Re: Funny line breaking behavior with time signatures

2007-08-03 Thread Gilles THIBAULT
when I try to force a time signature at the beginning of every line, I get an extra floating one at the end of every line, I was not very simple for me to find the right syntaxe for vectors, but finally i found a predefined value end-of-line-invisible : \override Staff.TimeSignature

connecting a arpeggio

2007-08-03 Thread Peter Terpstra
Dear readers, How do i connect a arpeggio between 2 voices? case: staffClassicalGuitar = \new Staff { \set Staff.connectArpeggios = ##t \relative c' { { e' b gis!\arpeggio } \\ { e,\arpeggio } } } ~ End This does not work. Kind Regards, Peter -- mailto:[EMAIL PROTECTED]

Re: connecting a arpeggio

2007-08-03 Thread Neil Puttock
Hi Peter, On 8/3/07, Peter Terpstra [EMAIL PROTECTED] wrote: How do i connect a arpeggio between 2 voices? Add the Span_arpeggio_engraver to your Staff context, i.e. \score { \staffClassicalGuitar \layout { \context { \Staff \consists Span_arpeggio_engraver

Re: connecting a arpeggio

2007-08-03 Thread Diosnel Herrnsdorf
The only solution I found was to use an invisible chord to attach the arpeggio symbol to. In previous versions, it was possible to hide/unhide some notes of a chord, and there was no need to use a third voice, but that does not work anymore. Regards, - Original Message - From: Peter

Re: connecting a arpeggio

2007-08-03 Thread Valentin Villenave
2007/8/3, Peter Terpstra [EMAIL PROTECTED]: Thank you very much, this works!, but with the \set Staff.connectArpeggios = ##t option. Absolutely; I guess you found http://lsr.dsi.unimi.it/LSR/Item?id=294 in the LSR Regards, Valentin ___

Re: scaling problem

2007-08-03 Thread Werner LEMBERG
If you want a foolproof solution, define a markup-command, that constructs the brackets, and adjusts lengths with the magstep of font-size. I've done that already (see below). However, I wasn't able to adjust the extra-offset parameter in a scaled way. Can you help? Werner

Re: scaling problem

2007-08-03 Thread Han-Wen Nienhuys
2007/8/3, Werner LEMBERG [EMAIL PROTECTED]: If you want a foolproof solution, define a markup-command, that constructs the brackets, and adjusts lengths with the magstep of font-size. I've done that already (see below). However, I wasn't able to adjust the extra-offset parameter in a

Figured Bass - accidentals too small

2007-08-03 Thread Michael Käppler
Hi all, I don't like the tiny accidentals which are created f.e. by _! or _+ in figuredBass mode. I tried tweaking the font size in BassFigure object, however this increases the numbers too. Is there a way to get only the accidentals bigger? By the way, I would like to use the symbol for

Re: scaling problem

2007-08-03 Thread Werner LEMBERG
However, I wasn't able to adjust the extra-offset parameter in a scaled way. Can you help? extra-offset is scaled by the staff-space of the StaffSymbol, so you should be able to use \tweak with extra-offset for \vbracket. Hmm, have a look at the attached image. Something doesn't work

Re: Figured Bass - accidentals too small

2007-08-03 Thread Neil Puttock
Hi Michael, On 8/3/07, Michael Käppler [EMAIL PROTECTED] wrote: Hi all, I don't like the tiny accidentals which are created f.e. by _! or _+ in figuredBass mode. I tried tweaking the font size in BassFigure object, however this increases the numbers too. Is there a way to get only the

part-wise vs. time-wise

2007-08-03 Thread Thomas Aquinas
Hi, I am new to lilypond and I have a very basic question - is there any way to encode a composition chronologically, event-by-event? Something like the musicxml time-wise format, where each measure is defined one voice at a time before going on to the next measure. Or is the \score statement

Re: part-wise vs. time-wise

2007-08-03 Thread Graham Percival
See 6.4.9 Writing music in parallel. - Graham Thomas Aquinas wrote: Hi, I am new to lilypond and I have a very basic question - is there any way to encode a composition chronologically, event-by-event? Something like the musicxml time-wise format, where each measure is defined one voice at a