Tim McNamara schrieb:
[...]
In jazz lead sheets, the usual method is to write N.C. above the
staff (No Chord) which cues the chordal instruments and rhythm
section to stop playing to allow the break. There's a workaround that
Martial wrote to facilitate this, but it would be nice to have a
Stjepan Brbot schrieb:
In chords for chord stop usually the following sign is used: ¬
How to get this with lilypond?
Have you an example of how this should look like?
I haven't seen this mark ever before.
Marc
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Neil Puttock schrieb:
2009/5/11 Marc Hohl m...@hohlart.de:
(if (and (= left-staff-position right-staff-position)
( (ly:pitch-semitones right-pitch) (ly:pitch-semitones
left-pitch)))
-1
1 )))
This will apply an extra-dy of 1 for glissandos
Marc Hohl schrieb:
Tim McNamara schrieb:
[...]
In jazz lead sheets, the usual method is to write N.C. above the
staff (No Chord) which cues the chordal instruments and rhythm
section to stop playing to allow the break. There's a workaround
that Martial wrote to facilitate this, but it would
Tim Rowe wrote Thursday, May 14, 2009 1:18 AM
2009/5/14 Neil Puttock n.putt...@gmail.com:
In your lyrics definition, you're missing curly brackets around
the
alternatives:
\alternative
{ so }
{ do }
The { do } block isn't part of the \alternative block, so
lilypond
interprets the
I would like to reduce the vertical space between staves (aka 1-stave
systems) within one \score on a page that has two other \scores.
Once the rest of the content is added, I want to force the first \score's
staves much closer together and leave all the default automatic spacing in
place for the
(I think this bounced, forgive me if this double-posts. - D)
I would like to reduce the vertical space between staves (aka 1-stave
systems) within one \score on a page that has two other \scores. See below.
Once the rest of the content is added, I want to force the first \score's
staves much
2009/5/14 d...@haygoods.org:
I would like to reduce the vertical space between staves (aka 1-stave
systems) within one \score on a page that has two other \scores.
Once the rest of the content is added, I want to force the first \score's
staves much closer together and leave all the default
Laura Conrad lconrad at laymusic.org writes:
But when I transcribe Petrucci from the facsimile, the spacing lilypond
does always looks clunky, especially in the parts with large
note-values.
I believe Petrucci's spacing is just equal spacing for every note, no
matter what its value.
I've recently started using LilyPond. I'm enjoying it. I'm using JEdit with
the LP plugins.
I haven't been able to find an answer to this question in either the LP Help
files or the JEdit help. I'm probably not searching the index for the right
terms.
In the Editor, when I enter
rathcoffey wrote:
In the Editor, when I enter the backslash \
the editor autofills:
\melody
I have to remember each time to erase melody or else it creates errors.
It would be much more useful to have the backslash without the autofill.
How do I get rid of the autofill -
On May 14, 2009, at 1:03 AM, Marc Hohl wrote:
Tim McNamara schrieb:
[...]
In jazz lead sheets, the usual method is to write N.C. above the
staff (No Chord) which cues the chordal instruments and rhythm
section to stop playing to allow the break. There's a workaround
that Martial wrote
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like nc1 (or r1) and have it
interpreted by LilyPond as
Or the lilyAssist.dat is somehow not available in the LilyPondTool.jar
A solution could be to download LilyPondTool.jar directly from
http://www.sourceforge.net/projects/lily4jedit
Soon I will fix the build procedure and make it more stable.
Bert
MonAmiPierrot wrote:
rathcoffey wrote:
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Thanks,
Gilles
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lilypond-user@gnu.org
2009/5/14 rathcof...@comcast.net:
In the Editor, when I enter the backslash \
the editor autofills:
\melody
I have to remember each time to erase melody or else it creates errors.
It would be much more useful to have the backslash without the autofill.
How do I get rid of the autofill -
I tried to add a snippet but I get the following message : No output
from lilypond.
Is it because the LSR works with 2.10.12? If so, why not switching to
current stable release 2.12.2?
Frédéric
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When I click on an acciaccatura on the PDF, the point-and-click
feature makes jEdit open the file
/usr/local/lilypond/usr/share/lilypond/current/ly/grace-init.ly and
place the cursor inside the definition of startAcciaccaturaMusic.
Interesting, but is this on purpose?
I am able to place the
Frédéric Bron wrote:
I tried to add a snippet but I get the following message : No output
from lilypond.
Is it because the LSR works with 2.10.12? If so, why not switching to
current stable release 2.12.2?
