Carl Sorensen schrieb:
[...]
The *specific* behavior you have requested can be achieved by the following:
#(define myBool #f)
myMusicFunc =
#(define-music-function (parser location) ()
#{
\once \override Slur #'dummyProperty = ##t
#})
#(define-public (slur::boolean grob)
;; just
Dear community,
because I have unhappy with the placement of the tenuto-sign in combination
with the accent, I've made a little scheme-script for to change it.
Unfortunately, it doesn't work any more, and I don't know, what could be the
reason.
Here is ve short example:
\version 2.13.0
ta =
Hello,
I've been using Lilypond to draw examples for my
counterpoint tutorial website at:
http://homepage.eircom.net/~gerfmcc/fugue.html
The staff lines are somewhat blurred. What is the
likely reason for this? (I'm converting the output to
.png with {lilypond --png file.ly} )
(As I state on
Dear community,
when compiling my most recent score, I get an strange error message, taht I
don't understand. And I don't get any output!
Any idea, how I can switch it off?
GNU LilyPond 2.13.3
Processing `xeno04.ly'
Parsing...
warning: transposition by bis makes alteration larger than double
Stefan Thomas wrote:
Dear community,
when compiling my most recent score, I get an strange error message,
taht I don't understand. And I don't get any output!
Hi, Stefan,
I'm afraid it's nearly impossible to get an idea of what's going on as
long as we can't see your input file.
If you're
Stefan Thomas wrote:
warning: cannot find or create new `Dynamics'
warning: cannot find or create new `Pedal'
programming error: (de)crescendo on items with specified volume.
continuing, cross fingers
MIDI output to `xeno04.midi'...
Solving 1 page-breaking chunks...[1: 2
On Mon, Aug 10, 2009 at 6:15 AM, Gerard McConnell gerry...@indigo.iewrote:
Hello,
I've been using Lilypond to draw examples for my
counterpoint tutorial website at:
http://homepage.eircom.net/~gerfmcc/fugue.htmlhttp://homepage.eircom.net/%7Egerfmcc/fugue.html
The staff lines are somewhat
On 8/10/09 1:54 AM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
[...]
The *specific* behavior you have requested can be achieved by the following:
#(define myBool #f)
myMusicFunc =
#(define-music-function (parser location) ()
#{
\once \override Slur
Hi Jonathan,
I also have a counterpoint project going, info here in you're
interested:
http://music2.louisiana.edu/Gratis/
Nice job on the title — the pun is amazing! =)
Kieren.
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Hi,
I am sorry for not contributing to this thread that I started. I am
currently writing (pencil and paper) a saxophone concerto and I am
really into it. This is the piece that inspired the 8/4 measures. I
have stopped typesetting because I am so focused on the actual music. I
feel bad
On Mon, Aug 10, 2009 at 8:47 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Jonathan,
I also have a counterpoint project going, info here in you're interested:
http://music2.louisiana.edu/Gratis/
Nice job on the title — the pun is amazing! =)
Kieren.
Thanks, Kieren. It
Hi,
I am trying to typeset some 16th century hymns with lilypond.
I mostly can make it work, but I have a few remaining problems.
My working file is:
http://www.loria.fr/~roegel/tmp/questions.ly
My problems are the following:
1) I would like to show the tempo with mensural notes, not as
Denis == Denis Roegel denis.roe...@loria.fr writes:
Denis 2) the ligrature \[g1( f)\] comes out with a slur, but I
Denis would like to avoid the slur; however, if I remove
Denis (...), the synchronization of the lyrics is screwed up
Denis ; how can I put one
Maybe it used to read -\tweak #'extra-offset #'(6.2 . -5.6)
Cheers,
Robin
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(sorry for the duplicate message, the first one bounced)
My 2 cents...
1) The 1891 Breitkopf Härtel edition of Brahms' Piano Trio
Op.8 (1889 version) has the smaller staves exactly 2/3
the height of the larger staves. Click Complete score:
\override Slur #'transparent = ##t
\version 2.12.0
\addInstrumentDefinition #mensuralf3
#`( (clefGlyph . clefs.mensural.f)
(middleCPosition . 4)
(clefPosition . 0))
\instrumentSwitch mensuralf3
Thanks, this works fine. However, is there a way to increase the size
of this clef?
Hi,
I would like to set the tempo for the MIDI file, but not display
the tempo information at the beginning of the score. Is this possible?
Thanks,
Denis
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Hi,
sometimes I want to discuss some details of a score, and I want to
use the note symbols alone, without any staff. For instance,
I may want to say that a breve is equal to two semibreves, and have
the right symbols, and no staff. How can I achieve this?
Thanks,
Denis
Hello,
as I have an italian keyboard/system in windows XP, I believe I don't have a
key for character ~. Is there a way to set it in a dead key in jEdit?
Help me please with my ligatures, or I'll live forever in a staccato
world!!!
Piero
-
Piero Faustini
Main Software used:
- LyX 1.6.2 on
On Mon, Aug 10, 2009 at 10:09 AM, denis.roe...@loria.fr wrote:
Hi,
I would like to set the tempo for the MIDI file, but not display
the tempo information at the beginning of the score. Is this possible?
