On 30/01/2023 22:26, Immanuel Asmus wrote:
> Hello Jean,
>
> actually, I /did/ subscribe. I wonder why my subscription was unsuccessful. I
> just tried again.
It didn't work this time either. I approved your message again.
Did you receive the confirmation email after filling the subscription
Hello Jean,
actually, I /did/ subscribe. I wonder why my subscription was
unsuccessful. I just tried again.
I finally found the cause of this error: It seems I checked only the
paper variables of my main document and Wetterlied.ly, whereas I didn’t
llok carefully into the other tqo source
On Mon, Jan 30, 2023 at 9:34 AM Jean Abou Samra wrote:
> Hello Immanuel,
>
> Welcome to this list. For your information, I had to approve your message
> manually as a list administrator because you are not subscribed to the list
> yet. Please fix this by subscribing on
>
Dear Immanuel,
Sorry, I’m having trouble finding what would be the problem from the
provided snippets. Could you please reduce the files to a minimum
working example that we can compile that reproduces the problem? This
might help find what is the problem. In my experience when this kind of
Hello Immanuel,
Welcome to this list. For your information, I had to approve your message
manually as a list administrator because you are not subscribed to the list
yet. Please fix this by subscribing on
https://lists.gnu.org/mailman/listinfo/lilypond-user (note that once
subscribed, you can
Dear community,
I’ve been using lilypond for a fair amount of time, and even though I
sometimes use non-standard notation, I’ve never had any problem finding
a solution. Until now.
It’s my first time typesetting a song cycle I wrote. I want (as what I
understand is recommended) to typeset
Ah, that explains it. Thank you very much, Aaron!
Am Sa., 13. März 2021 um 16:02 Uhr schrieb Aaron Hill <
lilyp...@hillvisions.com>:
> On 2021-03-13 6:11 am, Christian Masser wrote:
> > [...]
> > mySoloChordsA = \chords {
> > c1 f g c
> > }
> > [...]
>
> I think you want \chordmode, not
On 2021-03-13 6:11 am, Christian Masser wrote:
[...]
mySoloChordsA = \chords {
c1 f g c
}
[...]
I think you want \chordmode, not \chords, when defining the variables.
\chords { ... } is shorthand for \new ChordNames \chordmode { ... } if I
recall.
-- Aaron Hill
Hey all!
Just had a curious case concerning chord names. Typesetting a small jazz
piece and - as always - wanted to keep my file tidy, so I put the chords
for the solo-section in a variable as they are the same for every solo. But
somehow Lilypond seems to make a difference, if one inserts the
David Wright writes:
> On Mon 13 Nov 2017 at 07:13:10 (-0500), Ben wrote:
>> On 11/13/2017 1:58 AM, Don Gingrich wrote:
>> >What I want is to effectively have two voices in the second bar -- The
>> >first time through fits the d4 r4 r4 e8 e tune and the second uses d4
On Mon 13 Nov 2017 at 07:13:10 (-0500), Ben wrote:
> On 11/13/2017 1:58 AM, Don Gingrich wrote:
> >What I want is to effectively have two voices in the second bar -- The
> >first time through fits the d4 r4 r4 e8 e tune and the second uses d4 (
> >a8) a4 d4 e8 e
> >
> >melody = \relative c' {
> >
Seems what you are looking for is here:
http://lilypond.org/doc/v2.19/Documentation/notation/stanzas#stanzas-with-different-rhythms
Where exactly is the documentation unclear about using multiple voices?
This works for me:
<<
\relative c' \new Voice = "vone" {
d2 d4 d
<<
\new
Seems what you are looking for is here:
http://lilypond.org/doc/v2.19/Documentation/notation/stanzas#stanzas-with-different-rhythms
Where exactly is the documentation unclear about using multiple voices?
This works for me:
<<
\relative c' \new Voice = "vone" {
d2 d4 d
<<
\new
Hi, Don -
On Mon, Nov 13, 2017 at 1:58 AM, Don Gingrich
wrote:
> What I want is to effectively have two voices in the second bar -- The
> first time through fits the d4 r4 r4 e8 e tune and the second uses d4 (
> a8) a4 d4 e8 e
>
> I'm copying a sheet that used
On 11/13/2017 1:58 AM, Don Gingrich wrote:
What I want is to effectively have two voices in the second bar -- The
first time through fits the d4 r4 r4 e8 e tune and the second uses d4 (
a8) a4 d4 e8 e
melody = \relative c' {
\clef treble
\key d \major
\time 2/2
\repeat volta 2 {
What I want is to effectively have two voices in the second bar -- The
first time through fits the d4 r4 r4 e8 e tune and the second uses d4 (
a8) a4 d4 e8 e
I'm copying a sheet that used diminished size notes for the alternate,
so I figured, "OK, use grace notes" But for some reason that I
Here it is.
Franck
2015-01-27 12:46 GMT-05:00, James Lowe p...@gnu.org:
Hello
On 27/01/15 16:05, Ali Cuota wrote:
Hello again,
version 2.18.0
I have a western-notation piece that finishes with a dotted-note a4.
