Dear Lilypond-users,
in the below quoted snippet I get a collision between the two staves.
Is there a possibilitie to avoid automatically this collision, without
increasing the distace between the two staves generally?
Here is the snippet:
\version 2.12.0
%%some definitions
onBeat = \markup {
Graham Percival wrote Sunday, February 01, 2009 3:27 AM
On Sat, Jan 31, 2009 at 08:11:11PM -, Trevor Daniels wrote:
The docs for 2.12 don't mention \cresc or \dim. This could (should) be
fixed now.
Rather, \cresc and \dim should finally be removed. See the
message in
Stefan Thomas wrote:
Is there a possibilitie to avoid automatically this collision
The eyeglasses example in NR B.8.3.
uses the \with-dimensions command for this.
\with-dimensions #'(0 . 3.5) #'(0 . 4) for your case?
Cheers,
Robin
___
On 1 Feb 2009, at 13:07, Graham Breed wrote:
You can use any glyph, or string of glyphs, you have in a font. I
haven't seen a mention here of such a font being available.
Didn't you work with MicroABC? A quick search gave this page
http://anamnese.online.fr/site2/index.php?page=abc_perse
Ahh, I see Carl's note didn't make it to the list.
I'll forward it.
Trevor
- Original Message -
From: Graham Percival gra...@percival-music.ca
To: Trevor Daniels t.dani...@treda.co.uk
Cc: lilypond-user@gnu.org; Carl D. Sorensen c_soren...@byu.edu
Sent: Sunday, February 01, 2009 12:06
On 1 Feb 2009, at 13:07, Graham Breed wrote:
You can use any glyph, or string of glyphs, you have in a font. I
haven't seen a mention here of such a font being available.
I netsearched for koron sori font, and worked through all entries
and found no font. So I figure they must be drawn.
Stefan
You could invert the order of the pedal
indication and dynamics with 'outside-staff-priority
and then move the dynamics grobs with 'extra-offset
so the beat indicator falls in the gap.
E.g.
\once \override Staff.SustainPedalLineSpanner #'outside-staff-priority =
#200
\once \override
On Sun, Feb 01, 2009 at 08:35:47AM -, Trevor Daniels wrote:
Graham Percival wrote Sunday, February 01, 2009 3:27 AM
Rather, \cresc and \dim should finally be removed. See the
message in ly/spanner-init.ly
No. There was a long discussion on -user at the end
of October last year
Ok, I
Yes, I'm still using v2.6.5...
I'm trying to get a cross staff arpeggio with a directional head. I'm
wondering if that's possible or not, since it seems no matter what I do the
arpeggio comes out with no direction indicator.
Here's a condensation of the code. Thanks in advance!
\version
Dear Robin,
excellent! It works now! What does this \with-dimensions-command exactly do?
Is it explained in the manual?
2009/2/1 Robin Bannister r...@dataway.ch:
Stefan Thomas wrote:
Is there a possibilitie to avoid automatically this collision
The eyeglasses example in NR B.8.3. uses the
Stefan Thomas wrote:
What does this \with-dimensions-command exactly do?
Is it explained in the manual?
It is mentioned right at the end of NR B.8.6.
I think that by dimensions you are meant to understand
the X-extent and Y-extent [1] of the markup that follows.
I suppose that if the
On 30 Jan 2009, at 03:34, Kees van den Doel wrote:
Is there any way to print the koron (60cents flat) and sori (40 cent
sharp)?
Check with Graham Breed - it might be possible now.
I've defined these pitch alterations by modifying makam.ly but they
should really
be printed according to
2009/2/1 Hans Aberg hab...@math.su.se:
On 30 Jan 2009, at 03:34, Kees van den Doel wrote:
Is there any way to print the koron (60cents flat) and sori (40 cent
sharp)?
Check with Graham Breed - it might be possible now.
You can use any glyph, or string of glyphs, you have in a font. I
On Sat, 2009-01-31 at 12:13 +0100, Reinhold Kainhofer wrote:
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On Samstag, 31. Januar 2009 02:06:38 Joe Neeman wrote:
On Sat, 2009-01-31 at 00:53 +0100, Reinhold Kainhofer wrote:
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On Sonntag, 1. Februar 2009 19:49:05 Joe Neeman wrote:
On Sat, 2009-01-31 at 12:13 +0100, Reinhold Kainhofer wrote:
On Samstag, 31. Januar 2009 02:06:38 Joe Neeman wrote:
On Sat, 2009-01-31 at 00:53 +0100, Reinhold Kainhofer wrote:
On
Nick Payne wrote:
You can use
\override Stem #'flag-style = #'no-flag
c8 c
That's a complicated solution to obtain the same as c4*1/2,
read about scaling durations in the manual.
However, James Bailey has provided a much better solution
for this specific application.
/Mats
Ed Ardzinski wrote:
Yes, I'm still using v2.6.5...
I hope you realize what you miss!
I'm trying to get a cross staff arpeggio with a directional head. I'm
wondering if that's possible or not, since it seems no matter what I
do the arpeggio comes out with no direction indicator.
