Kieren MacMillan wrote:
I do not use english.ly. I use template in OOoLilypond (lilypond
macro for
OpenOffice.org). However I still don't know how to achieve F# as
bass in chord.
If you include the (full, minimal) snippet that isn't working, we can
try to diagnose/fix it for
Stjepan Brbot schrieb:
Kieren MacMillan wrote:
I do not use english.ly. I use template in OOoLilypond (lilypond
macro for
OpenOffice.org). However I still don't know how to achieve F# as
bass in chord.
If you include the (full, minimal) snippet that isn't working, we can
try
2009/5/12 Stjepan Brbot stjepan.br...@zg.t-com.hr:
\repeat unfold 30 { _ }
Thanks Gilles, that's it.
The method that Mats Bengtsson has pointed is better because it is
more robust: it makes the lyrics to be correctly attached to its
melody independently of the length of the introduction. You
2009/5/13 Frédéric Bron frederic.b...@m4x.org:
programming error: Object is not a markup.
continuing, cross fingers
I obtained this on the following [wrong] code:
R1 \fermata
And the warning dissapeared on changing the code to
R1 ^\fermataMarkup
This does not explain WHY the warning
Marc Hohl wrote:
Stjepan Brbot schrieb:
Kieren MacMillan wrote:
You have to remove the \germanChords command, then the bass is not
shown as fis, but as F#, as you want.
As Mats has written, insert
\override Score.RehearsalMark #'break-align-symbols = #'(clef staff-bar)
at the
2009/5/13 Francisco Vila paconet@gmail.com:
I obtained this on the following [wrong] code:
R1 \fermata
And the warning dissapeared on changing the code to
R1 ^\fermataMarkup
BTW \fermataMarkup is a markup:
fermataMarkup = \markup { \musicglyph #scripts.ufermata }
--
Francisco
Ok, if I end my piece with
c'4^\markup {D.S. al Fine} \bar |.
then the D.S. al Fine stretches to the right, beyiond the end of the
stave. Ok, that's because markup is left-aligned by default. So
perhaps what I want is:
^\markup {\right-align {D.S. al Fine}} \bar |.
No, that squashes the words
Hi,
2009/5/13 Tim Rowe digi...@gmail.com:
The problem seems to be that I'm aligning to notes, whereas the D.S.
al Fine should be aligned to the bar. Is that possible? If not, is
there a prettier way than just attaching it to an earlier note?
There is solution in this snippet:
On Wed, May 13, 2009 at 03:46:52PM +0200, Marek Klein wrote:
2009/5/13 Tim Rowe digi...@gmail.com:
The problem seems to be that I'm aligning to notes, whereas the D.S.
al Fine should be aligned to the bar. Is that possible? If not, is
there a prettier way than just attaching it to an
2009/5/13 Marek Klein ma...@gregoriana.sk:
Hi,
2009/5/13 Tim Rowe digi...@gmail.com:
The problem seems to be that I'm aligning to notes, whereas the D.S.
al Fine should be aligned to the bar. Is that possible? If not, is
there a prettier way than just attaching it to an earlier note?
Hi Tim,
The only thing now is that (presumably because it's set as a rehearsal
mark rather than markup on a note) the font size doesn't match that on
the Fine. Is there some way to directly set it to the same size as
the Fine, or do I have to guess at sizes until it looks right?
If you look
In general, I love the way lilypond output looks when compared with
other computer-generated sheetmusic.
I'm aware that the ideal espoused by the developers is the 19th century
hand-engraved sheet music.
I usually like the look of my lilypond output as compared with the late
sixteenth and early
2009/5/13 Kieren MacMillan kieren_macmil...@sympatico.ca:
So TextScript has a default #'font-size value of 0, the score's normal
size. So it *should* [warning: untested] work to just set the RehearsalMark
#'font-size = #0.
Thanks for digging all of that out. It doesn't work, though, assuming
Tim == Tim Rowe digi...@gmail.com writes:
Tim 2009/5/13 Kieren MacMillan kieren_macmil...@sympatico.ca:
So TextScript has a default #'font-size value of 0, the score's normal
size. So it *should* [warning: untested] work to just set the
RehearsalMark
#'font-size = #0.
