Neil Puttock wrote:
Hi David,
Are you using LilyPondTool's JPedal plugin for viewing your output files?
I had the same problem a while back with ottava spanners, and was on
the verge of posting a bug report until I opened the offending file in
Foxit. It seems JPedal has a rendering bug which
Hello:
Does Lilypond have a way to print a pre-classical period appogiatura
as preceding a prall or mordent? It looks like a tie or a slur
tipped at an angle just before the note which is ornamented. In
checking how this is performed I understand that it is an appogiatura
as J.S. Bach would
Hi,
is there any solution to have the markup in one line?
Wolfgang
##
\new Score \with {
\override TimeSignature #'transparent = ##t
defaultBarType = #
\remove Bar_number_engraver
}
\context Staff
This question is answered in the second example of the section on
Dynamics in the manual. Peter, can you provide a hint on how to make it
even more clear?
/Mats
It is very difficult to say any of this clearly and concisely. The only
positively misphrased bit seems to be the
Op maandag 10 maart 2008, schreef Wolfgang Mechsner:
\new Score \with {
\override TimeSignature #'transparent = ##t
defaultBarType = #
\remove Bar_number_engraver
}
\context Staff
{\override TextScript #'padding #2
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Am Sonntag, 9. März 2008 schrieb Valentin Villenave:
Here's my last one (i don't know if I'll be able to maintain it, but
it's just fun to launch it anyway): a short informal, weekly opinion
column about the LilyPond project;
[...]
Welcome to
I've realized that I may have painted myself into a bit of a corner.
I'm working on an orchestral part with cues. The main part needs to be
transposed. I have defined the cues and the main part in separate
blocks. I have used \relative for both. Now I'm realizing that perhaps
it would have
Isn't this what \transposition and/or octave checks are for?
Please see NR 1.1 Pitches.
Cheers,
- Graham
On Mon, 10 Mar 2008 21:39:15 +
David Bobroff [EMAIL PROTECTED] wrote:
I've realized that I may have painted myself into a bit of a corner.
I'm working on an orchestral part with cues.
I've run into a problem with text crescendi: I don't want any spanner lines
for the cresc., dim., cresc molto. etc. spanners, so I'm setting their
#'dash-period to #-1.0. However, in this case, the position of the cresc.
text is still calculated as if the line was present. In most cases that's
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Is there any way to make lilypond check whether all \ or \ are explicitly
ended?
Since I've defined my own commands to produce the \ and apply/reset some
settings (and since unended crescendi are broken in midi), I'd really like to
make lilypond
Um, no, not at all. That's not the problem. Looking at it some more it
seems that what I need is more clef changes in and out of the cues in
order to insure that different transpositions of the main part,including
transpositions involving different clefs will produce the results I'm after.
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Am Montag, 10. März 2008 schrieb David Bobroff:
Um, no, not at all. That's not the problem.
If you could describe in a little more detail what you are trying to do (i.e.
what are your cue voices, clefs, transposing instruments, etc.), we might be
Reinhold Kainhofer wrote:
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Am Montag, 10. März 2008 schrieb David Bobroff:
Um, no, not at all. That's not the problem.
If you could describe in a little more detail what you are trying to do (i.e.
what are your cue voices, clefs, transposing
Hi Reinhold,
Is there any way to achieve a position of the cresc. directly at the staff
(except for using ordinary markup text, which does not work e.g. in midi (and
also breaks if/when Lilypond one day gets a MusicXML backend)?
Vertical positioning of this is done by the
Am Montag, 10. März 2008 schrieb Reinhold Kainhofer:
I've run into a problem with text crescendi: I don't want any spanner lines
for the cresc., dim., cresc molto. etc. spanners, so I'm setting
their #'dash-period to #-1.0. However, in this case, the position of the
cresc. text is still
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Am Dienstag, 11. März 2008 schrieb David Bobroff:
Reinhold Kainhofer wrote:
If you could describe in a little more detail what you are trying to do
(i.e. what are your cue voices, clefs, transposing instruments, etc.), we
might be better able
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Am Dienstag, 11. März 2008 schrieb Neil Puttock:
Hi Reinhold,
Is there any way to achieve a position of the cresc. directly at the
staff (except for using ordinary markup text, which does not work e.g. in
midi (and also breaks if/when
Some further information on this ornament. Groves Dictionary of Music
and Musicians lists it as Double curve rising to note: Lower
appogiatura with slur -- Early 18th Century German including J.S.Bach
and
Double curve falling to note: upper appoggiatura with slur --- Early
18th Century German
Hi folks,
The artemis orchestra competition has specified Lilypond as
its input format (see
https://www.artemisia-association.org/artemis_orchestra ) for robotic
instruments. We're trying to put together an entry (our robotic
violinist was entered last year, with some success;
On Tue, 11 Mar 2008 12:30:07 +1100
Peter Chubb [EMAIL PROTECTED] wrote:
Before I start working on any of this, is anyone else doing anything
in the area? Most of it may be doable by scheme scripts inserted into
the source file before calling Lilypond.
No, nobody is working on MIDI output.
Graham Percival skrev:
moltorit = ... scheme that prints out molto rit, and tweaks
whatever options you want for your new midi code...
That won't work.
If I read the rules of the artemis context correctly, the solution must
work for any lilypond file.
I assume that the organizers are using
Graham == Graham Percival [EMAIL PROTECTED] writes:
Graham The above points are possibly with a macro: instead of simply
Graham moltorit = \markup{ \italics molto rit }
The point is that for the Artemis competition we have to start with
unmodified Lilypond input. So we have to recognise, say
On Tue, 11 Mar 2008 03:07:17 +0100
Rune Zedeler [EMAIL PROTECTED] wrote:
Graham Percival skrev:
moltorit = ... scheme that prints out molto rit, and tweaks
whatever options you want for your new midi code...
That won't work.
If I read the rules of the artemis context correctly, the
On Tue, 11 Mar 2008 13:08:05 +1100
Peter Chubb [EMAIL PROTECTED] wrote:
Graham == Graham Percival [EMAIL PROTECTED] writes:
Graham The above points are possibly with a macro: instead of simply
Graham moltorit = \markup{ \italics molto rit }
The point is that for the Artemis competition
Hi,
I attempted to use CHinese words in my music, but my computer only has ttc
files for Chinese fonts. I downloaded simsun.ttf yesterday, but after pasted it
to c:\windows\fonts folder, Lilypond still considered the ttc one when I
override font-name to simsun. The ttc one is undeletable,
Hello:
I am trying to color ornaments based on which of the composer or
editors suggested them. Setting a variable for each color and
articulation seems like it should be almost the same as for a simple
NoteHead. Since the articulation is a property of the note, the
override should be a simple
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