Carl D. Sorensen schrieb:
If I understand correctly, you have a group of interested users who are
working on defining how Tablature should behave.
You also have a couple of tablature users who are interested in becoming
Frogs and thus joining the development team (Marc is one of them, IIRC).
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at the
end should be hidden in the
2009/4/1 Christ van Willegen cvwille...@gmail.com:
On Tue, Mar 31, 2009 at 11:55 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
They vary, but Firefox has a recognised certificate
which identifies the publisher as Mozilla Corporation.
The certificate was issued by Thawte Code Signing CA.
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at
the end should be
Hello,
I have a Theme and Variations questions. I started notating a piece
what could be handled with (3.1.2 Multiple scores in a book, see also
http://lsr.dsi.unimi.it/LSR/Item?id=310). But I need a lot of layout
setup in the PianoStaff, that is bound to the \score. Further I would
like to
In message 49d32d78.8070...@gmx.net, Helge Kruse
helge.kruse-nos...@gmx.net writes
Hello,
I have a Theme and Variations questions. I started notating a piece
what could be handled with (3.1.2 Multiple scores in a book, see also
http://lsr.dsi.unimi.it/LSR/Item?id=310). But I need a lot of layout
2009/4/1 Francisco Vila paconet@gmail.com:
At the same time, you all know what's the relation between the article
and LilyPond: although not mentioned in the text, the first opera by
Valentin Villenave is licensed as free software, and it has been fully
typeset using Lily. It has been a
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function (which at
the end should
On 4/1/09 1:09 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
Would it be easier to define two separate staff commands? In my files, I
define
noten = \relative c { c d e f }
and feed this into a Staff AND a TabStaff. So, why not create a compound
Staff (called
David Stocker wrote:
Marc Hohl wrote:
I think you should also add:
\override TabVoice.Tie #'transparent = ##t
Yes, of course. But then another problem occurs: if the tie isn't
visible, it looks as if there are two distinct
notes. Therefore, I think strongly about a scheme function
Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
No matter the value of this project itself (or possibly lack thereof,
time will tell), what makes me proud is that I've been able to pursue
the path opened by people like Nicolas Sceaux, Kieren, Trevor B., Jose
Padovani and several others, and
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions performances which used Lilypond scores!
What does everyone think?
Regards,
Kieren.
___
2009/4/1 Kieren MacMillan kieren_macmil...@sympatico.ca:
This gets me to thinking... the website should have a section listing recent
productions performances which used Lilypond scores!
What does everyone think?
Sure!
Regards,
Valentin
___
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing
recent productions performances which used Lilypond scores!
What does everyone think?
Genius idea. Nicolas, are they using your
2009/4/1 Nicolas Sceaux nicolas.sce...@free.fr:
The première of Haendel's Giulio Cesare in Romania was perfomed using
a LilyPond score, as will be the première of Lully's Armide in Houston,
or instrumental pieces from Rameau's Hippolyte et Aricie next month in
New York, and the full opera next
2009/4/1 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section listing recent
productions performances which used Lilypond scores!
What does everyone think?
Definitely, it
Le 1 avr. 09 à 19:55, Jonathan Kulp a écrit :
Kieren MacMillan wrote:
Hello, all!
LilyPond scores are used for real, serious stuff.
This gets me to thinking... the website should have a section
listing recent productions performances which used Lilypond scores!
What does everyone think?
Le 1 avr. 09 à 20:17, Francisco Vila a écrit :
2009/4/1 Nicolas Sceaux nicolas.sce...@free.fr:
The première of Haendel's Giulio Cesare in Romania was perfomed using
a LilyPond score, as will be the première of Lully's Armide in
Houston,
or instrumental pieces from Rameau's Hippolyte et
I have been entering a seven part piece by Schutz; 2 voice + 5 instrumental.
To help the performers I have been making extensive use of cue notes between
all seven parts.
I have been using Lilypond 2.12.2 with the latest jedit/Lilypond tool.
Currently it is a clean, new install since I
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On Mittwoch, 1. April 2009 19:25:02 Nicolas Sceaux wrote:
Le 1 avr. 09 à 13:41, Valentin Villenave a écrit :
No matter the value of this project itself (or possibly lack thereof,
time will tell), what makes me proud is that I've been able to
On Wed, Apr 01, 2009 at 07:38:30AM +0200, Christ van Willegen wrote:
On Tue, Mar 31, 2009 at 11:55 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
They vary, but Firefox has a recognised certificate
which identifies the publisher as Mozilla Corporation.
The certificate was issued by
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