(very last note)
then a gregorian piece.
both comes in a book.ly with
On 27/01/15 18:25, Ali Cuota wrote:
Here it is.
Hardly a 'tiny' example
http://lilypond.org/tiny-examples.html
Can you at least get rid of the cruft that isn't anything to do with the
problem? I.e. a single file would help to determine if the problem is to
do with the 'include' function or
2015-01-27 23:07 GMT+01:00 James Lowe p...@gnu.org:
On 27/01/15 18:25, Ali Cuota wrote:
Here it is.
Hardly a 'tiny' example
http://lilypond.org/tiny-examples.html
Can you at least get rid of the cruft that isn't anything to do with the
problem? I.e. a single file would help to determine
James,
you are right, I just wanted to answer fast between 2 appointments.
Here it is
Franck
2015-01-27 17:07 GMT-05:00, James Lowe p...@gnu.org:
On 27/01/15 18:25, Ali Cuota wrote:
Here it is.
Hardly a 'tiny' example
http://lilypond.org/tiny-examples.html
Can you at least get rid of the
Hello again,
version 2.18.0
I have a western-notation piece that finishes with a dotted-note a4.
(very last note)
then a gregorian piece.
both comes in a book.ly with include ...
Compiling the sole gregorian is ok
Compiling the book makes the gregorian have dotted (augmentum) at
every notes
Hello
On 27/01/15 16:05, Ali Cuota wrote:
Hello again,
version 2.18.0
I have a western-notation piece that finishes with a dotted-note a4.
(very last note)
then a gregorian piece.
both comes in a book.ly with include ...
Compiling the sole gregorian is ok
Compiling the book makes the gregorian
Hello Folks,I ran into this problem, in which \cueWhile fails to display the notes inside a repeat block:Any hint is welcome!JMPS I just changed mail address, and re-subscribed to lilypond-user with the new one.—\version "2.18.1"%%% FIRST PART IS TAKEN FROM THE 2.18 SNIPPETScueWhile
Jacques Menu imj-muz...@bluewin.ch writes:
Hello Folks,
I ran into this problem, in which \cueWhile fails to display the notes
inside a repeat block:
*
Any hint is welcome!
In the second measure, there is no music in the quotes. The quotes are
only one measure long. So there is nothing
Hello David,
Thanks for the explanation!
JM
Le 21 févr. 2014 à 17:39:34, David Kastrup d...@gnu.org a écrit :
Jacques Menu imj-muz...@bluewin.ch writes:
Hello Folks,
I ran into this problem, in which \cueWhile fails to display the notes
inside a repeat block:
*
Any hint is
Hi,
2014/1/9 Simon Bailey si...@bailey.at:
hi all,
when running the following file (sorry, this is as minimal as i can get it):
\version 2.18.0
\language deutsch
\include openlilylib/notation-snippets/shaping-bezier-curves/shapeII.ily
\relative c' {
\time 4/4
e1 | \break
a8 h ~ h8
Interesting behaviour!
I suggest you also open an issue at the snippets repo so the problem
doesn't get lost.
Urs
Am Donnerstag, den 09.01.2014, 21:54 +0100 schrieb Simon Bailey:
hi all,
when running the following file (sorry, this is as minimal as i can get it):
\version 2.18.0
hi all,
when running the following file (sorry, this is as minimal as i can get it):
\version 2.18.0
\language deutsch
\include openlilylib/notation-snippets/shaping-bezier-curves/shapeII.ily
\relative c' {
\time 4/4
e1 | \break
a8 h ~ h8 cis8
\shapeII #'((h)(0 . 1.5)(ap 85 1)(h)) Slur
\tuplet
Jan Rosseel j...@rosseel.com writes:
From: David Kastrup d...@gnu.org Jan Rosseel j...@rosseel.com writes:
Thanks David,
The code below results in having four stacked dynamic texts under the
third note. Maybe not exactly what is expected (I'd expect Lilypond to
detect the overlapping
From: David Kastrup d...@gnu.org
To: lilypond-user@gnu.org
Subject: Re: Strange behaviour (bug?) with multiple overlapping
The \new Voice {} neatly pushes everything inside one voice. This of
course means I can no longer have a global \override DynamicText
#'color = #red/green/blue
Hello all,
I'm using Lily pond for some time, and am at the moment trying to setup
a template system that would allow people to make annotations
(fingerings, for example) or change small elements (dynamics) without
having to fully learn and understand Lilypond. While doing this, I came
across
Jan Rosseel j...@rosseel.com writes:
While doing this, I came across some really weird behavior. This is
either a bug, or I am not understanding Lilypond enough.
The latter.
The code below results in having four stacked dynamic texts under the
third note. Maybe not exactly what is expected
in context:
http://old.nabble.com/Strange-behaviour-of-Lyrics-above-Staff-tp31089958p31089958.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman
- Original Message -
From: TaoCG tao_lilypondu...@gmx.net
To: lilypond-user@gnu.org
Sent: Monday, March 07, 2011 6:04 PM
Subject: Strange behaviour of Lyrics above Staff
Hi,
I am having weird results with Lyrics above the Staff.
