El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not played the last time through. For
example in Easy Living the turnaround
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround at
the end of a song that is not played the last time through. For
example in Easy
Good afternoon,
I have a problem. I have generated a .ly file from a musicXML file but I don't
know where to write the \midi { } statement because there isn't any \score { ...
} in the file (it works because I generated pdf and png without errors). I am a
real beginner so I don't know what to do.
Hi,
How do I transpose leadsheet? Chords and melody?
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
I've a 4 voice choir score.
I want to generate a second score with the only piano reduction -
well, actually an organ reduction :-)
In the lilypond guide there is how I can create a score with choir
staffs and piano system together, but it's not what I really want.
Hope someone can help
Sylvain MICHEL wrote:
Good afternoon,
I have a problem. I have generated a .ly file from a musicXML file but I don't
know where to write the \midi { } statement because there isn't any \score { ...
} in the file (it works because I generated pdf and png without errors). I am a
real beginner so
Hello,
I'm fairly new to Lilypond, but I think I've studied the documentation
fairly well, particularly those parts related to the topic addressed below.
After experimenting with various ways of adding chord names and
fret diagrams to a lead melody, I would like the Lilypond developers to
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
Chords I can do with:
chordNames = \chordmode {
\global
% Akkoordnamen volgen.
\transpose g c {
r2. c1:m7 f:7 bes:maj7 es:maj7
a:m7.5- d:7 g:m g:m
c1:m7 f:7 bes:maj7 es:maj7
a:m7.5- d:7 g:m g:m
a:m7.5- d:7
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not
El 01.03.2009, a las 15:52, stefanozanobini escribió:
Hi,
I've a 4 voice choir score.
I want to generate a second score with the only piano reduction -
well, actually an organ reduction :-)
In the lilypond guide there is how I can create a score with choir
staffs and piano system together, but
El 01.03.2009, a las 16:55, Grammostola Rosea escribió:
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
But the melody is not tranposed very well. The octaves of the notes
are not right :(
Or do I have to change those comma's by hand ???
You need another
Hi Tim,
Rather than writing a separate ending, I'd like to just
parenthesize the last three chords over the final two bars so they
would render:
F(Ab7Dbmaj7C7)
Don't know how to (easily) parenthesize all the chords, but you can
easily parenthesize each chord — see
On Mar 1, 2009, at 8:31 AM, Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
With the \transpose command where you've defined the melody and the
harmony. It works spectacularly well IMHO, really for me one of the
biggest selling points of using LilyPond.
I've given a look to the new documentation (I've still lilypond 2.10
and its guide is different from the new one), but the explanation
(Separate scores showing just the vocal parts or just the piano part
can be produced by changing just the structural statements, leaving
the musical notation
James E. Bailey wrote:
El 01.03.2009, a las 16:55, Grammostola Rosea escribió:
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
But the melody is not tranposed very well. The octaves of the notes
are not right :(
Or do I have to change those comma's by hand
El 01.03.2009, a las 17:50, stefanozanobini escribió:
I've given a look to the new documentation (I've still lilypond 2.10
and its guide is different from the new one), but the explanation
(Separate scores showing just the vocal parts or just the piano part
can be produced by changing just the
Tim McNamara wrote:
Rather than writing a separate ending, I'd like to just parenthesize
the last three chords over the final two bars so they would render:
F(Ab7Dbmaj7C7)
ChordName outputs via text-interface, so the easiest way should be
\once \override
Hello
I have a music that starts with two staffs, and at some points splits to
three (for four voices).
Is there any way to force this change?
Or is the solution to make two separate melodies?
Thanks for any hint and link
Cheers
Alberto
--
Alberto Simões - Departamento de Informática -
Hi,
Imho Lilypond uses to many bars on one 'row' in a-4 format. I got about
8 bars (4/4), I prefer to have 4.
I tried to use:
\layout { }
\midi {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
But it doesn't seems
hello,
is there anything i can \set or \override or anything in order for lilypond to
automaticaly take care of ottavation?
i would like to be able to set an upper and lower threshold and then when these
are exceeded lilypond will automagicaly take care of the ottavas?
thanks
rob
--
2009/3/1 Sylvain MICHEL lsme...@gmail.com:
Good afternoon,
I have a problem. I have generated a .ly file from a musicXML file but I don't
know where to write the \midi { } statement because there isn't any \score {
...
