As a personal exercise I am attempting to reproduce a printed score from an
ex-teacher. I have encountered a few difficulties for which I would appreciate
suggestions.
Notes have an explicit accidental even for natural (similar to the dodecaphonic
accidentals style), but only for their first
Clearly I sent this question out too soon, because I got yet another issue: how
best to do a pair of triplets, that share one note between them (the last note
of one triplet is the first note of the next)? Use an s in the beginning of the
second triplet and move it over to the left? Make a
Hello,
On 4 May 2012 23:16, Justin Glenn Smith noisesm...@gmail.com wrote:
Clearly I sent this question out too soon, because I got yet another issue:
how best to do a pair of triplets, that share one note between them (the
last note of one triplet is the first note of the next)?
Instantiate
On 4 mai 2012, at 19:45, Justin Glenn Smith wrote:
As a personal exercise I am attempting to reproduce a printed score from an
ex-teacher. I have encountered a few difficulties for which I would
appreciate suggestions.
Notes have an explicit accidental even for natural (similar to the
Justin Glenn Smith noisesm...@gmail.com writes:
attached is a photo of the bizarre measure in question (it also shows
my follow up question, the pair of triplets containing a note that is
a member of both triplets)
\new Voice {
\time 8/6
\times 2/3 { fis'4 gis' eis' }
\times 2/3 { g'4
On 5 mai 2012, at 18:40, David Kastrup wrote:
Justin Glenn Smith noisesm...@gmail.com writes:
attached is a photo of the bizarre measure in question (it also shows
my follow up question, the pair of triplets containing a note that is
a member of both triplets)
\new Voice {
\time 8/6
On 05/05/2012 09:40 AM, David Kastrup wrote:
Justin Glenn Smithnoisesm...@gmail.com writes:
attached is a photo of the bizarre measure in question (it also shows
my follow up question, the pair of triplets containing a note that is
a member of both triplets)
\new Voice {
\time 8/6
