Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
Why not use an invisible grace note to start the glissando? Then,
there's no need to fiddle with the timing:
\transpose c c'{
\grace{ \hideNotes g,8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
\grace{\hideNotes c''8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
a1\fermata \grace{\hideNotes
Mats Bengtsson wrote Tuesday, March 10, 2009 10:10 AM
Why not use an invisible grace note to start the glissando? Then,
there's no need to fiddle with the timing:
\transpose c c'{
\grace{ \hideNotes g,8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
\grace{\hideNotes c''8\glissando \unHideNotes}
Thanks for the suggestions, I was sent the following code which does the
job beautifully -
r2*1/2 \hideNotes d8\glissando \unHideNotes a'8 fs d b
Seems a bit overly complicated for adding something so simple don't ya
think? I'll have to look for some info in the docs on the time
distortion, I
Hi Chip,
Thanks for the suggestions, I was sent the following code which
does the job beautifully
Glad to hear you found a relatively easy solution.
Seems a bit overly complicated for adding something so simple don't
ya think?
From that comment, I can see you don't actually appreciate
2009/3/10 Chip c...@wiegand.org:
r2*1/2 \hideNotes d8\glissando \unHideNotes a'8 fs d b
I don't understand how this works, can someone explain the
timing to me? It looks like you have a minim rest becoming
crotchet rest through the magic of time distortion. You then
add a quaver which by my
I want to make a glissando go up from no note to a note. I tried using a
spacer note, it didn't work. I tried using hideNote and unHideNote
(basically reversed the sample in the snippets list) but it just
resulted in messed up measures. There is no example in the documentation
on how to do
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata
On 3/9/09 9:50 PM, Chip c...@wiegand.org wrote:
\book { \score { \new Staff = trumpeta \with { \remove
Instrument_name_engraver } \trumpeta \header {piece=Trumpet 1} \layout {
indent = 0\mm} } }
Why do you use around a single staff? I don't know that it's giving
you any problems, but
Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
And this is relevant to the subject? How? Any suggestions on fixing the
real problem I'm having with the glissando?
--
Chip
Here is the fixed version, without the irrelevant -
-
% LilyPond
\include english.ly
\version 2.12.1
\header{
title = Te Regalo el Corazon
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata
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