2009/5/13 Laura Conrad lcon...@laymusic.org:
Tim Thanks for digging all of that out. It doesn't work, though, assuming
Tim I'm doing it right.
Tim \mark \markup{ \italic \fontsize #-0 {D.S. al Fine}}
Tim seems to leave the size unchanged.
This is saying, reduce the fontsize by
Stjepan Brbot schrieb:
Marc Hohl wrote:
Stjepan Brbot schrieb:
Kieren MacMillan wrote:
You have to remove the \germanChords command, then the bass is not
shown as fis, but as F#, as you want.
As Mats has written, insert
\override Score.RehearsalMark #'break-align-symbols =
I'm working on the tie problem in tablatures, that is, tied notes
should become invisible,
or (after a line break) parenthesized. I found
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Difficult-tweaks#Difficult-tweaks
#(define (my-callback grob)
(let* (
; have we been
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames context?
yes. use:
\score
\context ChordNames \with { \consists Rest_engraver } {
...
}
I've never seen something like that. What this rest
In chords for chord stop usually the following sign is used: ¬
How to get this with lilypond?
--
View this message in context:
http://www.nabble.com/How-to-achieve-chord-stop-with-%C2%AC-tp23530011p23530011.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
2009/5/11 Marc Hohl m...@hohlart.de:
(if (and (= left-staff-position right-staff-position)
( (ly:pitch-semitones right-pitch) (ly:pitch-semitones
left-pitch)))
-1
1 )))
This will apply an extra-dy of 1 for glissandos which aren't on the
same
2009/5/14 Stjepan Brbot stjepan.br...@zg.t-com.hr:
In chords for chord stop usually the following sign is used: ¬
How to get this with lilypond?
Have you tried using the \markup command to insert the character when
you want it?
--
Matthew Rowles
- Be Alert. Australia needs lerts.
2009/5/11 David Jarvie li...@astrojar.org.uk:
R2*4 |
\mark #108
R2*8 ^\markup{ \hspace #13 \raise #0 \bold Pocch. animato } |
There's a very good reason why the elements in this example overlap:
the \hspace #13 markup is invisible, but still counts as part of the
skyline for the rest markup
2009/5/13 Marc Hohl m...@hohlart.de:
How can I achieve this?
Remember how you got the bounds of a glissando?
In the case of the broken tie, the right bound will be the notehead
you want to make transparent, so you can retrieve the TabNoteHead grob
using ly:spanner-bound.
Is this even the
2009/5/12 Tim Rowe digi...@gmail.com:
Can anybody work out why the g is in a volta bracket labelled 1.-2.
-- that seems odd, as neither the note nor the word should be there on
the second pass.
In your lyrics definition, you're missing curly brackets around the
alternatives:
\alternative
{
2009/5/14 Neil Puttock n.putt...@gmail.com:
In your lyrics definition, you're missing curly brackets around the
alternatives:
\alternative
{ so }
{ do }
The { do } block isn't part of the \alternative block, so lilypond
interprets the volta as having a repeat count of two, with only
Hi,
I remember a couple of weeks ago there was mention of
a /maxSystemsPerPage and /minSystemsPerPage page attribute added to
2.13. But, I see no documentation on this very important feature. Am I
not looking in the right place for documentation on 2.13?
Craig Bakalian
560 Keswick
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames \with { \consists Rest_engraver } {
...
}
I've never
Am 14.05.2009 um 07:08 schrieb Brett Duncan:
James E. Bailey wrote:
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames
On May 13, 2009, at 11:11 PM, James E. Bailey wrote:
Am 13.05.2009 um 23:07 schrieb Stjepan Brbot:
Simon Bailey-2 wrote:
hi zoli,
Zoltan Kota wrote:
Is it possible somehow to display rest symbols in a ChordNames
context?
yes. use:
\score
\context ChordNames \with { \consists
Neil Puttock schrieb:
2009/5/13 Marc Hohl m...@hohlart.de:
How can I achieve this?
Remember how you got the bounds of a glissando?
In the case of the broken tie, the right bound will be the notehead
you want to make transparent, so you can retrieve the TabNoteHead grob
using
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