On 09/28/2013 01:41 PM, David Kastrup wrote:
That's because each \A is in a Voice of its own. Use an explicit Voice
to avoid independent implicit voices for each \A:
That's good to know! Thanks!
If I may add another more realistic yet hypothetical example. The
following works. If the ties
Not exaclty, that puts the A patternse in different staffs and there is no tie
between them...
Thanks for the response though, and sorry it took me so long to get back to
this.
On Sep 27, 2013, at 12:05 AM, Urs Liska wrote:
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
This is an interesting approach and it seems like I should be able to do what I
want with it... I'm not entirely sure I understand why it works though, why the
simultaneous rests create the tie on the snares ? I'm too new to both lilypond
and music so please forgive my naiveness.
I would just
Indeed that works! Awesome! Thanks!
On Sep 27, 2013, at 3:46 AM, Peter Bjuhr wrote:
On 09/27/2013 07:05 AM, Urs Liska wrote:
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
I was curious of this, but Urs is right it does work. There are no obstacles
in ending with a
Am 27.09.2013 10:46, schrieb Peter Bjuhr:
On 09/27/2013 07:05 AM, Urs Liska wrote:
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
I was curious of this, but Urs is right it does work. There are no
obstacles in ending with a tie. Apparently it is just ignored:
\version 2.17.26
On 09/28/2013 08:49 AM, Urs Liska wrote:
\version 2.17.26
% How could I write the equivalent of
\drums { sn8 sn8 ~ sn8 sn8 }
%using variables?
% This does work!
A = \drummode { sn8 sn8 ~ }
\score {
\new DrumStaff
{ \A \A }
}
%end with a tie
{ b'4 a' g' b' ~ }
Best
Peter
Thanks.
I
Peter Bjuhr peterbj...@gmail.com writes:
On the other hand, this doesn't work:
\version 2.17.28
A = \relative c'' {a4 b c a ~ }
\score {
\new Staff
{ \A \A }
}
That's because each \A is in a Voice of its own. Use an explicit Voice
to avoid independent implicit voices for each \A:
Hello Alexander,
the \drums command implicitly creates a new DrumStaff, so I recommend
using \drummode for this purpose.
If you have basic patterns, which shall receive random ties, you can
create SimultaneousMusic with a construct and overlay the patterns
with the needed ties:
--snip--
On 09/27/2013 07:05 AM, Urs Liska wrote:
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
I was curious of this, but Urs is right it does work. There are no
obstacles in ending with a tie. Apparently it is just ignored:
\version 2.17.26
% How could I write the equivalent of
Hi all,
For study purposes, i want to do 128 rithmic patterns composed of 7 basic
rithmic patterns combined via a tie.
Rather than writing the 128 patterns separately I'd love to write the basic 7
as variables and then just reuse them.
Say that I write:
A = \drums { sn8 sn8 }
How could I
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
Alexander Wallace a...@rwmotloc.com schrieb:
Hi all,
For study purposes, i want to do 128 rithmic patterns composed of 7
basic rithmic patterns combined via a tie.
Rather than writing the 128 patterns separately I'd love to write
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