Michael Sperone wrote:
Thank you for your help, I thought I might need to change the settings
back.
I did get a chance to look through the chapters you mentioned, but
couldn't really find anything that would change the settings back for
the feathered beams. I'm not sure exactly what it
I'm trying to tweak the spacing code, and I've come across a case where I'm
not sure what to do. In the attached example, I have a note followed by a
clef change followed by a bar line. Given that the clef fits in the space
that would be there anyway, should it take up extra space? Any strong
On Wednesday 15 August 2007, Eduardo Vieira wrote:
Citando Vivian Barty-Taylor [EMAIL PROTECTED]:
I'm using various bits of graphics in this piece
which aren't natively supported by Lilypond. Although I could add them
all as EPS markups, the amount of time I would spend adjusting the
Hi all,
can I get lilypond to automatically break pages in such a way that only
full pages are created?
For example, if the piece gets 1 1/2 pages long with
optimal-page-breaking, lilypond decides whether to compress everything
on 1 page or expand it to 2 pages?
Kind regards,
Michael
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Am Donnerstag, 16. August 2007 schrieb Michael Käppler:
For example, if the piece gets 1 1/2 pages long with
optimal-page-breaking, lilypond decides whether to compress everything
on 1 page or expand it to 2 pages?
\paper {
Mark Knoop wrote:
Joe Neeman wrote:
I'm trying to tweak the spacing code, and I've come across a case where I'm
not sure what to do. In the attached example, I have a note followed by a
clef change followed by a bar line. Given that the clef fits in the space
that would be there anyway,
I have just added the following explanation and example to the LSR.
Hopefully
it answers your question as well.
By default, only the piece and opus fields from the \header{...} block
are typeset above each separate score, if you have multiple \score{...}
blocks in your input file. As is
I need to put a title with a score for several short pieces. Several pieces
can
fit on one page. I am able to put a score within a title at the top of the
page
but can't do it for pieces that are not at the top the page.
I 'm not sure i understand all of the above but here is a solution
I 'm not sure i understand all of the above but here is a solution which
seems to work.
See Mats explications :-)
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On Thu , [EMAIL PROTECTED] sent:
Michael Sperone wrote:
Thank you for your help, I thought I might need to change the settings
back.
I did get a chance to look through the chapters you mentioned, but
couldn't really find anything that would change the settings back for
Dear readers,
Is the a barrésign macro created for lilypond?
The barré sign should go over the staff!
Looks a bit like this:
|
|_
Kind Regards,
Peter
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Michael Sperone wrote:
I am now having trouble with the barcheck. How do I keep it all in
one quarter note? Do I need to do a \times 7/8 { ... } ? first?
Right, you have to scale the durations, since the total duration
of the beamed notes will not change. However, if you use
\times
Hi all,
again a question I'd be very happy to helped with.
If I add padding around instrument names, LilyPond doesn't care if the
names are inside the margins. I thought that Lily would align the names
on the left margin and move the system to the right.
Kind regards,
Michael
Your observation is absolutely correct, so unfortunately you
have to manually adjust the indent parameter (or the
linewidth) to fit the instrument names.
/Mats
Michael Käppler wrote:
Hi all,
again a question I'd be very happy to helped with.
If I add padding around instrument names,
Hi,
I'm a first time poster - I've been trying to use Lilypond for
proportionally notating multi-tempo music.
I'm writing a score that has two or more voices in different tempi
simultaneously.
To solve this, I make a huge measure. For example, the first staff will
contain a minute of quarter
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