2012/3/19 Father Gordon Gilbert fatherg...@gmail.com:
Hi all,
I've been scouring the manuals for how to make some notes within a piece
smaller than the surrounding ones. Where on earth do I find that reference?
In the following construction, the three chords should be smaller than
the
Op Sat, 17 Mar 2012 11:05:59 -
Phil Holmes m...@philholmes.net schreef:
- Original Message -
From: Wilbert Berendsen wbs...@xs4all.nl
But in upcoming Frescobaldi 2.0.5 I have added some additional
logic to look for LilyPond in other locations, even if they are not
in the
Am 19.03.2012 00:28, schrieb luis jure:
hello list,
i'm transcribing a fragment of a blues recording, and i'm trying to solve
how to notate all the pitch deviations present in the voice and guitar.
i'm combining the use of plain glissandi, bendAfter, and grace
notes with \hideNotes and
on 2012-03-19 at 10:59 Marc Hohl wrote:
I wrote an extension for lilypond some time ago, which provides bends
and stuff. I didn't manage to get this nicely into lilypond, but
meanwhile, have a look at the attached files.
like wow! what a fantastic set of tools! thank you very much, marc. in my
2012/3/19 luis jure l...@internet.com.uy:
like wow! what a fantastic set of tools! thank you very much, marc. in my
case, i'm using this kind of notation exceptionally, but i can see how
this would be a *great* addition to lilypond.
+1
http://code.google.com/p/lilypond/issues/detail?id=1196
I have recently converted from jedit to Frescobaldi and like what I find. In
particulr FB can accept files on a netdrive almost. The
problem I find is that the fonts for headers are not found the text ends up as
little boxes or parts of boxes. When looking at
Netdrive files FB doesn't indicate
Dear LilyPond Friends,
Our development team asks for your help - can you spare 5 minutes a
week for Lily? No programming skills are required, all you need is a
web browser; reading instructions takes less than 2 minutes. See
here:
Peter,
On 19 March 2012 13:50, Peter Gentry peter.gen...@sunscales.co.uk wrote:
I have recently converted from jedit to Frescobaldi and like what I find. In
particulr FB can accept files on a netdrive almost. The problem I find is
that the fonts for headers are not found the text ends up as
On Mon, Mar 19, 2012 at 3:07 PM, Nick Baskin amphio...@gmail.com wrote:
2012/3/19 Siska Ádám sa...@sadam.hu
I tried to log in as a new user, but I'm getting the attached error (the
address generating this error is
http://www.philholmes.net/lilypond/regtests/makepassword.aspx)
I received the
Fixed now. I'd tested it as an existing user, but not adding a new one :-(
Phil Holmes
- Original Message -
From: Siska Ádám sa...@sadam.hu
To: Janek Warchoł janek.lilyp...@gmail.com
Cc: LilyPond Users lilypond-user@gnu.org
Sent: Monday, March 19, 2012 2:02 PM
Subject: Re: please
On Mon, Mar 19, 2012 at 4:11 PM, Phil Holmes m...@philholmes.net wrote:
Fixed now. I'd tested it as an existing user, but not adding a new one :-(
I confirm that it's fixed - successfully added new users with Firefox
on Ubuntu and Chrome on Windows.
Thanks, Phil!
And thank you, Nick and Adam,
On Sat, Mar 17, 2012 at 9:53 PM, Joe Neeman joenee...@gmail.com wrote:
There are two competing desires here: you want the systems to be spaced
more-or-less evenly (ie. with a similar amount of space between the staves),
and you want the white space between the systems to be more-or-less
Dear Luis,
Lionel Rascle is working on this sorta thing.
You can e-mail him at le...@free.fr for some code.
Cheers,
MS
On Mar 19, 2012, at 12:28 AM, luis jure wrote:
hello list,
i'm transcribing a fragment of a blues recording, and i'm trying to solve
how to notate all the pitch
Am 19.03.2012 17:35, schrieb m...@apollinemike.com:
Dear Luis,
Lionel Rascle is working on this sorta thing.
You can e-mail him at le...@free.fr for some code.
Hey, that's interesting. Does he know about my work and the
long discussions with Carl about the syntax and stuff?
It would be
Am 19.03.2012 12:34, schrieb luis jure:
on 2012-03-19 at 10:59 Marc Hohl wrote:
I wrote an extension for lilypond some time ago, which provides bends
and stuff. I didn't manage to get this nicely into lilypond, but
meanwhile, have a look at the attached files.
like wow! what a fantastic set
On Mar 19, 2012, at 7:14 PM, Marc Hohl wrote:
Am 19.03.2012 17:35, schrieb m...@apollinemike.com:
Dear Luis,
Lionel Rascle is working on this sorta thing.
You can e-mail him at le...@free.fr for some code.
Hey, that's interesting. Does he know about my work and the
long discussions with
Dear List,
I noticed that when a glissando with a decrescendo hairpin attached to it is
broken into multiple lines, the 'al niente' sign is printed just before the
break. This is rather confusing, as one might think that the end-note of the
glissando, which appears in the next line, is
Hi,
I've found a serious difference in behaviour between lilypond-book 2.12.3
and 2.15.34:
If you include a LilyPond file in your LaTeX document using
\lilypondfile{file.ly}
and this file includes another file using
\include anotherfile.ly
everything is OK. But then you want to include one more
On Fri, Mar 9, 2012 at 10:29 PM, Nick Payne nick.pa...@internode.on.netwrote:
I would expect that all four beams should be subdivided, but only the
second beam in the bar is being subdivided:
\version 2.15.33
\relative c' {
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\set
David Nalesnik david.nales...@gmail.com writes:
Hi Ádám,
Unfortunately the curly brace created for these four instruments
is way too wide. Is there a way to shrink the vertical size of the
curly brace for the GrandStaff (so that it would have the same
width as the curly
2012/3/19 Siska Ádám sa...@sadam.hu
Dear Janek,
I tried to log in as a new user, but I'm getting the attached error (the
address generating this error is
http://www.philholmes.net/lilypond/regtests/makepassword.aspx)
Best,
Ádám
On 2012.03.19., at 14:55, Janek Warchoł wrote:
Dear
Hello all.
It's my first ever reply to a forum anywhere, so if I've done something
wrong I apologise.
I should say that in lieu of any further editorial marks or cautionary
reminders, the dynamic would be p until the end of the music. My crude
litmus test would be to imagine the music written
Unless forte is considered to be in effect also at the beginning of the
second volta, the attached example becomes strange. (Edited with a music
engraving software called GIMP.)
Regards,
Jonas Olson
attachment: repeat_dynamics.png___
lilypond-user
Jonas Olson wrote:
Unless forte is considered to be in effect also at the beginning of the
second volta, the attached example becomes strange. (Edited with a music
engraving software called GIMP.)
Well, yes, I think most publishers would actually put the notation f-p
at the beginning of the
On Mon, Mar 19, 2012 at 9:05 AM, Janek Warchoł janek.lilyp...@gmail.comwrote:
On Sat, Mar 17, 2012 at 9:53 PM, Joe Neeman joenee...@gmail.com wrote:
There are two competing desires here: you want the systems to be spaced
more-or-less evenly (ie. with a similar amount of space between the
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