Hi Erik,
Congrats, great work!
Cheers,
Pierre
2017-08-29 23:04 GMT+02:00 Erik Ronström :
> Hi folks,
>
> I just wanted to say that in July, we published a reprint of
> Gotlandstoner, a collection of about 500 traditional fiddle tunes from
> Gotland, Sweden. The reprint was typeset
erik wrote
> Hi folks,
>
> I just wanted to say that in July, we published a reprint of
> Gotlandstoner, a collection of about 500 traditional fiddle tunes from
> Gotland, Sweden. The reprint was typeset with Lilypond.
>
> Lilypond has been both a prerequisite and an important inspiration for
>
On Tue, Aug 29, 2017 at 1:46 PM, Simon Albrecht wrote:
> Hi Evan,
>
>
> On 29.08.2017 22:26, Evan Laforge wrote:
>>
>> In music where the time signature changes a lot, it's nice to show the
>> time signature on each line even when it hasn't changed.
>
>
> Are you sure? Who
Hi folks,
I just wanted to say that in July, we published a reprint of Gotlandstoner, a
collection of about 500 traditional fiddle tunes from Gotland, Sweden. The
reprint was typeset with Lilypond.
The entire material is available on www.gotlandstoner.se, both the final PDF
file used for
Hi David,
> I like the chutzpah of this off-the-cuff approximation, though.
Agreed!
As I recall, Graham was never known for a conspicuous lack of chutzpah… ;)
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email:
Kieren MacMillan writes:
> Hi Xavier,
>
>> For correct alignment of "dynamic + text" (or "text + dynamic") I used
>> to rely on Graham's "make-dynamic-extra" function, which worked well.
>
> It's hardly perfect, though — for example, the dynamic isn't centred
>
I'm accustomed to using a short glissando line to indicate a rapid
glissando between notes. What I mean is that given 'c1 \glissando |
d1', the implication is that the player spends the whole duration
slowly moving. But if I want something like 'c2~ c4~ c8 c8 \glissando
| d1', then I omit the
Hi Evan,
On 29.08.2017 22:26, Evan Laforge wrote:
In music where the time signature changes a lot, it's nice to show the
time signature on each line even when it hasn't changed.
Are you sure? Who does that? I looked in the very finely engraved full
score of Stravinsky’s Sacre, and
Hi Xavier,
> For correct alignment of "dynamic + text" (or "text + dynamic") I used
> to rely on Graham's "make-dynamic-extra" function, which worked well.
It's hardly perfect, though — for example, the dynamic isn't centred correctly
here:
%%% SNIPPET BEGINS
\version "2.19.64"
#(define
In music where the time signature changes a lot, it's nice to show the
time signature on each line even when it hasn't changed. Is there a
way to get that to happen?
I experimented with the (undocumented?)
TimeSignature.break-visibility, but even with (#t #t #t) it doesn't
seem to have any
Thank you so much! I think this will help me.
Best,
Alvaro
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Sent from the User mailing list archive at Nabble.com.
On 16 August 2017 at 03:50, Kieren MacMillan
wrote:
>
> Hello all,
>
> The snippet below includes Janek's \dynamic function, which has a rather
lovely interface.
> Unfortunately, it doesn't align leading dynamics as expected (i.e.,
centered on the notehead).
>
>
Am 29.08.2017 um 18:09 schrieb Simon Albrecht:
> https://sourceforge.net/p/testlilyissues/issues/3729/
>
> Best, Simon
This is the first time I encountered something not yet perfect in
Lilypond. Thank you all for the almost perfect code.
Bernhard
--
spitzhalde9
D-79853 lenzkirch
Does anybody knows where I can find any regex expression to match lilypond
notes and chords?
g.
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https://sourceforge.net/p/testlilyissues/issues/3729/
Best, Simon
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Hi Brian,
> Anyone know how to extend the ties, or inversely, get the whiteout area to be
> narrower (or follow the outline of the numbers themselves)?
\once \override Staff.TimeSignature.whiteout-style = #'outline
\once \override Staff.TimeSignature.whiteout = #1
Although I don't know if you
Just as the errormsg says:
set avoid-slur = #'ignore
e.g. inside the \layout block for \context \voice add
\override AccidentalSuggestion.avoid-slur = #'ignore
Kind regards,
Michael
> Bernhard Kleine hat am 29. August 2017 um 15:28
> geschrieben:
>
>
> The
Hello,
> On Aug 29, 2017, at 9:26 AM, alvarocaceresmunoz
> wrote:
>
> I am writing an arrangement for the song "Mobius Part I" by Chimp Spanner.
> For most part of the song, both the bass drum and the guitar play the same
> rhythm.
>
> I want to make my code as
The appended extract raises the following warnings :
> Processing `F:/Meine
> Noten/EigeneNoten/UneParVoix/Martin-Luther-1524-Aus-tiefer-Not.ly'
>
> Parsing...
>
> Interpreting music...[8][16]
>
> F:/Meine
> Noten/EigeneNoten/UneParVoix/Martin-Luther-1524-Aus-tiefer-Not.ly:35:71:
> warning:
I am writing an arrangement for the song "Mobius Part I" by Chimp Spanner.
For most part of the song, both the bass drum and the guitar play the same
rhythm.
I want to make my code as compact as possible, so that it is more logical,
less error-prone, and easier to edit. I wondered if it is
2017-08-29 14:27 GMT+02:00 Thomas Morley :
> 2017-08-27 22:34 GMT+02:00 David Kastrup :
>
>> You are right that fold-matches is probably not worth the trouble in
>> brain contortion here: processing the result from list-matches should be
>> good enough
2017-08-27 22:34 GMT+02:00 David Kastrup :
> You are right that fold-matches is probably not worth the trouble in
> brain contortion here: processing the result from list-matches should be
> good enough without overflowing memory.
I now come up with (only markup again):
Brian kozaczek wrote
> Hi All,
>
> How do I break ties from a chord (single voice) that overlap a changed
> time signature in the next measure?
>
> Thanks,
>
> Brian
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