On 01/01/13 23:17, Nathan wrote:
On Tue, Jan 1, 2013 at 2:39 PM, Eluze elu...@gmail.com wrote:
Alberto Simões-2 wrote
Second, I am having two different problems with rests.
1) rests1.gif shows some examples of:
f4 ~ f8[ r16 f]
but the rest is over the beam. If you notice at the
Hello
2) rests2.gif shows a quarter (?? r8) rest that is being placed
somewhere in the middle on a piano staff. Is is generated by the upper
voice of the top score, with
~ g4 \oneVoice r8 \voiceOne g8 | c2
the idea was to get a centered rest in the staff.
I did this before in other
Hey, Friends
First of all, Good New Year!!
Second, I am having two different problems with rests.
1) rests1.gif shows some examples of:
f4 ~ f8[ r16 f]
but the rest is over the beam. If you notice at the left, the other is
uglier. What is the best approach to fix this?
2) rests2.gif
measures) to show the
problem!
thanks
Eluze
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On Tue, Jan 1, 2013 at 2:39 PM, Eluze elu...@gmail.com wrote:
Alberto Simões-2 wrote
Second, I am having two different problems with rests.
1) rests1.gif shows some examples of:
f4 ~ f8[ r16 f]
but the rest is over the beam. If you notice at the left, the other is
uglier. What is the
Dear Phil:
I can confirm that compiling this music produces a number of errors...
the score is too complex to have any chance of working out whether this is a
bug or expected behaviour owing to errors in the music. I tried commenting
out parts of the music but with no success.
Yeah, when
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30 the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is
NoteColumn #'force-hshift = #1.
e, 4
}
}
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And this is my attempt (see droeyende.ly).
For the alignment I used 2 force-hshift overrides (in voices 3 and 4).
You can certainly use arpeggioBracket here, but it is so inconvenient:
- put the Span_arpeggio_engraver in the right place
- turn on
the position(s) of a non-spanning arpeggio bracket.
The easyChBr function does this here.
very nice function, indeed!
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Hi!
I've been too busy to read this list for a while, but now I've got a
question.
I'm copying Johan Halvorsen's Veslemøy (for male choir, with lyrics by
Arne Garborg), and in the original I have the following bar:
inline: out.png
The divided basses here aren't easy.
Now, I've managed to get
, check if you have the environment
variable LANG
(or some other environment variable that seems to be related to language
settings)
set in your Windows installation.
/Mats
hhpmusic wrote:
Hi,
I encountered two problems when using Lilypond on Windows. First, the
2.11.44 documentation tarball
Hi,
I encountered two problems when using Lilypond on Windows. First, the 2.11.44
documentation tarball seems have problms. I don't know how to build bz2 file
using Windows, my way is to unpack the files to a doc folder using Winrar. But
the tarball (from the time I began to learn Lily
On Tuesday 17 August 2004 03.50, Will Oram wrote:
At the moment I can't break everywhere I want to. After testing the
problem by breaking after every bar, I can safely say grace notes
prevent breaks from happening.
a4 b c d \break %%% OK break
e d c b \break %%% bad break
\appoggiatura b8
On Tuesday 17 August 2004 11.17, Erik Sandberg wrote:
On Tuesday 17 August 2004 03.50, Will Oram wrote:
At the moment I can't break everywhere I want to. After testing the
problem by breaking after every bar, I can safely say grace notes
prevent breaks from happening.
a4 b c d \break
At the moment I can't break everywhere I want to. After testing the
problem by breaking after every bar, I can safely say grace notes
prevent breaks from happening.
a4 b c d \break %%% OK break
e d c b \break %%% bad break
\appoggiatura b8 b1
How can I force breaks on measures like these?
---
Thanks Graham! The tips worked!
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the readability of your scores. :)
Well, at first I didn't use the brackets, but for some reason
On Wed, 03 Sep 2003 17:46:57 +0200
Thorkil Wolvendans [EMAIL PROTECTED] wrote:
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the readability of your scores. :)
Well, at first
On Sun, 31 Aug 2003 22:29:32 +0200
Thorkil Wolvendans [EMAIL PROTECTED] wrote:
(please compile VM01.ly to see the problem)
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the
Hello everyone!
I'm having two problems with Lilypond 1.6.11 (couldn't get 1.8 started
yet!) for which I couldn't find a answer in the manual:
(please compile VM01.ly to see the problem)
1) From measure 49 to 52 (page 2), I want a slur to go from bes2 bes' to
a2.. Because there's a second voice
Dear David,
Use this code:
_#'(columns ((italic bold) sub ) ((dynamic) pp))
Regards,
Carter
David Bobroff wrote:
What started out as a single question has become two. In the following
short excerpt I want to place pp sub. below d16 a'. Specifically, I
want a regular dynamic pp and an
On Mon, Nov 04, 2002 at 09:18:43PM -0800, Graham Percival wrote:
On Sat, 02 Nov 2002 08:55:21 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
On Fri, Nov 01, 2002 at 03:29:19PM -0800, Graham Percival wrote:
On Fri, 01 Nov 2002 23:03:13 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth)
On Fri, Nov 01, 2002 at 03:29:19PM -0800, Graham Percival wrote:
On Fri, 01 Nov 2002 23:03:13 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
But: why did v1.4.12 choose to put the fermata on the bass part correctly
under the note but v1.6.5 choose (wrongy) to put the fermata above the
On Thu, Oct 31, 2002 at 03:08:19PM -0800, Graham Percival wrote:
On Thu, 31 Oct 2002 19:00:15 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
1. I've a SATB-Score and the first StaffGroup is indented but I want it
to start at the left margin - like the rest of the Staffgroups.
I
On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
On Fri, Nov 01, 2002 at 11:23:04AM +0100, Jan Nieuwenhuizen wrote:
Graham Percival [EMAIL PROTECTED] writes:
I recommend that you upgrade to 1.6.x
Thanks. That helped. But now I'm facing another problem: I had some
On Fri, 01 Nov 2002 18:47:37 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
Thanks. That helped. But now I'm facing another problem: I had some
fermata in the score. With v1.4.12 I just had to do d4-\fermata on the
[EMAIL PROTECTED] writes:
I told lilypond that the soprano is \VoiceOne, alto \VoiceTwo, tenor
\VoiceOne and bass \VoiceTwo and thought therefore it should (as v1.4.12
did it) place the fermata on the right side of the Staffs.
Was there a change between v1.4.12 and v1.6.5 in regard to the
On Fri, Nov 01, 2002 at 01:15:23PM -0800, Graham Percival wrote:
On Fri, 01 Nov 2002 18:47:37 +0100 [EMAIL PROTECTED] (Ronald
Hoellwarth) wrote:
On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
Thanks. That helped. But now I'm facing another problem: I had some
fermata
Hello,
I just started to work with lilypond (I use the one that comes with
Debian Woody - v.1.4.12) and could do much of that what I wanted by
the help of the manual and the examples.
Only two things are remaining unsolved an neither the Manual nor the FAQ
could offer any help to me on those two
On Thu, 31 Oct 2002 19:00:15 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
I just started to work with lilypond (I use the one that comes with
Debian Woody - v.1.4.12) and could do much of that what I wanted by
the help of the manual and the examples.
I recommend that you upgrade to
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