Re: Separating pitch and rhythm

2012-03-26 Thread Janek Warchoł
On Sun, Mar 25, 2012 at 11:52 PM, David Kastrup d...@gnu.org wrote: Janek Warchoł janek.lilyp...@gmail.com writes: Thanks for this!  I'll keep it bookmarked. You can remove the definition of for-some-music: that's defined in LilyPond properly by now. Yeah, i remember an issue about it.

Re: Separating pitch and rhythm

2012-03-25 Thread Janek Warchoł
David, On Wed, Mar 21, 2012 at 7:54 PM, David Kastrup d...@gnu.org wrote: Possibly this mail got lost, so I rewrite it (code is somewhat different). Siska Ádám sa...@sadam.hu writes: Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking

Re: Separating pitch and rhythm

2012-03-25 Thread David Kastrup
Janek Warchoł janek.lilyp...@gmail.com writes: Thanks for this! I'll keep it bookmarked. You can remove the definition of for-some-music: that's defined in LilyPond properly by now. -- David Kastrup ___ lilypond-user mailing list

Re: Separating pitch and rhythm

2012-03-22 Thread David Kastrup
Siska Ádám sa...@sadam.hu writes: Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: Rhythm = { \time 4/4 4 4 4. 8 8 8 4 4 8 8 2 4 8 8 ... }

Separating pitch and rhythm

2012-03-21 Thread Siska Ádám
Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: Rhythm = { \time 4/4 4 4 4. 8 8 8 4 4 8 8 2 4 8 8 ... } and then apply this to different

Re: Separating pitch and rhythm

2012-03-21 Thread Xavier Scheuer
2012/3/21 Siska Ádám sa...@sadam.hu: Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: (snip) The purpose is: I'm engraving a long, homophonic section in an orchestral

Re: Separating pitch and rhythm AND structure

2012-03-21 Thread D'Arcy Cain
On 12-03-21 11:05 AM, Siska Ádám wrote: is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: Rhythm = { \time 4/4 4 4 4. 8 8 8 4 4 8 8 2 4 8 8 ... } and

Re: Separating pitch and rhythm

2012-03-21 Thread Siska Ádám
Dear Xavier, On 2012.03.21., at 16:44, Xavier Scheuer wrote: 2012/3/21 Siska Ádám sa...@sadam.hu: Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: (snip) The

Re: Separating pitch and rhythm

2012-03-21 Thread Janek Warchoł
On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám sa...@sadam.hu wrote: is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: The purpose is: I'm engraving a long, homophonic section in an

Re: Separating pitch and rhythm AND structure

2012-03-21 Thread Janek Warchoł
On Wed, Mar 21, 2012 at 4:47 PM, D'Arcy Cain da...@druid.net wrote: On 12-03-21 11:05 AM, Siska Ádám wrote: I'm thinking about something like defining a variable consisting only of rhythms: and then apply this to different sequences of pitches: Sounds like it would be a cool feature if it

Re: Separating pitch and rhythm

2012-03-21 Thread Siska Ádám
Hi, On 2012.03.21., at 19:18, Janek Warchoł wrote: On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám sa...@sadam.hu wrote: is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: The purpose

Re: Separating pitch and rhythm AND structure

2012-03-21 Thread bobr...@centrum.is
- Original Message - From: D'Arcy Cain da...@druid.net To: lilypond-user@gnu.org Sent: Wed, 21 Mar 2012 15:47:14 - (GMT) Subject: Re: Separating pitch and rhythm AND structure On 12-03-21 11:05 AM, Siska Ádám wrote: is there an effective way to separate the pitches and the rhythms

Re: Separating pitch and rhythm

2012-03-21 Thread Janek Warchoł
On Wed, Mar 21, 2012 at 7:44 PM, Siska Ádám sa...@sadam.hu wrote: Hi, On 2012.03.21., at 19:18, Janek Warchoł wrote: On Wed, Mar 21, 2012 at 4:05 PM, Siska Ádám sa...@sadam.hu wrote: is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something

Re: Separating pitch and rhythm AND structure

2012-03-21 Thread Janek Warchoł
On Wed, Mar 21, 2012 at 8:15 PM, bobr...@centrum.is bobr...@centrum.is wrote: Well [..]  You can do linebreaks, repeats and I believe articulations as well, by simply putting them in a separate voice and then combining them later with the musical voice That's true, but this solution has it's

Re: Separating pitch and rhythm

2012-03-21 Thread David Kastrup
Possibly this mail got lost, so I rewrite it (code is somewhat different). Siska Ádám sa...@sadam.hu writes: Dear List, is there an effective way to separate the pitches and the rhythms in a voice? I'm thinking about something like defining a variable consisting only of rhythms: Rhythm