} in the file (it works because I generated pdf and png without errors).
If you declare each of the musical voices independently, then you can
\change Staff = when you want to move that voice to a different
staff. It's documented under keyboards, where it happens all the time,
but it works for any voice and any type of staff. You can even move
the notes from the string
Hello, Andrew.
Andrew Hawryluk wrote:
If you declare each of the musical voices independently, then you can
\change Staff = when you want to move that voice to a different
staff. It's documented under keyboards, where it happens all the time,
but it works for any voice and any type of staff.
El 01.03.2009, a las 19:08, Alberto Simões escribió:
Hello, Andrew.
Andrew Hawryluk wrote:
If you declare each of the musical voices independently, then you can
\change Staff = when you want to move that voice to a different
staff. It's documented under keyboards, where it happens all the
James E. Bailey wrote:
Basically, there is a portion of the music for piano (two staves), and
it continues with a SATB (with three staves). Thus, I need to add a
staff somewhere.
You probabbly need to re-organise the way the music is defined in
lilypond. It depends on how you have it
Essentially, it sounds like you want 3 staves of vocal music and one
piano staff (two staves), but you want to hide the vocal staves when
they are resting and ditto for the piano, right? Create a score with
5 staves, keeping the vocal and piano parts separate (rather than
using the two
El 01.03.2009, a las 19:24, Alberto Simões escribió:
James E. Bailey wrote:
Basically, there is a portion of the music for piano (two
staves), and
it continues with a SATB (with three staves). Thus, I need to add a
staff somewhere.
You probabbly need to re-organise the way the music is
James E. Bailey wrote:
El 01.03.2009, a las 19:24, Alberto Simões escribió:
James E. Bailey wrote:
Basically, there is a portion of the music for piano (two staves), and
it continues with a SATB (with three staves). Thus, I need to add a
staff somewhere.
You probabbly need to
Hello, Kris.
I think this answers to my question. Thank you.
I will not try to implement it.
Cheers
Alberto
Mailing Lists wrote:
Essentially, it sounds like you want 3 staves of vocal music and one
piano staff (two staves), but you want to hide the vocal staves when
they are resting and
The simplest is probably to insert some \break commands where you want
line breaks. Then, LilyPond will stretch out the note spacing.
If you want exactly 4 measures per line, you can even insert a parallel
line of the form
\repeat unfold 10 { s1*4 \break }
(assuming that your score has 10*4=40
Imho Lilypond uses to many bars on one 'row' in a-4 format. I
got about
8 bars (4/4), I prefer to have 4.
I tried to use:
\layout { }
\midi {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
But it
You've got the commands inside \midi. Move them to \layout:
\layout {
\context {
\Score \override SpacingSpanner #'base-shortest-duration =
#(ly:make-moment 1 16)
}
}
\midi { }
Nick
-Original Message-
Subject: Re: horizontal spacing
Imho
found up that \cueDuring is being applied from the beginning of the
melody and not from the point where I used \cueDuring...
Oups, sorry. My message is already gone .
So, don't take it into account.
Gilles
___
lilypond-user mailing list
James E. Bailey wrote:
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a
On 3/1/09 8:41 AM, Huub Stoffers huub.stoff...@gmail.com wrote:
Hello,
I'm fairly new to Lilypond, but I think I've studied the documentation
fairly well, particularly those parts related to the topic addressed below.
After experimenting with various ways of adding chord names and
fret
On Sunday 01 March 2009, Rob Canning wrote:
hello,
is there anything i can \set or \override or anything in order for
lilypond to
automaticaly take care of ottavation?
i would like to be able to set an upper and lower threshold and then
when these
are exceeded lilypond will automagicaly
Hi all,
This may be the easiest solution?
\version 2.12.2
#(define (left-parenthesis-ignatzek-chord-names in-pitches bass
inversion context)
(markup #:line (( (ignatzek-chord-names in-pitches bass inversion
context
#(define (right-parenthesis-ignatzek-chord-names in-pitches bass
Op maandag 02 maart 2009, schreef David Raleigh Arnold:
Another feature that has been on the back burner
for a very long time is the automagical shortening of stems of the
highest notes with stems up and the lowest notes with stems down.
I think LilyPond already does this:
\version 2.12.0
38 matches
Mail list logo
