Ramm:
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for good free
text fonts to use with LilyPond.
They
Am 2013-01-07 um 12:14 schrieb David Kastrup:
Henning Hraban Ramm hra...@fiee.net writes:
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for
Urs Liska li...@ursliska.de writes:
Am 07.01.2013 12:09, schrieb Henning Hraban Ramm:
Am 2013-01-07 um 10:14 schrieb Urs Liska:
I'd like to collect some suggestion for a replacement font for
Century Schoolbook.
So (to finally get to the point) I'd be happy about suggestions for
good free
Could you explain to me why you think Gentium isn’t suitable for
lyrics? I’m using it (Gentium Book Basic) for my lyrics and am quite
satisfied with it:
https://s3.amazonaws.com/radiant_records/Sing+it+High+Songbook/Sing+It+High+Sample.pdf
But maybe I’m missing some important issues … I’m not that
Am 07.01.2013 15:01, schrieb Peter Crighton:
Could you explain to me why you think Gentium isn’t suitable for
lyrics? I’m using it (Gentium Book Basic) for my lyrics and am quite
satisfied with it:
https://s3.amazonaws.com/radiant_records/Sing+it+High+Songbook/Sing+It+High+Sample.pdf
But maybe
On 07/01/13 22:19, Martin Tarenskeen wrote:
On Mon, 7 Jan 2013, Nick Payne wrote:
The Minion Pro font is bundled by Adobe with Adobe Reader. If you
install Reader on Linux, the font files are copied to
/opt/Adobe/Reader9/Resource/Font (that's where they are on my
system), and if you
Am 2013-01-07 um 15:01 schrieb Peter Crighton:
Could you explain to me why you think Gentium isn’t suitable for
lyrics? I’m using it (Gentium Book Basic) for my lyrics and am quite
satisfied with it:
https://s3.amazonaws.com/radiant_records/Sing+it+High+Songbook/Sing+It+High+Sample.pdf
But
I found Gentium Book Basic to be rather condensed, though, when
choosing it several months ago. But you’re right, it might not be that
suitable in other settings. I mainly write scores of the type I linked
to, though, so at the moment, Gentium Book Basic is perfect for me. I
very much like the
How does Fairplay look to you?
http://www.google.com/webfonts/specimen/Playfair+Display
-e.
On Jan 7, 2013, at 4:23 PM, Werner LEMBERG wrote:
[Vernon Adams and Eben Sorkin are two typographers who are actively
designing lots of typefaces, Dave Crossland is a fabulous promoter of
free font
Thomas Morley thomasmorle...@googlemail.com writes:
I recently wrote a draw-dashed-line-markup-command.
During development I made the experience that evince didn't print all
dots in all cases.
Adobe did.
So I wouldn't want to miss it.
Although I use evince all of the time, I never use it
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