Op woensdag 25 februari 2009, schreef Stefan Thomas:
Dear Wilbert,
many thanks for Your fine Lilypond-editor Frescobaldi!
It looks fine and is a very convenient tool to work with lilypond.
Thank you!
I'm only missing a feature, that can change pitches enharmonically,
e.g. convert a cis to
Op dinsdag 24 februari 2009, schreef Chris Snyder:
Stefan Thomas wrote:
I tried to install Frescobaldi from source.
But I get the following error message:
The C++ compiler CMAKE_CXX_COMPILER-NOTFOUND is not able to compile a
simple test program.
I don't undertand the meaning of it-
2009/2/26 aabb a...@chadbournes.f2s.com:
I'm using multiple \book{} blocks to create multiple output files from the
same source (to create versions transposed in different keys). By default
the second and subsequent books are named by adding suffix -1, -2, -3,
etc. to the file name. For
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On Donnerstag, 26. Februar 2009 10:45:46 Francisco Vila wrote:
2009/2/26 aabb a...@chadbournes.f2s.com:
I'm using multiple \book{} blocks to create multiple output files from
the same source (to create versions transposed in different keys). By
Francisco Vila wrote:
... Is there a command I can add to a \book{}
block to specify the output file name, or the suffix to add to the base
name. E.g. to get files names such as:
song-C.pdf
song-Eb.pdf
etc.
The answer is in the manual, see Application Usage 3.2.1
Wilbert Berendsen wrote Thursday, February 26, 2009 9:21 AM
Op woensdag 25 februari 2009, schreef Stefan Thomas:
I'm only missing a feature, that can change pitches
enharmonically,
e.g. convert a cis to des.
Is it possible to write a plugin for this?
Yes, this kind of operations is
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On Donnerstag, 26. Februar 2009 10:58:19 Mats Bengtsson wrote:
The obvious follow-up question is, why you get the additional number
even when the file name would
be unique without the number, i.e. when the output-suffix is set
differently for each
Op donderdag 26 februari 2009, schreef Trevor Daniels:
Apologies if you are already well aware of this.
Yes I am :-)
A routine that enharmonically changes pitches should therefore determine the
distance between the base-step (i.e. the note name without accidental) before
and after the
I tried that, but now - after the compiling-process - it is printed out as a
Quintet: there's an additional staff, and the ossia-part ist still below the
cello; maybe the problem is, that the staffs of the full-score are
'produced' with the additional file - I confess, I'm a little confused...
Thank you all for the replies.
Alex
Reinhold Kainhofer wrote:
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On Donnerstag, 26. Februar 2009 10:58:19 Mats Bengtsson wrote:
The obvious follow-up question is, why you get the additional number
even when the file name would
be unique without
I hope you replaced your current line
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
by
\tag #'score \tag #' vn1 \new Staff = ViolineEins { \global \ViolineEins
}
in your \score block and didn't add James' suggestion as an extra line
somewhere.
Thanks Gilles
as I am not an expert, what is the code if I want to change the color of
note with sharps AND flats? What should I change?
Thank very much in advance!
Gilles THIBAULT wrote:
Is there is a way to authomatically color notes that are e.g. sharp?
This function
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Hi David,
You're very welcome. :-) BTW, while that will work you still have to put
a \popChords thing into your chord block, so it's still not 100%
automatic the way language files are. If someone could tell me how to
make this happen I'd be more
Mats Bengtsson wrote:
The reason for your problems is that the command \partial 8 is
equivalent to
\set Score.measurePosition = #(ly:make-moment -1 8)
which does the setting on the Score level. The solution is to make the
Ok. Perfectly clear. Thanks a lot!
Peter
corresponding
setting in
That seems to work, however, the numbers are outside the music and I'd
like them closer to the lyrics (just like stanza places them),
however, the fix reported in 2005 doesn't seem to work.
http://www.mail-archive.com/lilypond-user@gnu.org/msg10022.html
-tom
On 2009 Feb 25, at 01:29, James
On 2/26/09 3:32 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
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On Donnerstag, 26. Februar 2009 10:58:19 Mats Bengtsson wrote:
The obvious follow-up question is, why you get the additional number
even when the file name would
be unique
2009/2/26 cuco julio.casa...@me.com:
Thanks Gilles
as I am not an expert, what is the code if I want to change the color of
note with sharps AND flats? What should I change?
Thank very much in advance!
The attached file does this, taking Gilles' work as starting point. I
have translated
Hi Shamus,
You're very welcome. :-) BTW, while that will work you still have
to put
a \popChords thing into your chord block, so it's still not 100%
automatic the way language files are. If someone could tell me how to
make this happen I'd be more than happy to code it. :-)
Try adding the
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Francisco gracias
The file - when compiled - gives the following message error: program too
old: 2.12.1 (file requires 2.12.2.)
I run convert-ly but I get the same error afterwards. Why?
Francisco Vila-5 wrote:
2009/2/26 cuco julio.casa...@me.com:
Thanks Gilles
as I am not an expert,
cuco wrote:
Francisco gracias
The file - when compiled - gives the following message error: program too
old: 2.12.1 (file requires 2.12.2.)
I run convert-ly but I get the same error afterwards. Why?