Frédéric
It's probably because of the version. There has been discussion
recently about
On 5/14/09 9:03 AM, Gilles Sadowski gil...@harfang.homelinux.org wrote:
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Not right now. I will investigate to see if it is
On May 14, 2009, at 9:12 AM, Carl D. Sorensen wrote:
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like
I've recently started using LilyPond. I'm enjoying it. I'm using
JEdit with the LP plugins.Â
I haven't been able to find an answer to this question in either the LP
Help files or the JEdit help. I'm probably not searching the index for
the right terms.
In the Editor, when I enterÂ
2009/5/14 Carl D. Sorensen c_soren...@byu.edu:
Not right now. I will investigate to see if it is easily done.
I think the only way, short of introducing a new event class which
includes both types of rest, would be to remove the listener for rests
and instead add one for rythmic-event. You
Hi
I'm a new Lilypond user and I'm really enjoying the program so far. However
I am having difficulties typesetting a certain trill. You can see in the
attached picture what I want to achieve. I run into two difficulties:
1. How to get the two minor notes (sort of like appoggiaturas) placed
2009/5/14 Marc Hohl m...@hohlart.de:
Neil Puttock schrieb:
This will apply an extra-dy of 1 for glissandos which aren't on the
same staff-position.
No, it doesn't; at least in my test files. I have attached an example where
the
default and the corrected behaviour are compared, please
Marc Hohl wrote:
Stjepan Brbot schrieb:
In chords for chord stop usually the following sign is used: ¬
How to get this with lilypond?
Have you an example of how this should look like?
I haven't seen this mark ever before.
The only place I've seen this sign is in symbolic logic, where it
2009/5/14 Tim Reeves tim.ree...@tokamerica.com:
It shouldn't do that after typing just the backslash. It should bring up a
dropdown list of many available commands, from \accent to
\withmusicProperty. Then when you type the next letter, say 'b', it narrows
down the list to all commands
On 5/14/09 3:24 PM, Holger Hellebro hol...@gmail.com wrote:
Hi
I'm a new Lilypond user and I'm really enjoying the program so far. However I
am having difficulties typesetting a certain trill. You can see in the
attached picture what I want to achieve. I run into two difficulties:
1.
Carl D. Sorensen wrote:
On 5/14/09 3:24 PM, Holger Hellebro hol...@gmail.com wrote:
I think \graceAfter is what you're looking for.
2. How to put the natural symbol above the trill symbol. I've tried
^\markup{\tiny \natural} both before and after the \trill, but the trill
sign
2009/5/15 Carl D. Sorensen c_soren...@byu.edu:
1. How to get the two minor notes (sort of like appoggiaturas) placed
correctly after the main note, at the end of the bar. \appoggiatura seems to
always put the minor notes before the actual notes.
I think \graceAfter is what you're looking for.
Hi,
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00606.html
Does this not exactly answer the (second) question?
Regards,
Kieren.
Date: Thu, 14 May 2009 16:14:58 -0700
From: elu...@gmail.com
To: lilypond-user@gnu.org
Subject: Re: Need help with this trill
Carl D.
Glad it helped. From Francisco's answer, it looks like you could see
better behavior if you updated your jEdit. I'm using 4.3pre16. (Or maybe
he meant updating your LilypondTool. I'm not sure which.)
Tim Reeves
rathcof...@comcast.net
05/14/2009 04:57 PM
To
Tim Reeves
I've come across this a couple times - when I am inputting a song it all
works fine in \relative mode. I do some editing, some copy/paste from
one part to another, view the resulting pdf and see the octaves are all
messed up. The only way to fix them is to use absolute octave marks in
small
Chip wrote:
I've come across this a couple times - when I am inputting a song it
all works fine in \relative mode. I do some editing, some copy/paste
from one part to another, view the resulting pdf and see the octaves
are all messed up. The only way to fix them is to use absolute octave
Chip wrote:
Chip wrote:
I've come across this a couple times - when I am inputting a song it
all works fine in \relative mode. I do some editing, some copy/paste
from one part to another, view the resulting pdf and see the octaves
are all messed up. The only way to fix them is to use absolute
On Thu, May 14, 2009 at 8:05 PM, Chip c...@wiegand.org wrote:
Chip wrote:
I've come across this a couple times - when I am inputting a song it all
works fine in \relative mode. I do some editing, some copy/paste from one
part to another, view the resulting pdf and see the octaves are all
It doesn't work correctly - it appears Scheme doesn't like the second
use of the variable?
verseNumber = #(define-music-function (parser location markp) (string?)
#{
\set vocalName = $markp
\set shortVocalName = $markp
\override InstrumentName #'X-offset = #2
\override
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