Christopher R. Maden cr...@maden.org writes:
URL: http://crism.maden.org/ambletown.pdf
Looks nice!
1) Verse pick-ups.
There have been several suggestions that cover this.
2) Alternate rhythms. There are a lot of small differences in the
rhythms of the verses. You can see this implicit
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Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
mailing list I share with Johan — why am I not surprised?) I’ve
reposted the files at URL: http://crism.maden.org/ambletown.ly and
URL: http://crism.maden.org/ambletown.pdf if
On 3/22/11 6:59 PM, Christopher R. Maden cr...@maden.org wrote:
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Thanks to Peter, Carl, and Johan for the help. (Hmm... yet another
mailing list I share with Johan why am I not surprised?) I¹ve
reposted the files at URL:
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On 03/22/2011 11:25 PM, Carl Sorensen wrote:
On 3/22/11 6:59 PM, Christopher R. Maden cr...@maden.org wrote:
Yes, but that's precisely why I don't have a vision of it. The semantics of
repeat means that the repeat *is* exactly the same all four
Finally had an excuse to learn this excellent tool. I set a simple
four-verse English folk song, with a concertina arrangement. It looks
pretty darn good... but it could look better, and I couldn’t figure out
how to bring in those last bits.
This seems to be related to many FAQs, but I couldn’t
Christopher == Christopher R Maden cr...@maden.org writes:
Christopher Finally had an excuse to learn this excellent tool. I
Christopher set a simple four-verse English folk song, with a
Christopher concertina arrangement. It looks pretty darn good... but
Christopher it could look better, and
On 3/21/11 6:58 PM, Christopher R. Maden cr...@maden.org wrote:
Finally had an excuse to learn this excellent tool. I set a simple
four-verse English folk song, with a concertina arrangement. It looks
pretty darn good... but it could look better, and I couldn¹t figure out
how to bring in
