Hi John,
how about :
\version 2.18.0
%#(allow-volta-hook |)
#(allow-volta-hook ||)
\score {
\new Staff {
\time 3/4 %adjust time to suit specific tunes
\bar .|:
% Part 1
\set Score.repeatCommands = #'(start-repeat)
\repeat unfold 4 {a4 a a}
\set
On 3 December 2014 at 22:55, Guy Stalnaker jimmyg...@gmail.com wrote:
All,
I'm seeing this in the lilypond output log:
(snip)
Hi,
R1*6/8\fermataMarkup % instead of \fermata
Does that help and remove the warnings?
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
Am 04.12.2014 um 00:13 schrieb Urs Liska:
Am I seeing correctly that the arrows are coded with absolute
coordinates from their starting points (i.e. they wouldn't adapt to
layout changes)?
This is not at all diminishing your snippet, but it would be absolutely
awesome if someone could extend
Thanks Pierre. Two things:
1. The repeat sign at the beginning of the second part is coded but does not
appear.
2. If you have time could you explain your corrections to my code. I
understand the allow-volta-hook
but why did the barline at the end of line two appear and have to be
hidden.
Oops
The algorithm for pitch change does not give correct results for all keys. A
correction is in work!
regards
Peter Gentry
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Thanks,
I still get the error in the log, but it draws the score correctly.
best,
J
On Dec 4, 2014, at 2:58 AM, Marc Hohl m...@hohlart.de wrote:
Am 04.12.2014 um 07:03 schrieb Jaime E Oliver:
Dear All,
I am getting the following error:
Error: programming error: bounds of this piece
Xavier nailed it. A \fermata on a rest produces the log output. Removing
the \fermata removes the error/warning output.
That said, it seems that the log output was not helpful. Throwing
warnings, and comments like not markup without referencing the line
that caused the warnings simply creates
I'm compiling a collection of pipe tunes and would like to include a logo in
the center of the title page under the heading. I've converted a jpeg file
to eps format using save as in Adobe Photoshop and failed using the
\markup {\epsfile #0 #20 #Logo_LNBP.eps} command. The logo is found in:
Hi folks,
by lilypong 2.18 typing c1:9^7 doesn't display Cadd9 anymore, but instead
writes C9 which would be C7/9, and makes the two chords (C9, and Cadd9)
displayed the same way. Is there any whay around this? The setting of
\semiGermanChords doesn'T make any difference. :(
Minimal example
Hi again,
Am Donnerstag, 4. Dezember 2014, 22:19:29 schrieb Jan Kohnert:
by lilypong
that should read as of lilypond
And here's the png of the outpunt I'm getting:
--
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What defines the distance between a time signature and the next note
*with an accidental* (in addition to the TimeSignatures
`extra-spacing-width')? I would expect that the `first-note' (or
`next-note', if set) element of a TimeSignature's `space-alist'
handles this case also, but this
Hi Jan,
there's a snippet that can help:
http://lsr.di.unimi.it/LSR/Item?id=459
In your case, this should do the trick:
% ---
chExceptionMusic = {
c e g d' 1-\markup { \super add9}
}
% Convert music to list and prepend to existing
Aaah, I just discovered that it's possible to use attachments...
Cheers,
Klaus
\version 2.18.0
gtrharmony = \chordmode {
\semiGermanChords
c1:9^7
c1:9
c1:7
}
chExceptionMusic = {
c e g d' 1-\markup { \super add9}
}
% Convert music to list and prepend to existing exceptions.
Hi everybody!
When a lot of lilypond pdfs are included in a *TeX document,
a significant amount of the resulting pdf document is
wasted for differing subsets of fonts.
Identical subsets of fonts can be eliminated by ghostscript,
and ghostscript is also capable to construct an optimal subset
How can I force lilypond to include the full emmentaler-design-size
font instead of only a subset?
LilyPond itself only produces PS files, *always* embedding complete
fonts, AFAIK. Thus ghostscript's `-dSubsetFonts=false' option should
work for Emmentaler also. Have you actually checked that
Hi,
Am Donnerstag, 4. Dezember 2014, 23:14:14 schrieb Big Noise:
there's a snippet that can help:
http://lsr.di.unimi.it/LSR/Item?id=459
[…]
Does that help your issue?
that one helped to get the stuff out to the colleagues, so thanks! But still,
looking at the sourcecode, it seems more
Move the \markup to the end of the header like this and it should work:
\header {
title = Lake Norman Pipe Band
subtitle = March collection
copyright = \markup {
\line {Compiled by John S. McWilliam,
\concat { (rev. \date ) }}}
\markup {\epsfile #0 #20
Here is one way to specify and differentiate C9 from C add9
\version 2.18.2
myChordExceptions = {
c e g d'1-\markup { \raise #0.7 { \tiny add } \raise #0.7 {
\normalsize 9 } }
}
chExceptions = #(append (sequential-music-to-chord-exceptions
myChordExceptions #t) ignatzekExceptions)
I am typesetting the Bee by Schubert (*) with a time signature of 2/4 and
all notes are 1/16 and grouped implicitly in triplets.
is there a way to specify at the beginning of the score that notes are to be
grouped in triplets of 1/16 and avoid having to type \tuplet 3/2 {c8 c8 c8}
many times?
Hi again,
I have a similar problem as I did with the glissandos.
If I generate a text spanner with a beginning and an end. (such as in the
example sul pont -- ord.) and it breaks over two lines of music, I'd like
to have the sul pont. in the first line and ord in the second with a broken
Am 5. Dezember 2014 04:31:54 MEZ, schrieb MarcM m...@mouries.net:
I am typesetting the Bee by Schubert (*) with a time signature of 2/4
and
all notes are 1/16 and grouped implicitly in triplets.
is there a way to specify at the beginning of the score that notes are
to be
grouped in triplets of
Explicit triplets can be set with a single \tuplet command like Urs
suggested. And implicit triplets can be made by scaling the durations:
\version 2.19.13
\relative c' {
\time 2/4
% you might want this, try it
% (1 . 24) is the duration of a 1/16-triplet ;)
On Thu, 4 Dec 2014 12:32:31 -0700 (MST)
John McWilliam jsmcwill...@gmail.com wrote:
I'm compiling a collection of pipe tunes and would like to include a logo
in the center of the title page under the heading. [...]
Personally, I've given up long ago to try including logos and other
stationary
Am 05.12.2014 08:26, schrieb Malte Meyn:
% implicite triplets
c16*2/3 d e c d e c d e c d e |
or
\scaleDurations 2/3 {
c16*2/3 d e c d e c d e c d e |
}
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