See
One solution is \repeatTie, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Writing-rhythms#Ties
/Mats
Ed Ravin wrote:
I'm using LilyPond Version 2.10.29-1 on a PPC MacOS 10.4 (Tiger).
I'm trying to typeset a piece that has phrasing slurs and repeats.
One of the phrasing
Cross fingers, today is the premiere of Valentin's the LilyPond
Opera in Montpellier. Success!
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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Thanks Mats!
arpeggioUp = \override PianoStaff.Arpeggio #'arpeggio-direction = #UP
Did the trick.
As for what I'm missinng...it's hard to know since I'm still using an ancient
version. So far I've still yet to exhaust the potential of 2.6.5. And
frankly, I'm a little apprehensive tying
Francisco Vila wrote:
Cross fingers, today is the premiere of Valentin's the LilyPond
Opera in Montpellier. Success!
All right! Can't wait to hear how it goes. Good luck!
Jon
--
Jonathan Kulp
http://www.jonathankulp.com
___
lilypond-user
On 2/1/09 1:06 PM, Ed Ardzinski ed_ardzin...@hotmail.com wrote:
Thanks Mats!
arpeggioUp = \override PianoStaff.Arpeggio #'arpeggio-direction = #UP
Did the trick.
As for what I'm missinng...it's hard to know since I'm still using an
ancient version. So far I've still yet to
Jonathan Kulp a écrit :
Francisco Vila wrote:
Cross fingers, today is the premiere of Valentin's the LilyPond
Opera in Montpellier. Success!
The name is Affaire étrangère; how would you translate it, Valentin? :-)
All right! Can't wait to hear how it goes. Good luck!
IIRC it should
Is there any way to print the koron (60cents flat) and sori
(40 cent
sharp)?
Check with Graham Breed - it might be possible now.
You can use any glyph, or string of glyphs, you have in a
font.
OK, my question then is: how? Assume I edit the font svg files
emmentaler-??.svg and
Is there any way to print the koron (60cents flat) and sori
(40 cent sharp)?
I am curious where you got those figures. The values in
Hormoz
Farhat's thesis suggest one should use E53 with koron lowering
3
commas and sori raising 2 commas (E53 tonesteps). He describes
the
On 1 Feb 2009, at 22:35, Behnam wrote:
LilyPond now has the capability to typeset these, if one can get
hold of glyphs, and produce correctly tuned MIDI files.
I may be able to produce the glyph (with some additional studies)
but I can only support you in getting the code for it.
It
Here's an example from a Persian music book.
Kees
- Original Message -
From: Hans Aberg hab...@math.su.se
Date: Sunday, February 1, 2009 2:14 pm
Subject: Re: Persian musical koron and sori
To: Behnam behnam.ra...@gmail.com
Cc: Unicode Mailing List unic...@unicode.org, LilyPond users list
Is this for tuning a key or marking a specific note? or both?
Both. They are used exactly as normal accidentals.
Kees
Behnam
On 1-Feb-09, at 6:07 PM, Kees van den Doel wrote:
Here's an example from a Persian music book.
Kees
- Original Message -
From: Hans Aberg
Well, \repeatTie doesn't take you very far into the ensuing phrase.
And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \unHideNotes c8 g8 c8 \) | }
And you can use the grace pitch to adjust the starting height.
This is
Hello
I am changing notehead color with ...
\override NoteHead #'color = #'(1.0 0.7 0.0)
... which works fine.
But how can I change the notehead color within a chord?
Thanks
Nick Didkovsky
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Nick Didkovsky wrote:
Hello
I am changing notehead color with ...
\override NoteHead #'color = #'(1.0 0.7 0.0)
... which works fine.
But how can I change the notehead color within a chord?
Thanks
Nick Didkovsky
You want the \tweak command to affect individual items inside a chord:
Thanks very much Jon, for your quick reply. Works great
Best
Nick
Jonathan Kulp wrote:
Nick Didkovsky wrote:
Hello
I am changing notehead color with ...
\override NoteHead #'color = #'(1.0 0.7 0.0)
... which works fine.
But how can I change the notehead color within a chord?
Thanks
Nick
PS The symbols for koron and sori were introduced by Vaziri (1888-1980). His
quartertone theory
didn't last but his symbols have. Millions of pages of printed Persian music
are around, with the
koron and sori always obviously handwritten. Hopefully we (I) can typeset them
in lilypond very soon.
On Sun, 2009-02-01 at 20:00 +0100, Reinhold Kainhofer wrote:
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On Sonntag, 1. Februar 2009 19:49:05 Joe Neeman wrote:
On Sat, 2009-01-31 at 12:13 +0100, Reinhold Kainhofer wrote:
On Samstag, 31. Januar 2009 02:06:38 Joe Neeman wrote:
On
I updated to this version of LPT a few days ago. It fixes the problem
with jPedal and jEdit locking up if jPedal is not showing the first
page of the PDF when rebuilding the ly file, but although I have the
default file encoding in jEdit set to UTF-8, it still insists on
saving ly files as
Hans Aberg wrote:
On 1 Feb 2009, at 13:07, Graham Breed wrote:
You can use any glyph, or string of glyphs, you have in a font. I
haven't seen a mention here of such a font being available.
Didn't you work with MicroABC? A quick search gave this page
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