Anthony W. Youngman wrote
In message 874oyl28nj.wl%pe...@chubb.wattle.id.au, Peter Chubb
pet...@gelato.unsw.edu.au writes
Trevor == Trevor Daniels t.dani...@treda.co.uk writes:
Trevor Hmm. Not sure it's a bug. The \transpose command
transposes
I think it is (and I reported it as one
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
\new Staff \with {
midiInstrument = acoustic bass
} { *\clef bass_8* \bass }
\new TabStaff \with {
stringTunings = #bass-tuning
} \bass
If this is the most used way, ( \clef bass_8 for Acoustic or Electric
Wilbert Berendsen wrote:
Op dinsdag 24 februari 2009, schreef Grammostola Rosea:
\new Staff \with {
midiInstrument = acoustic bass
} { *\clef bass_8* \bass }
\new TabStaff \with {
stringTunings = #bass-tuning
} \bass
If this is the most used way, ( \clef
Carl, you wrote Tuesday, February 24, 2009 1:43 AM
On 2/23/09 12:52 PM, Maarten Deen md...@xs4all.nl wrote:
I have a piece of music in 3/4 which has bars like { d4. c8 b8.
a16 }
Lilypond groups the last three notes together, making it look
like a 6/8
measure, but I want the c8 to be
Strangely enough, the solution is to use the following strategy:
#(set-global-staff-size 13)
\book{
% Complete score
...
}
#(set-global-staff-size 20)
\book{
% Part 1
...
}
...
/Mats
Martin Tarenskeen wrote:
Hi Lilyponders,
I'm trying to set up a score with a piece for 4 piano's.
I have
Trevor == Trevor Daniels t.dani...@treda.co.uk writes:
Trevor Producing the correct pitch in MIDI for transposing
Trevor instruments being notated at pitch is certainly the principal
Trevor use of \transposition. It's other use is to transpose cues
Trevor into the correct pitch when they
Peter Chubb wrote Tuesday, February 24, 2009 10:28 AM
Trevor == Trevor Daniels t.dani...@treda.co.uk writes:
Trevor Producing the correct pitch in MIDI for transposing
Trevor instruments being notated at pitch is certainly the
principal
Trevor use of \transposition. It's other use is to
By convention, double-bass and electric bass are notated using a
standard bass clef with the understanding that the notes sound one
octave lower than they appear on the staff. Guitar is the same way, but
it is becoming more common to to use a modern tenor clef (i.e.
treble_8) now than in the
I'm working on the first group of missing LilyPond Tab features and it
pertains to finger bends. I expect this to be a slow process. We have
two (or maybe three) individuals who have expressed interest in joining
the discussion, so when I have something, I'll send it out to those
individuals
David Stocker wrote:
By convention, double-bass and electric bass are notated using a
standard bass clef with the understanding that the notes sound one
octave lower than they appear on the staff. Guitar is the same way, but
it is becoming more common to to use a modern tenor clef (i.e.
Editorially, I prefer the treble_8 clef as well, but I think it's safe
to say that most readers (to the extent they notice at all) are more
accustomed to seeing the regular treble and bass clefs, as opposed
to treble_8 or bass_8.
Dave
Jonathan Kulp wrote:
David Stocker wrote:
By convention,
David Stocker wrote:
Editorially, I prefer the treble_8 clef as well, but I think it's safe
to say that most readers (to the extent they notice at all) are more
accustomed to seeing the regular treble and bass clefs, as opposed
to treble_8 or bass_8.
Dave
Jonathan Kulp wrote:
David Stocker
On 2/24/09 2:46 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl, you wrote Tuesday, February 24, 2009 1:43 AM
On 2/23/09 12:52 PM, Maarten Deen md...@xs4all.nl wrote:
I have a piece of music in 3/4 which has bars like { d4. c8 b8.
a16 }
Lilypond groups the last three notes
Dear lilypond-users,
I tried to install Frescobaldi from source.
But I get the following error message:
The C++ compiler CMAKE_CXX_COMPILER-NOTFOUND is not able to compile a
simple test program.
I don't undertand the meaning of it-
I use Kubuntu, with KDE 4.2
Since pickups conventionally are subtracted from the last measure of a
section, a future edition might change \partial to partial {} where
the beat/measure count could be correctly adjusted across the section.
M Watts wrote:
jpeters wrote:
One way to do this is with measureLength:
Le 23 févr. 09 à 10:36, Michael Käppler a écrit :
Hi,
I don't know if it will work, but perhaps you can try to type
\displayMusic { \clef #testclef a4 h c } to get the scheme
version of your music,
and to copy/paste the output you got after the #:score markup ...
good idea! But it still
Hello Everybody,
I sent this question to the freebsd port maintainer, but I also wanted to
ask this list. I'm trying to build lilypond from the free port
(print/lilypond) and I'm getting a seg fault from Ghostscript. I was
wondering if anybody has seen this problem. Here is the error I get from
I am interested in contributing financially.
David Stocker wrote:
I'm working on the first group of missing LilyPond Tab features and it
pertains to finger bends. I expect this to be a slow process. We have
two (or maybe three) individuals who have expressed interest in joining
the
On Tue, Feb 24, 2009 at 2:38 PM, Matthias Kilian k...@outback.escape.dewrote:
On Tue, Feb 24, 2009 at 01:03:00PM -0700, Glen Hein wrote:
I sent this question to the freebsd port maintainer, but I also wanted to
ask this list. I'm trying to build lilypond from the free port
(print/lilypond)
On Tue, Feb 24, 2009 at 03:44:08PM -0700, Glen Hein wrote:
- is this reproducable, i.e. does it always crash in ghostscript, and at
the same file?
The problem is reproducible. It fails on the same file every time. I had
been building using csh, so as a WAG, I tried bash. The bash ulimit
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar || |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score Template.ly:41:21: warning:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar || |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score Template.ly:41:21:
Chip wrote:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar || |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score
Gilles Sadowski wrote:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
\times 2/3 {d c b} |
g2.\fermata \bar || |
r1*5
}
There errors are this -
Interpreting music... [8]
F:/Lilypond Files/Score
On 2/24/09 5:09 PM, Chip c...@wiegand.org wrote:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
The measure above here is a 6/8 measure (f4 fs b), but you've multiplied it
by 2/3, so it's only
Chip wrote:
\times 2/3 {f4 fs b}
looks like 3 quarter notes to me.
You've got TWO THIRDS of three quarter notes (timewise).
What is it you're trying to achieve with the triplet?
___
lilypond-user mailing list
lilypond-user@gnu.org
I'm trying to write text in an otherwise empty measure (some special
performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
but when I apply it my text overwrites music after the bar
I want to put the Stanza number before every line of verse in a longer hymn, but
cannot get the hint here to work:
http://www.geoffhorton.com/lilypond.html#versenumbers
Investigating the Stanza_number_engraver doesn't seem to give any clues, either.
Is this possible to do without manual markup?
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