I'm guessing it's a bad time to ask questions, I haven't seen much
response, but I thought I'd ask again.
1) I know it's difficult to imagine that a user (i.e., not someone
who can fix a bug) has properly set up his system for convert-ly on
osx 10.4, but convert-ly on osx 10.4 does not
2009/3/16 James E. Bailey derhindem...@googlemail.com:
3) Is there a way to get a half of a box around a fingering? I vaguely
remember a three-legged box in the markup commands, but I don't see it
anymore. Any tips for where to look?
Search for the word Three in LSR:
Op zondag 15 maart 2009, schreef Alberto Simões:
By default Lilypond is considering that beamed notes are used for the
same syllable. While that is used in many cases (most, in fact), I am
dealing with a specific music where I want a different syllable for each
note.
How can I force this?
On 16.03.2009, at 10:45, Francisco Vila wrote:
2009/3/16 James E. Bailey derhindem...@googlemail.com:
3) Is there a way to get a half of a box around a fingering? I
vaguely
remember a three-legged box in the markup commands, but I don't
see it
anymore. Any tips for where to look?
I have one line of solo and then ChoirStaff with 2 staves. I don't want the
first line to be a two-starves line with many rests in other voices. So, i
created two \score:
\score {
\new Staff
\new Voice = Soloi { ... one line of solo Music ... }
\new Lyrics \lyricsto Soloi {
My rescuer, who didn't answer to the common mail-list for some reason, gave
me the answer:
in layout block, should be:
ragged-right = ##f
--
View this message in context:
http://www.nabble.com/stretching-horizontally-tp22537019p22537736.html
Sent from the Gnu - Lilypond - User mailing
Hi,
My rescuer, who didn't answer to the common mail-list for some
reason, gave me the answer:
in layout block, should be:
ragged-right = ##f
Unfortunately, your rescuer gave you an incorrect answer -- really,
you should put both the solo music (Staff) and the choral music
In fact it's very simple (only my lack of experience in handling fonts files
made it difficult):
at first when lilypond's console was showing error messages, it said
clearly waht paths it was going through to locate the .ly file, there were
several paths, so i guess you can just put a copy of it
Additionally, use \break to manually break lines in order to achieve an
optimal layout.
Kieren MacMillan wrote:
Hi,
My rescuer, who didn't answer to the common mail-list for some
reason, gave me the answer:
in layout block, should be:
ragged-right = ##f
Unfortunately, your rescuer
On Sun, Feb 22, 2009 at 06:37:50PM -0700, Carl D. Sorensen wrote:
- \cresc, \dim, \decr, \decresc produce a text without spanner, applies
only once to the previous note, no need to finish with \! or \endcresc,
this could be implemented with a \markup command
I don't like the idea of
On Fri, Mar 06, 2009 at 09:31:54AM +0100, James E. Bailey wrote:
I realise it's only been a week since this was last discussed, but:
a) no one who can say whether or not this can be implemented has
responded (ever)
Yes, this can be implemented.
I have no clue how complicated this may be,
Graham Percival gra...@percival-music.ca writes:
On Sun, Feb 22, 2009 at 06:37:50PM -0700, Carl D. Sorensen wrote:
- \cresc, \dim, \decr, \decresc produce a text without spanner, applies
only once to the previous note, no need to finish with \! or \endcresc,
this could be implemented with
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't confused by
the issue. (I've answered another question related to this in the
last
week)
Yes, please do. Carl can help you get started as a Frog; we
desperately need more people
Jonathan Kulp wrote:
I'm having trouble getting vim to do Lilypond syntax coloring on OSX. I
have it all working fine on my Linux machines but I'm doing something
wrong on the Macs.
Does anybody know a good vim version for windows (including coloring,
syntax help, etc.)?
Helge
Hi,
I am confused about the installation procedure for getting Lilypond
on Ubuntu. I just bought a laptop at a yard sale for 30 USD. It is
a compaq presario 2100. Ubuntu cannot drive the modem so I cannot
download directly to the laptop. So, I will download to an iMac and
Hi Craig,
I too have a Compaq Presario 2100 running Ubuntu 8.04.
You'll want to browse to http://lilypond.org/web/install/ and download
the binary package for Any x86. You'll also probably want to grab the
Documentation and burn it to the same CD. Once you have it on CD, just
copy the files
To clarify, a decent location for the documentation files would be
/home/yourusername/lilypond-documentation where yourusername is the
special name of your particular home folder and lilypond-documentation
is the name of the folder where you extract the documentation tarball.
Leave out the
Hi list,
My name's Florian, I am a Lilypond newbie, and currently one of my
strategies to get beyond that stage is to use Lilypond to redo a small
piano piece I wrote a while ago in Sibelius (a pdf is available at
http://flo.mur.at/muteandcontinue-piano.pdf)
The main question this brings up
Florian Hollerweger wrote:
Hi list,
My name's Florian, I am a Lilypond newbie, and currently one of my
strategies to get beyond that stage is to use Lilypond to redo a small
piano piece I wrote a while ago in Sibelius (a pdf is available at
http://flo.mur.at/muteandcontinue-piano.pdf)
The
version 2.10.25
included in \context { \Staff
\remove Bar_engraver
\remove Time_signature_engraver
\override Stem #'transparent = ##t
this has the effect of removing all the clefs from everywhere except the very
first system of the piece. How can I stop this? I think I understand that if
On Mon, Mar 16, 2009 at 08:07:14PM +0100, Helge Kruse wrote:
Jonathan Kulp wrote:
I'm having trouble getting vim to do Lilypond syntax coloring on OSX.
I have it all working fine on my Linux machines but I'm doing something
wrong on the Macs.
Does anybody know a good vim version for
On 3/16/09 11:52 AM, James E. Bailey derhindem...@googlemail.com wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't confused by
the issue. (I've answered another question related to this in the
last
week)
Yes, please
Kieren MacMillan wrote:
Hi,
My rescuer, who didn't answer to the common mail-list for some
reason, gave me the answer:
in layout block, should be:
ragged-right = ##f
Unfortunately, your rescuer gave you an incorrect answer -- really,
you should put both the solo music
Hi,
But ragged-right = ##f with two separate \score{} works and gives
quick result.
It works in the sense that it looks good...
But it is still musically wrong -- for example, MIDI output would not
be as desired/expected.
GrandStaff with \RemoveEmptyStaffContext also works, but it's
-- Forwarded message --
From: Allan Spagnol Comar allan.co...@gmail.com
Date: Mon, Mar 16, 2009 at 9:18 PM
Subject: Re: Help migrating a script from lilypond 2.10 to 2.12
To: Carl D. Sorensen c_soren...@byu.edu
Hi guys, sorry for the late answer.
No I haven tried to run the
-- Forwarded message --
From: Allan Spagnol Comar allan.co...@gmail.com
Date: Mon, Mar 16, 2009 at 10:47 PM
Subject: Re: Help migrating a script from lilypond 2.10 to 2.12
To: Carl D. Sorensen c_soren...@byu.edu
fair is fair, when I return home I will reinstall the 2.12 and re
Hi all,
I'm writing some un-metered music, using \cadenzaOn and putting in
\bar | where I want barlines. However, the music is a lot of 8th and
16th notes, and I'd like them beamed into quarter note groups at all
times, i.e. 2 consecutive 8ths beam together, and 4 consecutive 16ths
beam
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