Reedmace Star wrote:
The layout overrides may still be useful for scores where there is
occasional small overlap between the voices, though.
I wonder how this would look like!
cheers
Eluze
--
View this message in context:
* 2012-03-17 08:47 +0100 -Eluze:
Reedmace Star wrote:
The layout overrides may still be useful for scores where there is
occasional small overlap between the voices, though.
I wonder how this would look like!
Well, like this:
\version 2.14.2
\layout {
\context {
\Lyrics
- Original Message -
From: Wilbert Berendsen wbs...@xs4all.nl
To: lilypond-user@gnu.org
Sent: Friday, March 16, 2012 8:40 PM
Subject: LilyPond in/not in Windows PATH (Re: Point-and-click on
Frescobaldi?)
Op Thu, 15 Mar 2012 07:36:33 -0400
Father Gordon Gilbert fatherg...@gmail.com
Hello list,
What dynamic is in measure 3 after the repeat? p or f?
And yes, I know it is better to write something explicit than implicit.
I personally would write a new dynamic sign after ||: but how to
interpret it if somebody did it like in the picture?
Nilsattachment:
- Original Message -
From: Nils l...@nilsgey.de
To: lilypond-user@gnu.org
Sent: Saturday, March 17, 2012 11:30 AM
Subject: musical logic: what dynamic after the repeat (picture attached)?
Hello list,
What dynamic is in measure 3 after the repeat? p or f?
And yes, I know it is
Dear List,
I have four horns playing in an orchestra like this:
\new GrandStaff
\set GrandStaff.instrumentName = #Corni
\set GrandStaff.shortInstrumentName = #Cor.
\new Staff {
\set Staff.instrumentName = #I
\set Staff.shortInstrumentName = #I
\corI
}
On Sat, Mar 17, 2012 at 9:31 PM, Frank Steinmetzger war...@gmx.de wrote:
The first one, lyrics.png, shows a page created by both 2.12 and 2.14. Thanks
to the smaller space between a staff and its lyrics, the systems now become
less high. This is often a good thing, as it allows to get more on
Reedmace Star wrote:
* 2012-03-17 08:47 +0100 -Eluze:
Reedmace Star wrote:
The layout overrides may still be useful for scores where there is
occasional small overlap between the voices, though.
I wonder how this would look like!
Well, like this:
…
looks good!
--
View this
At Thu, 15 Mar 2012 21:57:35 +0100,
Janek Warchoł wrote:
On Thu, Mar 15, 2012 at 4:35 PM, James Harkins jamshar...@gmail.com wrote:
I'm getting a bit confused about the use of variables to reflect the
structure of the music, or the distribution of notes between different
voices etc.
At Tue, 13 Mar 2012 11:33:30 -0500,
David Nalesnik wrote:
Hi Mike,
Excellent work!
I'm glad you think so!
BTW, I didn't mention before, but it looks like I'm going to be using that
feathered-beam function, derived from work by David, and this box-notation
function, also coming from
Frank Steinmetzger Warp_7 at gmx.de writes:
[...] However, this is one of the cases where it leads to a lot of
empty room between system. What would be a good way to make the
overall appearance a bit lighter by un-squeezing the systems?
Essentially, I would like to make the basic line
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