I tried to reduce the problem to a small snippet
to set #'staff-affinity =
#DOWN or use alignAboveContext but that really isn't a change.
Regards,
Tao
--
View this message in context:
http://old.nabble.com/Strange-behaviour-of-Lyrics-above-Staff-tp31089958p31094964.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com
Hi all!
Sorry to bother everybody with it, but I really get messed up:
I tried to play around with the test.lytex Laura Conrad sent with
http://lists.gnu.org/archive/html/lilypond-user/2007-06/msg00424.html to
figure out what was so strange with me, since her spacing is fine but
not mine.
It
On Fri, Mar 30, 2007 at 12:30:25PM +0200, Mats Bengtsson wrote:
Dmytro O. Redchuk wrote:
I use --psfonts, too -- lilypond-book --pdf produces pdf with no syllables
(hyphens are in right places thought,-).
(2.10.20, W2K, Ukrainian language (cyrillic))
That's strange. How about the
Dmytro O. Redchuk wrote:
On Fri, Mar 30, 2007 at 12:30:25PM +0200, Mats Bengtsson wrote:
Dmytro O. Redchuk wrote:
I use --psfonts, too -- lilypond-book --pdf produces pdf with no syllables
(hyphens are in right places thought,-).
(2.10.20, W2K, Ukrainian language (cyrillic))
On Mon, Apr 02, 2007 at 11:04:23AM +0200, Mats Bengtsson wrote:
That seems to indicate that the problem is in pdflatex, since the
inclusion of
these .pdf files into the latex document is done using standard
\includegraphics,
in the latex file generated by lilypond-book.
Yes, surely.
That's
On Thu, Mar 29, 2007 at 05:28:59PM +0200, Mats Bengtsson wrote:
I'm rather surprised that you have managed to use lilypond-book with the
flag --psfonts on Windows. Last time I tried, it only worked to use
lilypond-book --pdf songbook.lytex
pdflatex songbook
I use --psfonts, too --
Dmytro O. Redchuk wrote:
I use --psfonts, too -- lilypond-book --pdf produces pdf with no syllables
(hyphens are in right places thought,-).
(2.10.20, W2K, Ukrainian language (cyrillic))
That's strange. How about the files lily-*.pdf generated by lilypond-book?
Can you view them in
I'm rather surprised that you have managed to use lilypond-book with the
flag --psfonts on Windows. Last time I tried, it only worked to use
lilypond-book --pdf songbook.lytex
pdflatex songbook
(make sure to first remove all old lily-*.* files from your working
directory).
Hopefully, this will
[EMAIL PROTECTED],
I´m working with lilypond-book and LaTeX to typeset a songbook. Since
today there´s a problem with the PDF creation.
Here´s a short example:
%%% TEX FILE songbook.lytex %%%
\documentclass{book}
\begin{document}
\lilypondfile{herr_erbarme_dich.ly}
\end{document}
%%% END
works only if piece string is set, and this string can't be an
empty one.
So this header block did not work:
\header {
breakbefore = ##t
}
but this one worked:
\header {
piece =
breakbefore = ##t
}
I think this is really a strange behaviour, since it's quite normal to want a
score start
Gianluca D. wrote:
So, trying on a little test file, I've discovered that breakbefore
apparently works only if piece string is set, and this string can't be an
empty one.
Yes, please see the Bugs section of the documentation about breakbefore.
Cheers,
- Graham
Hi to all,
I was tweaking with the example about independent times here:
http://lilypond.org/doc/v2.6/Documentation/user/lilypond/Polymetric-
notation.html#Polymetric-notation
I was simply adding some measures of music. I cannot understand why 9/8
doesn't work.
Any ideas?
Her'es the
Hi list,
I have found something peculiar in lilypond 2.4.2. I'm setting a piece
that has, in a few cases, two voices instead of one. Browsing the
manual, I found the a \\ b syntax. So far, so good.
Normally, when two notes are the same, they are printed overlapping.
However, when introducing
Han-Wen Nienhuys [EMAIL PROTECTED] writes:
Nothing, really. For some reason (\addlyrics is quite broken, I prefer
not to know), a short lived LyricsVoice context is created that spans
the rest. The ending of the LyricsVoice is before the first note, does
not have any spacing parameters to
I ran lilypond (1.8.1-12) on a very simple file:
text = \lyrics { A B C }
melody = \notes { r4 c'4 e' g' }
\score {
\addlyrics
\melody
\context Lyrics {
\property Lyrics . LyricText \set #'font-relative-size
On Mon, 2003-09-15 at 18:54, Jozsa Marton wrote:
I ran lilypond (1.8.1-12) on a very simple file:
text = \lyrics { A B C }
melody = \notes { r4 c'4 e' g' }
\score {
\addlyrics
\melody
\context Lyrics {
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