The conversion script only updates to 2.12.1. Just change the \version
statement manually to
If you read the error message once more carefully, you will probably
realize what the problem is, namely that you have a file written for a
newer version than your installation. Of course, convert-ly included in
version 2.12.2 cannot possibly know how to handle features introduced in
newer
Sorry, my bad. Change it manually to read 2.12.1 to avoid this message,
which happens because you have 2.12.1 installed but the file is asking
for 2.12.2.
Jon
cuco wrote:
Francisco gracias
The file - when compiled - gives the following message error: program too
old: 2.12.1 (file requires
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Am Donnerstag, 26. Februar 2009 schrieb Carl D. Sorensen:
PS: Why do we call (string-regexp-substitute [^a-zA-Z0-9-] _ output-
suffix) on the suffix? This makes it impossible to use e.g. Flöte as
the suffix, which is German for Flute! Similar,
Hi Wilbert, excelent!
Any change of an OSX version soon?
2009/2/26 Wilbert Berendsen lily...@xs4all.nl
Op donderdag 26 februari 2009, schreef Trevor Daniels:
Apologies if you are already well aware of this.
Yes I am :-)
A routine that enharmonically changes pitches should therefore
I saw the mention of Canorus in the Lilypond FAQ, and I downloaded it
and have gotten it running. But I can't figure out how to do anything
in it. Is there a user's guide somewhere? I can't find one.
--
Tim Slattery
slatter...@bls.gov
http://members.cox.net/slatteryt
With much gratitude to Neil Puttock
(http://www.nabble.com/flatten-ties-~-proportional-notation.-to21076458.html#a21080158),
I've learned how to set some slur control points based on the staff position
of the first note:
defining noteLeft as (ly:grob-parent (ly:grob-original grob) X)
makes it
2009/2/26 Nathan nateaufdeut...@googlemail.com:
Thanks for the link, it worked and it installed. But now I don't
understand how to open the program...there is no icon to open it and it
isn't in my applications menu
Then follow these now:
On Wed, 2009-02-25 at 20:37 -0700, Neil Thornock wrote:
Is there some reason that you don't use
\paper {
ragged-last-bottom = ##f
}
?
Yes... I've found that often the final page in such a score gets
cheated in the number of systems assigned to it. So I may have 5
systems on all my
Doesn't it rather mean that Lilypond v2.12.1 is installed and doesn't like
the \version 2.12.2 in the ly file. Either change the \version in the
source file to 2.12.1 or install LP 2.12.2.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
Dear Mats,
your coding worked out!
regards, Christian
Mats Bengtsson-4 wrote:
I hope you replaced your current line
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
by
\tag #'score \tag #' vn1 \new Staff = ViolineEins { \global
\ViolineEins }
in
2009/2/26 Reinhold Kainhofer reinh...@kainhofer.com
It would actually be quite simple to implement: In scm/lily-library.scm in
the
print- book-with function, instead of storing the file count as a number in
'output-count, store it in an alist (which is set as the 'output-count
parser
Sorry, it is not working correctly yet (it does not count)
2009/2/26 Marek Klein ma...@gregoriana.sk
2009/2/26 Reinhold Kainhofer reinh...@kainhofer.com
It would actually be quite simple to implement: In scm/lily-library.scm in
the
print- book-with function, instead of storing the file
Tim Slattery wrote:
I saw the mention of Canorus in the Lilypond FAQ, and I downloaded it
and have gotten it running. But I can't figure out how to do anything
in it. Is there a user's guide somewhere? I can't find one.
Try their website
https://canorus.berlios.de/wiki/index.php/Main_Page
I want to put a markup over a fermata but when I try this:
a'2\fermata^\markup { \italic lunga }
I get the text under the fermata. How can I force it above?
Thanks
Joe
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2009/2/26 Reinhold Kainhofer reinh...@kainhofer.com
On Donnerstag, 26. Februar 2009 22:38:53 Marek Klein wrote:
(output-count (assoc-ref counter-alist 'output-suffix))
(base (ly:parser-output-name parser))
(output-suffix (ly:parser-lookup parser 'output-suffix)) )
Joseph Haig wrote:
I want to put a markup over a fermata but when I try this:
a'2\fermata^\markup { \italic lunga }
I get the text under the fermata. How can I force it above?
Thanks
Joe
One way is to do it as a markup:
\markup { \center-column { \italic lunga \musicglyph
Joseph Haigwrote:
I get the text under the fermata. How can I force it above?
Use
\once \override Script #'script-priority = #-100
as mentioned in Controlling the vertical ordering of scripts in NR 1.3.1.
Cheers,
Robin
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2009/2/26 Robin Bannister r...@dataway.ch:
Joseph Haigwrote:
I get the text under the fermata. How can I force it above?
Use
\once \override Script #'script-priority = #-100
as mentioned in Controlling the vertical ordering of scripts in NR 1.3.1.
Thanks, that is perfect!
Joe
2009/2/26 M Watts zwy648...@gmail.com:
Joseph Haig wrote:
I want to put a markup over a fermata but when I try this:
a'2\fermata^\markup { \italic lunga }
I get the text under the fermata. How can I force it above?
Thanks
Joe
One way is to do it as a markup:
\markup {
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