Would it be technically feasible/possible to establish a system of
anchors instead?
This would be indeed a great feature!
Werner
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Federico Bruni schrieb:
Hi all,
I'm trying to add hammer-on and pull-off to a tablature.
These are not supported by tablature.ly, so I was told to use an .eps
file and \markup to get what I want.
Hi Federico,
as long as you need simple slurs to indicate hammer-on and pull-off,
you'll have
Federico Bruni schrieb:
Marc Hohl wrote:
Federico Bruni schrieb:
Hi all,
I'm trying to add hammer-on and pull-off to a tablature.
These are not supported by tablature.ly, so I was told to use an
.eps file and \markup to get what I want.
Hi Federico,
as long as you need simple slurs to
On 7/22/09 8:29 AM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi all,
Just adding my 2ยข...
I might disagree. I'm big on semantics, and I would rather have a
lot of commands that create the same look but mean different
things, than have one command that creates a look which
Dear LilyPonders,
after some weeks of beta testing (thanks goes to those who tested and
reported problems), I've released the latest version of LilyPondTool to
the jEdit plugin central. Hopefully it will be soon available for
download from the plugin manager.
But they, who can't wait until
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory. You'll
just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a file called init.el It
To clarify, replace everything between the with the exact syntax and
spelling of your site-lisp directory. I just realized that bold and
italic may show up on some people's system as * * and extra / /
David
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond. However,
there's a construction in which I run into problems.
I've attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are connected to a chord, but the
highest notes are
Carl Sorensen wrote:
For me, I think the correct musical semantics argument overrides the
don't expand the namespace argument.
Pardon my ignorance, but is there a legitimate downside to expanding
the namespace? Does it affect performance speed? Eat up memory? Or is
it just that it makes the
Hi all,
I have two problems with endings of volta repeats:
1) I have a volta repeat with an alternative ending, like this:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\repeat volta 2 { r4 f r f }
\alternative { { r f r f } { r f r a, } }
d a d a
The two endings should have
Felix Krause wrote:
Hi all,
I have two problems with endings of volta repeats:
1) I have a volta repeat with an alternative ending, like this:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\repeat volta 2 { r4 f r f }
\alternative { { r f r f } { r f r a, } }
d a d a
The two
David Stocker wrote:
To clarify, replace everything between the with the exact syntax
and spelling of your site-lisp directory. I just realized that bold
and italic may show up on some people's system as * * and extra / /
Thanks!
I'll try this later today on my laptop. (running Debian
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to
set up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory.
I don't see
Oscar van Eijk wrote:
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond.
However, there's a construction in which I run into problems. I've
attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are connected to a
James E. Bailey wrote:
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp
How can I raise or lower the metronome marking in the following example:
\version 2.12.2
c'' {
\clef treble
\time 2/4
\tempo 4 = 120
c e
}
Any guidance? Thanks for your help!
-
Josh Nichols
SDG
___
Mark Polesky wrote:
Oscar van Eijk wrote:
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond.
However, there's a construction in which I run into problems. I've
attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a clear advantage.]
Cheers,
Kieren.
___
lilypond-user mailing list
Josh Nichols wrote:
How can I raise or lower the metronome marking in the following example:
\version 2.12.2
c'' {
\clef treble
\time 2/4
\tempo 4 = 120
c e
}
Any guidance? Thanks for your help!
Hi, Josh,
try
\once \override Score . MetronomeMark #'padding = #42
for
Alexander Kobel wrote:
Ah, I think you mean something like this?
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Keyboards#Indicating-cross_002dstaff-chords-with-arpeggio-bracket
I know the L-shaped form, too; probably one can adapt the
solution from the snippet above and cut out
On 7/23/09 12:28 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a clear advantage.]
I don't think it's
Hi,
Thanks and thanks for your work !
Just a litle mistakes
Menu Plugins
LilyPondTool
Block
{}
donein place of { }
and
Menu Utilities
Global Option
JEdit
Shortcuts Plugin: LilyPondTool
There are no blocs { }'
Regards
--
Martial
Mark Polesky wrote:
Does anyone have a suggestion?
Some time back I chose this missing bracket as a theme for a Scheme exercise.
Nothing revolutionary, just to get some practice in Scheme.
It has the limitations arising from misusing Arpeggio.
I found it needed a lot of different tweaks
On 07/23/2009 01:24 PM, ian rashkin wrote:
hi, am a total newbie to lilypond, but way impressed, hope to use it a lot.
interested in outputting clips as png, so trying various combinations, all of
which are the same result.
file scale.ly:
\version 2.12.0 % necessary for upgrading to future
Instead of putting a single, double, or triple slash tremolo on a snare drum
note, how do you add the z as a roll?
\version 2.12.2
\drums {
sn4 sn8 sn sn4 sn4:32
sn8 sn16 sn sn sn8 sn16 sn8 sn sn4
}
How would I add the z marking to the red snare example?
--
Matthew R. Nichols
Therefore do
Hello,
I am a Dutch composer who moved to Sweden to live there.
Till I lived here in Sweden, I always used Finale, which I bought in Holland
legally...but now they sent awful blockings, so that I had to register
again...but did not have the registration-number anymore...
And now all of my
Carl Sorensen schrieb:
On 7/23/09 12:28 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi Mark,
is there a clear advantage to having a smaller namespace?
No need to maintain crossrefs and aliases in the documentation.
[Might not be a huge thing, but it's a clear
27 matches
Mail list logo