Thanks,
Denis
Yes, you can set it in the \midi block, although the format is a bit
On Mon, Aug 10, 2009 at 10:35 AM, Jonathan Kulp jonlancek...@gmail.comwrote:
On Mon, Aug 10, 2009 at 10:09 AM, denis.roe...@loria.fr wrote:
Hi,
I would like to set the tempo for the MIDI file, but not display
the tempo information at the beginning of the score. Is this possible?
Thanks,
Hi,
if I start a score with \clef treble \clef bass,
I only get the bass \clef. Is it possible to have both appear,
one after the other, even though there is no note for the treble \clef?
Thanks,
Denis
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On Mon, Aug 10, 2009 at 10:18 AM, denis.roe...@loria.fr wrote:
Hi,
sometimes I want to discuss some details of a score, and I want to
use the note symbols alone, without any staff. For instance,
I may want to say that a breve is equal to two semibreves, and have
the right symbols, and no
Carl Sorensen schrieb:
On 8/10/09 1:54 AM, Marc Hohl m...@hohlart.de wrote:
Carl Sorensen schrieb:
[...]
The *specific* behavior you have requested can be achieved by the following:
#(define myBool #f)
myMusicFunc =
#(define-music-function (parser location) ()
#{
\once
On 10.08.2009, at 17:47, denis.roe...@loria.fr wrote:
Hi,
if I start a score with \clef treble \clef bass,
I only get the bass \clef. Is it possible to have both appear,
one after the other, even though there is no note for the treble
\clef?
Thanks,
Denis
Does anyone know if Feta font is available for any notation software (i.e.
Sibelius, Finale, etc.)?
I really enjoy the look and feel of the font, and I enjoy the engraver
quality, but I would like to intertwine pieces that I engrave in notation
software as well as LilyPond.
Any help?
Stefan Thomas wrote:
Dear Alexander,
I still have this strange error-message.
The strange thing is:
At the moment, it works, but if I compile the whole piece, I get
problems, and nothing is compiled.
I send You the score (as a zip-file, because it consists of many parts),
maybee You ore
Does anyone know if Feta font is available for any notation software (i.e.
Sibelius, Finale, etc.)?
Lilypond's font are freely available. However, I have absolutely no
idea how those other notation programs access the fonts: which
encoding they use, how the metrics must look like...
You
Jonathan Kulp wrote:
sometimes I want to discuss some details of a score, and I want to
use the note symbols alone, without any staff. For instance,
I may want to say that a breve is equal to two semibreves, and have
the right symbols, and no staff. How can I achieve this?
This snippet
MonAmiPierrot wrote:
as I have an italian keyboard/system in windows XP, I believe I don't have a
key for character ~. Is there a way to set it in a dead key in jEdit?
Help me please with my ligatures, or I'll live forever in a staccato
world!!!
Piero,
Save the following one-line file as
Quoting Jonathan Kulp jonlancek...@gmail.com:
Yes, you can set it in the \midi block, although the format is a bit more
convoluted. Here's an example where the quarter is set to 160 beats per
minute:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 160 4)
}
}
Save the following one-line file as Insert_Tilde.bsh in your
/.jedit/macros directory:
textArea.setSelectedText(~);
Go to: Utilities Global Options jEdit Shortcuts
In the Filter field, you can start typing Insert Tilde to
help you find it in the list of commands. Click in the
If you're still looking for a pop song and if a CC license is good
enough, you can take mine:
http://angerweit.tikon.ch/lieder/lied.php?src=hraban/agradini
It's a italo-kitsch like piece in a nonsense language.
If you'd like to take it, I'll provide a LilyPond file that someone
can enhance
Hi all,
I would like to engrave a piece with polyphonic elements both traditionally
(with noteheads) and with tablature. I found the snippet polyphony in
tablature and it works fine. But: as I have only a few bars of polyphonic
music I didn't want to use two voices so I tried to typeset it as
In your \score block, you can use something like
\tempo 4 = 64
\tempo \markup { }
Which prevents the tempo marking from being displayed.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
It's a matter of not enough dots to have dots in all the right places.
o
o
o
o
Imagine three lines have to be shown by turning on the dots above.
The top and the bottom row line right up with rows
2009/8/10 Joe Neeman joenee...@gmail.com:
If there's a \bar and a clef in the same place, then the
BreakAlignGroup will have a non-empty extent, but I think we still want
the column to be loose.
I'm not sure that's desirable; see for example the following snippet,
where the clef is spaced
Hello,
I'm trying to do some cross-staff beams in the middle of a piano staff.
They seem to work pretty well, but I think the beaming is wrong.
In beat 2, the 6-tuplet starts in the right-hand. I don't have the
Kurt Stone book on modern notation in front of me, but if I remember
correctly,
Jonathan Wilkes wrote:
I'm trying to do some cross-staff beams in the middle of a piano staff.
They seem to work pretty well, but I think the beaming is wrong.
In beat 2, the 6-tuplet starts in the right-hand. I don't have the
Kurt Stone book on modern notation in front of me, but if I
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